[{"data":1,"prerenderedAt":353},["ShallowReactive",2],{"subject-kui-kou":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4232,"kui-kou","葵口","葵口画高清赏析","精选中国历代葵口题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18c8b13e84703db32b3f9ebad93a82ba.jpg",0,40,[14,36,50,58,71,77,83,92,103,116,123,136,146,159,168,175,181,187,195,202,209,216,226,232,239,248,255,263,270,278,285,291,299,306,314,321,327,333,339,346],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},256185,"ge-yao-qing-hui-you-kui-kou-wan-yi-ming-256185","哥窑青灰釉葵口碗","宋","佚名","藏地不详","“哥窑”名列宋代五大名窑，在陶瓷史上有举足轻重的地位。哥窑胎多紫黑色、铁黑色、也有黄褐色。釉为失透的乳浊釉，釉面泛一层酥光，釉色以炒米黄、灰青多见，釉面大小纹片结合。\n经染色后大纹片呈深褐色，小纹片为黄褐色，也称‘金丝铁线’“墨纹梅花片”“叶脉纹”‘文武片’等。这是传世哥窑的主要特征之一。器形有各式瓶、炉、尊、洗及碗、盆、碟等。多见仿古造型，底足制作不十分规整，釉面常见缩釉和棕眼。\n而《中国陶瓷史》这样叙述：\n造型有各式瓶、炉、洗、盘、罐等。论胎有厚薄之分，其胎质有瓷胎和砂胎两种，胎色有黑灰、深灰、浅灰、土黄多种色调，釉色也有粉青、月白、油灰、青黄各色。从时间上讲，这里应有早晚之别，从产地说也有恐非一个瓷窑的作品，情况是比较复杂的。\n记载“哥窑”的古文献主要有：元代的《至正直记》，明代的《格古要论》、《遵生八笺》，清代的《博物要览》以及明代的《浙江通志》等。但究竟哥窑窑址何在？性质如何?一直是陶瓷史研究中众说纷纭、悬而未决的问题。\n流传于世的“哥窑”经典器大多源自清宫旧藏，由于这批器物与古文献中的记载的“哥窑”特征不符，而且没有考古资料佐证，因而造成了中国陶瓷史上最大的悬疑。\n为区别于明、清文献中所记载得哥窑（龙泉章生一窑），宫中名为“哥窑”的传世品，后世鉴赏家称其为“传世哥窑”。\n由于原来被认为哥窑的龙泉黑胎开片瓷被认为是“龙泉仿官”和“龙泉官窑”，宋代似乎就不存在哥窑，文献关于哥窑的记述被认为是以讹传讹。然而，仔细研究和分析，就会发觉事情并非如此简单，其关键在于“龙泉官窑”和杭州郊坛下官窑孰先孰后的问题并未真正得到解决。由于“龙泉官窑”的立论建立在“龙泉仿官”的基础上，认为仿官是不可能的，却又与官窑相一致，自然是官窑，并认为杭州郊坛下不能满足朝廷之需，再在龙泉烧造以充不足。这一观点很自然地派生出杭州郊坛下官窑早于龙泉官窑的定论。\n然而，没有足够的考古资料证明这一观点，并由此还引发出种种疑团：郊坛下不能满足朝廷之需，为什么不就地扩充、就近扩充，而要到千里之外的龙泉建窑烧造？宋室南渡带来了北方工匠，他们惯于圆窑用煤烧造，何以能在杭州建立龙窑用柴烧造？文献关于哥窑的论述难道一定都是空穴来风吗？哥不能仿官，但官却可以仿哥，各朝各代的官窑都建立在民窑的基础上，难道就不存在官仿哥的可能吗？宋室南渡，皇帝漂泊13年，这期间南渡窑工在何处生存？如何生存？是吃皇粮还是自谋出路？这些疑问最终都聚焦在龙泉最初的黑胎开片瓷的年代和性质上，也就是说龙泉最初的黑胎开片瓷会不会是皇帝颠沛流离的十余年中北方工匠和龙泉窑工技艺结合的产物？",[23,24,25,26,7,27,28],"宋代","陶瓷","青灰釉","开片","碗","器皿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe86655a024f7ed13acb4f164083a6026.jpg","未知","Xcm*Xcm","瓷器精选",[32],18,"BDBDBD",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":46,"material":30,"size":31,"collection":32,"collections":47,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},223783,"guan-yao-qing-ci-kui-kou-wan-yi-ming-223783","官窑青瓷葵口碗","北宋官窑椭圆洗北宋官窑是宋徽宗政和年间下旨在汝州张公巷建造的官窑，主要烧制青瓷；器物造型往往带有雍容典雅的宫廷风格，釉色以月色，粉青，大绿三种颜色最为流行。官窑胎体天青色釉略带粉红颜色，釉面开大纹片，这是北宋官窑的典型特点。",[18,42,43,24,26,44,7,45],"官窑","青瓷","冰裂纹","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc46332be70e9b7b09bd730926943dea0.jpg",[32],8,"795548",{"id":51,"slug":52,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":53,"thumbUrl":55,"material":30,"size":31,"collection":32,"collections":56,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":49},256218,"ge-yao-qing-hui-you-kui-kou-wan-yi-ming-256218",[18,24,26,25,7,54],"器