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Glarus","刀锋镂刻下，孔武的佣兵背向观者，紧绷的肌理撑起挺拔轮廓，层叠肩甲的冷硬褶皱在铜痕里尽显铠甲厚重质感。肩头的圣徒光晕柔化了杀伐之气，垂坠的僧衣纹路与佣兵凌厉装束形成鲜明对照，神性护佑与世俗战意的张力在纸面铺展。\n\n旗面细密的叙事性刻绘暗藏信仰注脚，粗粝古旧的纸色晕开沉郁的时代底色，将佣兵的虔诚与悍勇凝在刀笔方寸间，成为征伐与祈愿交织的缄默注脚。",[29,30,82,167,7,168,169,170],"版画","旗帜","圣徒","武士","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0dd6eac92d323e3ca8e076863ee6f9e.jpg",[],{"id":174,"slug":175,"title":176,"dynasty":48,"author":19,"museum":20,"description":177,"tags":178,"thumbUrl":184,"material":37,"size":38,"collection":39,"collections":185,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},267420,"bai-se-duan-xiu-ba-tuan-cai-yun-jin-long-wen-pai-sui-kai-yi-ming-267420","白色缎绣八团彩云金龙纹排穗铠","绣法是以绣线横排，故名。如，特点是整齐、均匀，圆润；在绣叶瓣时，在中间分开，运用斜针成倒人字形；也有绣成中间针迹相交叠的形式；也可绣成中间作一钉线的绣法。排绣针法富有变化，刺绣出的花瓣、叶瓣得体逼真，用途较广。",[141,142,179,180,181,182,7,183,91],"刺绣","龙","彩云","排穗","缎绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F070645c6b740b2a7b2108717a668cb0c.jpg",[],{"id":187,"slug":188,"title":189,"dynasty":48,"author":19,"museum":20,"description":190,"tags":191,"thumbUrl":194,"material":37,"size":38,"collection":39,"collections":195,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},266000,"hui-zi-shi-mi-lu-pi-jia-yi-ming-266000","回子式麋鹿皮甲","以天然麋鹿鞣革裁制，米白胚色带着皮革的原生肌理，质朴厚重，裹挟着塞外旷野的粗粝质感。立领偏襟沿用回疆制式，黑缎镶边勾勒利落轮廓，撞色翠绿袢扣成为视觉焦点，冷硬皮革间晕开鲜活亮色，平衡了皮料的沉实厚重。\n\n宽袍大袖的版型适配骑乘劳作，自在舒展又不失服饰的端庄气度。无过多繁饰，将游牧生存的实用需求与审美意趣相融，粗朴的皮面带着岁月摩挲留下的痕迹，凝缩着旧时游牧生活的温度与记忆。",[141,192,193,7],"皮甲","兽皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F266ad4668ff96c3973349f738f7729c5.jpg",[],{"id":197,"slug":198,"title":199,"dynasty":64,"author":19,"museum":20,"description":200,"tags":201,"thumbUrl":205,"material":37,"size":38,"collection":39,"collections":206,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":43},227136,"dun-huang-7-yi-ming-227136","敦煌7","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[202,67,26,30,29,203,27,7,204],"敦煌","壁画","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F200ebdead81f46aa1054ce86bb9dd1cd.jpg",[],{"id":208,"slug":209,"title":210,"dynasty":64,"author":19,"museum":20,"description":200,"tags":211,"thumbUrl":10,"material":37,"size":38,"collection":39,"collections":212,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":213},227134,"dun-huang-5-yi-ming-227134","敦煌5",[202,203,26,30,29,7],[],"795548",1777535728060]