[{"data":1,"prerenderedAt":67},["ShallowReactive",2],{"subject-kong-zi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10748,"kong-zi","孔子","孔子画高清赏析","精选中国历代孔子题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87e2f70b22d3f773348e22bdf711bc82.jpg",0,3,[14,34,52],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},290867,"kong-zi-shou-zhi-gui-zan-zhou-mi-fei-290867","孔子手植桧赞轴","宋","米芾","藏地不详","米芾撰并书。运笔潇洒俊逸，神采飞扬，筋骨雄毅，刚健端庄，体现了米芾行草的特点，可惜多次被火，残损严重。碑原在孔子手植桧前，后移入十三碑亭内，现存汉魏碑刻陈列馆。",[23,24,25,26,7],"拓本","书法","立轴","行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb404946e7ef6a6d318e2c24934936e2d.jpg","未知","Xcm*Xcm","",[],18,"BDBDBD",{"id":35,"slug":36,"title":37,"dynasty":38,"author":39,"museum":20,"description":40,"tags":41,"thumbUrl":48,"material":28,"size":29,"collection":30,"collections":49,"showCount":50,"zanCount":11,"manualWeight":11,"mainColor":51},289233,"kong-zi-xiang-yi-ming-289233","孔子像","不详","佚名","此作古雅沉厚，旧绢底色晕开悠悠岁月的沉静气韵。居中宗师端坐榻上，面容温蔼方正，长髯垂胸，宽袍广袖线条朴拙凝练，静穆间带着亲和，尽显儒者温润端方的气度。两侧弟子神态恭谨，或持卷聆教，或垂首凝神，暗合杏坛论道的静谧氛围。\n\n顶部题字斑驳苍古，与泛黄底色相融，晕开时光沉淀的厚重质感。画面构图主次分明，用笔简括洗练，未作过多精雕细琢，却以拙朴笔意传递出儒家礼乐的庄重内核，将千年前师徒论学的温煦场景，凝于绢上。",[42,43,44,25,45,46,7,47],"高清","国画","书画","设色","人物","历史人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90c4fc76af3f72e5c959dbe83dfc77a0.jpg",[],13,"795548",{"id":53,"slug":54,"title":55,"dynasty":56,"author":39,"museum":20,"description":57,"tags":58,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":64,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":66},260659,"bai-you-kong-zi-xiang-yi-ming-260659","白釉孔子像","明","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[59,60,61,62,63,7],"陶瓷","雕刻","人物造像","圣贤","白釉",[],7,"37474F",1777535770604]