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb6dfb22da0f0232c4d753d458855161.jpg",[32],6,{"id":59,"slug":60,"title":61,"dynasty":62,"author":19,"museum":20,"description":63,"tags":64,"thumbUrl":68,"material":30,"size":31,"collection":32,"collections":69,"showCount":70,"zanCount":11,"manualWeight":11,"mainColor":49},256924,"yue-yao-qing-you-kui-kou-wan-yi-ming-256924","越窑青釉葵口碗","唐","越窑是中国古代南方著名的青瓷窑，汉族传统制瓷工艺的珍品之一。窑所在地主要在越州境内，即今浙江省宁绍平原上的绍兴、宁波两地。生产年代自东汉至宋。唐朝是越窑工艺最精湛时期，居全国之冠。越窑之名，最早见于唐代，越窑瓷青瓷与唐代的饮茶风尚关系十分密切，其瓷质造型，釉色之美，深受饮茶者的喜爱。饮茶风尚又影响了越窑青瓷的型制。",[62,24,65,66,7,67],"越窑","青釉","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca035a7a3aca4a20590d73266ab74d4e.jpg",[32],3,{"id":72,"slug":73,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":74,"thumbUrl":75,"material":30,"size":31,"collection":32,"collections":76,"showCount":70,"zanCount":11,"manualWeight":11,"mainColor":35},256224,"ge-yao-qing-hui-you-kui-kou-wan-yi-ming-256224",[18,24,25,7,26,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a0483351c8eddd6f4b7ebf632e918fd.jpg",[32],{"id":78,"slug":79,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":80,"thumbUrl":81,"material":30,"size":31,"collection":32,"collections":82,"showCount":70,"zanCount":11,"manualWeight":11,"mainColor":49},256221,"ge-yao-qing-hui-you-kui-kou-wan-yi-ming-256221",[18,24,26,25,7,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0778bf400c7c3562ce8c95c0db29171e.jpg",[32],{"id":84,"slug":85,"title":86,"dynasty":62,"author":19,"museum":20,"description":87,"tags":88,"thumbUrl":90,"material":30,"size":31,"collection":32,"collections":91,"showCount":70,"zanCount":11,"manualWeight":11,"mainColor":49},256190,"xing-yao-bai-you-kui-kou-wan-yi-ming-256190","邢窑白釉葵口碗","邢窑，是一处隋朝－五代时期的窑场，现存遗址位于河北省邢台市辖内丘、临城两县境内的太行山东麓丘陵和平原地带。据考证，邢窑始烧于北朝，衰于五代，终于元代，唐代时为制瓷业七大名窑之一，也是我国北方最早烧制白瓷的窑场。\n邢窑开创的独特制瓷工艺和先进的烧造技术，同样是我国陶瓷史上的重要里程碑。唐人李肇在《国史补》里写道："内丘白瓷瓯、端溪紫石砚，天下无贵贱通用之"。\n邢窑白瓷产品的出现，改变了中国一向以青瓷为主的局面，结束了自魏晋以来青瓷一统天下的局面，到了唐代，形成规模，使得邢窑与越窑平分秋色，形成了南青北白、相互争妍的两大体系，为唐以后白瓷的崛起和彩瓷的发展奠定了基础。唐三彩的出土使邢窑遗址成为中国第三处烧制唐三彩的窑址，具有重大的保护价值和学术、科研价值。\n白瓷的发展起步较迟，而邢窑白瓷到唐朝中期已非常流行。唐墓出土的白瓷碗，胎土白洁，细如澄泥，釉色明净，据此可以证明邢窑白瓷同样是瓷器中之上品。唐代白瓷除邢窑外其他产地之白瓷质地制工也较优良，江西州窑也是当时白瓷的中心。唐三彩一般为黄、绿、白（蓝），其发展是从汉代单色釉（绿）到北朝的黄釉绿色再到唐三彩。三彩釉陶是一种低温铅釉的彩陶器，色彩绚丽，造型生动，在唐代釉瓷中是一个很特别的品种，俗称“唐三彩”。三彩陶器巧妙利用了釉色的变化达到富丽华美的装饰效果。色釉中蓝彩较罕见。唐三彩的烘造地点主要在长安及洛阳两地，唐三彩造型丰富多彩；有生动传神感人的人物偏和动物偏，还有房屋用器的模型。\n邢窑瓷器的釉色有白、青、黑和褐黄等多种。邢窑白瓷按其胎、釉的质地，可以分为粗、细两大类。\n粗白瓷:\n白瓷的胎质又有粗、细之分，粗胎的一类胎色灰白，胎质粗糙；细胎的一类胎体致密，胎色较淡，但仍不够白，往往施一层白色化妆土。\n粗白瓷的釉质较细，有些还有细碎的纹片，釉色为灰白或乳白色，还有黄白色。\n粗白瓷产量大，生产过程中，不管是捏练还是陈腐都不够充分，白中常泛黄，到五代时部分产品的工艺水平有所提高，胎体中少有气孔夹砂现象，烧不熟的现象已基本克服，渐趋细腻。\n细白瓷:\n细白瓷的胎色纯白，个别的白中闪黄釉质很细，釉层中有微细的小棕眼，器物多施满釉，釉色纯白或白中微泛青色。