[{"data":1,"prerenderedAt":601},["ShallowReactive",2],{"subject-jun-dui":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2973,"jun-dui","军队","军队画高清赏析","精选中国历代军队题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe557b4627ad06ba5104cc52df3b1b26d.jpg",0,55,[14,48,65,76,92,109,122,135,157,168,183,192,204,219,233,243,253,264,274,284,292,302,312,320,328,336,349,358,367,375,382,389,401,411,420,428,439,447,456,463,471,479,489,497,504,512,519,526,533,549,558,568,577,583,592],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":39,"material":40,"size":41,"collection":42,"collections":43,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},233082,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-233082","平定苗疆战图册","清","佚名","北京故宫博物院","清朝宫廷内绘制的大量画幅，在清王朝覆灭之前，大部分均藏储于宫中及皇家园林行宫内。其中一部分于咸丰十年（1860）和光绪二十六年（1900），英法联军及八国联军侵华时遭到劫掠，或被毁坏，或流失海外，清亡后亦有少量散佚，而主要部分后来都成为在明、清皇宫基础上建立起来的北京故宫博物院的藏品。现在，清代的宫廷绘画，除了少量分藏于境内外其他一些博物馆外，比较集中地收藏于北京故宫博物院和台北故宫博物院。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,7,37,38],"国画","书画","册","设色","工笔","界画","人物","山水","马","小桥","楼阁","山石","树木","旗帜","战阵","服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb44c58ab354d81ed622cd3e2e54cb07.jpg","纸本","纵55.4cm，横90.8cm","山水画精选",[42,44,45],"人物画精选","设色画精选",37,"BDBDBD",{"id":49,"slug":50,"title":51,"dynasty":52,"author":53,"museum":54,"description":55,"tags":56,"thumbUrl":61,"material":62,"size":62,"collection":62,"collections":63,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":64},228440,"bian-qiao-hui-meng-tu-chou-ying-228440","便桥会盟图","明","仇英","美国弗利尔美术馆","画卷起首旌旗列阵，甲士森然，仪帐整肃尽显阵列威仪。烟柳垂杨衔接着迤逦青绿山峦，笔墨晕染出郊野的开阔沉静。转至卷右，层叠山坳间人马错杂，战场的紧绷感在青绿山色间暗涌。\n\n全作用色古雅厚重，赭黄绢底晕开石青石绿，让沉郁的历史氛围感浸透画卷。方寸间人物姿态鲜活分明，人马旌旗、山川林泉排布疏密有致，将盟约前后的张弛节奏暗藏于山水长卷之中，把宏大叙事融于青绿山水的雅致意境，铺展出一段藏在笔墨间的往昔风云。",[57,23,58,59,27,26,60,30,29,31,35,36,34,7],"高清","名画","长卷","青绿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d809453efefbe7ab56381e63a8c0a93.jpg","",[],"795548",{"id":66,"slug":67,"title":68,"dynasty":18,"author":19,"museum":20,"description":69,"tags":70,"thumbUrl":73,"material":40,"size":41,"collection":62,"collections":74,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":47},233080,"ping-ding-zhong-miao-zhan-tu-ce-yi-ming-233080","平定狆苗战图册","清乾隆五十九年（1794年），湖南、贵州的苗民起义失败后，小规模的苗民起义仍然不断，清政府同样采取了大举镇压的军事策略。嘉庆二年（1797年）贵州南笼（今安龙）苗寨民妇王囊仙率当地苗民起义，嘉庆帝命云贵总督勒保督师征剿。此套图表现的就是当时清廷对苗民起义的镇压。四幅图依次为：剿捕仲苗南笼围解、攻克洞灑当丈贼巢、攻克北乡巴林贼巢、剿净仲苗余党。",[23,25,26,29,30,71,72,7],"历史画","战争","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F678b179be2d2ca9678f2317e147f0d1c.jpg",[],17,{"id":77,"slug":78,"title":79,"dynasty":80,"author":81,"museum":82,"description":83,"tags":84,"thumbUrl":89,"material":62,"size":62,"collection":62,"collections":90,"showCount":91,"zanCount":11,"manualWeight":11,"mainColor":47},226560,"bian-qiao-hui-meng-tu-juan-chen-ji-zhi-226560","便桥会盟图卷","宋","陈及之","藏地不详","《便桥会盟图》卷，元，陈及之作，纸本，白描，纵36厘米，横774厘米。\n该图旧作辽画，实误。款署“祜申仲春中浣富沙竹坡陳及之作”，据考，“祐申”为元代延祐庚申年的缩写。\n该卷画“便桥会盟”故事，全图共绘246人，180匹马和4头骆驼，堪称是元代绘人马最多、物景最宏大的历史画。全卷可分为三大部分，第一段，绘以党项人为主的各类马上运动和马戏表演，第二段，绘游牧之骑，以此过渡到第三段，绘便桥会盟故事，画突厥首领颉利在便桥桥头向秦王李世民求和的情景。\n全卷以白描线条绘成，得北宋李公麟遗韵。飞动自如的线条展现出人马极强的运动感，强劲之处，顿挫有力，洒脱之笔，圆转不滞。画中人马，虽盈寸方，但神情毕肖，尽见风采，细微之处，不失博大。\n清《石渠宝笈·初编》著录。",[57,58,23,59,85,27,32,29,31,30,35,86,87,7,88],"白描","山峦","河流","骑兵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fb0ffce4747f42da84e0ed6e532f9db.jpg",[],15,{"id":93,"slug":94,"title":95,"dynasty":18,"author":96,"museum":82,"description":97,"tags":98,"thumbUrl":105,"material":106,"size":62,"collection":62,"collections":107,"showCount":108,"zanCount":11,"manualWeight":11,"mainColor":47},216841,"zhan-zheng-tong-ban-hua-3-lang-shi-ning-216841","战争铜版画-3","郎世宁","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[99,100,72,71,29,101,7,102,103,104],"铜制","版画","战马","营地","帐篷","山地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa78fcb5bcb1faa51de7c5020c331aeb9.jpg","水墨",[],13,{"id":110,"slug":111,"title":17,"dynasty":18,"author":19,"museum":82,"description":112,"tags":113,"thumbUrl":119,"material":62,"size":62,"collection":44,"collections":120,"showCount":121,"zanCount":11,"manualWeight":11,"mainColor":47},238638,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-238638","全景式铺展西南崇山战事，左侧隘楼雄峙，苗民凭险据守，河谷中短兵相接，刀戈交错间硝烟翻涌，清军列阵衔枚疾突，将平乱鏖战的肃杀张力尽数铺陈。