[{"data":1,"prerenderedAt":58},["ShallowReactive",2],{"subject-kai-guang-zhuang-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9335,"kai-guang-zhuang-shi","开光装饰","开光装饰画高清赏析","精选中国历代开光装饰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffef7630b9fa2da9d9c62cdc635e119c.jpg",0,2,[14,40],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},249948,"jing-tai-kuan-qia-si-fa-lang-yu-gang-yi-ming-249948","景泰款掐丝珐琅鱼缸","明","佚名","藏地不详","器型饱满圆融，沉稳雅致。深邃霁蓝铺底，缀满如碎钻星子的圆点，晕开华贵底色。金彩开光勾勒出一方方莲塘小景，粉荷绽露娇容，碧叶随波舒展，水禽闲立汀洲，水草轻曳生姿。掐丝婉转流畅，将夏日荷塘的清逸雅致凝于缸身，色彩明丽鲜妍，填色匀净细腻。铜口质朴古雅，底部回纹圈衬，晕开古朴意趣。\n\n整器将富丽华贵与清雅意趣相融，掐丝珐琅工艺尽显精妙，静赏间仿佛能闻塘间荷香，窥见水漾清风，藏着造物的匠心巧思。",[23,24,25,26,27,28,29,30,31,7,32,33],"明代","掐丝珐琅","珐琅器","铜制","设色","荷花","仙鹤","水","植物","花鸟","器","未知","Xcm*Xcm","",[],1,"BDBDBD",{"id":41,"slug":42,"title":43,"dynasty":18,"author":19,"museum":20,"description":44,"tags":45,"thumbUrl":55,"material":34,"size":35,"collection":36,"collections":56,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},256376,"qing-hua-shuang-er-hu-lu-shi-bian-ping-yi-ming-256376","青花双耳葫芦式扁瓶","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[46,47,48,23,49,7,50,51,52,53,54],"陶瓷","青花","釉下彩","宝相花纹","葫芦式","扁瓶","双耳","缠枝纹","装饰纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7489e65adad94294c570529db2c9176f.jpg",[],"37474F",1777535801129]