[{"data":1,"prerenderedAt":164},["ShallowReactive",2],{"subject-ke-tie":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3559,"ke-tie","刻帖","刻帖画高清赏析","精选中国历代刻帖题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb63a076a89ea2774673c234fbb5533c.jpg",0,14,[14,35,42,51,57,63,71,76,97,115,124,136,146,152],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":32},220650,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220650","宋刻米芾英光堂帖","宋","米芾,岳珂","香港中文大学文物馆","《英光堂帖》的内容是北宋米芾（1051–1108）的书迹，由抗金名将岳飞的孙子岳珂（1183–1241后）刻于南宋绍定初年（约1229–1233）。米芾是宋代著名书画家，以书法与苏轼（1037–1101）、黄庭坚（1045–1105）、蔡襄（1012–1067）并称「宋四大家」。行草书受二王影响甚深，运笔变化多端，才气奔放，书迹为后世所重视。",[23,24,25,26,27,7,28],"高清","书法","行书","拓本","字帖","宋代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73ebcbfd1cf101b95b0af5992e8da709.jpg","墨拓,纸本,册页","34 × 36 cm","",[],5,{"id":36,"slug":37,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":38,"thumbUrl":39,"material":30,"size":31,"collection":32,"collections":40,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":32},220647,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220647",[23,18,26,27,24,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fdcdefe8908c5d76bc1b92bc9ea6673.jpg",[],1,{"id":43,"slug":44,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":45,"thumbUrl":49,"material":30,"size":31,"collection":32,"collections":50,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":32},220639,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220639",[23,24,26,27,25,46,47,48,7],"草书","楷书","宋刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4635b547d72de1ed72a9ca3cecc53ccb.jpg",[],{"id":52,"slug":53,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":54,"thumbUrl":55,"material":30,"size":31,"collection":32,"collections":56,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":32},220635,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220635",[23,24,25,27,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F175d9e342d2173b4a642a62c522cbfc3.jpg",[],{"id":58,"slug":59,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":60,"thumbUrl":61,"material":30,"size":31,"collection":32,"collections":62,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":32},220627,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220627",[23,24,25,26,27,48,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd299361720144a3b572f02