[{"data":1,"prerenderedAt":1840},["ShallowReactive",2],{"subject-ke-hua":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4261,"ke-hua","刻花","刻花画高清赏析","精选中国历代刻花题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4af647778a16f9025db81a202874d982.jpg",0,221,[14,33,43,52,65,76,90,98,105,118,127,137,146,154,163,171,181,192,199,214,223,236,246,256,265,273,280,289,296,303,311,322,329,338,345,352,361,371,378,387,393,401,409,419,427,439,447,454,462,470,478,488,497,504,511,519,527,534,542,551,560,567,574,582,590,599,607,613,621,631,639,648,656,665,671,679,686,693,702,712,720,730,740,747,758,767,776,788,799,806,814,821,828,835,843,850,858,868,879,888,895,904,910,917,926,933,942,950,958,967,974,982,989,996,1002,1008,1014,1022,1031,1038,1045,1052,1059,1066,1074,1082,1090,1098,1105,1114,1123,1130,1138,1145,1153,1160,1166,1173,1181,1188,1194,1201,1208,1216,1222,1229,1236,1242,1249,1258,1265,1271,1279,1287,1295,1303,1311,1319,1327,1335,1343,1350,1357,1364,1372,1380,1389,1396,1408,1417,1424,1431,1438,1445,1454,1461,1469,1476,1483,1492,1499,1509,1518,1526,1533,1541,1548,1557,1564,1571,1579,1588,1596,1605,1613,1625,1633,1641,1648,1655,1663,1669,1677,1684,1694,1702,1710,1718,1728,1735,1745,1757,1767,1776,1786,1793,1800,1808,1817,1824,1830],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":31,"zanCount":11,"manualWeight":11,"mainColor":32},256708,"long-quan-yao-qing-you-ke-hua-shi-liu-shi-zun-yi-ming-256708","龙泉窑青釉刻花石榴式尊","明","佚名","藏地不详","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[23,24,7,18,25],"陶瓷","青釉","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0fc9660c71258d4c06b6d70b81e03a61.jpg","未知","Xcm*Xcm","瓷器精选",[29],10,"BDBDBD",{"id":34,"slug":35,"title":36,"dynasty":18,"author":19,"museum":20,"description":21,"tags":37,"thumbUrl":40,"material":27,"size":28,"collection":29,"collections":41,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":32},260525,"long-quan-yao-qing-you-ke-hua-ping-yi-ming-260525","龙泉窑青釉刻花瓶",[23,24,7,38,39],"花瓶","牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cd34f8b170a077d4784cac7601e93e1.jpg",[29],9,{"id":44,"slug":45,"title":46,"dynasty":47,"author":19,"museum":20,"description":48,"tags":49,"thumbUrl":50,"material":27,"size":28,"collection":29,"collections":51,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":32},256952,"yao-zhou-yao-qing-you-ke-hua-ping-yi-ming-256952","耀州窑青釉刻花瓶","宋","耀州窑是中国传统制瓷工艺中的珍品，宋代六大窑系。位于今陕西省铜川市的黄堡镇，唐宋时属耀州治，在唐代就是中国陶瓷烧制的著名产地，宋代更进一步达到鼎盛，成为我国“宋代六大窑系”中的一个窑系。\n耀州窑是北方青瓷的代表。唐代开始烧制黑釉、白釉、青釉、茶叶末釉和白釉绿彩、褐彩、黑彩以及三彩陶器等。宋、金以青瓷为主。北宋是耀州的鼎盛时期，据记载且为朝廷烧造“贡瓷”。金代延续北宋时期继续发展，元代开始转型，走向末落，经明代、清代，终于民国。\n耀州窑始于唐代，北宋末为鼎盛期，宋代六大窑系，终于民国。其窑址位于陕西省铜川市黄堡镇，旧称同官，宋代时属耀州，故名“耀州窑”，包括陈炉镇、立地镇、上店镇及玉华宫等窑在内。是宋代北方民间青瓷的主要产区之一。\n宋代晚期以青瓷为主，胎薄质坚，釉面光洁匀静，色泽青幽，呈半透明状，十分淡雅。装饰有刻花、印花，结构严谨丰满，线条自由流畅。纹饰多满布器内外，种类繁多，有牡丹、菊花、莲花、鱼、鸭、龙凤等，风格粗放健美，生动自然。器形有碗、盘、瓶、罐、壶、香炉、香熏、盏托、注子温碗、钵等。\n耀州窑在宋时北方的青瓷窑场中最负盛名，堪称翘楚。于神宗元丰（1078-1085）至徽宗崇宁（1102-1106）的三十来年间，曾为朝廷烧制贡瓷。其不凡的制瓷技巧和洒脱活泼的风格对当时各地窑场产生了很大影响，得到广泛推广，由此形成了一个自北而南的范围广阔的耀州窑系。耀州窑系以黄堡镇为中心，襄括了河南宜阳窑、宝丰窑、新安城关窑、广东西村窑、广西永福窑、内乡大窑店窑等多个窑场。