[{"data":1,"prerenderedAt":159},["ShallowReactive",2],{"subject-ku-liu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},898,"ku-liu","枯柳","枯柳画高清赏析","精选中国历代枯柳题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F027abf71490b90b3c6187151422e94ff.jpg",0,7,[14,39,69,84,109,129,143],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},288549,"qiu-tang-tu-zhao-ling-rang-288549","秋塘图","宋","赵令穰","藏地不详","赵令穰（生卒年不详），字大年，北宋汴京（今河南开封）人，画家。宋太祖赵匡胤五世孙。官至光州防御使﹑崇信军观察留后，卒赠“开府仪同三司”，追封“荣国公”。其孙赵伯驹为宋代著名画家，官至浙东兵马钤辖。赵令穰工画山水、花果、翎毛，笔致秀丽，尤长金碧山水。远师李思训父子。代表作品《风云期会图》《春山图》《阿阁图》《后赤壁图 》《文会图》《鸟雀图》等。留传到现在的有《汉宫图》《阿阁图》《万松金阙图》等。",[23,24,25,26,7,27,28,29,30,31],"国画","名画","水墨","飞鸟","池塘","疏林","雾霭","秋意","萧瑟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07b0e139577d1c0981134a129ca84c66.jpg","未知","Xcm*Xcm","",[],46,"795548",{"id":40,"slug":41,"title":42,"dynasty":43,"author":44,"museum":45,"description":46,"tags":47,"thumbUrl":62,"material":63,"size":64,"collection":65,"collections":66,"showCount":67,"zanCount":68,"manualWeight":11,"mainColor":38},218957,"xue-jing-lu-yan-tu-dou-chi-dao-ren-218957","雪景芦雁图","清","都痴道人","私人收藏","寒江雪岸，双雁栖于坡间。一雁昂首引颈，似望垂枝冰棱；一雁敛翅低首，若思冬日闲情。岸边枯草丛生，竹枝覆雪，柳丝悬冰，凝住凛冬气息。雁羽勾勒细腻，墨色浓淡相衬，绒羽质感毕现；雪地以淡墨晕染，留白见意，坡岸起伏自然。冰棱线条劲挺，柳枝疏朗，与双雁的生动形成呼应。画面虽寒，双雁相依却含暖意，于萧瑟中藏生机。笔墨兼具工致与写意，工笔绘雁之形神，写意写雪之空灵，意境清寂而不失温情，尽显冬日禽鸟之态与自然之趣。",[48,23,49,50,25,51,52,53,54,7,55,56,57,58,59,60,61],"高清","书画","花鸟画","工笔","写意","雪景","雁","冰棱","竹枝","枯草","雪坡","清寂","温情","生机","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb37d6f5402bf65e673703469de4723fd.jpg","绢本,设色","135x74cm","花鸟画精选",[65],44,1,{"id":70,"slug":71,"title":72,"dynasty":18,"author":73,"museum":74,"description":75,"tags":76,"thumbUrl":79,"material":80,"size":81,"collection":35,"collections":82,"showCount":83,"zanCount":68,"manualWeight":11,"mainColor":38},234033,"qiu-liu-shuang-ya-tu-ye-liang-kai-234033","秋柳双鸦图页","梁楷","北京故宫博物院","此图前人定名《秋柳双鸦》，实则写唐代诗人王维五言绝句《鸟鸣涧》诗意。王维的诗“人闲桂花落，夜静春山空。月出惊山鸟，时鸣春涧中。”描绘鸟鸣涧春山月出的夜景，既幽静，又有生气。梁楷的画，以渴笔焦墨绘一节断裂的枯柳，三两根枝条昂扬向上又飘拂而下，突兀地将整幅扇页中分为二，构图大胆，以奇致胜。大片空白处淡墨晕染出的薄云满月，给空谷春山平添了几分神秘。初升的月亮惊起的两只山鸟奋飞呼鸣，打破了夜空的静寂，老柳虽然细弱，枝条却仍坚韧，使观者感受到自然生命的搏动。\n梁楷作画，以“减笔”闻名，此幅亦不例外，寥寥几笔就生动地勾画出所表现物象的主要特征，描绘出花鸟的内在神韵。大片的空白使画面显得空濛含蓄，给人以笔墨有尽而意无穷的想象空间，达到了“于无画处皆成妙境”的艺术效果。",[24,23,49,77,78,25,52,7,26],"册","扇面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2185ad554d0542ff5a481b90a1241f7.jpg","绢本，墨笔","纵24.7厘米，横25.7厘米",[],43,{"id":85,"slug":86,"title":87,"dynasty":88,"author":89,"museum":20,"description":90,"tags":91,"thumbUrl":105,"material":35,"size":35,"collection":35,"collections":106,"showCount":107,"zanCount":11,"manualWeight":11,"mainColor":108},228496,"yuan-ri-xin-nian-tu-li-shi-da-228496","元日新年图","明","李士达","此作用淡墨晕染出疏朗萧寒的柳林，枝桠错落萧散，衬出元日的清寒底色。