白釉又有粗细之分，以粗者居多，细者占少数。\n细白瓷在加工工艺上，每个步骤都很讲究，烧成后白度很高。邢窑的精细白瓷，选用优质瓷土烧成，胎质坚实细腻，胎色洁白如雪，釉质莹润，有的薄如蛋壳，透明性能很好。一般器物纯白光亮，有些则白中微微泛青。\n邢窑是镁釉，高温下黏度大，釉面易光滑平整，光泽度好，但釉色有乳浊感，不透明，釉色稳定，多呈白色或白中泛青的色调。这就使乳浊釉对胎体有良好的遮盖性，器物施釉到底，质优者足心也施釉。而当时的定窑产品釉料配置不稳定，就釉而言也分粗细两种，都不够光洁，光泽度差。",[62,24,89,7,54],"白釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeb75c5e87ad21a1885c7d4249ce90c2.jpg",[32],{"id":93,"slug":94,"title":95,"dynasty":96,"author":19,"museum":20,"description":97,"tags":98,"thumbUrl":99,"material":30,"size":31,"collection":100,"collections":101,"showCount":70,"zanCount":11,"manualWeight":11,"mainColor":102},228120,"qing-ci-kui-kou-die-1-yi-ming-228120","青瓷葵口碟-1","元","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[24,43,26,54,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ff1f28ab577caf82c85194b315cf08e.jpg","",[],"F48FB1",{"id":104,"slug":105,"title":106,"dynasty":18,"author":19,"museum":20,"description":107,"tags":108,"thumbUrl":112,"material":30,"size":31,"collection":32,"collections":113,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":115},256275,"guan-yao-fen-qing-you-ke-yu-ti-shi-wen-kui-kou-pan-yi-ming-256275","官窑粉青釉刻御题诗文葵口盘","官窑，是南宋宋高宗时期一些窑口专为宫廷烧制的瓷器，供御捡退，在当时俗称"官窑“。官窑，毛公洞第一（今 江苏扬州一带）。南宋官窑瓷器沿袭北宋风格，规整对称，宫廷气势，高雅大气，一丝不苟。因为胎土含铁量极高，手感沉重，胎土呈深黑褐色，后称”紫口铁足“。釉面沉重幽亮，釉厚如堆脂，温润如玉。釉面多层反复细刮，釉光下沉而不刺眼，纹理布局规则有致，造型庄重大方。另外”肉腐留骨“（露胎处像死人骨头，俗称”骨董“）也是那时所造。我们今天所称官窑泛指历朝官府烧造瓷器，其实，历史上仅指南宋时期烧造的瓷器，后世再无此称呼。\n官窑起自唐，有两种涵义，一是指贡器，一是指官厂。自唐代至元代（公元八世纪~十四世纪），官窑多有贡器，少有官厂，采取的形式是“官监民烧”，烧出的瓷器，“千中选十，百中选一”，进贡给统治阶级。这种瓷器就叫做贡瓷和官窑。那时，唐代在产瓷区设有司务，如唐景隆初（公元707~709年）褚绥为新平(景德镇)司务，奉诏监烧献陵祭器。宋代设监，如太平兴国年间(公元976~983年)，派殿前承旨赵仁济监理越州窑务。到了元代则设局，以提领监陶，后改为本设总管。他们烧出的“景德年制”，“枢府’等款式的瓷器，分别称为“景德窑’，“枢府窑”等。\n官窑之谓，在中国古代陶瓷史上有不同的内涵。就广义而言，是有别民窑而专为官办的瓷窑，其产品为宫廷所垄断。在宋代瓷器中，官窑即是一种专称，指北宋和南宋时在京城汴京（汴梁，今开封）和临安（今杭州）由宫廷设窑烧造的青瓷，故又有“旧官”和“新官”之分，前者为北宋官窑，后者为南宋官窑。\n官窑是在宋大观及政和年间于汴梁所造，青瓷釉色晶莹惕透，有开裂或呈冰片状，粉青紫口铁定是其特色。\n宋室南移在凤凰山下设立官窑，又称修内司官窑或内窑，郊坛下设立的郊坛下官窑，器形较多，有直径大过一尺的大型产品。\n从1128年元世祖忽必烈设置“浮梁磁局”，到二十世纪清朝覆亡，景德镇是元、明、清三代皇家瓷厂所在地，中国的官窑制度在这里延续了632年，江西景德镇也由此拥有烧造时间最长、规模最大、工艺最精巧的官办瓷厂。景德镇地下也因此存有大量因禁绝流入民间而被就地掩埋的古碎瓷，成为中国品类最完整、年代最可靠、信息最丰富的官窑遗址和“地下瓷都”。北宋官窑也称汴京官窑。相传北宋大观、政和年间，在汴京附近设立窑场，专烧宫廷用瓷器，即北宋官窑。南宋顾文荐《负暄杂录》记载："宋宣政间（宣和、政和即公元1111－1125年）京师自置窑烧造，名曰官窑"，南宋叶在其《垣斋笔衡》中对北京官窑亦有记载："政和京师自置窑烧造，名曰官窑"。当时的京师即汴京（今开封），因宋代汴京遗址已沉入地底，到今为止，尚未发掘出北宋官窑遗址，对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，时到今，关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。\n南宋顾文荐《负睻杂录》记载：“宋宣政间（宣和、政和即公元1111~1125年）京师自置窑烧造，名曰‘官窑’”，南宋叶寘在其《垣斋笔衡》中对北京官窑亦有记载：“政和京师自置窑烧造，名曰‘官窑’”。明代《事物绀珠》、《留留青》因袭此说。当时的京师即汴京(今河南开封)，因宋代汴京遗址已沉入地下，到今为止，尚未发掘出北宋官窑遗址。对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，今关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。