[{"data":1,"prerenderedAt":238},["ShallowReactive",2],{"subject-kui-ban-kou":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6325,"kui-ban-kou","葵瓣口","葵瓣口画高清赏析","精选中国历代葵瓣口题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02d27e24611940031e5f5ecb4e85c80b.jpg",0,23,[14,37,47,58,68,75,83,94,107,114,120,126,134,140,146,154,170,180,193,205,211,218,224],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},256248,"ge-yao-qing-hui-you-kui-ban-kou-xi-yi-ming-256248","哥窑青灰釉葵瓣口洗","宋","佚名","藏地不详","“哥窑”名列宋代五大名窑，在陶瓷史上有举足轻重的地位。哥窑胎多紫黑色、铁黑色、也有黄褐色。釉为失透的乳浊釉，釉面泛一层酥光，釉色以炒米黄、灰青多见，釉面大小纹片结合。\n经染色后大纹片呈深褐色，小纹片为黄褐色，也称‘金丝铁线’“墨纹梅花片”“叶脉纹”‘文武片’等。这是传世哥窑的主要特征之一。器形有各式瓶、炉、尊、洗及碗、盆、碟等。多见仿古造型，底足制作不十分规整，釉面常见缩釉和棕眼。\n而《中国陶瓷史》这样叙述：\n造型有各式瓶、炉、洗、盘、罐等。论胎有厚薄之分，其胎质有瓷胎和砂胎两种，胎色有黑灰、深灰、浅灰、土黄多种色调，釉色也有粉青、月白、油灰、青黄各色。从时间上讲，这里应有早晚之别，从产地说也有恐非一个瓷窑的作品，情况是比较复杂的。\n记载“哥窑”的古文献主要有：元代的《至正直记》，明代的《格古要论》、《遵生八笺》，清代的《博物要览》以及明代的《浙江通志》等。但究竟哥窑窑址何在？性质如何?一直是陶瓷史研究中众说纷纭、悬而未决的问题。\n流传于世的“哥窑”经典器大多源自清宫旧藏，由于这批器物与古文献中的记载的“哥窑”特征不符，而且没有考古资料佐证，因而造成了中国陶瓷史上最大的悬疑。\n为区别于明、清文献中所记载得哥窑（龙泉章生一窑），宫中名为“哥窑”的传世品，后世鉴赏家称其为“传世哥窑”。\n由于原来被认为哥窑的龙泉黑胎开片瓷被认为是“龙泉仿官”和“龙泉官窑”，宋代似乎就不存在哥窑，文献关于哥窑的记述被认为是以讹传讹。然而，仔细研究和分析，就会发觉事情并非如此简单，其关键在于“龙泉官窑”和杭州郊坛下官窑孰先孰后的问题并未真正得到解决。由于“龙泉官窑”的立论建立在“龙泉仿官”的基础上，认为仿官是不可能的，却又与官窑相一致，自然是官窑，并认为杭州郊坛下不能满足朝廷之需，再在龙泉烧造以充不足。这一观点很自然地派生出杭州郊坛下官窑早于龙泉官窑的定论。\n然而，没有足够的考古资料证明这一观点，并由此还引发出种种疑团：郊坛下不能满足朝廷之需，为什么不就地扩充、就近扩充，而要到千里之外的龙泉建窑烧造？宋室南渡带来了北方工匠，他们惯于圆窑用煤烧造，何以能在杭州建立龙窑用柴烧造？文献关于哥窑的论述难道一定都是空穴来风吗？哥不能仿官，但官却可以仿哥，各朝各代的官窑都建立在民窑的基础上，难道就不存在官仿哥的可能吗？宋室南渡，皇帝漂泊13年，这期间南渡窑工在何处生存？如何生存？是吃皇粮还是自谋出路？这些疑问最终都聚焦在龙泉最初的黑胎开片瓷的年代和性质上，也就是说龙泉最初的黑胎开片瓷会不会是皇帝颠沛流离的十余年中北方工匠和龙泉窑工技艺结合的产物？",[23,24,25,26,27,7,28,29],"宋代","陶瓷","哥窑","青灰釉","开片","洗","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8623e762cdbd1acd6b10f66614134212.jpg","未知","Xcm*Xcm","瓷器精选",[33],4,"795548",{"id":38,"slug":39,"title":40,"dynasty":18,"author":19,"museum":20,"description":21,"tags":41,"thumbUrl":43,"material":31,"size":32,"collection":33,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},256243,"ge-yao-qing-hui-you-kui-ban-kou-pan-yi-ming-256243","哥窑青灰釉葵瓣口盘",[23,25,26,27,24,7,42],"盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa07d5a3175347744ae405fb38a3dcf1c.jpg",[33],3,"37474F",{"id":48,"slug":49,"title":50,"dynasty":18,"author":19,"museum":20,"description":21,"tags":51,"thumbUrl":55,"material":31,"size":32,"collection":33,"collections":56,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":57},256236,"ge-yao-mi-huang-you-kui-ban-kou-pan-yi-ming-256236","哥窑米黄釉葵瓣口盘",[23,24,52,53,54,7,42],"哥窑风格","开片技法","米黄釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72103436110c62e12f3ef320e3275845.jpg",[33],"BDBDBD",{"id":59,"slug":60,"title":50,"dynasty":18,"author":19,"museum":20,"description":21,"tags":61,"thumbUrl":65,"material":31,"size":32,"collection":33,"collections":66,"showCount":67,"zanCount":11,"manualWeight":11,"mainColor":36},256241,"ge-yao-mi-huang-you-kui-ban-kou-pan-yi-ming-256241",[18,24,52,54,7,27,62,63,64