[{"data":1,"prerenderedAt":124},["ShallowReactive",2],{"subject-kang-zhuo":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9297,"kang-zhuo","炕桌","炕桌画高清赏析","精选中国历代炕桌题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e420563eb1cc72e4fc13b8b1fff550a.jpg",0,10,[14,34,44,57,68,78,88,96,104,113],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},274297,"nan-mu-diao-hua-kuang-xiang-yin-ke-bi-li-biao-kang-zhuo-yi-ming-274297","楠木雕花框镶银刻比例表炕桌","清","佚名","藏地不详","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[7,23,24,25,26],"木质","雕刻","镶银","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd0c6bd82984e72f73f20cd910d979f0.jpg","未知","Xcm*Xcm","",[],1,"795548",{"id":35,"slug":36,"title":37,"dynasty":18,"author":19,"museum":20,"description":21,"tags":38,"thumbUrl":42,"material":28,"size":29,"collection":30,"collections":43,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},273533,"hong-mu-diao-hua-wen-kang-zhuo-yi-ming-273533","红木雕花纹炕桌",[39,40,7,24,23,26,41],"器","红木","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa20341227ae11311b96ea146557a00d8.jpg",[],{"id":45,"slug":46,"title":47,"dynasty":18,"author":19,"museum":20,"description":48,"tags":49,"thumbUrl":54,"material":28,"size":29,"collection":30,"collections":55,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":56},273527,"hei-qi-miao-jin-kang-zhuo-yi-ming-273527","黑漆描金炕桌","此器以三弯外翻马蹄腿勾勒柔婉舒展的轮廓，沉稳中暗含雅致气韵。通体以乌漆为底，描金为饰，桌面绘就折枝花卉，笔意灵动娇妍，晕染出清逸雅致的文人意趣。牙板处缠枝宝相花迤逦环绕，间缀游龙纹，金彩熠熠，将闺阁闲情与华贵气度相融。乌漆沉穆莹润，描金历经岁月仍鲜亮不减，髹漆与描金工艺相得益彰，把日常起居器具化作可赏可玩的工艺精品，尽显工致秀雅的审美意韵。",[50,23,51,7,52,53,26,39],"漆器","描金","龙","花鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ac3e8291fdce8427af9b682b41ac69e.jpg",[],"37474F",{"id":58,"slug":59,"title":60,"dynasty":18,"author":19,"museum":20,"description":61,"tags":62,"thumbUrl":65,"material":28,"size":29,"collection":30,"collections":66,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},273531,"hua-li-mu-kang-zhuo-yi-ming-273531","花梨木炕桌","它凝敛着沉郁温润的木质光泽，包浆厚醇，尽是岁月浸养的质感。桌面光素无饰，尽显木料天然肌理之美，边缘起线利落柔和，束腰简洁秀挺，搭配灵动婉转的三弯腿，线条弧韵柔美又不失力道，落地沉稳扎实。\n\n整体摒弃繁缛雕饰，以极简线条勾勒出清隽温婉的气质，将实用与雅趣融为一体，尽显中式家具含蓄内敛的审美意趣，静静诉说着传统木作工艺的精致考究。",[23,7,63,64,26],"家具","木器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa05cc88fdafe57f924b7f1b23b8cc69.jpg",[],"BDBDBD",{"id":69,"slug":70,"title":71,"dynasty":18,"author":19,"museum":20,"description":72,"tags":73,"thumbUrl":76,"material":28,"size":29,"collection":30,"collections":77,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},273526,"zi-tan-mu-kang-zhuo-yi-ming-273526","紫檀木炕桌","此桌取紫檀为材，色泽乌亮如凝脂，包浆温润厚重，尽显木料本身的细腻质感。桌面素洁平整，不着一刀修饰，将实木肌理的天然之美娓娓道来。牙板以回纹满饰，线条辗转回环，规整中带着灵动韵律，勾勒出端庄雅致的气韵。