支持第三种说法的人较多。\n北宋官窑传世品很少，形质与工艺与汝窑有共同处。器多仿古，主要有碗、瓶、洗等。胎体显厚，胎骨深灰、紫色或黑色，釉色有淡青、粉青、月白等，釉质莹润温雅，尤以釉面开大裂纹片著称，不同于南宋官窑和汝窑及龙泉窑瓷器。底有文钉烧痕，有“紫口铁足”的特征。",[23,24,42,109,110,7,111],"粉青釉","刻","诗文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94e5efece0aa977c487f89776564cc88.jpg",[32],2,"37474F",{"id":117,"slug":118,"title":119,"dynasty":18,"author":19,"museum":20,"description":107,"tags":120,"thumbUrl":121,"material":30,"size":31,"collection":32,"collections":122,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":35},256274,"guan-yao-fen-qing-you-kui-kou-pan-yi-ming-256274","官窑粉青釉葵口盘",[23,24,54,42,109,43,7,44,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde0868c99a14c386cb10d6cadee3e228.jpg",[32],{"id":124,"slug":125,"title":126,"dynasty":18,"author":19,"museum":20,"description":127,"tags":128,"thumbUrl":134,"material":30,"size":31,"collection":100,"collections":135,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":49},223761,"qing-ci-kui-kou-wan-5-yi-ming-223761","青瓷葵口碗-5","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[23,24,43,7,54,129,130,131,132,133],"釉色","宋瓷风格","器形","施釉","青瓷釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc57e70e193d7d5d19daaa1bce4685e9a.jpg",[],{"id":137,"slug":138,"title":139,"dynasty":62,"author":19,"museum":20,"description":140,"tags":141,"thumbUrl":143,"material":30,"size":31,"collection":100,"collections":144,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":35},256768,"bai-you-kui-kou-wan-yi-ming-256768","白釉葵口碗","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[142,24,89,54,67,7],"唐代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F498ed20cd5432af7a4b2370739cf401c.jpg",[],1,{"id":147,"slug":148,"title":149,"dynasty":18,"author":19,"museum":20,"description":107,"tags":150,"thumbUrl":157,"material":30,"size":31,"collection":32,"collections":158,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":35},256282,"guan-yao-qing-you-ke-bo-lang-wen-kui-kou-xi-yi-ming-256282","官窑青釉刻波浪纹葵口洗",[23,24,42,66,151,7,54,152,153,154,155,156],"刻波浪纹","宋代陶瓷","青釉陶瓷","刻纹技法","波浪纹饰","葵口器型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d02a36284c5f152382e23c267fe70a1.jpg",[32],{"id":160,"slug":161,"title":106,"dynasty":18,"author":19,"museum":20,"description":107,"tags":162,"thumbUrl":166,"material":30,"size":31,"collection":32,"collections":167,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":35},256273,"guan-yao-fen-qing-you-ke-yu-ti-shi-wen-kui-kou-pan-yi-ming-256273",[24,42,109,163,7,26,23,43,164,44,165],"刻诗文","御题诗文","盘器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fd13392333db