[{"data":1,"prerenderedAt":560},["ShallowReactive",2],{"subject-lan-cao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},476,"lan-cao","兰草","兰草画高清赏析","精选中国历代兰草题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2a16993fd2626da27f2d6b37393bcf0.jpg",0,45,[14,44,70,90,108,123,138,152,163,174,187,202,217,227,235,245,262,276,300,314,327,343,355,365,373,381,389,398,408,417,429,436,449,461,469,476,483,492,501,510,517,526,534,541,551],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":38,"collections":39,"showCount":41,"zanCount":42,"manualWeight":11,"mainColor":43},222557,"hua-hui-tu-ce-chen-chun-222557","花卉图册","明","陈淳","美国波士顿博物馆","此图册是陈淳晚年作品。卷尾自题“嘉靖庚子，余游玉山，过周氏六观草堂。主人出此册，具丹粉，欲图杂卉。留连累月，不觉盈帙，见者亦且以草本视之可也。道复志”。按照其生卒年推算， “嘉靖庚子” 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丙戌五月朔，王铎书。",[23,84,170,284,29,57,285,286,287,288,7,289,290,291,292,293,294,255,295],"长卷","山水","寺庙","古松","桂树","飞鸟","溪流","石穴","柴门","亭榭","山居","诗歌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb46539435de274822f16f672ccbf5c3.jpg","27X253cm",[],7,{"id":301,"slug":302,"title":303,"dynasty":48,"author":94,"museum":50,"description":304,"tags":305,"thumbUrl":311,"material":86,"size":87,"collection":66,"collections":312,"showCount":313,"zanCount":11,"manualWeight":11,"mainColor":107},259443,"guang-xu-kuan-dou-cai-lan-zhi-wen-bei-yi-ming-259443","光绪款斗彩兰芝纹杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[306,307,308,309,83,7,310,148],"陶瓷","斗彩","饮酒器","水仙","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee46b942b2eaa5347391cd719e601db2.jpg",[],6,{"id":315,"slug":316,"title":317,"dynasty":18,"author":318,"museum":50,"description":319,"tags":320,"thumbUrl":324,"material":86,"size":87,"collection":66,"collections":325,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":43},290943,"fang-wang-meng-jiao-shi-zhou-qian-gu-290943","仿王蒙蕉石轴","钱毂","钱毂，吴（今苏州）人。字叔宝，号磬室。明代画家。少孤贫，失学，成年开始读书。从文征明学诗文、书画，学习刻苦，传说曾抄古籍几万卷. 画名重于时，为吴门画派中高手。善绘山水、兰竹，意趣古淡，疏朗清新，风格近其师。工书法，笔力见功夫，挥洒自如，有屋漏之痕、折钗之势。传世作品有《虎丘前山图》轴、《求志图》，均藏北京故宫博物院；《苍山茅舍图》轴，藏上海博物馆。",[24,78,29,321,322,7,84,57,323,54],"芭蕉","奇石","仿古","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe450eec9049547b3a3355bca990d45e6.jpg",[],5,{"id":328,"slug":329,"title":330,"dynasty":48,"author":331,"museum":332,"description":333,"tags":334,"thumbUrl":340,"material":66,"size":66,"collection":40,"collections":341,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":342},201926,"sui-chao-tu-zhou-dong-bang-da-201926","岁朝图轴","董邦达","上海博物馆","画面以素净瓷瓶为器，错落插置松枝、红果、兰草等清供。松枝虬曲苍劲，红果点缀添喜，兰草舒展含雅，枝蔓间生机流转。瓶身题字笔意清逸，与景物相映成趣。整体设色淡雅，线条细腻，工写结合，既显器物古朴质感，又彰花草自然意态，传递岁朝时节吉祥雅致之韵，尽显文人画清隽格调。",[24,78,30,80,335,336,7,337,338,339,23],"松","红果","瓶","题字","岁朝清供","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88e72e6dd8a0eb22a2056a3d490cae98.jpg",[40],"a8937a",{"id":344,"slug":345,"title":346,"dynasty":48,"author":94,"museum":50,"description":347,"tags":348,"thumbUrl":352,"material":86,"size":87,"collection":66,"collections":353,"showCount":354,"zanCount":11,"manualWeight":11,"mainColor":43},267494,"hong-se-duan-xiu-dun-lan-jin-tuan-shou-zi-wen-hua-shen-yi-yi-ming-267494","红色缎绣墩兰金团寿字纹花神衣","清王朝时段推行剃发易服，顺治九年（1652），钦定《服色肩舆条例》颁行，从此废除了明朝的冠冕、礼服以及汉族的一切服饰，但满族服饰同时吸收了明朝服饰的纹理图案。明代男子一律蓄发挽髻，着宽松衣，穿长统袜、浅面鞋；清时则剃发留辫，辫垂脑后，穿瘦削的马蹄袖箭衣、紧袜、深统靴。但官民服饰一律泾渭分明。 清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[268,102,349,7,350,97,351],"缎绣","寿字纹","花神衣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a090ced64d1b9610827e621070bf92e.jpg",[],4,{"id":356,"slug":357,"title":358,"dynasty":48,"author":94,"museum":50,"description":359,"tags":360,"thumbUrl":363,"material":86,"size":87,"collection":66,"collections":364,"showCount":354,"zanCount":11,"manualWeight":11,"mainColor":107},264450,"xue-qing-se-duan-xiu-qian-cai-ji-mi-zhu-lan-hua-wen-pao-liao-yi-ming-264450","雪青色缎绣浅彩缉米珠兰花纹袍料","绣法是以绣线横排，故名。如，特点是整齐、均匀，圆润；在绣叶瓣时，在中间分开，运用斜针成倒人字形；也有绣成中间针迹相交叠的形式；也可绣成中间作一钉线的绣法。排绣针法富有变化，刺绣出的花瓣、叶瓣得体逼真，用途较广。",[102,268,97,361,7,30,362],"缉米珠","袍料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a4933d47a127fb780221066a3dc791f.jpg",[],{"id":366,"slug":367,"title":368,"dynasty":48,"author":94,"museum":50,"description":369,"tags":370,"thumbUrl":371,"material":86,"size":87,"collection":66,"collections":372,"showCount":354,"zanCount":11,"manualWeight":11,"mainColor":107},264295,"pin-yue-se-ke-si-shui-mo-dun-lan-wen-chang-yi-liao-yi-ming-264295","品月色缂丝水墨墩兰纹氅衣料","缂（kè，同：刻）丝（英文：K’o-ssu 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