[{"data":1,"prerenderedAt":187},["ShallowReactive",2],{"subject-ku-lou":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2560,"ku-lou","骷髅","骷髅画高清赏析","精选中国历代骷髅题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce4cb7b579426808b121c6d7daff8987.jpg",0,11,[14,39,59,75,91,104,121,136,147,160,174],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":37,"manualWeight":11,"mainColor":38},221493,"ku-lou-huan-xi-tu-li-song-221493","骷髅幻戏图","宋","李嵩","北京故宫博物院","整个画面非常祥和欢乐，毫无惊怖，应是一个流动的携家带口的提线木偶（傀儡）艺人的一场演出，主要描写妇女与儿童生活的一个欢乐场景。\n此《骷髅幻戏图》为扇面册页，左侧署有李嵩的名款，画面有“信公珍赏”“会侯珍藏”等多方收藏印章。 [1] 画面中心人物是一戴幞头、穿透明纱袍的大骷髅，席地而坐，左腿曲折着地，左手按左大腿，右腿弓起，右肘支右膝，坐姿十分舒适自便。右手提控一小骷髅，应为提线木偶（傀儡），上下牙列开张，似在说笑。小骷髅即提线木偶（傀儡）右脚着地，左脚抬起，两臂做招手状，很是活泼。小骷髅对面为一小儿，其左手与双足俱着地，昂首伸右臂，似要伸手抓小骷髅，顽皮而好奇。小儿身后为一青年妇人，双手伸出似作阻拦状，表情看似有些干着急。大骷髅身后安坐一青年妇人，半袒胸，怀抱中小儿正食其乳。目光安详，稍侧身，正注视着眼前之事。人物描画十分生动细致，仿佛能听见他们各自的声音。特别是骷髅的造型十分精准。\n对幅有王玄真书黄公望《醉中天》曲：\n没半点皮和肉，有一担苦和愁。傀儡儿还将丝线抽，寻一个小样子把冤 家逗。识破个羞那不羞？呆兀自五里已单堠。\n曲末题署： 至正甲午春三月十日大痴道人作，弟子休休王玄真书，右寄醉中天。\n画幅之核心主题，当为生死转化及其因果轮回。画家将画一分为二，生死各半。左边画一大骷髅，头戴朴头，身着色衣，关节以线穿连，为艺人的演戏傀儡，含有死之意；右边则画一小儿，手足着地，仰首伸臂，带有生之欲。生死既分，却又互相吸引，故画幅中央被大骷髅戏弄的小骷髅，面向小儿，作躬身招呼状。此是戏中之戏，亦是精心之笔。啸髅躯架刻画准确，小儿动态神气表现生动，大骷髅身後，一妇人袒胸露乳，喂哺幼儿，神色不安地注视着骷髅戏婴之情景，与画幅右边神情恐惧、伸手阻拦那趴地小儿的另一妇人恰成对照，呈现一种静与动、思与行的对立。\n此图还存在着三重幻戏结构：一是两个操控，即大骷髅对于小骷髅的操控，无形之手对于大骷髅的操控；二是交相生发的幻术结构，甚至观图者也会不自觉地落入其中；三是各种背反之表现，尤其是观者明、当局者迷，令人难忘。\n构图的黑白市置上，画家将示死气之骷髅衬于密线重墨组成的墩子、货担之前，增添了阴森、黑暗及恐怖的气氛；同时，却将表现生的小儿置于简写的土地及大片空白的背景上，加强了晴朗、光明及欣喜的感觉。\n单纯从笔墨技法上看，李嵩发挥了自己擅于勾勒、界画之才能，线条坚韧扎实，墨色精致细腻。衣纹用线劲利，或纤柔、或飘动、或挺拔，皆依形态动作而生变化。器物用笔工整严细，笔笔送到，不见轻率浮滑。骨骼、肌肤用笔略有差别，前者刚健，凝重，后者圆转，富于弹性。至于浓淡设色，基本为层层渲染，渐次加深浓重程度，直至轮廓空间毕现方止。染工严谨、古雅，颇具宋朝院体画之特色。",[23,24,25,26,7,27,28,29,30],"高清","设色","工笔","人物","孩童","妇人","器物","怪诞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50b944972848e948075643620ba0a8fb.jpg","绢本","纵27厘米，横26.3厘米","",[],175,2,"BDBDBD",{"id":40,"slug":41,"title":17,"dynasty":18,"author":19,"museum":42,"description":43,"tags":44,"thumbUrl":54,"material":55,"size":56,"collection":34,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":38},289329,"ku-lou-huan-xi-tu-li-song-289329","藏地不详","整个画面非常祥和欢乐，毫无惊怖，应是一个流动的携家带口的提线木偶（傀儡）艺人的一场演出，主要描写妇女与儿童生活的一个欢乐场景。",[23,45,46,47,48,24,26,7,27,49,50,51,52,53],"名画","国画","书画","扇面","母子","幻戏","书法","行书","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bb763370785e266153eaddfb1f724eb.jpg","未知","Xcm*Xcm",[],64,{"id":60,"slug":61,"title":62,"dynasty":63,"author":64,"museum":42,"description":65,"tags":66,"thumbUrl":72,"material":55,"size":56,"collection":34,"collections":73,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":74},275052,"mu-bang-gu-diao-ku-lou-chu-yi-ming-275052","木棒骨雕骷髅杵","清","佚名","这件法器以沉穆木身为柄，上下以鎏金五股金刚杵收束，金辉凝萃尽显庄严气场。中段嵌接骨雕骷髅，彩绘勾勒眉眼唇齿，狞恶神态栩栩如生，承载着密宗修法中降伏心魔、慑退邪祟的加持寓意。