各窑制品均与铜川窑相似，仅由于所用原料有差别，胎质与釉色也有些微不同。",[47,23,7,24,25,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce6881478b401794a323278cfce63cc2.jpg",[29],{"id":53,"slug":54,"title":55,"dynasty":47,"author":19,"museum":20,"description":56,"tags":57,"thumbUrl":62,"material":27,"size":28,"collection":29,"collections":63,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":64},256195,"ding-yao-bai-you-ke-lian-hua-wen-zhe-yao-wan-yi-ming-256195","定窑白釉刻莲花纹折腰碗","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[58,23,59,7,60,61],"宋代","白釉","莲花纹","折腰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa987234ffaca70214455dfd6cf81110e.jpg",[29],"37474F",{"id":66,"slug":67,"title":68,"dynasty":69,"author":19,"museum":20,"description":70,"tags":71,"thumbUrl":72,"material":27,"size":28,"collection":73,"collections":74,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":32},256695,"qing-you-ke-hua-dan-bing-hu-yi-ming-256695","青釉刻花单柄壶","南北朝","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[69,23,24,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F573748b13253d34364e71827ef344728.jpg","",[],8,{"id":77,"slug":78,"title":79,"dynasty":18,"author":19,"museum":20,"description":80,"tags":81,"thumbUrl":88,"material":27,"size":28,"collection":29,"collections":89,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":64},256526,"yi-xing-yao-fang-ge-you-ke-tao-tie-wen-shuang-er-si-zu-ding-yi-ming-256526","宜兴窑仿哥釉刻饕餮纹双耳四足鼎","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有"宜钧"之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[23,82,7,83,84,85,86,87],"仿哥釉","饕餮纹","礼器","明代","双耳","四足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fece20f6008517757fb23603ee9a642d2.jpg",[29],{"id":91,"slug":92,"title":36,"dynasty":18,"author":19,"museum":20,"description":21,"tags":93,"thumbUrl":95,"material":27,"size":28,"collection":29,"collections":96,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":32},260707,"long-quan-yao-qing-you-ke-hua-ping-yi-ming-260707",[23,24,7,38,39,94],"雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9ed0cd006a371d3fcb2e0751963ca03.jpg",[29],7,{"id":99,"slug":100,"title":36,"dynasty":18,"author":19,"museum":20,"description":21,"tags":101,"thumbUrl":103,"material":27,"size":28,"collection":29,"collections":104,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":32},260599,"long-quan-yao-qing-you-ke-hua-ping-yi-ming-260599",[23,24,7,38,102],"花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f4a793cc50621b30764b6f917d81fdc.jpg",[29],{"id":106,"slug":107,"title":108,"dynasty":47,"author":19,"museum":20,"description":56,"tags":109,"thumbUrl":115,"material":27,"size":28,"collection":29,"collections":116,"showCount":97,"zanCount":117,"manualWeight":11,"mainColor":32},256319,"ding-yao-bai-you-ke-hua-mu-dan-wen-pan-yi-ming-256319","定窑白釉刻花牡丹纹盘",[58,59,7,110,23,111,112,113,114],"牡丹纹","瓷器","花卉纹","传统工艺","宋代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffaec4c29e88520c948f82ffe9be55353.jpg",[29],1,{"id":119,"slug":120,"title":121,"dynasty":122,"author":19,"museum":20,"description":21,"tags":123,"thumbUrl":125,"material":27,"size":28,"collection":29,"collections":126,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":64},256198,"long-quan-yao-qing-you-ke-hua-zun-yi-ming-256198","龙泉窑青釉刻花尊","元",[124,23,24,7,39,25],"元代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87b238ec82cc0289b65cd78638d49afd.jpg",[29],{"id":128,"slug":129,"title":130,"dynasty":47,"author":19,"museum":20,"description":131,"tags":132,"thumbUrl":135,"material":27,"size":28,"collection":29,"collections":136,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":32},256196,"jing-de-zhen-yao-qing-bai-you-ke-hua-ying-xi-wen-wan-yi-ming-256196","景德镇窑青白釉刻花婴戏纹碗","景德镇窑是中国传统窑炉之一，景德镇窑系属于宋代六大窑系之一。