\n刀工笔触细致入微，山石褶皱、将士甲胄纹理皆清晰可辨，既还原了山地地貌的奇崛险峻，也将攻防拉锯的实景如实复刻。右上角御题诗文与战事图景相映，融纪实叙事与帝王题咏于一体，以铜版镂刻定格边疆平乱的宏大场面，兼具纪实史料价值与清代版画工艺之美。",[114,85,27,115,25,30,29,31,33,34,35,7,116,117,118],"清代","皴法","兵器","城墙","战场","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82a5ad1038662987587c2d95a68d04a4.jpg",[44],12,{"id":123,"slug":124,"title":125,"dynasty":18,"author":19,"museum":20,"description":126,"tags":127,"thumbUrl":131,"material":132,"size":133,"collection":62,"collections":134,"showCount":121,"zanCount":11,"manualWeight":11,"mainColor":47},233043,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-233043","平定台湾战图册","乾隆五十一年（1786），台湾天地会北路首领林爽文起事，并得到南路首领庄大田的响应，旋即占领全岛，林爽文自称盟主大元帅，建元顺天；庄大田自称洪号，辅国大元帅。《战图》所绘即清大学士福康安和侍卫大臣海兰等于乾隆五十三年率军剿灭林爽文起事的战况。图十二幅，图目为：福康安奏报诸罗解围图、福康安奏报攻克斗六门图、福康安奏报攻克大里杙图、福康安奏报进攻小半天图、集集埔之战图、大埔林之战、大武垄之战图、枋寮之战图、生擒林爽文图、生擒庄大田图、福康安奏报抵厦门图、赐宴凯旋诸将图。\n据清内务府造办处乾隆五十三年档案记载：先是福康安进呈《台湾战图》御览，乾隆帝看过后并不满意，下旨：“图内人物绘画尚未合式，将原图十六幅寄京交如意馆，着伊兰泰将从前画过战图尺寸查清再画一份。五十三年九月二十日：姚文瀚将起得渡海凯旋图稿呈览，奉旨准画，着杨大章、贾全、谢遂、庄豫德、黎明分画。”十月初五太监鄂勒里传旨：“姚文瀚等现画台湾战图着以册十二幅，如画得一两幅，陆续交如意馆照西域战图画法一样画十二幅，俟画得时交造办处刻铜板。”[《活计档》。第3554册，中国第一历史档案馆藏。]即这是第一部完全由中国人绘稿和雕刻铜版的《战图》。但这套战图刻印完成后，也许乾隆帝并不十分满意，或者是对《平定准部回部战图》的西洋画法更感兴趣，又于乾隆五十四八月十七太监鄂鲁里传旨：“台湾战图册页画稿俟刻铜板完成时，将原稿掣回，着西洋人贺清泰、潘廷璋照铜板画法一样成画一份。”据《清内府造办处舆房目录》记载：《平定台湾战图》六份，其中绘本一份，内有原签注：“贾全起稿，黎明画稿”等字样。据故宫博物院藏清宫档案记载：“台湾战图铜板一份计十二块，压过二百份，各处陈设一百十九份，赏用八十一份。”",[58,23,24,25,26,27,29,30,101,36,116,128,35,129,130,7,118],"建筑","岩石","丘陵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0be05ec6ab04eff3cb82e85ab4fc6c0.jpg","纸本，设色","长55.6厘米，宽91.1厘米",[],{"id":136,"slug":137,"title":138,"dynasty":18,"author":19,"museum":20,"description":139,"tags":140,"thumbUrl":154,"material":40,"size":41,"collection":62,"collections":155,"showCount":156,"zanCount":11,"manualWeight":11,"mainColor":47},233065,"ping-ding-yi-li-hui-bu-zhan-tu-ce-yi-ming-233065","平定伊犁回部战图册","《平定伊犁回部战图册》（平定准噶尔回部得胜图）是乾隆皇帝炫耀武功的作品，其宏大的战争场面，荣耀的献俘场景，皆彰显出清帝国极盛时代的不可一世。乾隆三十年（1765年），“传旨西洋人郎世宁等四人起得胜图稿十六张，着丁观鹏等五人用宣纸依照原稿着色画十六张”。这一批画由西洋传教士起稿，后又送至法国制版印刷成铜版画，是当时受西洋技法影响较深的画作。",[23,26,27,25,29,30,101,141,35,87,7,116,118,142,103,143,144,145,146,147,148,149,150,34,151,152,153],"骆驼","山脉","植被","战斗场景","远山","近树","士兵","将领","驮兽","营帐","草木","写实","精细刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcccc5b4c9f0a016973cfbc4b7dcbef3e.jpg",[],7,{"id":158,"slug":159,"title":160,"dynasty":18,"author":161,"museum":82,"description":162,"tags":163,"thumbUrl":164,"material":165,"size":166,"collection":62,"collections":167,"showCount":156,"zanCount":11,"manualWeight":11,"mainColor":64},230101,"zheng-xi-tu-hua-xin-guo-chao-zuo-230101","征西图（画芯）","郭朝祚","郭朝祚，号硕斋，生卒年月待考。",[57,23,24,59,26,27,30,29,31,36,86,87,7,116,88,129,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb20e6b15f1e24c8782fd41f118467348.jpg","未知","Xcm*Xcm",[],{"id":169,"slug":170,"title":171,"dynasty":18,"author":96,"museum":82,"description":97,"tags":172,"thumbUrl":181,"material":106,"size":62,"collection":62,"collections":182,"showCount":156,"zanCount":11,"manualWeight":11,"mainColor":47},216836,"zhan-zheng-tong-ban-hua-11-lang-shi-ning-216836","战争铜版画-11",[173,114,72,30,34,35,29,31,141,174,7,130,118,104,175,176,129,143,177,99,178,179,180],"铜版画","大象","军队行进","动物","战争场景","版画技法","历史题材","清代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12c367603fd518661a182a9b31ba22bc.jpg",[],{"id":184,"slug":185,"title":186,"dynasty":18,"author":96,"museum":82,"description":97,"tags":187,"thumbUrl":190,"material":106,"size":62,"collection":62,"collections":191,"showCount":156,"zanCount":11,"manualWeight":11,"mainColor":47},216833,"zhan-zheng-tong-ban-hua-12-lang-shi-ning-216833","战争铜版画-12",[173,100,152,72,30,34,35,87,31,29,7,86,188,189],"峡谷","动态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7ec70d8b5648e77e5c725a112f26da7.jpg",[],{"id":193,"slug":194,"title":195,"dynasty":18,"author":96,"museum":82,"description":97,"tags":196,"thumbUrl":