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珐瑯彩蓝地开光花卉小碗","清","佚名","藏地不详","清高宗在位时(公元1736〜1795年）的官窑。所产的瓷器，突出的特点是能把许多不同品种、不同火度的釉料用于一器之上。在仿古瓷及各种色釉器方面，品种也很多。乾隆窑瓷器釉较康、雍时期略显粗糙，一为乳白粉釉，一为略带青色的白釉。器型种类繁多，并出现了一些新奇的制品，如用瓷土制造的像生瓷，制作精巧，艺术价值很高。乾隆窑瓷器的纹饰，讲究画得规矩，所画多仿名家笔意，并开始有仿西洋的画法。颜色釉方面，以茶叶末釉烧得最为成功，并利用茶叶末加以变化的古铜釉，十分巧妙地反映出铜器的色泽、锈斑，制出仿铜器的作品。",[23,24,25,26,27,7,28],"陶瓷","珐琅器","设色","工笔","花卉","蓝地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef37cd2b94669dbd294c627fc1b2a92d.jpg","未知","Xcm*Xcm","瓷器精选",[32],27,1,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":18,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":51,"material":52,"size":52,"collection":32,"collections":53,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":36},246681,"ti-hong-chan-zhi-lian-wen-kai-guang-hua-hui-wen-mei-hua-shi-ping-yi-ming-246681","剔红缠枝莲纹开光花卉纹梅花式瓶","此瓶取梅花为形，口、足呼应一体。通体髹朱漆雕刻，地子纹锦密致细腻，开光内剔刻折枝花卉，梅朵清妍、花枝舒展，四时花木娇柔含韵。开光以回纹为边，器身满饰缠枝莲纹，颈部雕回纹配变体兽面，层次分明，刀工圆熟沉厚。朱红莹亮温润，棕地衬得雕花愈显妍丽饱满，将漆雕的精工雅致与花艺的柔婉雅致相融，尽显清时漆作的华贵考究，静穆间藏着匠人的造物巧思，是雕漆工艺中的上乘之作。",[43,44,45,46,47,48,49,7,50],"清代","漆器","剔红","雕刻","缠枝莲纹","花卉纹","梅花","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56dfcb76a9213a9fad385f5baf3182d2.jpg","",[32],25,{"id":56,"slug":57,"title":58,"dynasty":18,"author":19,"museum":20,"description":59,"tags":60,"thumbUrl":66,"material":30,"size":31,"collection":52,"collections":67,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":36},258636,"qian-long-kuan-lv-di-fen-cai-kai-guang-miao-jin-shi-nv-tu-hua-kou-ping-yi-ming-258636","乾隆款绿地粉彩开光描金仕女图花口瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[23,61,62,7,25,63,64,65,43,50],"粉彩","描金","人物","美人","绿地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa244a319bf61c4d964499b492b80d0fb.jpg",[],24,{"id":70,"slug":71,"title":72,"dynasty":18,"author":19,"museum":20,"description":73,"tags":74,"thumbUrl":83,"material":30,"size":31,"collection":52,"collections":84,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":85},249380,"qia-si-fa-lang-kai-guang-si-ji-hua-niao-tu-tao-er-ping-yi-ming-249380","掐丝珐琅开光四季花鸟图桃耳瓶","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[75,76,7,77,78,79,80,81,50,25,82],"掐丝珐琅器","掐丝珐琅","四季花鸟","桃耳","荷花","花鸟","牡丹","铜制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F357ba6b15b2ac6b46fa8745f7aa107d5.jpg",[],"795548",{"id":87,"slug":88,"title":89,"dynasty":18,"author":19,"museum":20,"description":21,"tags":90,"thumbUrl":95,"material":30,"size":31,"collection":32,"collections":96,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":85},229214,"qian-long-yao-fa-lang-cai-kai-guang-san-yang-tu-chang-fang-he-yi-ming-229214","乾隆窑 珐瑯彩开光三羊图长方盒",[91,7,25,23,24,50,92,63,93,94],"珐琅彩","羊","树木","房屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98f7699f66d78bdff9e1da6c0f32f0db.jpg",[32],17,{"id":99,"slug":100,"title":101,"dynasty":18,"author":19,"museum":20,"description":102,"tags":103,"thumbUrl":109,"material":30,"size":31,"collection":52,"collections":110,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":85},262200,"qian-long-kuan-bai-di-fan-hong-cai-shi-ju-kai-guang-fen-cai-he-hua-tu-zun-yi-ming-262200","乾隆款白地矾红彩诗句开光粉彩荷花图尊","尊，今作樽，是商周时代中国的一种大中型盛酒器。青铜器，尊的形制圈足，圆腹或方腹，长颈，敞口，口径较大。尊盛行于商代至西周时期，春秋后期已经少见。较著名的有四羊方尊。商周至战国时期，还有另外一类形制特殊的盛酒器—彝。彝通常呈鸟兽状，有羊、虎、象、豕、牛、马、鸟、雁、凤等形象。《周礼·春官·司尊彝》：“春祠夏禴，裸用鸡彝鸟彝......追享朝享，裸用虎彝蜼彝。”彝纹饰华丽，在背部或头部有尊盖。",[23,104,105,61,79,106,107,108,7],"尊","矾红彩","荷叶","兽耳","彩绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd06f18cfcc2704ea19653df5e1d94bff.jpg",[],15,{"id":113,"slug":114,"title":115,"dynasty":18,"author":19,"museum":20,"description":59,"tags":116,"thumbUrl":119,"material":30,"size":31,"collection":52,"collections":120,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":85},261225,"guang-cai-lv-di-kai-guang-ren-wu-tu-hai-tang-shi-ping-yi-ming-261225","广彩绿地开光人物图海棠式瓶",[23,117,25,63,7,118],"广彩","瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8fe84ae36543084bada6efba90149f9.jpg",[],{"id":122,"slug":123,"title":124,"dynasty":18,"author":19,"museum":20,"description":125,"tags":126,"thumbUrl":129,"material":30,"size":31,"collection":52,"collections":130,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":131},229213,"qian-long-kuan-tong-tai-hua-fa-lang-huang-di-cai-hua-kai-guang-ren-wu-gai-wan-yi-ming-229213","乾隆款 