],"冰裂纹","釉色","器型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9148f0f436536869343054f2672deace.jpg",[33],2,{"id":69,"slug":70,"title":50,"dynasty":18,"author":19,"museum":20,"description":21,"tags":71,"thumbUrl":73,"material":31,"size":32,"collection":33,"collections":74,"showCount":67,"zanCount":11,"manualWeight":11,"mainColor":36},256240,"ge-yao-mi-huang-you-kui-ban-kou-pan-yi-ming-256240",[18,24,72,27,54,7,42],"瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4eab11269159f451d3f4f4aa0fe42e96.jpg",[33],{"id":76,"slug":77,"title":50,"dynasty":18,"author":19,"museum":20,"description":21,"tags":78,"thumbUrl":81,"material":31,"size":32,"collection":33,"collections":82,"showCount":67,"zanCount":11,"manualWeight":11,"mainColor":36},256238,"ge-yao-mi-huang-you-kui-ban-kou-pan-yi-ming-256238",[23,24,25,54,7,27,62,42,72,79,80],"单色釉","古瓷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffffb32d23147278f9ba6003d215694c3.jpg",[33],{"id":84,"slug":85,"title":86,"dynasty":18,"author":19,"museum":20,"description":87,"tags":88,"thumbUrl":92,"material":31,"size":32,"collection":33,"collections":93,"showCount":67,"zanCount":11,"manualWeight":11,"mainColor":57},256231,"guan-yao-fen-qing-you-kui-ban-kou-pan-yi-ming-256231","官窑粉青釉葵瓣口盘","官窑，是南宋宋高宗时期一些窑口专为宫廷烧制的瓷器，供御捡退，在当时俗称"官窑“。官窑，毛公洞第一（今 江苏扬州一带）。南宋官窑瓷器沿袭北宋风格，规整对称，宫廷气势，高雅大气，一丝不苟。因为胎土含铁量极高，手感沉重，胎土呈深黑褐色，后称”紫口铁足“。釉面沉重幽亮，釉厚如堆脂，温润如玉。釉面多层反复细刮，釉光下沉而不刺眼，纹理布局规则有致，造型庄重大方。另外”肉腐留骨“（露胎处像死人骨头，俗称”骨董“）也是那时所造。我们今天所称官窑泛指历朝官府烧造瓷器，其实，历史上仅指南宋时期烧造的瓷器，后世再无此称呼。\n官窑起自唐，有两种涵义，一是指贡器，一是指官厂。自唐代至元代（公元八世纪~十四世纪），官窑多有贡器，少有官厂，采取的形式是“官监民烧”，烧出的瓷器，“千中选十，百中选一”，进贡给统治阶级。这种瓷器就叫做贡瓷和官窑。那时，唐代在产瓷区设有司务，如唐景隆初（公元707~709年）褚绥为新平(景德镇)司务，奉诏监烧献陵祭器。宋代设监，如太平兴国年间(公元976~983年)，派殿前承旨赵仁济监理越州窑务。到了元代则设局，以提领监陶，后改为本设总管。他们烧出的“景德年制”，“枢府’等款式的瓷器，分别称为“景德窑’，“枢府窑”等。\n官窑之谓，在中国古代陶瓷史上有不同的内涵。就广义而言，是有别民窑而专为官办的瓷窑，其产品为宫廷所垄断。在宋代瓷器中，官窑即是一种专称，指北宋和南宋时在京城汴京（汴梁，今开封）和临安（今杭州）由宫廷设窑烧造的青瓷，故又有“旧官”和“新官”之分，前者为北宋官窑，后者为南宋官窑。\n官窑是在宋大观及政和年间于汴梁所造，青瓷釉色晶莹惕透，有开裂或呈冰片状，粉青紫口铁定是其特色。\n宋室南移在凤凰山下设立官窑，又称修内司官窑或内窑，郊坛下设立的郊坛下官窑，器形较多，有直径大过一尺的大型产品。\n从1128年元世祖忽必烈设置“浮梁磁局”，到二十世纪清朝覆亡，景德镇是元、明、清三代皇家瓷厂所在地，中国的官窑制度在这里延续了632年，江西景德镇也由此拥有烧造时间最长、规模最大、工艺最精巧的官办瓷厂。景德镇地下也因此存有大量因禁绝流入民间而被就地掩埋的古碎瓷，成为中国品类最完整、年代最可靠、信息最丰富的官窑遗址和“地下瓷都”。北宋官窑也称汴京官窑。相传北宋大观、政和年间，在汴京附近设立窑场，专烧宫廷用瓷器，即北宋官窑。南宋顾文荐《负暄杂录》记载："宋宣政间（宣和、政和即公元1111－1125年）京师自置窑烧造，名曰官窑"，南宋叶在其《垣斋笔衡》中对北京官窑亦有记载："政和京师自置窑烧造，名曰官窑"。当时的京师即汴京（今开封），因宋代汴京遗址已沉入地底，到今为止，尚未发掘出北宋官窑遗址，对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，时到今，关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。\n南宋顾文荐《负睻杂录》记载：“宋宣政间（宣和、政和即公元1111~1125年）京师自置窑烧造，名曰‘官窑’”，南宋叶寘在其《垣斋笔衡》中对北京官窑亦有记载：“政和京师自置窑烧造，名曰‘官窑’”。明代《事物绀珠》、《留留青》因袭此说。当时的京师即汴京(今河南开封)，因宋代汴京遗址已沉入地下，到今为止，尚未发掘出北宋官窑遗址。对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，今关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。支持第三种说法的人较多。\n北宋官窑传世品很少，形质与工艺与汝窑有共同处。器多仿古，主要有碗、瓶、洗等。胎体显厚，胎骨深灰、紫色或黑色，釉色有淡青、粉青、月白等，釉质莹润温雅，尤以釉面开大裂纹片著称，不同于南宋官窑和汝窑及龙泉窑瓷器。