202,"material":106,"size":62,"collection":62,"collections":203,"showCount":156,"zanCount":11,"manualWeight":11,"mainColor":47},216831,"zhan-zheng-tong-ban-hua-14-lang-shi-ning-216831","战争铜版画-14",[58,173,114,152,197,177,29,33,116,198,199,147,200,201,7],"中西合璧","队列","中式建筑","官员","庭院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc20f6a9ecc541a4ae1e2a448539914b9.jpg",[],{"id":205,"slug":206,"title":207,"dynasty":18,"author":96,"museum":82,"description":97,"tags":208,"thumbUrl":216,"material":106,"size":62,"collection":62,"collections":217,"showCount":218,"zanCount":11,"manualWeight":11,"mainColor":47},216781,"zhan-zheng-tong-ban-hua-64-lang-shi-ning-216781","战争铜版画-64",[114,173,209,210,30,35,87,86,143,29,211,7,147,144,212,213,214,215],"中西合璧风格","战争题材","马匹","写实技法","历史场景","人物群像","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6fe0cfecd110f3a024825bafa4e1cfb.jpg",[],6,{"id":220,"slug":221,"title":125,"dynasty":18,"author":19,"museum":82,"description":222,"tags":223,"thumbUrl":230,"material":165,"size":166,"collection":44,"collections":231,"showCount":232,"zanCount":11,"manualWeight":11,"mainColor":47},238622,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-238622","这幅作品以全景山水承载战事纪实，层峦叠嶂间铺展水乡战地风貌，将行军、驻营的战事情节散落排布，既有山水笔墨的章法意趣，亦还原战事的真实脉络。\n前景将校策马引兵穿行谷道，右上角城池严整列阵，细节处将军士阵列、行军队形刻画详实入微。左侧题诗与画面呼应，以图文合璧记录战事历程。以传统山水画皴染勾勒地貌，工整细致复刻战地实景，让征伐往事具象呈现，兼具历史档案价值与军事题材绘画的独特表现力。",[23,24,25,27,85,106,29,31,30,33,224,116,7,225,34,35,226,227,228,229,179,180],"古道","堡垒","路径","战场景象","线描","淡墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff52a8e49b30110e036d279dab688753f.jpg",[44],5,{"id":234,"slug":235,"title":236,"dynasty":18,"author":19,"museum":82,"description":237,"tags":238,"thumbUrl":241,"material":165,"size":166,"collection":62,"collections":242,"showCount":232,"zanCount":11,"manualWeight":11,"mainColor":47},238620,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238620","平定两金川得胜图册","全景式构图铺展山地鏖战的宏阔场面，两侧陡山夹峙河谷，严整列阵的队伍与负隅顽抗的对手在此对垒。画师以细腻线条刻画出人马奔突、箭弩齐发的拼杀细节，将士悍勇姿态历历在目。山野间草木岩峦皴擦写实，烘托出战地荒蛮肃杀的氛围。\n\n整体画风冷峻写实，以纪实性的叙事还原战事的壮烈，将冷兵器时代山地攻防的紧张张力尽数铺陈于纸面，带着厚重的战地纪实感，让观者仿若亲临这硝烟弥漫的古战场。",[23,24,58,27,85,115,29,31,239,240,129,87,7,72,116],"山","树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba68c81815b4b6fe850b9a446c30fdbd.jpg",[],{"id":244,"slug":245,"title":246,"dynasty":18,"author":19,"museum":20,"description":247,"tags":248,"thumbUrl":250,"material":40,"size":251,"collection":62,"collections":252,"showCount":232,"zanCount":11,"manualWeight":11,"mainColor":47},233062,"ping-ding-hui-jiang-jiao-qin-ni-yi-zhan-tu-ce-yi-ming-233062","平定回疆剿擒逆裔战图册","本幅设色共十页，引首道光书“纉武绥边”，每开题记，又书平定回疆记事。尾纸曹振镰，文字王鼎等跋。",[23,24,25,27,26,29,31,141,249,36,7],"雪山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a49c885727c2c9cf97dce68919e65d3.jpg","纵55.3cm，横90.3cm",[],{"id":254,"slug":255,"title":256,"dynasty":18,"author":19,"museum":20,"description":257,"tags":258,"thumbUrl":260,"material":132,"size":261,"collection":62,"collections":262,"showCount":263,"zanCount":11,"manualWeight":11,"mainColor":47},233050,"ping-ding-an-nan-zhan-tu-ce-yi-ming-233050","平定安南战图册","《平定安南得胜图》描绘了清乾隆五十三年至五十四年（1788—1789年）间清政府出兵平定安南的战争场景。六幅图依次为：嘉观诃滬之战、三异柱右之战、寿昌江之战、市球江之战、富良江之战、阮惠遣侄阮光显入觐赐宴。\n在东南亚各国中，安南大越与中国疆域毗邻，关系密切。清统一全国后，安南内部仍然陷于南北纷争之中，广南（今越南南部）阮氏控制南方，北方郑氏擅权，国王黎氏徒拥虚位。安南久列藩封，黎氏传国最久，臣服中国最为恭顺。清高宗应黎氏之请用兵安南，为安南平定内乱。\n此套图在风格上受到郎世宁“西法中国画”的影响，在画面局部采用焦点透视和一定的明暗对比来表现纵深效果和立体感，在构图、造型上又带有中国画和木版画风格，反映了中国画家在试图融合中西绘画优长方面所作的努力。",[23,26,27,115,25,29,30,35,34,32,7,101,259,37,86,143],"道路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f63223c1ea273ea7c8fd79807a62ff0.jpg","长55.6厘米，宽91.1厘米。",[],4,{"id":265,"slug":266,"title":17,"dynasty":18,"author":19,"museum":20,"description":267,"tags":268,"thumbUrl":271,"material":40,"size":41,"collection":62,"collections":272,"showCount":273,"zanCount":11,"manualWeight":11,"mainColor":47},233083,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-233083","《平定苗疆得胜图》亦称《湖南战役图》，十六幅图依次为：兴师图、剿捕秀山苗匪、攻克木山、攻解松桃之围、大剿土空寨苗匪解永绥城围、攻克兰草坪滚牛坡、攻克黄瓜寨剿贼、攻克苏麻寨、攻得茶它柳夯等处贼巢、攻克高多寨生擒逆首吴半生、攻克廖家冲生擒首逆石三保、收复乾州、攻克强虎哨、攻克平陇贼巢、捷来图、攻克石隆苗寨。