\n\n骨雕的冷冽、木色的厚重与金饰的华贵相互碰撞，细节处工艺精巧，骷髅神态刻画入微，将密宗法器的怖畏庄严与手工匠心融于一身，凝练出极具张力的宗教美学气质。",[67,68,69,70,71,7],"宗教","法器","雕刻","木质","骨雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2505a04ea7e2674b8032c873ad9fa28.jpg",[],"37474F",{"id":76,"slug":77,"title":78,"dynasty":79,"author":64,"museum":42,"description":80,"tags":81,"thumbUrl":88,"material":55,"size":56,"collection":34,"collections":89,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":38},288800,"peter-van-lint-flemish-venus-de-medici-view-from-the-front-yi-ming-288800","Peter van Lint, Flemish--Venus de' Medici; view from the front","不详","铅色笔触轻落在灰蓝纸面上，将雕像的优雅凝于画中。细腻线条顺着躯体起伏铺展，柔化了大理石的冷硬，把女性躯体的圆润肌理勾勒得舒展自然，静穆的古典神性藏在每一处柔和的转折里。\n\n左下角的骷髅添上了别样意趣，古典人体的永恒之美，对照着凡俗生命的虚幻无常，生出淡淡的怅惘隐喻。右下角的手写题注，为这幅严谨的写生晕开一丝松弛的纪实温度，让静态的复刻多了写生时的鲜活临场感。整体笔触克制又精准，兼顾雕塑的庄重与纸面写生的柔和层次，将古典人体的沉静美感融在朴素的素描细节中。",[82,83,84,85,86,87,7],"素描","人物画","神话人物","维纳斯","裸体人物","美人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4e20c4bb1454843c81c9d0b4729b4d7.jpg",[],6,{"id":92,"slug":93,"title":94,"dynasty":79,"author":64,"museum":42,"description":95,"tags":96,"thumbUrl":101,"material":55,"size":56,"collection":34,"collections":102,"showCount":103,"zanCount":11,"manualWeight":11,"mainColor":38},288801,"peter-van-lint-flemish-venus-de-medici-view-from-the-back-yi-ming-288801","Peter van Lint, Flemish--Venus de' Medici; view from the back","炭笔循着灰蓝纸底晕染明暗，将维纳斯的背面形神复刻于纸面。细腻笔触顺着肌肉走势铺陈，腰臀的柔润弧线、腿部紧绷的张力被精准捕捉，完美诠释了古典人体的优雅韵律。\n左下角的骷髅与鲜活的肉身形成强烈对冲，一边是肉体的柔美鲜活，一边是死亡的冷峻肃穆，暗喻着肉身的转瞬即逝。创作者以精微的明暗过渡，将大理石雕塑的温润质感化为纸面层次，在忠实还原原作静穆气质的同时，让手绘笔触赋予雕像新的鲜活温度，静立间尽显古典人体的永恒美感。",[82,97,26,98,84,7,99,100],"临摹","裸女","写实","单色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1176d6d8cb29d3a838f3bdd3e9d2683.jpg",[],4,{"id":105,"slug":106,"title":107,"dynasty":79,"author":108,"museum":42,"description":109,"tags":110,"thumbUrl":119,"material":55,"size":56,"collection":34,"collections":120,"showCount":103,"zanCount":11,"manualWeight":11,"mainColor":74},232401,"he-er-bai-yin-60-he-er-bai-yin-232401","荷尔拜因60","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[111,112,83,113,114,115,7,99,116,117,118],"油画","宗教画","圣经故事","耶稣","亚当夏娃","人文主义","救赎","死亡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bf674dcc9a1383608aa8e5f2096f710.jpg",[],{"id":122,"slug":123,"title":124,"dynasty":79,"author":64,"museum":42,"description":125,"tags":126,"thumbUrl":132,"material":55,"size":56,"collection":34,"collections":133,"showCount":134,"zanCount":11,"manualWeight":11,"mainColor":135},288756,"salvator-rosa-witches-sabbath-recto-figures-gathered-around-a-tree-yi-ming-288756","Salvator Rosa--Witches' Sabbath (recto); Figures Gathered around a tree","奔放潦草的速写线条，将女巫集会的癫狂跃然纸上。左侧裸身巫者高举手臂肆意狂舞，右侧围绕骸骨神坛的身影躬身躁动，献祭的狂热顺着笔触肆意蔓延。焦墨晕开朦胧夜色，林间暗影翻涌，神坛上的骸骨透着刺骨阴冷，将邪祟诡谲的仪式氛围拉满。