底有文钉烧痕，有“紫口铁足”的特征。",[24,18,89,7,27,90,91],"粉青釉","青瓷","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3da9442f0dfca942682effb8d0dda7ba.jpg",[33],{"id":95,"slug":96,"title":97,"dynasty":18,"author":19,"museum":20,"description":98,"tags":99,"thumbUrl":104,"material":31,"size":32,"collection":33,"collections":105,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":46},256865,"ding-yao-hua-hua-chan-zhi-lian-wen-kui-ban-kou-wan-yi-ming-256865","定窑划花缠枝莲纹葵瓣口碗","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[18,100,24,101,102,7,103],"定窑","划花","缠枝莲纹","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c95708b04779fb76928437de2359427.jpg",[33],1,{"id":108,"slug":109,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":110,"thumbUrl":112,"material":31,"size":32,"collection":33,"collections":113,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":36},256246,"ge-yao-qing-hui-you-kui-ban-kou-xi-yi-ming-256246",[18,24,27,26,7,111],"日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdee0ba5917fed4df1d8c916cd9cdf49.jpg",[33],{"id":115,"slug":116,"title":50,"dynasty":18,"author":19,"museum":20,"description":21,"tags":117,"thumbUrl":118,"material":31,"size":32,"collection":33,"collections":119,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":36},256244,"ge-yao-mi-huang-you-kui-ban-kou-pan-yi-ming-256244",[18,24,27,62,54,7,42],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f041391f2b7879f1a714b36f3afe545.jpg",[33],{"id":121,"slug":122,"title":40,"dynasty":18,"author":19,"museum":20,"description":21,"tags":123,"thumbUrl":124,"material":31,"size":32,"collection":33,"collections":125,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":36},256237,"ge-yao-qing-hui-you-kui-ban-kou-pan-yi-ming-256237",[18,24,27,26,7,42],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0aad6e156a662ca38fa3e2a53d38f4ec.jpg",[33],{"id":127,"slug":128,"title":129,"dynasty":18,"author":19,"museum":20,"description":21,"tags":130,"thumbUrl":132,"material":31,"size":32,"collection":33,"collections":133,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":36},256234,"ge-yao-mi-se-you-kui-ban-kou-pan-yi-ming-256234","哥窑米色釉葵瓣口盘",[18,24,53,131,7,42],"米色釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9bd952efdcf5fc0dc83aa24a0d4b0579.jpg",[33],{"id":135,"slug":136,"title":40,"dynasty":18,"author":19,"museum":20,"description":21,"tags":137,"thumbUrl":138,"material":31,"size":32,"collection":33,"collections":139,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":36},256233,"ge-yao-qing-hui-you-kui-ban-kou-pan-yi-ming-256233",[23,24,27,26,7,111],"https:\u002F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and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[161,24,162,163,164,7,165,166,103],"清代","青花","缠枝纹","花卉","釉下彩","设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff74c5ca80e6c39fe21c4deef04f86dd8.jpg","",[],{"id":171,"slug":172,"title":173,"dynasty":174,"author":19,"museum":20,"description":159,"tags":175,"thumbUrl":178,"