ffb898e971.jpg",[],{"id":64,"slug":65,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":66,"thumbUrl":69,"material":30,"size":31,"collection":32,"collections":70,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":32},220624,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220624",[23,28,26,24,25,27,67,7,68],"墨拓","汉字书写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8202ff700285245662217b46bb02547d.jpg",[],{"id":72,"slug":73,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":74,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":75,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":32},220618,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220618",[23,28,26,27,24,25,7],[],{"id":77,"slug":78,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":79,"thumbUrl":95,"material":30,"size":31,"collection":32,"collections":96,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":32},220617,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220617",[23,28,24,25,26,27,7,80,81,82,83,84,85,86,87,88,89,90,91,92,93,94],"墨迹","笔墨","章法","结体","线条","飞白","使转","提按","中锋","侧锋","帖学","碑刻","书迹","临帖","书风","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e9cdc584821ac371540393487be1ad7.jpg",[],{"id":98,"slug":99,"title":100,"dynasty":101,"author":102,"museum":103,"description":104,"tags":105,"thumbUrl":110,"material":111,"size":112,"collection":32,"collections":113,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":114},242583,"dong-shu-tang-tie-yi-ming-242583","东书堂帖","明","佚名","藏地不详","此帖黑底银钩，刻摹精工细致，将王献之小楷的秀雅风神尽致留存。笔画舒展灵动，结体疏朗宕逸，转折间锋芒暗蕴，虽为刻本却不减笔墨流动之趣，尽显晋人尚韵的清雅气质。古纸斑驳间墨色沉凝，带着岁月晕染的厚重质感，既有刻帖自带的金石意趣，又完美传递出王献之书法里秀媚超举的笔意，将大令不为多见的端严小楷风貌留存，尽显帖学传承的古韵悠长。",[106,24,26,107,47,108,67,7,109],"明代","印章","法书","典籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5df89b124742ec5536c793cc14eb2f2.jpg","未知","Xcm*Xcm",[],"37474F",{"id":116,"slug":117,"title":100,"dynasty":101,"author":102,"museum":103,"description":118,"tags":119,"thumbUrl":121,"material":111,"size":112,"collection":32,"collections":122,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":123},242570,"dong-shu-tang-tie-yi-ming-242570","墨色如漆莹润匀净，银钩铁画跃然楮间，字字裹挟汉家笔墨的朴茂古雅。笔画筋骨内含，牵丝映带暗合书写时的流转气韵，结体端稳又不乏舒展意趣，将古帖风神复刻传神。