诞生于今江西省景德镇，故称景德镇窑，实际上由数个窑口组成。\n景德镇有着悠久的制瓷历史，完备的陶瓷产业体系，广泛的国际影响，是一座因瓷而生、因瓷而兴、因瓷而名的城市，也是一座“因开放而生，因开放而兴”的深度开放城市。\n景德镇窑据记载始烧于唐武德(618一626)年间。建国后发现瓷窑遗址多处，以杨梅亭窑、石虎湾窑、黄泥头窑最早，均为五代时期。\n中国传统的陶瓷可分为三大类：龙窑（倾斜式隧道窑）、阶级窑（倾斜式冷底多室窑）以及景德镇窑（平焰窑）。 景德镇窑为我国传统窑炉中独具风格的窑。它的烧成室型呈一头大一头小的长椭圆形，近窑门处宽而高，靠近烟囱则逐渐狭窄矮小，故有"鸭蛋窑"之称，全长约15-20米，容积为300-400立方米，是以松柴为燃料，火焰长而灰分少，因不含硫或者含量极少，适宜烧还原焰，对于白瓷、青花瓷、颜色釉瓷等传统瓷的釉面呈色效果良好，可装烧高火、中火、低火的瓷坯。因窑内腔较高（最高高度不超过6米），便于装烧大件制品，适合多品种生产的条件。因此，景德镇窑（在景德镇也叫柴窑）单位公斤瓷的燃料消耗量小。另外，其结构简单，镇窑建筑速度快，基建费用少，产量大，周转期快，可以快速烧成和快速冷却，适应于景德镇附近制瓷原料的特性和瓷器的传统风格。对南方某些瓷窑来说，在控制烧成气氛和瓷器质量，以及燃料（松柴）消耗等方面，镇窑均较龙窑、阶级窑和倒焰窑等优点。",[23,133,7,134],"青白釉","婴戏纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe72c79598a199553cace61ab972a29b0.jpg",[29],{"id":138,"slug":139,"title":140,"dynasty":47,"author":19,"museum":20,"description":48,"tags":141,"thumbUrl":142,"material":27,"size":28,"collection":29,"collections":143,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":145},256832,"yao-zhou-yao-qing-you-ke-hua-ying-xi-wen-wan-yi-ming-256832","耀州窑青釉刻花婴戏纹碗",[58,23,24,7,134,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b705050dea67d9d32e06a296f1eb029.jpg",[29],6,"795548",{"id":147,"slug":148,"title":149,"dynasty":47,"author":19,"museum":20,"description":131,"tags":150,"thumbUrl":152,"material":27,"size":28,"collection":29,"collections":153,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":145},256816,"jing-de-zhen-yao-qing-bai-you-ke-hua-mei-ping-yi-ming-256816","景德镇窑青白釉刻花梅瓶",[23,7,133,25,151],"梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30fd617d357ea023168c4d270218b794.jpg",[29],{"id":155,"slug":156,"title":157,"dynasty":47,"author":19,"museum":20,"description":158,"tags":159,"thumbUrl":161,"material":27,"size":28,"collection":73,"collections":162,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":32},256325,"qing-bai-you-ke-hua-ping-yi-ming-256325","青白釉刻花瓶","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[47,23,133,7,160],"瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dd18d7d7f4bd5af51de0d2a1e9d7e56.jpg",[],{"id":164,"slug":165,"title":166,"dynasty":47,"author":19,"museum":20,"description":56,"tags":167,"thumbUrl":169,"material":27,"size":28,"collection":29,"collections":170,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":64},256303,"ding-yao-bai-you-ke-hua-zhi-jing-ping-yi-ming-256303","定窑白釉刻花直颈瓶",[47,23,59,7,25,168],"直颈瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F600550448d0bab19727438bb2fb87895.jpg",[29],{"id":172,"slug":173,"title":174,"dynasty":18,"author":19,"museum":20,"description":21,"tags":175,"thumbUrl":178,"material":27,"size":28,"collection":29,"collections":179,"showCount":180,"zanCount":11,"manualWeight":11,"mainColor":32},260706,"long-quan-yao-qing-you-ke-hua-huan-er-ping-yi-ming-260706","龙泉窑青釉刻花环耳瓶",[23,24,7,176,177,94,111],"环耳瓶","荷