4bf7423708114795d53.jpg",[32],{"id":169,"slug":170,"title":171,"dynasty":18,"author":19,"museum":20,"description":107,"tags":172,"thumbUrl":173,"material":30,"size":31,"collection":32,"collections":174,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":49},256272,"guan-yao-qing-you-kui-kou-wan-yi-ming-256272","官窑青釉葵口碗",[18,24,43,66,26,7,42],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F883c029d5538a9851b4524a88f3184d4.jpg",[32],{"id":176,"slug":177,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":178,"thumbUrl":179,"material":30,"size":31,"collection":32,"collections":180,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":49},256220,"ge-yao-qing-hui-you-kui-kou-wan-yi-ming-256220",[18,24,26,25,7,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F608db09dcb66354e3480f8b24a0e54bf.jpg",[32],{"id":182,"slug":183,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":184,"thumbUrl":185,"material":30,"size":31,"collection":32,"collections":186,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":49},256219,"ge-yao-qing-hui-you-kui-kou-wan-yi-ming-256219",[18,24,25,26,7,54,67],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec66d1e04fdbe178c629d5d494d2bd64.jpg",[32],{"id":188,"slug":189,"title":190,"dynasty":18,"author":19,"museum":20,"description":127,"tags":191,"thumbUrl":193,"material":30,"size":31,"collection":100,"collections":194,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":49},223774,"qing-ci-kui-kou-wan-yi-ming-223774","青瓷葵口碗",[23,24,43,54,67,7,129,192],"器型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33f46d4ef80142db0e7f51417bc596fd.jpg",[],{"id":196,"slug":197,"title":198,"dynasty":18,"author":19,"museum":20,"description":127,"tags":199,"thumbUrl":200,"material":30,"size":31,"collection":100,"collections":201,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":49},223762,"qing-ci-kui-kou-wan-6-yi-ming-223762","青瓷葵口碗-6",[24,43,54,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2de62dce203dd45f4f656236a6700a6.jpg",[],{"id":203,"slug":204,"title":205,"dynasty":18,"author":19,"museum":20,"description":127,"tags":206,"thumbUrl":207,"material":30,"size":31,"collection":100,"collections":208,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":49},223759,"qing-ci-kui-kou-wan-1-yi-ming-223759","青瓷葵口碗-1",[23,43,24,26,44,7,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36fcd415929f13c89102456001962bb0.jpg",[],{"id":210,"slug":211,"title":212,"dynasty":18,"author":19,"museum":20,"description":127,"tags":213,"thumbUrl":10,"material":30,"size":31,"collection":100,"collections":215,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