\n清乾隆五十九年（1794年），湖南、贵州的苗民在石三堡、石柳邓、吴半生等人的率领下起义。清政府先后派云贵总督福康安、四川总督和琳等出兵镇压。《平定苗疆得胜图》是以这一历史事件中的几次重大战役为题材创作而成。\n作者采用了中国传统绘画中的皴法刻画山石麻皮状的纹理和峭立的山势，并以细腻的刻画手法及娴熟的线条运用较好地勾勒出物象的质感。战争场面气势恢宏，人物造型受中国传统木版画的影响，呈头大身小的特点，古朴稚拙。",[23,24,25,27,26,115,29,30,31,34,35,269,7,226,270],"战旗","烟雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d7ef1593f0c5c71dc6bb2b858173222.jpg",[],2,{"id":275,"slug":276,"title":125,"dynasty":18,"author":19,"museum":20,"description":126,"tags":277,"thumbUrl":282,"material":132,"size":133,"collection":62,"collections":283,"showCount":273,"zanCount":11,"manualWeight":11,"mainColor":47},233041,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-233041",[23,26,27,25,29,278,279,280,86,7,36,281],"海","战船","波浪","船只","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35739398b97c9acde41de720c061c406.jpg",[],{"id":285,"slug":286,"title":287,"dynasty":18,"author":96,"museum":82,"description":97,"tags":288,"thumbUrl":290,"material":106,"size":62,"collection":62,"collections":291,"showCount":273,"zanCount":11,"manualWeight":11,"mainColor":47},216839,"zhan-zheng-tong-ban-hua-2-lang-shi-ning-216839","战争铜版画-2",[18,173,197,72,29,31,30,35,87,86,7,88,147,289],"地形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc3c70671345dae94b97b1c13326254c.jpg",[],{"id":293,"slug":294,"title":295,"dynasty":18,"author":96,"museum":82,"description":97,"tags":296,"thumbUrl":300,"material":106,"size":62,"collection":62,"collections":301,"showCount":273,"zanCount":11,"manualWeight":11,"mainColor":47},216808,"zhan-zheng-tong-ban-hua-32-lang-shi-ning-216808","战争铜版画-32",[114,173,152,29,7,128,33,35,297,298,299,177],"台阶","仪仗","开阔场地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05720621f51df751cadbb155a44b4435.jpg",[],{"id":303,"slug":304,"title":305,"dynasty":18,"author":96,"museum":82,"description":97,"tags":306,"thumbUrl":310,"material":106,"size":62,"collection":62,"collections":311,"showCount":273,"zanCount":11,"manualWeight":11,"mainColor":47},216785,"zhan-zheng-tong-ban-hua-61-lang-shi-ning-216785","战争铜版画-61",[173,197,152,72,147,101,307,87,35,86,308,118,270,259,7,309],"桥梁","城池","线刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce09a59ea5a18f1b27b2a0cfb5026979.jpg",[],{"id":313,"slug":314,"title":315,"dynasty":18,"author":96,"museum":82,"description":97,"tags":316,"thumbUrl":318,"material":106,"size":62,"collection":62,"collections":319,"showCount":273,"zanCount":11,"manualWeight":11,"mainColor":47},216784,"zhan-zheng-tong-ban-hua-57-lang-shi-ning-216784","战争铜版画-57",[18,173,317,30,29,31,34,35,87,7,116,72,115],"雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc9b45c47f88179d7c4cbc4e2cf60cad.jpg",[],{"id":321,"slug":322,"title":323,"dynasty":18,"author":96,"museum":82,"description":97,"tags":324,"thumbUrl":326,"material":106,"size":62,"collection":62,"collections":327,"showCount":273,"zanCount":11,"manualWeight":11,"mainColor":47},216783,"zhan-zheng-tong-ban-hua-62-lang-shi-ning-216783","战争铜版画-62",[173,152,72,30,35,29,31,225,259,129,87,86,325,7,101,289,128],"丛林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24fbbda1901a463b6beb4e00ff37d35a.jpg",[],{"id":329,"slug":330,"title":331,"dynasty":18,"author":96,"museum":82,"description":97,"tags":332,"thumbUrl":334,"material":106,"size":62,"collection":62,"collections":335,"showCount":273,"zanCount":11,"manualWeight":11,"mainColor":47},216782,"zhan-zheng-tong-ban-hua-63-lang-shi-ning-216782","战争铜版画-63",[173,152,72,30,34,35,308,7,101,29,333,188,143],"山路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ab3f65719a8d87ae708f962a3446dd2.jpg",[],{"id":337,"slug":338,"title":339,"dynasty":340,"author":19,"museum":82,"description":341,"tags":342,"thumbUrl":346,"material":165,"size":166,"collection":62,"collections":347,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},289015,"maerten-de-vos-captain-de-bours-handing-over-the-keys-yi-ming-289015","Maerten de Vos--Captain de Bours handing over the Keys","不详","圆形构图将视线尽数收拢于核心的钥匙交接场景。中心将领躬身递出钥匙，甲胄在身的受方神态沉稳从容，无言间完成城池主权的交割。周遭林立的甲士长枪列阵，粗粝的笔触勾勒出铠甲棱角与紧绷的姿态，将受降时刻的肃穆氛围拉满。