版式疏朗沉静，虽为刻帖，却最大程度留存原作笔墨温度，纸面晕开的旧痕晕染出岁月沉淀的温雅质感，尽显复刻经典、传承翰墨的深心。",[24,27,26,25,7,120],"古籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b1ee2a2e6b7878cc3fc0c876029bf1f.jpg",[],"795548",{"id":125,"slug":126,"title":127,"dynasty":128,"author":102,"museum":103,"description":129,"tags":130,"thumbUrl":134,"material":111,"size":112,"collection":32,"collections":135,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":114},242430,"zhong-ke-chun-hua-ge-tie-yi-ming-242430","重刻淳化阁帖","清","清拓《钦定重刻淳化阁帖》原本《淳化阁帖》。十卷又称《淳化秘阁法帖》、（阁贴》。系宋淳化三年（992年）太宗岀内府所藏历代古帖，命翰林侍书王著摹勒而成，共收录汉魏至唐历代名人及帝王书一百余家四百余种。但帖石置于宫中，除宣赐大臣以外，原刻拓木绝少流布人间。\n淸高宗鉴于日趋緊多的翻刻本已完全失去其本来面目，而宋王著昧于辨别，在采择古帖时有真赝混迹现象，编次标越也多处讹误，为避免贻谋后学，希望复原《淳化》旧观。于乾隆三十四年（1769年）持敕命于敏中等据内府所藏宋太宗赐毕士安本《淳化阁帖》详加考证，重新钩摹上石，仍为十卷，每卷隶书标题：“钦定重刻淳化阁帖第 X ”一行。卷末沟刻高宗行书题跋一段。各卷尾题:“乾隆三十四年岁在乙丑春二月奉敕校正宋淳化阁帖初拓摹勒上石”篆书四行。此帖考订详僖，校对精审，对原帖编次上的错误逐一厘订后，重新改编次第按时代先后为序。对草书不识之字。博参诸家释文依字旁列注，对其中互异之字附记考证于卷后。\n此帖由御书处刻工佳手钩刻摹刊至精。就其规模和质量来说均在明代诸家刻本之上。\n乾隆三十七年（1772年）帖石镌成后高宗皇帝犹恐失散即将毕士安赐本（淳化阁帖》与重刻原石一起贮于圆明园淳化轩内，至今二者都无下落、可能毁于1860年英法联军侵占北京圆明园之际，实为千古憾事。幸故宫藏有该帖拓本才得以观其原貌。此拓本为淸刻初拓，京折装，计十册，每册纵30.6厘米横35厘米，每册铃：“乾隆御览之宝”朱文椭圆印、”避暑山庄”朱文方印，装潢颇为考究，且拓工精良。虽已保存二百余年但字口锋神俱在，纸墨宛如新拓，堪称珍品。\n乾隆《钦定重刻淳化阁帖》石版，原贮于长春园淳化轩。英法联军火烧圆明园后,该摹帖版已湮没百余年。所幸的是,1993年夏季，圆明园管理处在清挖长春园水系时，从该遗址西侧河道掘得摹帖版7页（4整3残），今均陈列于园史展览馆。\n淳化法帖，原是北宋淳化三年（992年），奉宋太宗赵光义旨意，摹刻于秘阁之中的丛帖，世称《淳化阁帖》。它是我国历史上的第一部大型丛帖，被誉为诸帖之祖。《阁帖》共摹刻唐代以前99人书法名迹，包括夏禹、孔子、晋武帝、唐太宗、虞世南、 欧阳询、褚遂良、柳公权等，尤以王義之、王献之量迹最丰，独占全帖10册之半。\n清代乾隆帝弘历喜好书法，曾先后命在北海阅古楼和万寿山星妙轩，分别摹刻《三希堂法帖》及其续帖。但因二帖仅收魏晋以来墨迹，弘历颇嫌不足。后喜得《淳化阁帖》之“初拓赐本”，弘历如获至宝。命内廷翰林精审更定，选工钩摹上石，并在长春园含经堂之后新建两层轩阁，以帖名之曰“淳化轩”。帖版是在故宫懋勤殿直庐镌刻的,历时三年零两个月，至乾隆三十七年（1772年）四月，共摹竣144页贴版，遂镶嵌于堂后轩前之24间回廊壁间。原《阁帖》北宋初拓本，收藏于淳化轩内，I860年（咸丰十年）同毁于英法联军劫火。\n今出土的摹帖版,面幅为90厘米*33厘米，石厚11厘米。7页帖版的序号是三册一号、六号、 七号（残），四册八号（残），五册一号、十四号和九册三号（残）。其中除五册十四号为“释文订异”，九册三号为隋释智果书“王右军”帖、“蔡邕”帖之外， 余均为王義之墨迹，包括其“适得”、“比奉”、“七儿”、“省足”、“云谯”、“知足”、“期已”、“信云”、“不审”、“伏想”等近20幅名帖。出土帖版中，有2页残版的字迹略有侵蚀，余尚清晰。\n乾隆三十四年的《钦定重刻淳化阁帖》是一部很重要的本子,其所据的底本为明末清初孙承泽原藏的所谓毕士安本。以乾隆刻本和司空公本的第四、七、八卷相校,其底本肯定不是初拓本，因此，所谓毕士安本是不可能的。但这个底本应该是一个北宋拓本，和司空公本的年份相似，然而它是十卷本。问题是这个祖本已经消失，然而它在当时确实存在过，过去有的学者认为这个底本是虚构的，不存在的。可能是由于它不可能是所谓淳化四年的毕士安赐本的关系。\n这个所谓的毕士安赐本，在康熙时已入内府，康熙曾亲跋此本: “……此本乃赐翰林学士毕士安者……汉晋以来，翰墨风规，宛然犹在者，尚赖此帖之存也，朕幾政余闲，启帙披卷,如晤往昔，心意融洽,洵可宝而藏之也。\n到了乾隆三十四年，以此本作为底本重刻的《淳化阁帖》，乾隆在卷首题词中说:“内府旧藏淳化阁帖极多,而此毕士安所得赐本，拓最精好, 爰特敕选工钩摹上石，冀复旧观。\n这个本子到了嘉庆年间,成亲王永瑆题在现藏美国弗利尔美术馆的绍兴国子监本第十册末有:“余昔在上书房得见内府所藏宋太宗赐毕士安本, 此本楮墨正与相似，嘉庆庚午四月七日商丘陈伯恭先生携此本与贾似道重摹初拓本相见……”这说明，这个乾隆刻本的底本在1810年前不久仍然存在,其消失的原因很简单,乾隆在其重刻本的第十卷末有:“重摹淳化阁帖成,因并弃毕士安原本于淳化轩。这就是说，这个底本和重刻帖石一并存放在圆明园的淳化轩。I860年英法联军焚毁圆明园，所谓毕士安底本也必遭毁灭。