铜胎画珐瑯黄地彩花开光人物盖碗","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[127,25,7,63,27,50,128],"铜胎画珐琅","黄地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0ffe69635eca0de8e634a5d3692e7fc.jpg",[],"37474F",{"id":133,"slug":134,"title":135,"dynasty":18,"author":19,"museum":20,"description":59,"tags":136,"thumbUrl":141,"material":30,"size":31,"collection":52,"collections":142,"showCount":143,"zanCount":11,"manualWeight":11,"mainColor":85},281520,"lan-bo-li-kai-guang-ju-hua-ping-yi-ming-281520","蓝玻璃开光菊花瓶",[50,137,138,62,7,139,140],"玻璃器","菊花","蓝玻璃","花卉纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b333efc54b7d0f4e9623aae02236938.jpg",[],12,{"id":145,"slug":146,"title":147,"dynasty":18,"author":19,"museum":20,"description":148,"tags":149,"thumbUrl":151,"material":30,"size":31,"collection":52,"collections":152,"showCount":153,"zanCount":11,"manualWeight":11,"mainColor":131},258573,"qian-long-kuan-fen-cai-kai-guang-mei-hua-wen-bi-yan-hu-yi-ming-258573","乾隆款粉彩开光梅花纹鼻烟壶","鼻烟壶指的是盛鼻烟的容器，小可手握，便于携带。明末清初，鼻烟传入中国，鼻烟盒渐渐东方化，产生了鼻烟壶。\n人们嗜用鼻烟的习惯几近绝迹，但鼻烟壶却作为一种精美艺术品流传下来，而且长盛不衰，被誉为“集中各国多种工艺之大成的袖珍艺术品”。\n中国鼻烟壶，作为精美的工艺品，采用瓷、铜、象牙、玉石、玛瑙、琥珀等材质，运用青花、五彩、雕瓷、套料、巧作、内画等技法，汲取了域内外多种工艺的优点，被雅好者视为珍贵文玩，在海内外皆享有盛誉。\n在世界上，中国素有「烟壶之乡」的称誉，其中鼻烟壶以其精巧卓绝的制作技术，被称为「集多种工艺之大成于一身的袖珍艺术品」。鼻烟壶为盛装鼻烟之容器，鼻烟系一种烟草制品，原为西洋之物，明末清初自欧洲传入中国后，加工转化后成为粉末状药材，吸闻之后不但具有明目避疫的功效，吸闻鼻烟在各阶层更是蔚为风尚，且迅速地融入了中国的艺术风格，发展出匠心独运的各式鼻烟壶，在清代美学工艺上大放异彩，成为清代艺术的重要标志之一。",[43,23,61,7,25,150,50],"梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F408b63a0f0561155d972a77eea8d24a6.jpg",[],11,{"id":155,"slug":156,"title":157,"dynasty":18,"author":19,"museum":20,"description":158,"tags":159,"thumbUrl":162,"material":52,"size":52,"collection":32,"collections":163,"showCount":153,"zanCount":11,"manualWeight":11,"mainColor":36},246642,"ti-cai-chan-zhi-lian-wen-kai-guang-shan-shui-ren-wu-tu-hai-tang-shi-ping-yi-ming-246642","剔彩缠枝莲纹开光山水人物图海棠式瓶","此器海棠式瓶身柔婉饱满，以剔彩技法精作而成。器身满雕缠枝莲纹，繁丽细密，朱漆为骨，间缀异色相衬，雕镂层次分明，尽显工致。\n\n四面开光内錾刻山水人物图景，山峦层叠、林木蓊郁，高士幽隐于林泉之间，意境清远淡和。颈部回纹与蕉叶纹排布规整，古意盎然，口沿足部包镶铜边，既提亮华贵质感，又护持器身防止磕碰磨损。整体雕工圆熟爽利，漆色沉厚莹润，将吉祥纹饰的富丽与文人山水的雅趣相融，尽显精巧造诣与雅致审美意韵。",[43,44,160,46,7,161,63,47],"剔彩","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F063394f98e0e126d22da924a781c27eb.jpg",[32],{"id":165,"slug":166,"title":167,"dynasty":18,"author":19,"museum":20,"description":168,"tags":169,"thumbUrl":171,"material":30,"size":31,"collection":52,"collections":172,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":36},223977,"kang-xi-fa-lang-cai-ci-fen-hong-di-kai-guang-si-ji-hua-hui-wan-yi-ming-223977","康熙 珐瑯彩瓷粉红地开光四季花卉碗","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[23,24,91,7,25,27,81,170,50],"四季花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F334d53fa3d1660f8e68cbb4c1b820b28.jpg",[],10,{"id":175,"slug":176,"title":177,"dynasty":18,"author":19,"museum":20,"description":178,"tags":179,"thumbUrl":184,"material":30,"size":31,"collection":52,"collections":185,"showCount":186,"zanCount":11,"manualWeight":11,"mainColor":85},263517,"guang-xu-kuan-huang-di-fen-cai-kai-guang-long-feng-wen-wan-yi-ming-263517","光绪款黄地粉彩开光龙凤纹碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[23,61,180,181,182,183,7,128],"龙","凤","日用具","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba778916a6e3316ed37673f743f5df3d.jpg",[],9,{"id":188,"slug":189,"title":190,"dynasty":18,"author":19,"museum":20,"description":59,"tags":191,"thumbUrl":198,"material":30,"size":31,"collection":52,"collections":199,"showCount":200,"zanCount":11,"manualWeight":11,"mainColor":85},258526,"qian-long-kuan-lv-di-fen-cai-chan-zhi-lian-kai-guang-ying-xi-tu-shuang-er-bian-ping-yi-ming-258526","乾隆款绿地粉彩缠枝莲开光婴戏图双耳扁瓶",[23,61,25,43,7,192,193,180,194,195,196,93,197,50],"缠枝莲","婴孩","楼阁","小桥","流水","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8df19a7d6e624242738c45784dba91ce.jpg",[],8,{"id":202,"slug":203,"title":204,"dynasty":18,"author":19,"museum":20,"description":148,"tags":205,"thumbUrl":210,"material":30,"size":31