\n\n简练却精准的线条刻画出人物的神情姿态，远景错落的城池排布齐整的兵士让画面更添纪实厚重感。将冷兵器时代城池易主的庄重与沉静缓缓铺陈，仿佛能让人听见甲叶轻响、呼吸凝滞，复刻出古战场落幕的肃穆瞬间，以质朴叙事感将权力更迭的郑重定格在纸面。",[343,85,344,71,7,211,308,345,147,148],"素描","人物画","交钥匙仪式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F676c79bed473acc0ec52c7416b004f81.jpg",[],1,{"id":350,"slug":351,"title":352,"dynasty":340,"author":19,"museum":82,"description":353,"tags":354,"thumbUrl":356,"material":165,"size":166,"collection":62,"collections":357,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},288903,"giovanni-battista-tiepolo-illustration-for-a-book-cardinal-with-troops-facing-yi-ming-288903","Giovanni Battista Tiepolo--Illustration for a Book Cardinal with Troops Facing","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[343,85,355,147,31,118,344,72,7],"宗教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e419976bf99fe00b1ba71e8b9f83dcf.jpg",[],{"id":359,"slug":360,"title":361,"dynasty":340,"author":19,"museum":82,"description":353,"tags":362,"thumbUrl":365,"material":165,"size":166,"collection":62,"collections":366,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},288896,"giovanni-battista-tiepolo-illustration-for-a-book-meeting-between-two-generals-yi-ming-288896","Giovanni Battista Tiepolo--Illustration for a Book Meeting Between Two Generals",[343,29,71,148,147,363,364,7,150],"城门","塔楼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c7d855c15212592a530dced1e7daba3.jpg",[],{"id":368,"slug":369,"title":236,"dynasty":18,"author":19,"museum":82,"description":370,"tags":371,"thumbUrl":373,"material":62,"size":62,"collection":62,"collections":374,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":64},238600,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238600","以全景式构图铺展川西峡谷战事，苍劲线条勾勒出雄峙山峦，崖间错落的碉楼精准还原战地险隘风貌。画中兵将排布错落有致，或攀崖仰攻碉楼，或于谷口列阵集结，细节生动复刻出平叛攻坚的肃杀场面。墨色晕染层次分明，将川地的崎岖山势烘托得极具张力，以写实笔法记录战事细节，带着纪实绘画的史学厚重感，把平乱战事的宏大叙事收揽于卷内，融战地纪实与古典绘事所长，兼具艺术审美与历史考据价值。",[27,115,106,25,28,30,29,33,35,34,103,259,7,225,372,143,86,308],"溪流","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8e8c406ba78414ebc93a4dd19b806b7.jpg",[],{"id":376,"slug":377,"title":236,"dynasty":18,"author":19,"museum":82,"description":378,"tags":379,"thumbUrl":380,"material":62,"size":62,"collection":62,"collections":381,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},238597,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238597","这幅画作以全景式构图铺陈受降阅兵的盛大场景，营帐错落规整，甲士阵列肃然齐整，静立的旌旗衬出得胜后的庄严威仪。远景层峦逶迤，烘托出场地开阔宏阔的气势。左上方题满诗文，为画面赋予纪功表彰之意。\n\n画师以精细工稳的线描，细致勾勒将士衣甲细节、营寨规制，如实复刻平叛凯旋后的受捷场面，笔意肃穆沉稳，将军功盛典的恢弘厚重淋漓尽致展现而出，堪称清代纪实战图的典型之作，留存下得胜盛典图景，承载着宣功纪威的内核。",[23,27,28,26,25,29,30,35,33,31,36,7,128,103],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffadcc1c8dbb89126211b877fe6d7c6fd.jpg",[],{"id":383,"slug":384,"title":236,"dynasty":18,"author":19,"museum":82,"description":385,"tags":386,"thumbUrl":387,"material":62,"size":62,"collection":62,"collections":388,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},238592,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238592","这幅作品以全景构图铺展山地战场，层叠山峦间碉楼错落排布，将川西要塞的险峻地势尽致展现。线条精细冷峻，如实复刻战事实景：清军将士攀崖仰攻，碉楼内守军严阵对峙，河谷旁营寨规整罗列，每一处人物动作皆清晰分明，把攻坚厮杀的紧张感凝于纸面。整体笔触写实克制，带着纪实铜版画的独特质感，既还原了平叛战事的宏大致酷，也兼具珍贵的历史纪实价值，让百年前的战地烽烟历历在目。",[23,27,115,28,106,25,30,29,34,225,103,87,35,7,118],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc70c97c8c3be3a707c50de4b9874fc6c.jpg",[],{"id":390,"slug":391,"title":392,"dynasty":18,"author":19,"museum":82,"description":393,"tags":394,"thumbUrl":398,"material":62,"size":399,"collection":62,"collections":400,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},233111,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233111","平定西域战图页","《平定西域战图》又称《平定准噶尔回部得胜图》、《平定伊犁回部战图》等。册页装，一函。图版十六幅，法国铜板制印，图版下署画家、刻工姓名。本馆藏有两部，一部首为乾隆御制序，乾隆诗文墨题画上，末有大学士傅恒、尚书舒赫德、于敏中等跋；另一部前为御制序，每图后附御题诗文，后为傅恒等跋，清内府造办处木版刷印。\n清廷在入主中原后，康、雍、乾三朝屡屡用兵西北，以肃清厄鲁特蒙古噶尔部割据势力。乾隆二十年至二十六年间（公元1755-1761年），两次平定准噶尔部叛乱的战役，对于维护国家稳定起到重要作用。 为了纪念平叛的胜利，乾隆让宫廷中的西洋画家郎世宁创作了大型历史纪实组画《平定西域战图册》。