":49},223758,"qing-ci-kui-kou-pan-yi-ming-223758","青瓷葵口盘",[23,43,24,26,214,54,7],"青绿",[],{"id":217,"slug":218,"title":219,"dynasty":62,"author":19,"museum":20,"description":220,"tags":221,"thumbUrl":224,"material":30,"size":31,"collection":100,"collections":225,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":115},260238,"qing-you-kui-kou-wan-yi-ming-260238","青釉葵口碗","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[24,54,222,223,66,7],"日用具","饪食器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0c8547d105231e0480bd8a4384669b4.jpg",[],{"id":227,"slug":228,"title":171,"dynasty":18,"author":19,"museum":20,"description":107,"tags":229,"thumbUrl":230,"material":30,"size":31,"collection":32,"collections":231,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},257657,"guan-yao-qing-you-kui-kou-wan-yi-ming-257657",[24,54,66,26,23,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc826553917840918d5af073f8b0693c.jpg",[32],{"id":233,"slug":234,"title":235,"dynasty":18,"author":19,"museum":20,"description":21,"tags":236,"thumbUrl":237,"material":30,"size":31,"collection":32,"collections":238,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},256920,"ge-yao-qing-you-kui-kou-pan-yi-ming-256920","哥窑青釉葵口盘",[18,24,66,26,7,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa204907caefd00bdfed8064c91ea02a7.jpg",[32],{"id":240,"slug":241,"title":242,"dynasty":18,"author":19,"museum":20,"description":140,"tags":243,"thumbUrl":246,"material":30,"size":31,"collection":100,"collections":247,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},256761,"qing-bai-you-kui-kou-wo-zu-die-yi-ming-256761","青白釉葵口卧足碟",[24,244,7,245,23,54],"青白釉","卧足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc100280f7c1cbb23d1d29a18875776a.jpg",[],{"id":249,"slug":250,"title":251,"dynasty":18,"author":19,"museum":20,"description":107,"tags":252,"thumbUrl":253,"material":30,"size":31,"collection":32,"collections":254,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},256277,"guan-yao-qing-you-kui-kou-xi-yi-ming-256277","官窑青釉葵口洗",[24,54,66,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0792f60dbba8390f8b1e08c48bf84de1.jpg",[32],{"id":256,"slug":257,"title":258,"dynasty":18,"author":19,"museum":20,"description":107,"tags":259,"thumbUrl":261,"material":30,"size":31,"collection":32,"collections":262,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},256276,"guan-yao-qing-you-kui-kou-pan-yi-ming-256276","官窑青釉葵口盘",[18,24,66,26,7,260,54],"官窑风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0edfd85c96e19fa9fd2f1e424749d35f.jpg",[32],{"id":264,"slug":265,"title":