,"collection":52,"collections":211,"showCount":200,"zanCount":11,"manualWeight":11,"mainColor":85},249184,"qian-long-kuan-hua-fa-lang-kai-guang-xi-yang-shi-nv-tu-bi-yan-hu-yi-ming-249184","乾隆款画珐琅开光西洋仕女图鼻烟壶",[206,7,25,207,63,208,50,209],"画珐琅","西洋风格","仕女","琺瑯器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb929d95657615f666a2140b4027693b9.jpg",[],{"id":213,"slug":214,"title":215,"dynasty":18,"author":19,"museum":20,"description":216,"tags":217,"thumbUrl":220,"material":30,"size":31,"collection":52,"collections":221,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":36},248995,"hua-fa-lang-kai-guang-mu-dan-tu-huo-huan-lu-yi-ming-248995","画珐琅开光牡丹图活环炉","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[206,24,82,25,7,81,27,218,219,107,50],"活环","三足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53e3a291e70da526e530b4e339eba11b.jpg",[],7,{"id":224,"slug":225,"title":226,"dynasty":18,"author":19,"museum":20,"description":59,"tags":227,"thumbUrl":230,"material":30,"size":31,"collection":52,"collections":231,"showCount":232,"zanCount":11,"manualWeight":11,"mainColor":85},261221,"zi-di-fen-cai-kai-guang-bai-zi-tu-pie-kou-ping-yi-ming-261221","紫地粉彩开光百子图撇口瓶",[23,61,25,228,63,194,229,7],"百子图","瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea785e19b744871d5868276c6133095a.jpg",[],6,{"id":234,"slug":235,"title":236,"dynasty":18,"author":19,"museum":20,"description":59,"tags":237,"thumbUrl":240,"material":30,"size":31,"collection":52,"collections":241,"showCount":242,"zanCount":11,"manualWeight":11,"mainColor":85},258653,"qian-long-kuan-song-shi-lv-di-fen-cai-kai-guang-hua-hui-wen-hu-lu-shi-bi-ping-yi-ming-258653","乾隆款松石绿地粉彩开光花卉纹葫芦式壁瓶",[23,61,7,25,238,27,239,50],"松石绿地","葫芦式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffeca4bd64f7145ec40920aaaff787a87.jpg",[],5,{"id":244,"slug":245,"title":246,"dynasty":247,"author":19,"museum":20,"description":248,"tags":249,"thumbUrl":256,"material":30,"size":31,"collection":52,"collections":257,"showCount":242,"zanCount":11,"manualWeight":11,"mainColor":131},257283,"qing-hua-kai-guang-ba-xian-tu-hu-lu-ping-yi-ming-257283","青花开光八仙图葫芦瓶","明","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,250,7,251,63,252,253,254,255],"青花","八仙","卷草纹","缠枝纹","葫芦形","明代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3f847d3570796d6c528eab3df4a0a5a.jpg",[],{"id":259,"slug":260,"title":261,"dynasty":18,"author":19,"museum":20,"description":59,"tags":262,"thumbUrl":264,"material":30,"size":31,"collection":52,"collections":265,"showCount":242,"zanCount":11,"manualWeight":11,"mainColor":131},250033,"hua-fa-lang-kai-guang-zhong-kui-tu-fang-ping-yi-ming-250033","画珐琅开光钟馗图方瓶",[206,7,25,63,263,24,50],"钟馗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81fb1c68643054c7db94bd453ba4ef2d.jpg",[],{"id":267,"slug":268,"title":261,"dynasty":18,"author":19,"museum":20,"description":59,"tags":269,"thumbUrl":271,"material":30,"size":31,"collection":52,"collections":272,"showCount":242,"zanCount":11,"manualWeight":11,"mainColor":131},250032,"hua-fa-lang-kai-guang-zhong-kui-tu-fang-ping-yi-ming-250032",[209,206,7,25,63,263,270,27,50],"云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf00ad7e499c173a186c58bc3f1a8038.jpg",[],{"id":274,"slug":275,"title":276,"dynasty":18,"author":19,"museum":20,"description":73,"tags":277,"thumbUrl":280,"material":30,"size":31,"collection":52,"collections":281,"showCount":242,"zanCount":11,"manualWeight":11,"mainColor":131},249880,"qia-si-fa-lang-kai-guang-hua-hui-fu-shou-san-duo-tu-kui-hua-shi-hua-pen-yi-ming-249880","掐丝珐琅开光花卉福寿三多图葵花式花盆",[18,76,7,27,278,279,209],"福寿三多","花盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d1369f5cb28dc34b5e40443cdbee98e.jpg",[],{"id":283,"slug":284,"title":285,"dynasty":18,"author":19,"museum":20,"description":73,"tags":286,"thumbUrl":287,"material":30,"size":31,"collection":52,"collections":288,"showCount":242,"zanCount":11,"manualWeight":11,"mainColor":131},249348,"qia-si-fa-lang-kai-guang-hua-niao-tu-hua-lan-shi-xun-lu-yi-ming-249348","掐丝珐琅开光花鸟图花篮式熏炉",[43,76,7,80,24,50,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2efc