[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"subject-li-fo-hu-fa":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3802,"li-fo-hu-fa","礼佛护法","礼佛护法画高清赏析","精选中国历代礼佛护法题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12a2ab42d694db735e6d2550b1caa93e.jpg",0,2,[14,40],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":24,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":12,"manualWeight":11,"mainColor":39},222146,"di-shi-tian-tu-xi-bi-yi-ming-222146","帝释天图西壁","明","佚名","法海寺","帝释梵天图位于大殿内后墙壁两侧，共两铺，高3.2米,长14米，面积44.8平方米。壁画主要内容是以帝释梵天为首的二十诸天礼佛护法的行进队伍，故全称为帝释梵天礼护法图。绘二十诸天及侍从共36人物，每一人物高1.2米——1.6米。诸路天神鬼众浩浩荡荡，敬佛护法，各显其能。气势森严，排列有序，三五不一，相互呼应。纷至遝来，令人目不暇接。\n佛教壁画中表现帝释梵天的作品，在南朝梁代（400——450年）已见描绘，到唐、五代就广为流行，不少著名的画家都表现过这一题材。在唐两京、成都等地寺院就画过不少释梵天众图像。这些作品的内容不尽相同，技艺亦各异。诸天不仅为护法神，也被视为是方便导化众生的佛的化身。宋元以后，特别是明清，寺院的壁画中帝释梵天图极为流行。同时由于后期佛道掺杂，佛教图像中有了不少道教的神像，如道教中的紫微大帝、东岳大帝、雷神、风神等，也进入佛教图像行列，变为二十四天、三十三天等。法海寺壁画帝释梵天图基本上是按唐代的内容画出来的，二十诸天中没有道教神像，而且构图布局和形象处理与早期有着更多的传承关系。要看唐宋时代佛教一脉相承的“帝释梵天图”的形象，只能在法海寺壁画中看到。\n法海寺壁画完全保留了原来的密宗体系，具有唐代传统的模式，但法海寺壁画中人物形象又有着明显的时代特征。“一图说破天下事，诸般神灵眼内观”。帝释梵天图是我们了解佛教文化的一个窗口。（点击各图进入详解）",[23,24,25,26,27,28,29,30,31,32,7,33],"高清","壁画","国画","人物画","宗教画","佛教","设色","帝释天","梵天","二十诸天","神兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc0d0a32476aca8e67a68883cf52a49c.jpg","高3.2米,长14米","",[],163,"795548",{"id":41,"slug":42,"title":43,"dynasty":18,"author":19,"museum":20,"description":21,"tags":44,"thumbUrl":10,"material":24,"size":35,"collection":36,"collections":48,"showCount":49,"zanCount":50,"manualWeight":11,"mainColor":39},222145,"di-shi-tian-tu-dong-bi-yi-ming-222145","帝释天图东壁",[23,24,28,29,45,46,30,31,32,7,47],"人物","祥云","神祇",[],69,1,1777535781454]