花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb3f39d4bc679f465a5f3807fdbac0c5.jpg",[29],5,{"id":182,"slug":183,"title":184,"dynasty":18,"author":19,"museum":20,"description":21,"tags":185,"thumbUrl":190,"material":27,"size":28,"collection":29,"collections":191,"showCount":180,"zanCount":11,"manualWeight":11,"mainColor":32},260655,"long-quan-yao-qing-you-ke-hua-chan-zhi-lian-wen-ju-ban-shi-zhe-yan-pan-yi-ming-260655","龙泉窑青釉刻花缠枝莲纹菊瓣式折沿盘",[23,7,186,187,188,24,189],"缠枝莲纹","菊瓣式","折沿盘","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb04b3e92e2a1f963c56b502f997ce34.jpg",[29],{"id":193,"slug":194,"title":195,"dynasty":47,"author":19,"museum":20,"description":56,"tags":196,"thumbUrl":197,"material":27,"size":28,"collection":29,"collections":198,"showCount":180,"zanCount":11,"manualWeight":11,"mainColor":32},256777,"ding-yao-bai-you-ke-hua-hua-hui-wen-mei-ping-yi-ming-256777","定窑白釉刻花花卉纹梅瓶",[47,23,59,7,102,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feac1de88e808a9794a22a3dff3d52238.jpg",[29],{"id":200,"slug":201,"title":202,"dynasty":203,"author":19,"museum":20,"description":204,"tags":205,"thumbUrl":211,"material":27,"size":28,"collection":73,"collections":212,"showCount":213,"zanCount":11,"manualWeight":11,"mainColor":64},260840,"huang-you-ke-hua-long-feng-wen-xiang-er-pan-kou-ping-yi-ming-260840","黄釉刻花龙凤纹象耳盘口瓶","清","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[23,206,207,7,208,209,210],"象耳盘口瓶","黄釉","龙","凤","象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1692931ffb0beff15bd329d48416661.jpg",[],4,{"id":215,"slug":216,"title":217,"dynasty":69,"author":19,"museum":20,"description":70,"tags":218,"thumbUrl":221,"material":27,"size":28,"collection":73,"collections":222,"showCount":213,"zanCount":11,"manualWeight":11,"mainColor":145},260213,"qing-you-ke-hua-lian-ban-wen-wan-yi-ming-260213","青釉刻花莲瓣纹碗",[23,7,219,24,189,220],"莲瓣纹","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61caa1c13c1fe93df359c011cf4fc889.jpg",[],{"id":224,"slug":225,"title":226,"dynasty":47,"author":19,"museum":20,"description":227,"tags":228,"thumbUrl":233,"material":27,"size":28,"collection":73,"collections":234,"showCount":213,"zanCount":11,"manualWeight":11,"mainColor":235},256957,"san-cai-ke-hua-lu-lian-wen-pan-yi-ming-256957","三彩刻花鹭莲纹盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,229,7,230,231,232,25],"三彩","设色","鹭鸟","莲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F676f57ac08214d5b01da7fbb7f70dae9.jpg",[],"0D904F",{"id":237,"slug":238,"title":239,"dynasty":18,"author":19,"museum":20,"description":80,"tags":240,"thumbUrl":244,"material":27,"size":28,"collection":29,"collections":245,"showCount":213,"zanCount":11,"manualWeight":11,"mainColor":32},256838,"yi-xing-yao-yue-bai-you-ke-hua-zhe-zhi-lian-wen-mei-ping-yi-ming-256838","宜兴窑月白釉刻花折枝莲纹梅瓶",[23,7,241,242,243,85],"月白釉","折枝莲纹","梅瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5e56b1fde143f63d83d4de6693363ea.jpg",[29],{"id":247,"slug":248,"title":249,"dynasty":250,"author":19,"museum":20,"description":227,"tags":251,"thumbUrl":254,"material":27,"size":28,"collection":73,"collections":255,"showCount":213,"zanCount":117,"manualWeight":11,"mainColor":145},256724,"san