182f44a7aec0f9256029759afcbb.jpg",[],{"id":290,"slug":291,"title":292,"dynasty":18,"author":19,"museum":20,"description":293,"tags":294,"thumbUrl":298,"material":30,"size":31,"collection":52,"collections":299,"showCount":242,"zanCount":35,"manualWeight":11,"mainColor":85},248707,"qian-long-kuan-hei-qi-miao-jin-yun-long-wen-kai-guang-hua-hui-wen-yuan-ti-he-yi-ming-248707","乾隆款黑漆描金云龙纹开光花卉纹圆屉盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[44,295,7,296,48,297],"黑漆描金","云龙纹","圆屉盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c50c5c3822619fea46502ff64127a85.jpg",[],{"id":301,"slug":302,"title":303,"dynasty":18,"author":19,"museum":20,"description":304,"tags":305,"thumbUrl":306,"material":52,"size":52,"collection":32,"collections":307,"showCount":242,"zanCount":11,"manualWeight":11,"mainColor":36},246632,"ti-hong-chan-zhi-lian-wen-kai-guang-shan-shui-ren-wu-tu-hai-tang-shi-ping-yi-ming-246632","剔红缠枝莲纹开光山水人物图海棠式瓶","此器以剔红工艺精作而成，海棠式瓶身线条柔婉雅致。器身缠枝莲纹盘绕往复，饱满鲜活，将开光巧妙框起。开光内山水人物意境悠然，远山含黛、近水漾波，人物衣袂翩跹，隐于林泉之间，尽显林泉高致的闲雅意趣。颈部回纹规整古拙，与瓶身的灵动纹饰相映成趣。朱红漆色古润厚重，刀工圆熟细腻，将漆雕的温润质感与山水的诗情画意相融，尽显工艺精湛造诣，饱含中式古典雅致意蕴。",[44,46,45,47,7,161,63,50],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9fd7e032598c45ce3e95e46ef99427d5.jpg",[32],{"id":309,"slug":310,"title":311,"dynasty":18,"author":19,"museum":20,"description":312,"tags":313,"thumbUrl":317,"material":30,"size":31,"collection":52,"collections":318,"showCount":242,"zanCount":11,"manualWeight":11,"mainColor":36},246519,"qian-long-kuan-ti-hong-kai-guang-hua-hui-an-ba-xian-wen-yuan-pan-yi-ming-246519","乾隆款剔红开光花卉暗八仙纹圆盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[43,44,45,46,7,27,314,315,316],"暗八仙纹","圆盘","吉祥图案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d791485a491c9c196fc9810f4e939e5.jpg",[],{"id":320,"slug":321,"title":135,"dynasty":18,"author":19,"museum":20,"description":59,"tags":322,"thumbUrl":324,"material":30,"size":31,"collection":52,"collections":325,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":85},281521,"lan-bo-li-kai-guang-ju-hua-ping-yi-ming-281521",[137,138,62,7,118,323],"工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09f4185c17c7a050ca65fc7bee018c00.jpg",[],4,{"id":328,"slug":329,"title":330,"dynasty":18,"author":19,"museum":20,"description":178,"tags":331,"thumbUrl":335,"material":30,"size":31,"collection":52,"collections":336,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":36},256944,"yan-zhi-hong-di-kai-guang-fa-lang-cai-hua-niao-wen-wan-yi-ming-256944","胭脂红地开光珐琅彩花鸟纹碗",[43,91,7,25,23,24,80,197,196,332,333,334],"飞鸟","莲花","胭脂红地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4564398b73fe226429e0469feb6ce424.jpg",[],{"id":338,"slug":339,"title":340,"dynasty":18,"author":19,"museum":20,"description":59,"tags":341,"thumbUrl":343,"material":30,"size":31,"collection":52,"collections":344,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":131},249573,"hua-fa-lang-hua-guo-kai-guang-ren-wu-tu-hu-lu-shi-bi-ping-yi-ming-249573","画珐琅花果开光人物图葫芦式壁瓶",[206,7,25,50,63,342,161,194,93,43],"花果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4e837ce806fb601a356b3273a56aab0.jpg",[],{"id":346,"slug":347,"title":348,"dynasty":18,"author":19,"museum":20,"description":216,"tags":349,"thumbUrl":355,"material":30,"size":31,"collection":52,"collections":356,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":85},249231,"hua-fa-lang-kai-guang-niao-shou-tu-hai-tang-shi-shou-lu-yi-ming-249231","画珐琅开光鸟兽图海棠式手炉",[18,206,7,25,26,350,351,352,161,27,353,24,354],"鸟兽","鹿","树","手炉","海棠式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2cfb8fcbf492f6abf3e0aa0757746bd.jpg",[],{"id":358,"slug":359,"title":360,"dynasty":18,"author":19,"museum":20,"description":312,"tags":361,"thumbUrl":363,"material":30,"size":31,"collection":52,"collections":364,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":131},248998,"hua-fa-lang-kai-guang-hua-guo-hu-die-tu-pan-yi-ming-248998","画珐琅开光花果蝴蝶图盘",[43,206,7,25,342,362,24,23],"蝴蝶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd31b144b0099b92dda75fc7d8a65ec9a.jpg",[],{"id":366,"slug":367,"title":368,"dynasty":18,"author":19,"museum":20,"description":369,"tags":370,"thumbUrl":373,"material":30,"size":31,"collection":52,"collections":374,"showCount":375,"zanCount":11,"manualWeight":11,"mainColor":131},261158,"lv-di-fen-cai-kai-guang-shan-shui-ge-lou-tu-fang-bi-tong-yi-ming-261158","绿地粉彩开光山水阁楼图方笔筒","笔筒： 