四足劲挺方正，转角处以回纹收束，与牙板纹饰呼应统一，整体形制沉稳端方，无繁复冗余修饰，将简雅大气融于一体，尽显传统木作的匠心巧思，把材质之美与工艺之精合二为一，诠释中式家具内敛沉静的风骨。",[74,23,7,24,75,63],"紫檀","回纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c1fe4648d9eb4641c6eba5533f8ff9c.jpg",[],{"id":79,"slug":80,"title":60,"dynasty":18,"author":19,"museum":20,"description":81,"tags":82,"thumbUrl":86,"material":28,"size":29,"collection":30,"collections":87,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},272757,"hua-li-mu-kang-zhuo-yi-ming-272757","此桌选料精良，花梨木肌理细腻柔润，木纹如流云舒展，自带沉静雅致的质感。桌面光素无饰，尽显木料本身的自然之美。牙板采用连续的卷草形壸门洞，弧线柔婉灵动，为敦实的器形增添了几分秀逸。三弯腿线条起伏有致，从肩部顺势而下，至足部收为如意造型，外撇落地，既扎实稳固，又将曲线之美展现的淋漓尽致。整器摒弃繁琐雕饰，以简约线条勾勒出雅致风骨，将传统木作“材美工巧”的精髓蕴藏其间，静静诉说着中式起居的内敛意趣，是兼具实用价值与审美格调的经典木作。",[23,7,63,83,84,85],"花梨木","日用器","木雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ce8d38df8c1cd1672ecd10987398542.jpg",[],{"id":89,"slug":90,"title":91,"dynasty":18,"author":19,"museum":20,"description":21,"tags":92,"thumbUrl":94,"material":28,"size":29,"collection":30,"collections":95,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},272756,"zi-tan-mu-diao-hua-wen-kang-zhuo-yi-ming-272756","紫檀木雕花纹炕桌",[23,24,7,93,63,64],"雕花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc56668b32ad491df4c52489c56627217.jpg",[],{"id":97,"slug":98,"title":60,"dynasty":18,"author":19,"museum":20,"description":99,"tags":100,"thumbUrl":102,"material":28,"size":29,"collection":30,"collections":103,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},272755,"hua-li-mu-kang-zhuo-yi-ming-272755","此桌取花梨木为材，木色沉敛温润，肌理细腻动人。边角包镶鎏金铜饰，既加固防损，又以金属亮泽衬出木质暖调，相映成趣。牙板作流畅的卷云式洼面，中段浅刻小饰，柔化了整体线条，四足内翻马蹄，外侧打洼起线，带着独特的洋式意韵。整体形制宽扁舒展，沉稳雅致，将加固实用与装饰美学巧妙结合，把东方的古朴内敛与外来的柔媚工法中和为一，尽显工料俱佳的特质，藏着旧时日常起居里的从容雅致。",[23,7,63,64,101,24],"铜饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42b82ad3f113884b85bb030688240653.jpg",[],{"id":105,"slug":106,"title":107,"dynasty":18,"author":19,"museum":20,"description":108,"tags":109,"thumbUrl":111,"material":28,"size":29,"collection":30,"collections":112,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},272750,"hua-li-mu-tong-bao-huo-zu-kang-zhuo-yi-ming-272750","花梨木铜包活足炕桌","温润花梨木质肌理匀净雅致，整体形制舒展沉稳。边角以鎏金铜饰包镶，錾刻婉转卷草纹饰，柔化硬木棱角，金辉暖光呼应木色柔润，在素雅之中晕开华贵质感。\n\n桌面光素无饰，尽显木材本身天然意趣，直足微微收分，枨间利落简约，既有明式家具的隽永风骨，又融入清代重工装饰的精巧心思。器物将实用功能与审美意趣相融，静静承载着旧时起居间的闲雅日常，是简繁相宜的精巧之作。",[23,110,7,63,26],"铜制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F989547fe9e24af215a8b9f15906c4d33.jpg",[],{"id":114,"slug":115,"title":116,"dynasty":18,"author":19,"museum":20,"description":117,"tags":118,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":122,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":123},249536,"qian-long-kuan-hua-fa-lang-chan-zhi-hua-hui-wen-kang-zhuo-yi-ming-249536","乾隆款画珐琅缠枝花卉纹炕桌","此炕桌敦实端稳，卷云弯足柔婉舒展，撑起雅致形制。明黄地子鲜亮明快，满布缠枝花卉，粉蓝紫诸色花瓣晕染柔润，枝叶脉络勾勒细腻，辗转缠绕间繁而不乱。边框以回纹衬饰，层次分明，将皇家重工华美的审美尽致展现。画珐琅工艺炉火纯青，釉色莹亮匀净，色彩搭配和谐悦目，装饰性与实用性相融，尽显盛世宫廷器物的华贵精巧。",[18,119,120,121,7],"画珐琅","缠枝花卉","珐琅器",[],"FFFFFF",1777535735272]