-cai-ke-hua-hui-wen-san-zu-pan-yi-ming-256724","三彩刻花卉纹三足盘","唐",[23,252,229,7,112,253,25],"唐代","三足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3037748a7f30271e131b9e46d5e76d3.jpg",[],{"id":257,"slug":258,"title":259,"dynasty":47,"author":19,"museum":20,"description":260,"tags":261,"thumbUrl":263,"material":27,"size":28,"collection":73,"collections":264,"showCount":213,"zanCount":11,"manualWeight":11,"mainColor":32},227646,"ke-hua-cha-wan-yi-ming-227646","刻花茶碗","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[58,23,7,189,262],"茶碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac7399da31b8b2305c56c655b70a201b.jpg",[],{"id":266,"slug":267,"title":268,"dynasty":47,"author":19,"museum":20,"description":269,"tags":270,"thumbUrl":271,"material":27,"size":28,"collection":73,"collections":272,"showCount":213,"zanCount":11,"manualWeight":11,"mainColor":145},227470,"he-hua-wen-die-yi-ming-227470","荷花纹碟","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[47,23,25,177,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F855d8cb5d2f8515b327eacd4f09be8e4.jpg",[],{"id":274,"slug":275,"title":38,"dynasty":47,"author":19,"museum":20,"description":260,"tags":276,"thumbUrl":278,"material":27,"size":28,"collection":73,"collections":279,"showCount":213,"zanCount":11,"manualWeight":11,"mainColor":32},226683,"hua-ping-yi-ming-226683",[47,23,7,151,277],"开片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44ba7c9cc076565d63f00e261db6902f.jpg",[],{"id":281,"slug":282,"title":217,"dynasty":69,"author":19,"museum":20,"description":70,"tags":283,"thumbUrl":286,"material":27,"size":28,"collection":73,"collections":287,"showCount":288,"zanCount":11,"manualWeight":11,"mainColor":32},261367,"qing-you-ke-hua-lian-ban-wen-wan-yi-ming-261367",[23,7,219,284,189,94,285],"饪食器","荷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e00e2d40b9a2c684850466477ac0c1f.jpg",[],3,{"id":290,"slug":291,"title":36,"dynasty":18,"author":19,"museum":20,"description":21,"tags":292,"thumbUrl":294,"material":27,"size":28,"collection":29,"collections":295,"showCount":288,"zanCount":117,"manualWeight":11,"mainColor":32},260666,"long-quan-yao-qing-you-ke-hua-ping-yi-ming-260666",[23,24,7,160,293,111],"龙泉窑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e1fbd4a27129f4b03f36df74c8d9256.jpg",[29],{"id":297,"slug":298,"title":299,"dynasty":122,"author":19,"museum":20,"description":21,"tags":300,"thumbUrl":301,"material":27,"size":28,"collection":29,"collections":302,"showCount":288,"zanCount":11,"manualWeight":11,"mainColor":145},256910,"long-quan-yao-qing-you-ke-hua-gai-guan-yi-ming-256910","龙泉窑青釉刻花盖罐",[23,24,7,25,122],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe769eaa28ece7f5c3a350a49be51c034.jpg",[29],{"id":304,"slug":305,"title":306,"dynasty":18,"author":19,"museum":20,"description":21,"tags":307,"thumbUrl":309,"material":27,"size":28,"collection":29,"collections":310,"showCount":288,"zanCount":11,"manualWeight":11,"mainColor":145},256532,"long-quan-yao-qing-you-ke-hua-pu-tao-wen-da-pan-yi-ming-256532","龙泉窑青釉刻花葡萄纹大盘",[18,23,24,7,308,25],"葡萄纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F654d7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