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"size":31,"collection":52,"collections":1421,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},261452,"zheng-de-kuan-qing-hua-kai-guang-hua-hui-wen-fang-wan-yi-ming-261452","正德款青花开光花卉纹方碗",[23,250,7,79,27,182,50],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe23cea64045d3e1bc8af6126c8d443a.jpg",[],{"id":1423,"slug":1424,"title":1425,"dynasty":18,"author":19,"museum":20,"description":1426,"tags":1427,"thumbUrl":1429,"material":30,"size":31,"collection":52,"collections":1430,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},261332,"qian-long-kuan-dong-qing-you-tu-hua-kai-guang-fen-cai-shan-shui-tu-chang-fang-he-yi-ming-261332","乾隆款冬青釉凸花开光粉彩山水图长方盒","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[23,1428,823,7,61,161,25,50],"冬青釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ae70466ae35208ef09de6f97fec7318.jpg",[],{"id":1432,"slug":1433,"title":1434,"dynasty":18,"author":19,"museum":20,"description":380,"tags":1435,"thumbUrl":1437,"material":30,"size":31,"collection":52,"collections":1438,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},261198,"mu-zhai-kuan-fang-mu-you-kai-guang-shan-shui-tu-shi-ju-shuang-lian-bi-tong-yi-ming-261198","沐斋款仿木釉开光山水图诗句双连笔筒",[23,578,1436,7,161,383,629,372,446],"仿木釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff79f340f927d7cbc8b2cf2a267ec0278.jpg",[],{"id":1440,"slug":1441,"title":1442,"dynasty":18,"author":19,"museum":20,"description":248,"tags":1443,"thumbUrl":1444,"material":30,"size":31,"collection":52,"collections":1445,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},261195,"qing-hua-kai-guang-hai-shou-tu-hua-gu-yi-ming-261195","青花开光海兽图花觚",[229,250,825,532,180,7,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20901460ba7f9a35d130f0923742802c.jpg",[],{"id":1447,"slug":1448,"title":831,"dynasty":18,"author":19,"museum":20,"description":178,"tags":1449,"thumbUrl":1450,"material":30,"size":31,"collection":52,"collections":1451,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},261194,"dao-guang-kuan-yan-zhi-zi-di-fen-cai-kai-guang-shan-shui-tu-wan-yi-ming-261194",[23,61,7,161,27,26,25,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33ca087223bf1feba9ab0e3be4f97a74.jpg",[],{"id":1453,"slug":1454,"title":1455,"dynasty":18,"author":19,"museum":20,"description":312,"tags":1456,"thumbUrl":1458,"material":30,"size":31,"collection":52,"collections":1459,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},261113,"wu-cai-jin-di-kai-guang-bo-gu-tu-pan-yi-ming-261113","五彩锦地开光博古图盘",[23,1360,579,1457,969,7,840],"寿桃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc038e3e0bb821f792f2b63543846f43d.jpg",[],{"id":1461,"slug":1462,"title":1463,"dynasty":18,"author":19,"museum":20,"description":380,"tags":1464,"thumbUrl":1466,"material":30,"size":31,"collection":52,"collections":1467,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":131},261004,"mu-wen-you-kai-guang-fen-cai-si-ji-hua-hui-wen-wei-jiao-fang-bi-tong-yi-ming-261004","木纹釉开光粉彩四季花卉纹委角方笔筒",[23,578,372,1465,61,7,170,81,80,25],"木纹釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f7ed39350880a9b6ec329728ebd0cb6.jpg",[],{"id":1469,"slug":1470,"title":1471,"dynasty":18,"author":19,"museum":20,"description":59,"tags":1472,"thumbUrl":1476,"material":30,"size":31,"collection":52,"collections":1477,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":131},260998,"qian-long-kuan-ji-lan-miao-jin-kai-guang-fen-cai-shi-wen-hua-hui-wen-hai-tang-shi-ping-yi-ming-260998","乾隆款祭蓝描金开光粉彩诗文花卉纹海棠式瓶",[23,50,61,62,1473,7,413,383,27,1474,1475],"祭蓝","海棠瓶","芙蓉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2922948d8d6d3178a5ab0584b478907.jpg",[],{"id":1479,"slug":1480,"title":1481,"dynasty":18,"author":19,"museum":20,"description":248,"tags":1482,"thumbUrl":1483,"material