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永兴弟任薰舜琴写”，钤“任薰”白文方印。",[23,112,25,93,71,128,129,130,7,131,132,133,134,97],"芝","树","石","拐杖","柳叶","草地","苔藓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F660fdaf34b7e404657c4f40b3ede7755.jpg","纵137.5厘米，横39.5厘米",[101],37,{"id":140,"slug":141,"title":142,"dynasty":88,"author":143,"museum":144,"description":145,"tags":146,"thumbUrl":149,"material":150,"size":151,"collection":34,"collections":152,"showCount":153,"zanCount":11,"manualWeight":11,"mainColor":38},233739,"xue-zhong-song-tan-tu-zhou-ren-yi-233739","雪中送炭图轴","任颐","北京故宫博物院","任颐（1840—1895，或1896），原名润，字小楼；更名颐，字伯年，生于山阴（今浙江绍兴），卒于上海。其父鹤声（字淞云），是民间肖像画工。任颐天资聪颖，幼时随父学画肖像，在人物的传神写照和默写方面打下了扎实的基础；后又受任熊的影响，学宋人的双勾花鸟画和陈洪绶一路的人物画。他还到宁波随任薰学过画，后来，又离开宁波到苏州、上海，并寓居上海近30年，成为“海上画派”的代表。\n任颐的绘画题材全面，人物、花鸟、走兽、山水无所不精。他的人物画题材广泛，既有历史故事、神话故事、民间传说，也有直接反映现实生活的作品。他善于写实，能够捕捉人物瞬间的神情动态进行描绘，被誉为“曾波臣后第一手”。",[23,112,25,26,31,71,147,148,7,97],"雪","炭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37a8064378a94b762d15e9c365d0daf9.jpg","纸本 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Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[48,70,161,162,71,163,164,165,166,167,168,7,169],"光影","宗教","天使","摇篮","书籍","室内场景","织物","木质地板","翅膀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ce04536eb31562eabbd5f9378930f7c.jpg",[57],28,"37474F",{"id":175,"slug":176,"title":177,"dynasty":107,"author":178,"museum":179,"description":180,"tags":181,"thumbUrl":191,"material":192,"size":193,"collection":34,"collections":194,"showCount":195,"zanCount":37,"manualWeight":11,"mainColor":196},222375,"liu-mang-tu-juan-zhou-chen-222375","流氓图卷","周臣","美国克利夫兰艺术博物馆","此卷共绘人物12人，形态各异，或身背锣鼓，或手牵小动物，皆衣衫褴褛。作画背景是明武宗朱厚照统治时期，所谓的流氓多是因战争流离失所而逃难的百姓。也许他们有着正当的职业，稳定的收入，但战争降临后，一切都化为了乌有。逃难的人们为了生计想法设法赚钱，有能力的可以凭借自己的能力勉强果腹，没有能力的人连乞丐都不如。\n“流氓”的界定：流氓是指“脱离了古代社会最基本的生产资料——田地，因此没有正当的业务可恃且又愚昧无知的社会底层成员；而作为流氓之'流'的字义中，又可包涵或引申出向坏的方向嬗变以及放纵成弊等内容。合而言之，大致可以把'流氓'一词从词义上界定为：特指脱离生产不务正业而在社会上游荡，并以悖离传统道德文化和破坏社会秩序为基本行为特征的不良分子。 因此称之为《流民图》亦可。",[69,23,24,182,183,25,71,184,185,186,131,7,187,188,189,190],"长卷","白描","猴","狗","羊","鼓","乐器","行书","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd181c6127f25e533180376f904c665f0.jpg","纸本设色","纵28厘米，横384厘米",[],26,"F48FB1",{"id":198,"slug":199,"title":200,"dynasty":43,"author":44,"museum":45,"description":46,"tags":201,"thumbUrl":207,"material":55,"size":56,"collection":57,"collections":208,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":173},225720,"bobbin-winder-march-april-fan-gao-225720","Bobbin winder (March - April 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花鸟杂画，信手拈来，颇有奇趣。草虫书法工写兼备，其画风在明中期 别成一格。",[69,111,23,24,256,26,183,31,71,274,285,286,7,287,288,97,289,32],"孤石","椅子","笔","砚台","文人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7423d7c114d37fd72b377fa1ddb06057.jpg","纸本","纵28.5 厘米横46.5 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