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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[23,7,95,24,105],"音乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85e3165c4716a34572b19bfd4d4c6e2f.jpg",[],{"id":109,"slug":110,"title":111,"dynasty":18,"author":19,"museum":20,"description":112,"tags":113,"thumbUrl":114,"material":28,"size":29,"collection":30,"collections":115,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":33},274023,"ne-shao-xian-hei-feng-pa-chang-pian-yi-ming-274023","讷绍先《黑风帕》唱片","这张封套带着旧时光的温润质感，以对称版式铺陈细节。边框錾刻缠枝纹，衬出端庄气韵，招牌大字居于版面中央，醒目大气。左右分述唱机与唱片的优势，笔力朴拙稳重，将商号的匠心藏于字句之间。中心圆环恰好露出唱片标贴，融展示与广告为一体，兼顾实用与审美，尽显那个年代民族实业的巧思，把商贸诉求揉进中式装帧美学里，带着旧时光里的精致与热忱。",[23,95,7,41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b5a108589e2318fafe976d914c6efe0.jpg",[],{"id":117,"slug":118,"title":119,"dynasty":18,"author":19,"museum":20,"description":120,"tags":121,"thumbUrl":122,"material":28,"size":29,"collection":30,"collections":123,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":45},274022,"gong-yun-fu-liu-dian-chang-pian-yi-ming-274022","龚云甫《六殿》唱片","泛黄封皮晕开旧时光的底色，手书题字笔力苍朴，与印刷标识交错相融。胶木唱片标签斑驳磨蚀，刻录着梨园旧韵的余痕。纸面褶皱与卷边破损，凝萃着经年流转的岁月印记，将老戏的皮黄唱腔封存在这一方载体之中。\n\n它是旧世文娱传播的鲜活注脚，静默留存着民国戏园的余音，让远去的曲韵以器物之态定格，藏着旧时听曲赏戏的市井烟火气，将近代戏曲的传播过往凝缩在这方寸之间。",[23,24,7,25,86],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F198d852784fcab889f68f7482b90b1dc.jpg",[],{"id":125,"slug":126,"title":127,"dynasty":18,"author":19,"museum":20,"description":128,"tags":129,"thumbUrl":131,"material":28,"size":29,"collection":30,"collections":132,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":33},274020,"liu-hong-sheng-yu-bei-ting-chang-pian-yi-ming-274020","刘鸿声《御碑亭》唱片","泛黄糙纸封套裹着旧时光的温度，笔力沉厚的题字墨色凝润，带着老商号的郑重拙朴。胶木唱片的纹路里封藏着老生唱腔的水磨余韵，盘面制式标签规整妥帖，与随性的手写题字相映成趣。\n\n这一方旧物揉着民国市井听曲的烟火气，将梨园泰斗的唱念做打凝在纹路之间，摩挲过岁月的痕迹，静静晕开当年戏园子里的叫好声与胡琴弦歌，让旧日的戏曲风华以实体留存，成为声音与旧时光的具象标本。",[23,25,24,7,130],"封套","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d50af62107afc31887c42fa63c43140.jpg",[],{"id":134,"slug":135,"title":136,"dynasty":18,"author":19,"museum":20,"description":137,"tags":138,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":140,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":33},274014,"tan-xin-pei-wu-pen-ji-chang-pian-yi-ming-274014","谭鑫培《乌盆记》唱片","泛黄封套带着时光摩挲的痕迹，朴拙的手写题字带着随性的笔墨意趣，晕开旧唱片行的怀旧氛围。中心黑胶标签凝刻着老生泰斗的经典剧目，将舞台上苍凉沉郁的皮黄唱腔封存在胶木之上。\n\n底部的外文标识与繁体小字，晕开民国西风东渐的时代印记，暗合着当年中西交汇的文娱图景。整体素朴无华，却如同缄默的时光容器，将百年前的戏腔余韵、老唱片行业的风貌一并封存。触手可及的旧纸与凝固的声腔交织，唤起旧年月里围坐留声机旁，静听戏文流转的温热记忆。",[23,25,24,7,139],"传统曲艺",[],{"id":142,"slug":143,"title":127,"dynasty":18,"author":19,"museum":20,"description":144,"tags":145,"thumbUrl":147,"material":28,"size":29,"collection":30,"collections":148,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":33},274013,"liu-hong-sheng-yu-bei-ting-chang-pian-yi-ming-274013","泛黄封皮晕开岁月旧痕，手书题字朴拙沉厚，带着手工装帧的温度。黑胶唱片纹路蜿蜒，将老生行当苍劲唱腔封存在密纹之中。这张旧物携着民国梨园余韵，把戏台间的唱念做打定格留存，藏着那个年代的市井文娱印记，晕开独属于旧时光的戏梦风华，静静诉说着传统戏曲与老载体碰撞的旧日浪漫。",[23,25,24,146,41,7],"《御碑亭》","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54b2c5cc3bd48dd1f672c42a8a96a63f.jpg",[],1777535727014]