":30,"size":31,"collection":52,"collections":1484,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},260934,"qing-hua-jin-di-kai-guang-bo-gu-tu-hua-gu-yi-ming-260934","青花锦地开光博古图花觚",[23,250,579,7,969,825],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F071c2fbf4b9e3daa87d44b9e4356894a.jpg",[],{"id":1486,"slug":1487,"title":1488,"dynasty":18,"author":19,"museum":20,"description":248,"tags":1489,"thumbUrl":1490,"material":30,"size":31,"collection":52,"collections":1491,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},260909,"qing-hua-kai-guang-shan-shi-ren-wu-tu-guan-yi-ming-260909","青花开光山石人物图罐",[23,250,7,197,629,50],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fd744463ec8b2737675766d9484aece.jpg",[],{"id":1493,"slug":1494,"title":1495,"dynasty":18,"author":19,"museum":20,"description":59,"tags":1496,"thumbUrl":1499,"material":30,"size":31,"collection":52,"collections":1500,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},260903,"wu-cai-jin-di-kai-guang-xiang-tuo-ping-chang-fang-wei-jiao-hua-pen-yi-ming-260903","五彩锦地开光象驮瓶长方委角花盆",[23,1360,279,1497,1498,1080,7,182],"大象","宝瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0f07604203d101934285872258483b2.jpg",[],{"id":1502,"slug":1503,"title":1504,"dynasty":247,"author":19,"museum":20,"description":1505,"tags":1506,"thumbUrl":1509,"material":30,"size":31,"collection":32,"collections":1510,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},260872,"long-quan-yao-qing-you-kai-guang-hua-guo-wen-guan-yi-ming-260872","龙泉窑青釉开光花果纹罐","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[23,1507,1508,934,857,7],"龙泉窑","青釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35318d0a42a84ee5fe6e8c48b23cede5.jpg",[32],{"id":1512,"slug":1513,"title":1514,"dynasty":18,"author":19,"museum":20,"description":248,"tags":1515,"thumbUrl":1516,"material":30,"size":31,"collection":52,"collections":1517,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":131},260790,"qing-hua-kai-guang-shan-shui-bo-gu-tu-bi-tong-yi-ming-260790","青花开光山水博古图笔筒",[23,250,578,7,579,161,372],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59ffddb4cdb45eea0244d8dfdf2199d1.jpg",[],{"id":1519,"slug":1520,"title":1521,"dynasty":18,"author":19,"museum":20,"description":178,"tags":1522,"thumbUrl":1523,"material":30,"size":31,"collection":52,"collections":1524,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},260417,"jia-qing-kuan-huang-di-fen-cai-ya-dao-li-duo-hua-wen-wai-kai-guang-shan-shui-tu-wan-yi-ming-260417","嘉庆款黄地粉彩轧道里朵花纹外开光山水图碗",[23,61,644,7,161,27,25,182,183],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F878684b5e197020c6d5b8e577b228ea3.jpg",[],{"id":1526,"slug":1527,"title":1521,"dynasty":18,"author":19,"museum":20,"description":178,"tags":1528,"thumbUrl":1529,"material":30,"size":31,"collection":52,"collections":1530,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},260416,"jia-qing-kuan-huang-di-fen-cai-ya-dao-li-duo-hua-wen-wai-kai-guang-shan-shui-tu-wan-yi-ming-260416",[23,61,644,7,161,27,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7e41fa122ba4ef133fffc2033beef4e.jpg",[],{"id":1532,"slug":1533,"title":1534,"dynasty":1535,"author":19,"museum":20,"description":1536,"tags":1537,"thumbUrl":1540,"material":30,"size":31,"collection":52,"collections":1541,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":131},260295,"bai-you-zhe-shi-se-kai-guang-ren-wu-tu-guan-yi-ming-260295","白釉赭石色开光人物图罐","宋","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[23,50,63,1538,1539,7,182],"白釉","赭石色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4f3cade078658353a59ccecc8c6df8d.jpg",[],{"id":1543,"slug":1544,"title":1545,"dynasty":18,"author":19,"museum":20,"description":178,"tags":1546,"thumbUrl":1547,"material":30,"size":31,"collection":52,"collections":1548,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},259934,"xian-feng-kuan-fen-cai-kai-guang-bo-gu-tu-wan-yi-ming-259934","咸丰款粉彩开光博古图碗",[23,61,579,182,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9f78b5874df7b46a53f1f89a85dc92b.jpg",[],{"id":1550,"slug":1551,"title":1552,"dynasty":18,"author":