粗粝的笔触揉合蛮荒与疯狂，把失控的原始张力藏在飞扬的线条里，怪诞惊惧顺着晕染的墨色扑面而来，将观者拽入这场渎神的暗夜狂欢，让阴冷狂乱的暗黑氛围浸透纸面。",[82,26,127,128,7,129,130,131],"巫术","诡异","裸体","集会","祭坛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76e24efaab6a738ce331a5f91e3fea9d.jpg",[],3,"795548",{"id":137,"slug":138,"title":139,"dynasty":79,"author":64,"museum":42,"description":140,"tags":141,"thumbUrl":145,"material":55,"size":56,"collection":34,"collections":146,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},289264,"pietro-testa-allegory-of-penance-and-death-yi-ming-289264","Pietro Testa--Allegory of Penance and Death","画面以强烈左右分野铺陈情绪，左侧枯骨狞恶裹挟奔逃的亡魂，扭曲躯体满是濒死惊惧，死神持械驱赶，将死亡的肃杀倾泻而出。右侧烛影昏沉，信徒垂首跪拜，佝偻身形满是忏悔的沉郁，在祭坛前躬身叩求救赎。利落苍劲的排线勾勒明暗层次，以极简素描笔触拉扯出死亡威压与忏悔虔诚的剧烈张力，将末日惶然与苦修赎罪的沉重尽数渲染，道尽人类在死亡阴影前对救赎的本能求索。",[82,142,26,143,118,7,144],"线描","宗教题材","忏悔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7debd953ab4fbcf722f8c8d4f9528a50.jpg",[],{"id":148,"slug":149,"title":150,"dynasty":79,"author":64,"museum":42,"description":151,"tags":152,"thumbUrl":157,"material":55,"size":56,"collection":34,"collections":158,"showCount":159,"zanCount":11,"manualWeight":11,"mainColor":135},289211,"giuseppe-passeri-the-ecstacy-of-the-blessed-giacinta-marescotti-yi-ming-289211","Giuseppe Passeri--The Ecstacy of the Blessed Giacinta Marescotti","画面以棕褐调铺就虚实边界，榻上圣女神魂驰往，枯瘦手掌抬起迎向天国，案头骷髅暗喻俗世虚妄。上方云气翻涌，天使簇拥着显圣十字架，灵动排线勾勒出羽翼蓬松肌理与衣袂褶皱的张力，淡彩晕染让云霭柔化了凡俗与神域的分野。明暗晕染间神性降临的震颤呼之欲出，将神魂飞升的迷幻狂喜定格于纸面，肃穆笔触交织出信仰带来的极致精神冲击力，让观者仿佛能共情这份超越尘世的神魂激荡。",[112,26,153,154,82,24,155,7,156],"天使","十字架","神魂超拔","锁链","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe22a980c7911fc9ee3da1e757490078f.jpg",[],1,{"id":161,"slug":162,"title":163,"dynasty":63,"author":64,"museum":42,"description":164,"tags":165,"thumbUrl":172,"material":55,"size":56,"collection":34,"collections":173,"showCount":159,"zanCount":11,"manualWeight":11,"mainColor":38},268855,"fen-hong-se-su-ling-chuan-bo-li-zhu-ding-guang-pian-lian-hua-guan-yi-ming-268855","粉红色素绫串玻璃珠钉广片莲花冠","这件冠饰以盛放莲花为核心形制，粉色素绫晕染出花瓣柔润的肌理，串接的玻璃珠与广片随动线轻颤，折射出细碎莹润的华光。莲座辅以彩绘饰件，搭配栩栩如生的化生头像，暗合深邃的宗教意涵。\n\n赤红流苏与玄色长绦形成强烈色彩对冲，艳烈又不失庄重，既烘托出神性威仪，又添摇曳灵动的装饰美感。整体手工繁复考究，将虔诚信仰寄寓在一针一饰之中，是宗教工艺与传统审美意趣相融的精巧之作。",[166,167,168,169,170,67,7,171],"衣帽","饰品","荷花","布料","珠饰","流苏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd074aa51a80e74bafbd34bb000747876.jpg",[],{"id":175,"slug":176,"title":177,"dynasty":79,"author":108,"museum":42,"description":109,"tags":178,"thumbUrl":185,"material":55,"size":56,"collection":34,"collections":186,"showCount":159,"zanCount":11,"manualWeight":11,"mainColor":74},232435,"he-er-bai-yin-94-he-er-bai-yin-232435","荷尔拜因94",[111,179,26,99,116,180,181,182,7,183,184],"肖像画","科学仪器","地球仪","书籍","室内","服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6428902bb7b0617ca6b59f9d1f6e9a6.jpg",[],1777535731832]