[{"data":1,"prerenderedAt":93},["ShallowReactive",2],{"subject-lao-zi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},13542,"lao-zi","老子","老子画高清赏析","精选中国历代老子题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdec6acefc1a511537d785d80eee4c4a2.jpg",0,4,[14,44,63,79],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":38,"collection":39,"collections":40,"showCount":41,"zanCount":42,"manualWeight":11,"mainColor":43},290684,"ke-si-qing-niu-lao-zi-tu-zhou-yi-ming-290684","缂丝青牛老子图轴","宋","佚名","藏地不详","画中人物为老子，姓李名耳，字聃。春秋时楚国人。道教认为老子即是「太上老君」在人间的化身。相传老子经过函谷关时，守山的官吏尹喜似乎感到东边的天空忽然一片紫气。他断定会有圣人将来此地。不久，果然见老子骑青牛从东边扬长而至。尹喜便请求老子著书传世，老子应允，便在函谷关著下五千言《道德经》，写完後便骑牛向西而去，其後即不知所终。",[23,24,25,26,27,28,7,29,30,31,32,33,34,35],"立轴","缂丝","国画","名画","书画","人物","牛","青牛","道教","设色","布料","祥云","灵芝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa336a1577cdc9d924e9eea1c51b6bf73.jpg","未知","Xcm*Xcm","",[],45,1,"795548",{"id":45,"slug":46,"title":47,"dynasty":48,"author":49,"museum":20,"description":50,"tags":51,"thumbUrl":59,"material":37,"size":38,"collection":39,"collections":60,"showCount":61,"zanCount":42,"manualWeight":11,"mainColor":62},287786,"tai-shang-lao-jun-shuo-chang-qing-jing-jing-lao-zi-lie-zhuan-quan-juan-wen-zheng-ming-287786","太上老君说常清静经老子列传全卷","明","文徴明","文徵明（1470年11月28日－1559年3月28日），原名壁（或作璧），字徵明，四十二岁起，以字行，更字徵仲。因先世为衡山人，故号衡山居士，世称“文衡山”。南直隶苏州府长洲县（今江苏苏州）人。明代画家、书法家、文学家、鉴藏家。\n文徵明曾学文于吴宽，学书法于李应祯，学画于沈周，生平九次参加乡试均不中。嘉靖二年（1523年），以岁贡生参加吏部考试，被授予翰林院待诏之职。嘉靖五年（1526年），文徵明辞官归乡，专事创作。\n嘉靖三十八年（1559年）二月二十，文徵明去世，享年九十。其弟子私谥贞献。\n文徵明诗、文、书、画无一不精，人称“四绝”，其与沈周共创“吴派”。在画史上与沈周、唐寅、仇英合称“明四家”。在文学上，与祝允明、唐寅、徐祯卿并称“吴中四才子”。",[52,53,54,31,7,27,55,56,57,58],"书法","楷书","写经","典籍","字帖","印章","长卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5aba8b7779fcd5b62ea030585851adf.jpg",[],26,"BDBDBD",{"id":64,"slug":65,"title":66,"dynasty":67,"author":68,"museum":69,"description":70,"tags":71,"thumbUrl":10,"material":37,"size":38,"collection":39,"collections":77,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":43},287530,"lao-zi-qi-niu-yan-hui-287530","老子骑牛","元","颜辉","台北故宫博物院","颜辉，字秋月，生卒年不详，庐陵（今江西吉安）人，一作浙江江山人。宋末元初时人物画家，擅人物、佛道，亦工鬼怪，兼能画猿。其造型奇特，用笔虽见刻露，却笔法怪异，有生动传神之趣，在画法上喜作水墨粗笔，用笔劲健豪放，笔法粗犷，有梁楷遗法。元代由于山水画、文人画兴起，作为人物画家的颜辉在中国画史埋没无闻，由于其作品流传日本较多，颜辉在日本受评甚高，对日本室町时代的绘画有较大影响。传世代表作有《钟馗雨夜出游图》，《蛤蟆仙人像》，《李仙像》，《猿图》。",[25,27,23,28,72,73,29,74,7,75,76],"白描","水墨","道家","松树","童子",[],22,{"id":80,"slug":81,"title":82,"dynasty":83,"author":19,"museum":20,"description":84,"tags":85,"thumbUrl":90,"material":37,"size":38,"collection":39,"collections":91,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":62},287938,"lao-zi-hua-hu-jing-xuan-ge-juan-di-shi-juan-yi-ming-287938","老子化胡經玄歌卷第十卷","不详","此卷小楷通篇绵密连贯，笔致朴拙温润，虽历经岁月，卷面残损斑驳，却更添古旧苍润的质感。书写者笔势舒展安稳，点画扎实凝练，尽显民间写经的典型风貌，带着抄录时的沉静虔诚。\n作为道教经卷抄本，文字排布匀整、行气贯通，墨色虽有晕散却依旧沉稳，将宗教文本的肃穆与书法的舒展融为一体。卷页的缺损如同时光凿下的印记，承载着中古道教文化的传播脉络，朴素卷面中藏着跨越千年的信仰温度，是宗教文献与书法艺术相融的珍贵遗存。",[86,58,52,53,54,31,87,55,88,89,7],"高清","经文","宗教","老子化胡经","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1bcafa315e4d9c3d3d61b29fbcc83f1.jpg",[],5,1777535759324]