19,"museum":20,"description":178,"tags":1553,"thumbUrl":1554,"material":30,"size":31,"collection":52,"collections":1555,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},259807,"zi-di-kai-guang-fen-cai-bo-gu-tu-wan-yi-ming-259807","紫地开光粉彩博古图碗",[23,61,7,579,27,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2296a7bbf39353898c5f6817a2ae8fcb.jpg",[],{"id":1557,"slug":1558,"title":1559,"dynasty":18,"author":19,"museum":20,"description":248,"tags":1560,"thumbUrl":1561,"material":30,"size":31,"collection":52,"collections":1562,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},259795,"qing-hua-kai-guang-hua-niao-tu-zhou-guan-yi-ming-259795","青花开光花鸟图粥罐",[23,250,80,7,182,332,27,197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc57fd096622e61b8ccdfeb027915fa3b.jpg",[],{"id":1564,"slug":1565,"title":1566,"dynasty":18,"author":19,"museum":20,"description":178,"tags":1567,"thumbUrl":1568,"material":30,"size":31,"collection":52,"collections":1569,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},259731,"qian-long-kuan-zi-di-fen-cai-ya-dao-kai-guang-shan-shui-tu-wan-yi-ming-259731","乾隆款紫地粉彩轧道开光山水图碗",[23,61,644,7,161,194,824,196,27,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e8568d4f2ee7e675bbaeac5cd810821.jpg",[],{"id":1571,"slug":1572,"title":1573,"dynasty":18,"author":19,"museum":20,"description":178,"tags":1574,"thumbUrl":1578,"material":30,"size":31,"collection":52,"collections":1579,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},259544,"guang-xu-kuan-huang-di-fen-cai-kai-guang-wan-shou-wu-jiang-wan-yi-ming-259544","光绪款黄地粉彩开光“万寿无疆”碗",[23,61,128,182,1575,1576,1577,7],"饪食器","蝙蝠纹","寿字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1609ba62674442f705636a2461d8bf1e.jpg",[],{"id":1581,"slug":1582,"title":1583,"dynasty":18,"author":19,"museum":20,"description":178,"tags":1584,"thumbUrl":1588,"material":30,"size":31,"collection":52,"collections":1589,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},259542,"guang-xu-kuan-huang-di-fen-cai-wan-zi-kai-guang-wan-shou-wu-jiang-gai-wan-yi-ming-259542","光绪款黄地粉彩卍字开光“万寿无疆”盖碗",[23,61,128,7,1585,1586,182,1587],"万寿无疆","盖碗","卍字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49071fb0868f6528f13f6007b3350ba3.jpg",[],{"id":1591,"slug":1592,"title":1583,"dynasty":18,"author":19,"museum":20,"description":178,"tags":1593,"thumbUrl":1595,"material":30,"size":31,"collection":52,"collections":1596,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},259541,"guang-xu-kuan-huang-di-fen-cai-wan-zi-kai-guang-wan-shou-wu-jiang-gai-wan-yi-ming-259541",[23,61,1586,182,1594,7,1585],"卍字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7d68d3d11a6ec8bf988ae3e654a2cd3.jpg",[],{"id":1598,"slug":1599,"title":1600,"dynasty":18,"author":19,"museum":20,"description":1601,"tags":1602,"thumbUrl":1603,"material":30,"size":31,"collection":52,"collections":1604,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},259429,"huang-di-fen-cai-kai-guang-wan-shou-wu-jiang-zha-dou-yi-ming-259429","黄地粉彩开光“万寿无疆”渣斗","此器以娇黄釉为底，匀净明丽如朝日初升。颈部环饰缠枝葫芦花卉，暗合福禄绵长的吉意，回纹勾勒口沿足边，规整古雅，圈定出雅致边界。\n\n腹部开光内饰万字锦地，矾红大字醒目庄重，粉彩柔润花卉环绕四周。开光间隙填绘缠枝宝相花，饱满繁密，将吉祥寓意藏于每一处纹饰细节之中。\n\n整体配色华贵明艳，黄釉雍容搭配粉彩色泽柔婉，描金勾边更添富丽堂皇。纹饰排布疏密有致，尽显制式规整精细，将宫廷雅致审美与吉庆祈愿融于一体，是彩瓷中颇具代表性的精巧之作。",[23,61,128,7,27,1585,182,900],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F991a9168dc03446b735e64c8b693088b.jpg",[],{"id":1606,"slug":1607,"title":1608,"dynasty":18,"author":19,"museum":20,"description":1609,"tags":1610,"thumbUrl":1612,"material":30,"size":31,"collection":52,"collections":1613,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},259428,"tong-zhi-kuan-huang-di-fen-cai-kai-guang-wan-shou-wu-jiang-shi-yi-ming-259428","同治款黄地粉彩开光“万寿无疆”匙","此匙以娇黄釉为地，敷色明妍华贵，描金边饰勾勒出规整雅致的轮廓。开光之内，款识隽秀端正，衬以蛱蝶穿花的小景，将吉庆寓意与灵动意趣相融。外壁饰缠枝团花，纹饰饱满圆润，晕染细腻柔丽，尽显晚清粉彩柔妍的典型风韵。