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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[24,123,7,58,27,124,41],"玉石","嵌饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfd2dcd5dea047684268a9a45a65f7ad.jpg",[],{"id":128,"slug":129,"title":130,"dynasty":18,"author":19,"museum":20,"description":131,"tags":132,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":134,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},272754,"wen-zhu-xiao-kang-ji-yi-ming-272754","文竹小炕几","这件小炕几以文竹包镶，形制秀雅规整。攒边嵌装的台面质感沉稳，牙脚处回纹拐子蜿蜒流转，对称呼应间尽显中式对称美学。色彩深浅相映，勾勒出挺括利落的线条轮廓，清式装饰的精巧韵味尽显。\n整体结构简洁却不见粗疏，将雅致工巧藏于细节，适配炕头陈设展卷、置放清供，既承载日常雅用之能，又晕开文房陈设的隽秀气质，把匠人的细腻审美融于器物之中，是清雅实用兼具的精巧之作。",[24,7,133,58,40,41],"文竹",[],1777535729143]