并决定将它送往欧洲制作成铜版画。",[85,395,30,29,31,87,35,129,7,37,396,397],"木刻","武器","渡口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd54f8e81e6dad77e117084c00f209da.jpg","87.3×50cm",[],{"id":402,"slug":403,"title":392,"dynasty":18,"author":19,"museum":82,"description":393,"tags":404,"thumbUrl":409,"material":62,"size":399,"collection":62,"collections":410,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},233107,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233107",[173,405,71,406,407,7,101,150,30,29,408],"册页","战图","平定西域","纪实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5143d8023e1b1623ef1eb28e2f5f095.jpg",[],{"id":412,"slug":413,"title":392,"dynasty":18,"author":19,"museum":82,"description":393,"tags":414,"thumbUrl":418,"material":62,"size":399,"collection":62,"collections":419,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},233102,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233102",[100,152,309,37,415,103,7,29,101,86,35,87,36,116,118,198,147,416,417],"营寨","营垒","开阔地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ecd50dba7777a8ece41b0a812932396.jpg",[],{"id":421,"slug":422,"title":138,"dynasty":18,"author":19,"museum":20,"description":139,"tags":423,"thumbUrl":426,"material":40,"size":41,"collection":62,"collections":427,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},233079,"ping-ding-yi-li-hui-bu-zhan-tu-ce-yi-ming-233079",[23,26,27,25,29,30,35,211,103,86,129,115,7,424,425,143],"战斗","山川","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe87baf46514ab43f15309167d971ee3b.jpg",[],{"id":429,"slug":430,"title":431,"dynasty":18,"author":96,"museum":82,"description":97,"tags":432,"thumbUrl":437,"material":106,"size":62,"collection":62,"collections":438,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},216823,"zhan-zheng-tong-ban-hua-28-lang-shi-ning-216823","战争铜版画-28",[58,114,173,152,433,210,86,117,7,101,36,29,34,434,118,435,436],"透视","云雾","防御工事","题字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20ddc7e338ce325db6b67f77e9d71c3c.jpg",[],{"id":440,"slug":441,"title":442,"dynasty":18,"author":96,"museum":82,"description":97,"tags":443,"thumbUrl":445,"material":106,"size":62,"collection":62,"collections":446,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},216820,"zhan-zheng-tong-ban-hua-23-lang-shi-ning-216820","战争铜版画-23",[18,173,72,30,29,34,35,434,225,444,147,435,86,7],"工事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafc8de65bc0e0115bc9a7b76ce1e4165.jpg",[],{"id":448,"slug":449,"title":450,"dynasty":18,"author":96,"museum":82,"description":97,"tags":451,"thumbUrl":454,"material":106,"size":62,"collection":62,"collections":455,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},216810,"zhan-zheng-tong-ban-hua-35-lang-shi-ning-216810","战争铜版画-35",[173,72,30,29,128,34,35,118,7,452,270,104,225,453,259,152],"攻防","栅栏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5833dd319d8beb69e15897be0c24d156.jpg",[],{"id":457,"slug":458,"title":459,"dynasty":18,"author":96,"museum":82,"description":97,"tags":460,"thumbUrl":461,"material":106,"size":62,"collection":62,"collections":462,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},216802,"zhan-zheng-tong-ban-hua-40-lang-shi-ning-216802","战争铜版画-40",[173,72,30,129,35,29,31,7,86,259,128,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb9b5d4a11728cc9c9f4c05a96bf2b47.jpg",[],{"id":464,"slug":465,"title":466,"dynasty":18,"author":96,"museum":82,"description":97,"tags":467,"thumbUrl":469,"material":106,"size":62,"collection":62,"collections":470,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},216796,"zhan-zheng-tong-ban-hua-49-lang-shi-ning-216796","战争铜版画-49",[173,27,468,115,30,308,7,29,34,35,434,72],"线条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78ba12f3f97b92c0a5ce68a50d7b5a92.jpg",[],{"id":472,"slug":473,"title":474,"dynasty":18,"author":96,"museum":82,"description":97,"tags":475,"thumbUrl":477,"material":106,"size":62,"collection":62,"collections":478,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},216792,"zhan-zheng-tong-ban-hua-55-lang-shi-ning-216792","战争铜版画-55",[173,317,152,27,30,129,35,29,7,36,333,476,372,147,101,72],"峭壁