柄端錾刻云纹描金，收尾精巧雅致，既贴合握持的实用形制，又带着宫廷御造的雍容气度，是晚清瓷作中将装饰性与实用性精妙相融的精巧之品。",[23,61,182,80,25,1611,7],"匙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc91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中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[43,1031,46,7,48,50,1989,455],"白玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47ac281a2dde95a75ff85eb9ef640637.jpg",[],{"id":1993,"slug":1994,"title":1995,"dynasty":18,"author":19,"museum":20,"description":1029,"tags":1996,"thumbUrl":1998,"material":30,"size":31,"collection":52,"collections":1999,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},251501,"qian-long-yu-ti-bi-yu-wan-zi-jin-di-liu-kai-guang-wan-yi-ming-251501","乾隆御题碧玉万字锦地六开光碗",[18,1031,50,46,383,1080,7,1997,182],"万字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0219d2b1495270351da346d5336a2797.jpg",[],{"id":2001,"slug":2002,"title":2003,"dynasty":18,"author":19,"museum":20,"description":1029,"tags":2004,"thumbUrl":2007,"material":30,"size":31,"collection":52,"collections":2008,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},251359,"qing-yu-kai-guang-tian-gan-wen-bi-tong-yi-ming-251359","青玉开光天干纹笔筒",[1031,46,7,2005,18,2006],"天干纹","文具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a7641d13f6841a1c8d840cdcdf2afdc.jpg",[],{"id":2010,"slug":2011,"title":2012,"dynasty":18,"author":19,"museum":20,"description":1087,"tags":2013,"thumbUrl":2015,"material":30,"size":31,"collection":52,"collections":2016,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":131},250224,"qian-long-kuan-hua-fa-lang-kai-guang-ren-wu-tu-hua-gu-yi-ming-250224","乾隆款画珐琅开光人物图花觚",[18,2014,206,7,26,25,63,559,48,24,82],"乾隆时期","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66db189dad1223743214444d34de704f.jpg",[],{"id":2018,"slug":2019,"title":2020,"dynasty":18,"author":19,"museum":20,"description":369,"tags":2021,"thumbUrl":2022,"material":30,"size":31,"collection":52,"collections":2023,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},250223,"hua-fa-lang-kai-guang-ren-wu-tu-bi-tong-yi-ming-250223","画珐琅开光人物图笔筒",[206,7,25,63,161,50,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c1aeabc15ee194ed168796cd98944bc.jpg",[],{"id":2025,"slug":2026,"title":2027,"dynasty":18,"author":19,"museum":20,"description":2028,"tags":2029,"thumbUrl":2031,"material":30,"size":31,"collection":52,"collections":2032,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":131},250166,"qian-long-kuan-hua-fa-lang-hua-die-kai-guang-xi-yang-ren-wu-tu-gai-guan-yi-ming-250166","乾隆款画珐琅花蝶开光西洋人物图盖罐","此罐以松石绿为地，遍饰缠枝花蝶，繁而不乱，雅致灵动。多处开光打破满密构图，虚实相生。主开光绘西洋男女水岸晤面，远山楼宇明媚澄澈，晕染细腻柔和，尽显洛可可柔婉风情；小开光点缀中式山水小景，东西审美在此妙然交融。鎏金宝珠盖钮熠熠生辉，铜胎匀净温润，珐琅釉色鲜亮饱满，将清宫珐琅工艺的精湛与异域意趣完美结合，尽显华贵雅逸的宫廷气韵。",[206,209,23,25,26,7,559,2030,63,80,50],"花蝶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e2a3f625a5eb26e4d0d28ac5014aac9.jpg",[],{"id":2034,"slug":2035,"title":2036,"dynasty":18,"author":19,"museum":20,"description":73,"tags":2037,"thumbUrl":2040,"material":30,"size":31,"collection":52,"collections":2041,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},250147,"qia-si-fa-lang-yun-fu-kai-guang-hua-guo-wen-pan-yi-ming-250147","掐丝珐琅云蝠开光花果纹盘",[43,76,2038,7,934,24,2039],"云蝠纹","盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef04a5e819a26d73119cb82e775e16c3.jpg",[],{"id":2043,"slug":2044,"title":2045,"dynasty":18,"author":19,"museum":20,"description":73,"tags":2046,"thumbUrl":2049,"material":30,"size":31,"collection":52,"collections":2050,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":131},250084,"qia-si-fa-lang-kai-guang-fu-qing-wen-hai-tang-shi-hua-pen-yi-ming-250084","掐丝珐琅开光蝠磬纹海棠式花盆",[76,7,527,2047,24,50,43,25,2048],"磬纹","装饰纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F45a95ffc9ef2ccfb9bf33a1a14d88dc6.jpg",[],{"id":2052,"slug":2053,"title":2054,"dynasty":18,"author":19,"museum":20,"description":73,"tags":2055,"thumbUrl":2058,"material":30,"size":31,"collection":52,"collections":2059,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":131},250083,"qia-si-fa-lang-kai-guang-gou-lian-wen-ling-hua-shi-hua-pen-yi-ming-250083","掐丝珐琅开光勾莲纹菱花式花盆",[43,76,2056,7,1057,2057,50,209,25],"掐丝","菱花式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6137110e67522e3a6fb49411de38b2c0.jpg",[],{"id":2061,"slug":2062,"title":2063,"dynasty":18,"author":19,"museum":20,"description":2064,"tags":2065,"thumb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