\n乾隆重刻本，除了改变原刻整体程序外，也有对个别字体修正原刻的失误，如第八卷《此郡帖》的“非常”之“非”字,原刻失刻一笔，乾隆重摹即据《大观帖》补刻完整。此外，有的字体也有摹失,但其不可忽视之处在于它是从整套北宋拓本翻刻，在我们对比各《阁帖》本时有着比较重要的参考价值。\n弘历继位九年（1744 ）命臣将内府所藏书画著录《石渠宝笈》。乾隆十五年（1750）又敕命编刻《三希堂石渠宝笈法帖》三十二卷。谕曰：\n书为游艺之一，前代名迹流传，令人兴怀珍慕。是以好古者恒钩撫镌刻.以垂诸奕祀。宋《淳化阁帖》，其最著矣。厥后《大观》《淳熙》皆有续刻。其他名家摹本，至不可数。我朝秘府，初不以广购博收为尚，而法书真迹，积久颇富。朕曾命儒臣详慎审定，编为《石渠宝笈》一书。因思文人学士得佳迹数种，即钩摹入石，矜为珍玩。今取群玉之秘，寿之贞琨。足为墨宝大观，以公天下。\n《三希堂法帖》刻后十九年即乾隆三十四年（1769）,弘历又重新刻了一部《淳化阁帖》。这部帖是据赐毕士安本墓刻的，故书家与书帖和《阁帖》相同。然而不同的是：（一）除帝王帖置首卷外，其他帖完全按时代先后排列：第一，历代帝王；第二，上古至晋人；第三，第四、第五，晋王羲之；第六，晋人及王献之；第七，晋王献之；第八，晋至梁人；第九，陈至唐人；第十，唐及无名氏。（二）随文添刻楷书釋文。（三）卷末附释文考异和御制题跋。\n当时为什么要这样做呢？弘历在帖首自有说法：\n朕几余不自暇逸，典学之优，时及临池。曩曾辑内府所藏前人墨迹，刻为《三希堂》《墨妙轩》二帖，广示艺林。复念古帖流传可补墨迹所未备者，惟宋《淳化阁帖》，镌集尤为美富，远出《大观》《太清楼》诸本之上。但惜初拓与赐者绝勘，或云版寻残损，当时已为难得。后来翻刻愈繁，真意寝失。有志追摹者，末由津逮。内府旧藏《淳化阁帖》极多，而此毕士安所得赐本拓最精好。爰特敕选工钩摹上石，冀复旧观。\n第王著昧于辨别，其所排类标题，舛陋滋甚，不当听其沿讹，以误后学。因命于敏中等详加考正，以次呈阅，候朕参定，分识各卷。并命搜采诸家释文，依字旁注。其互异者折衷附记于后，以资省览。是于考文稽古之中，兼寓举坠订讹之益，用嘉惠海内操觎之士焉。\n特谕。\n乾隆三十四年（1769）二月六日，御笔。",[24,131,26,107,7,27,132,133],"篆书","黑底白字","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda7b6c30ddb957c53802bd00acbf08e5.jpg",[],{"id":137,"slug":138,"title":127,"dynasty":139,"author":102,"museum":103,"description":129,"tags":140,"thumbUrl":144,"material":111,"size":112,"collection":32,"collections":145,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":114},242351,"zhong-ke-chun-hua-ge-tie-yi-ming-242351","不详",[24,26,27,25,46,107,141,142,143,7],"临摹","拓片","书法作品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F919d15e1b635189c2c7ebb3586071e19.jpg",[],{"id":147,"slug":148,"title":127,"dynasty":139,"author":102,"museum":103,"description":129,"tags":149,"thumbUrl":150,"material":111,"size":112,"collection":32,"collections":151,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":114},242335,"zhong-ke-chun-hua-ge-tie-yi-ming-242335",[46,26,24,27,107,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3c9e62d23e02b5bf3489c676f188302.jpg",[],{"id":153,"slug":154,"title":127,"dynasty":128,"author":102,"museum":103,"description":129,"tags":155,"thumbUrl":162,"material":111,"size":112,"collection":32,"collections":163,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":114},242252,"zhong-ke-chun-hua-ge-tie-yi-ming-242252",[131,27,26,24,156,141,157,107,158,159,7,160,80,161],"篆刻","册","重刻","帖本","文字","碑帖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2219e56217c5484ede575cfa0a4d8478.jpg",[],1777535726993]