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c5971384ad44b8656acf718f1ffc8ed.jpg",[],{"id":480,"slug":481,"title":482,"dynasty":18,"author":96,"museum":82,"description":97,"tags":483,"thumbUrl":487,"material":106,"size":62,"collection":62,"collections":488,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":47},216791,"zhan-zheng-tong-ban-hua-54-lang-shi-ning-216791","战争铜版画-54",[173,484,106,29,101,30,32,33,7,116,485,486],"战争画","书法","军事场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffebcd96fa660a9f124870a975042d6e.jpg",[],{"id":490,"slug":491,"title":17,"dynasty":18,"author":19,"museum":82,"description":492,"tags":493,"thumbUrl":495,"material":62,"size":62,"collection":62,"collections":496,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},238655,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-238655","这幅以全景式构图铺展战场，层叠山峦拉开纵深，将行军队列、攻坚厮杀分置谷壑之间，排布错落有序。线条刚劲利落，嶙峋山石、苍劲林木，与军士甲胄兵器细节一一勾勒铺陈，写实还原战事的肃杀紧张。\n\n山谷间旌旗猎猎、马蹄扬尘，将领挥斥调度与士卒奋勇突进的神态动作细腻生动，既有纪实画作的精准刻画，又带着宫廷纪实版画的庄重凝练。右上角题诗纪事，图文呼应，以笔锋复刻平疆战事的宏大场面，兼具历史记录价值与古典军事画作的表现力，仿佛将那阵马蹄厮杀声复刻于眼前。",[23,24,58,114,27,115,25,30,29,31,33,35,34,224,7,118,494],"房屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8738829ae125a47fc082bf03cb221222.jpg",[],{"id":498,"slug":499,"title":17,"dynasty":18,"author":19,"museum":82,"description":500,"tags":501,"thumbUrl":502,"material":62,"size":62,"collection":62,"collections":503,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},238650,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-238650","全景式构图铺展平叛战事，山峦河谷间清军分路挺进，炮火硝烟腾起于密林隘口，河桥处短兵相接人马奔突，远景大营与层叠山境烘托出磅礴战事规模。作者以精细线刻技法，复刻战地肃杀张力，山石林木皴刻入微，将士甲胄阵型排布分毫毕现，将平叛战事的宏阔与惨烈凝于尺幅。画作融合纪实性与艺术表现力，以西式铜版画写实笔法，将这场平叛的铁血征程跃然纸上，尽显战争纪实版画的独特质感。",[27,85,115,29,30,35,87,307,86,211,128,434,7,118],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9741823415bd26d59844915cd4218c3.jpg",[],{"id":505,"slug":506,"title":256,"dynasty":18,"author":19,"museum":82,"description":507,"tags":508,"thumbUrl":509,"material":62,"size":62,"collection":62,"collections":510,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":511},238639,"ping-ding-an-nan-zhan-tu-ce-yi-ming-238639","整幅作品以细密线描铺陈朝典盛景，楼宇围合出规整仪式场域，主次错落层次分明。阶下百官垂手肃立，使节团恭谨入朝，殿宇之上庄严肃穆，将觐见受封的盛大场面铺展眼前。\n\n作者以写实笔触细致勾勒建筑层叠飞檐与雕栏回廊，复刻清代官式建筑精巧规制；又以疏密有致的线条排布人物阵列，烘托典礼的森严威仪，于方寸间尽显皇家礼制的庄重气派，如实复刻这场外交盛典的恢弘场面，带着纪实叙事的厚重质感。",[27,28,25,29,33,201,297,35,200,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66d067155002f4f0c3fe8179770c9d27.jpg",[],"F48FB1",{"id":513,"slug":514,"title":125,"dynasty":18,"author":19,"museum":82,"description":515,"tags":516,"thumbUrl":517,"material":62,"size":62,"collection":62,"collections":518,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},238634,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-238634","全景式铺展山地战事，层叠峰峦间，清军列阵攻坚，藤牌开路、水师呼应，番众凭隘顽抗，攻守之势跃然纸上。铜版画技法让山石林木写实逼真，军士厮杀的悍勇、阵前调度的严整皆被精细捕捉，每处细节都在还原战役的激烈壮烈。右上角题诗与画面呼应，以纪实笔触复刻平叛瞬间，将战事的紧张肃杀尽数定格，兼具纪实性与艺术性，是清代战史的鲜活注脚，尽显纪实版画的独特表现力。",[23,24,25,27,115,30,29,31,34,35,128,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61b1b22678af262c9a68cf68eedb19ae.jpg",[],{"id":520,"slug":521,"title":125,"dynasty":18,"author":19,"museum":82,"description":522,"tags":523,"thumbUrl":524,"material":165,"size":166,"collection":62,"collections":525,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},238626,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-238626","采用全景式构图，以层叠山峦铺展战地格局，近景短兵相接，人马错杂，炮火硝烟翻涌，将厮杀的肃杀张力拉满。清兵阵列严整推进，叛军负隅顽抗，草木间尽是兵刃交锋的激烈瞬间，每一处线条都细致勾勒出军士的悍勇与战事的胶着。\n\n右上角题诗点明此战功绩，整体以铜版画的精工笔触复刻战地细节，将纪实性与艺术性相融，鲜活还原平叛战事的热血瞬间，既是承载史实的珍贵载体，亦尽显纪实战绘的写实功力。",[23,27,106,115,30,29,31,35,87,116,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd34e921ba1f280789221563ac513dcfb.jpg",[],{"id":527,"slug":528,"title":236,"dynasty":18,"author":19,"museum":82,"description":529,"tags":530,"thumbUrl":531,"material":165,"size":166,"collection":62,"collections":532,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},238617,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238617","这幅全景式战地版画以疏密错落的排线铺展战事。河谷山峦间，左侧骑兵催马冲锋，甲胄铿锵似在耳畔震颤，右侧营帐星罗棋布，兵卒或整戈驰援，或待命蓄力。