266,"dynasty":18,"author":19,"museum":20,"description":107,"tags":267,"thumbUrl":268,"material":30,"size":31,"collection":32,"collections":269,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},256229,"guan-yao-qing-hui-you-kui-kou-pan-yi-ming-256229","官窑青灰釉葵口盘",[24,54,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd72b5a4c4c03c82797d4acdb04e4cbe1.jpg",[32],{"id":271,"slug":272,"title":273,"dynasty":96,"author":19,"museum":20,"description":97,"tags":274,"thumbUrl":276,"material":30,"size":31,"collection":100,"collections":277,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},228121,"qing-ci-kui-kou-die-3-yi-ming-228121","青瓷葵口碟-3",[24,43,26,275,7,54],"元代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0a18e44421d7d9f35df204baad35dea.jpg",[],{"id":279,"slug":280,"title":281,"dynasty":96,"author":19,"museum":20,"description":97,"tags":282,"thumbUrl":283,"material":30,"size":31,"collection":100,"collections":284,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},228119,"qing-ci-kui-kou-die-yi-ming-228119","青瓷葵口碟",[96,24,43,26,7,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ad59645a2c2e1595bacf2cd56845f1d.jpg",[],{"id":286,"slug":287,"title":205,"dynasty":96,"author":19,"museum":20,"description":97,"tags":288,"thumbUrl":289,"material":30,"size":31,"collection":100,"collections":290,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},228118,"qing-ci-kui-kou-wan-1-yi-ming-228118",[275,24,43,7,26,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41df3455c2c5ec277d21ec42af1a71c5.jpg",[],{"id":292,"slug":293,"title":294,"dynasty":96,"author":19,"museum":20,"description":97,"tags":295,"thumbUrl":297,"material":30,"size":31,"collection":100,"collections":298,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},228116,"qing-ci-kui-kou-pan-wen-zi-ming-yi-ming-228116","青瓷葵口盘（「文」字铭）",[24,43,26,7,296,54],"铭文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5d2d7d9b4968981fc5ddbf944b2987f.jpg",[],{"id":300,"slug":301,"title":302,"dynasty":96,"author":19,"museum":20,"description":97,"tags":303,"thumbUrl":304,"material":30,"size":31,"collection":100,"collections":305,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},228115,"qing-ci-kui-kou-pan-1-yi-ming-228115","青瓷葵口盘-1",[96,24,43,7,26,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dd6990f490579cc2434cb841df374ee.jpg",[],{"id":307,"slug":308,"title":309,"dynasty":96,"author":19,"museum":20,"description":97,"tags":310,"thumbUrl":312,"material":30,"size":31,"collection":100,"collections":313,"showCount":11,"zanCount":11,"manualWeight":11,"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