河畔村舍错落，堂内乡人围坐把盏，院间孩童嬉闹、邻里揖礼贺岁，桥头水榭行人徐行，处处漫溢着新年的融融暖意。\n画家以松秀灵动的线条勾勒景物，设色简淡古雅，将冬日水乡的清寂与世俗年味相融，写实中饱含诗意。细腻铺陈江南乡间的淳朴乡风，把邻里间的新年温情藏在日常烟火里，让古朴鲜活的乡间元日跃然纸上，尽显雅致又贴近平常的画中意趣。",[48,23,25,92,93,94,95,96,97,7,98,99,100,101,60,102,103,104],"设色","人物","孩童","小桥","村舍","水榭","流水","水乡","新年","贺岁","民俗","写实","诗意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6928196d431c0946ab7bed432df00a6d.jpg",[],35,"BDBDBD",{"id":110,"slug":111,"title":112,"dynasty":88,"author":113,"museum":114,"description":115,"tags":116,"thumbUrl":122,"material":123,"size":124,"collection":125,"collections":126,"showCount":127,"zanCount":128,"manualWeight":11,"mainColor":38},220446,"yan-bo-bu-yu-tu-zhu-zhan-ji-220446","烟波捕鱼图","朱瞻基","台北故宫博物院","朱瞻基（1398－1435年），明朝第五位皇帝，1425-1435年在位，别称明宣宗、宣德帝，他也是一位能够与宋徽宗媲美的杰出书画家。《烟波捕鱼图 》描绘了云山雾罩中，水上渔夫捕鱼的生活场景，画面简洁、气韵生动，人物刻画准确。",[48,23,49,117,25,92,118,119,120,7,121],"立轴","山水","孤舟","渔乐","烟波","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9626aa8d65d34938dfd008992e2399b4.jpg","绢本,水墨","65x34.7","人物画精选",[125],32,2,{"id":130,"slug":131,"title":132,"dynasty":88,"author":133,"museum":20,"description":134,"tags":135,"thumbUrl":140,"material":35,"size":35,"collection":65,"collections":141,"showCount":142,"zanCount":11,"manualWeight":11,"mainColor":108},237123,"li-chen-xue-jing-hua-niao-zhou-yi-ming-237123","李辰雪景花鸟轴","佚名","落尽琼花天不惜，封他梅蕊玉无香。",[23,24,49,117,25,92,53,136,137,7,138,139,51],"花鸟","鸟","梅花枝","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d91d86fc3db71687041c45119956c42.jpg",[65],16,{"id":144,"slug":145,"title":146,"dynasty":43,"author":147,"museum":20,"description":148,"tags":149,"thumbUrl":155,"material":156,"size":35,"collection":35,"collections":157,"showCount":158,"zanCount":11,"manualWeight":11,"mainColor":38},237352,"hua-niao-ce-wang-gang-237352","花鸟册","王冈","王冈，清代粜臫人頭，字南樤石，号旅云山人，上海人，工花卉、人物，并善写真，后出己意，写生入妙，亦善山水，尝游京师为董邦远客，凡画苑供奉之作，半出其手。\n（一六七七至一七七o）一作（一六九七至一七七o）字南石，号旅云山人，上海人。黄本复弟子。工花卉、人物，并善写真，后出己意，写生入妙。水族草虫，尤觉生动。亦善山水，尝游京师为董邦远客，凡画苑供奉之作，半出其手。其得意处，近似倪瓒。卒年九十四，一作七十四。",[23,92,51,77,150,151,7,152,153,154,136],"鹅","鸭","冰雪","寒水","岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa4710e9d68a702e625788a8335f1fc3.jpg","纸本",[],6,1777535743229]