material":31,"size":32,"collection":168,"collections":179,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},257150,"xuan-de-kuan-qing-hua-zhe-zhi-hua-guo-wen-kui-ban-kou-wan-yi-ming-257150","宣德款青花折枝花果纹葵瓣口碗","明",[24,162,176,177,103,7],"折枝","花果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F870d5c65e5e6bc3791755ce7ab63fb46.jpg",[],{"id":181,"slug":182,"title":183,"dynasty":174,"author":19,"museum":20,"description":159,"tags":184,"thumbUrl":191,"material":31,"size":32,"collection":168,"collections":192,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},257146,"xuan-de-kuan-qing-hua-tuan-feng-wen-kui-ban-kou-xi-yi-ming-257146","宣德款青花团凤纹葵瓣口洗",[24,162,185,103,7,186,187,188,189,190],"凤","明代","团纹","葵瓣口型","青花工艺","凤纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42232e6d8e028312e4f07bb1630fac00.jpg",[],{"id":194,"slug":195,"title":173,"dynasty":174,"author":19,"museum":20,"description":159,"tags":196,"thumbUrl":203,"material":31,"size":32,"collection":168,"collections":204,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},257117,"xuan-de-kuan-qing-hua-zhe-zhi-hua-guo-wen-kui-ban-kou-wan-yi-ming-257117",[24,162,197,7,198,199,200,201,202],"折枝花果","工笔","花","果","枝叶","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83a3fe95fa08d7d7cd6eb124a1fd961a.jpg",[],{"id":206,"slug":207,"title":149,"dynasty":18,"author":19,"museum":20,"description":21,"tags":208,"thumbUrl":209,"material":31,"size":32,"collection":33,"collections":210,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},256984,"ge-yao-qing-you-kui-ban-kou-pan-yi-ming-256984",[24,151,27,7,103],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8118180e2a06d6317e851b88e0770b3a.jpg",[33],{"id":212,"slug":213,"title":50,"dynasty":18,"author":19,"museum":20,"description":21,"tags":214,"thumbUrl":216,"material":31,"size":32,"collection":33,"collections":217,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},256242,"ge-yao-mi-huang-you-kui-ban-kou-pan-yi-ming-256242",[23,24,54,7,27,215],"器皿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19ddbd24e225a528d90306b2a63942aa.jpg",[33],{"id":219,"slug":220,"title":50,"dynasty":18,"author":19,"museum":20,"description":21,"tags":221,"thumbUrl":222,"material":31,"size":32,"collection":33,"collections":223,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},256239,"ge-yao-mi-huang-you-kui-ban-kou-pan-yi-ming-256239",[23,24,27,54,7,42],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5533e186596969e1e14e8598c0b80c48.jpg",[33],{"id":225,"slug":226,"title":227,"dynasty":158,"author":19,"museum":20,"description":228,"tags":229,"thumbUrl":10,"material":31,"size":32,"collection":168,"collections":237,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},229539,"kui-ban-kou-shuang-er-ping-yi-ming-229539","葵瓣口双耳瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[24,161,230,27,7,231,232,233,234,235,236],"白釉","双耳","瓶","素色釉","陶瓷工艺","釉面光洁","器型规整",[],1777535718930]