远山层叠晕染，将战地的肃杀晕开，山野的沉穆对冲着奔突的战势。刻绘入微，山石棱面、战马奔跃之态、旌旗翻飞的褶皱皆历历在目，将平乱鏖战的紧张激烈凝于纸面，纪实性与艺术性相融，尽显精湛的刻绘功力。",[395,100,25,30,29,31,103,129,35,87,86,7,101,36,118,152],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a330a27159ee86012560d1d2e2b4191.jpg",[],{"id":534,"slug":535,"title":236,"dynasty":18,"author":19,"museum":82,"description":536,"tags":537,"thumbUrl":547,"material":165,"size":166,"collection":62,"collections":548,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},238614,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238614","这幅作品以全景式铺陈，将川地层叠山峦与河谷林海尽揽卷中。远景峰峦间隐见戍城，晕染出边地苍茫的战地氛围。近中景人马如潮，骑兵阵列齐整肃然，步卒、辎重依次排布，将士甲胄鲜明、战马昂然，把平叛大军的雄壮声势淋漓展现。\n\n画师以精细写实的线条，将将士的悍勇神态、战马的昂扬体态，还有山野林木的肌理逐一勾勒，纪实感浓厚，把这场平叛战事的雄浑瞬间凝于纸面，尽显军旅征伐的厚重威严。",[58,23,24,25,173,27,29,31,30,35,129,87,86,7,177,143,538,539,540,541,542,543,101,544,545,546],"山峦叠嶂","人马队列","河流景观","树木丛生","岩石分布","群体人物","山水背景","细致描绘","写实风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96d911897dcf091a7b8a49017dd6bc12.jpg",[],{"id":550,"slug":551,"title":236,"dynasty":18,"author":19,"museum":82,"description":552,"tags":553,"thumbUrl":556,"material":165,"size":166,"collection":62,"collections":557,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},238612,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238612","这幅版画以全景式铺陈还原受降盛景，前景中军帐庄重肃穆，甲士环列如林，军纪森然尽显无遗。中景处受降部众与严整清军阵列形成鲜明对照，旌旗猎猎舒展，将仪式的威严烘托到极致。远山层峦静立开阔河谷间，为这场军功盛典晕染出雄浑苍茫的底色。\n\n创作者以精谨写实的笔触，雕琢出礼制细节与场域氛围，将平定金川后的高光时刻定格，融纪实的厚重与版画的凝练于一体，让战功赫赫的王朝荣光凝于尺幅之间。",[395,27,29,30,86,35,36,7,128,103,198,308,554,555],"仪式","田野","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41b252ce8f1ee1fe90098ec72626e700.jpg",[],{"id":559,"slug":560,"title":236,"dynasty":18,"author":19,"museum":82,"description":561,"tags":562,"thumbUrl":566,"material":62,"size":62,"collection":62,"collections":567,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},238610,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238610","这幅全景铜版画以环形营寨为核心，细密线条铺展出排布规整的帐幕，兵卒往来各司其职，操练值守、打理营务的细节清晰分明。连绵山峦环抱着战地营盘，将整座驻点框入苍茫山野间，零星驻点散落远景，呼应主寨的宏大格局。笔触冷峻写实，既复刻出征讨大军的整肃军容，也以开阔构图烘托出战事之下的雄浑气场，如实定格了平叛战事里的军营实景，兼具纪实的严谨质感与战地的厚重氛围感。",[395,228,7,103,86,35,29,36,87,34,415,147,101,118,563,143,564,150,565,396,176],"山谷","人群","围栏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60f3a3a919d8a5194982b18d8572bfca.jpg",[],{"id":569,"slug":570,"title":392,"dynasty":18,"author":19,"museum":82,"description":393,"tags":571,"thumbUrl":575,"material":62,"size":399,"collection":62,"collections":576,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},233110,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233110",[173,405,58,71,572,177,29,7,103,104,308,573,574],"纪实画","西域","平叛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe196254a84e956e9dd3d2edb68ef4f65.jpg",[],{"id":578,"slug":579,"title":392,"dynasty":18,"author":19,"museum":82,"description":393,"tags":580,"thumbUrl":581,"material":62,"size":399,"collection":62,"collections":582,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},233106,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233106",[173,29,31,30,35,34,87,7,118,27,152],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F052a28834e1a547b215b21366b11dcec.jpg",[],{"id":584,"slug":585,"title":392,"dynasty":18,"author":19,"museum":82,"description":393,"tags":586,"thumbUrl":590,"material":62,"size":399,"collection":62,"collections":591,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},233104,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233104",[114,100,152,587,30,29,36,103,7,37,35,86,198,118,588,269,150,104,589,210],"线条勾勒","群像","平原","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faac4969d6a1cd8835650a29c261ca9be.jpg",[],{"id":593,"slug":594,"title":595,"dynasty":52,"author":19,"museum":82,"description":596,"tags":597,"thumbUrl":10,"material":599,"size":62,"collection":62,"collections":600,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},216587,"xuan-da-shan-xi-san-zhen-tu-57-yi-ming-216587","宣大山西三镇图-57","明万历三十一年秘阁本",[57,23,24,26,60,30,308,224,598,7,485,25],"亭","绢本,设色",[],1777535708495]