[{"data":1,"prerenderedAt":146},["ShallowReactive",2],{"subject-li-shi-gu-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2691,"li-shi-gu-shi","历史故事","历史故事画高清赏析","精选中国历代历史故事题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36ae494934b6299c2afccbf637aa0c5c.jpg",0,7,[14,42,56,81,100,120,132],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":38,"collections":39,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},222192,"ren-wu-gu-shi-tu-xun-yang-pi-pa-chou-ying-222192","人物故事图-浔阳琵琶","明","仇英","北京故宫博物院","全册共十开，内容取材于历史故事、寓言传说、文人轶事和诗文寓意，具体为子路问津、明妃出塞、贵妃晓妆、南华秋水、吹箫引凤、高山流水、竹院品古、松林六逸、浔阳琵琶、捉柳花图等。这些题材历史上常被画家描绘，但仇英在作品立意、形象塑造和笔墨表现等方面，都注入了自己的才思和技巧，显示出鲜明的个性风格。\n作品主题明确，构思巧妙，不仅人物活动的细节刻画具体明晓，而且注意环境气氛的烘托，使每幅画页都有很强的观赏性。如“贵妃晓妆”页，以杨贵妃清晨在华清宫端正楼对镜理髻为中心，将宫女奏乐、采花和携琵琶等情节同现于一个画面，集中表现了贵妃爱牡丹、喜簪花、善声乐、好打扮的习性，也概括反映了贵妃奢华纵乐的生活内容。又如“高山流水”页，取材于伯牙鼓琴的故事，在描绘俞伯牙草亭弹琴，钟子期拾阶而上，知音相遇的具体情节同时，布置了高山飞瀑、松林流水的静谧清幽环境，形象地表达了高山流水的音乐内容，也衬托出人物的高雅情操，以象征性手法营造出了一个情景交融的臻境。\n此图册运用工笔重彩法。人物情态描绘得细腻精微，文人举止高雅潇洒，仕女容貌端庄娟美。建筑器皿工整精细，山石树木形态各具。笔致工细而不板滞，流畅自然，刚柔相济。敷色艳丽，又多和色，整体色调和谐、清雅。作品具有雅俗共赏的艺术效果，是仇英对唐宋工笔重彩法的创新和发展。",[23,24,25,26,27,28,29,30,31,32,33,7,34],"高清","国画","工笔重彩","设色","册页","人物","舟船","山水","树木","骆驼","音乐","文人轶事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc35abb769ff5e9054e9cf450da226925.jpg","绢本，设色","每开纵41.4厘米，横33.8厘米","",[],88,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":18,"author":19,"museum":20,"description":21,"tags":46,"thumbUrl":53,"material":36,"size":37,"collection":38,"collections":54,"showCount":55,"zanCount":11,"manualWeight":11,"mainColor":41},222188,"ren-wu-gu-shi-tu-zi-lu-wen-jin-chou-ying-222188","人物故事图-子路问津",[23,24,47,25,26,28,30,31,48,49,50,51,7,52],"册","山石","江水","马车","子路问津","文人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3113aa636a1969d1889567021aaf7551.jpg",[],63,{"id":57,"slug":58,"title":59,"dynasty":18,"author":19,"museum":20,"description":21,"tags":60,"thumbUrl":73,"material":36,"size":74,"collection":75,"collections":76,"showCount":79,"zanCount":80,"manualWeight":11,"mainColor":41},233754,"ren-wu-gu-shi-ce-chou-ying-233754","人物故事册",[24,61,47,62,26,63,28,30,64,65,52,66,67,68,7,69,70,71,72,34],"书画","工笔","重彩","楼阁","仕女","知音","乐器","花鸟","亭台","松林","流水","寓言传说","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63efd47f6120fe57c20a6fdbb2673a14.jpg","纵41.4厘米，横33.8厘米","山水画精选",[75,77,78],"人物画精选","设色画精选",61,1,{"id":82,"slug":83,"title":84,"dynasty":85,"author":86,"museum":87,"description":88,"tags":89,"thumbUrl":10,"material":96,"size":97,"collection":77,"collections":98,"showCount":99,"zanCount":80,"manualWeight":11,"mainColor":41},214914,"qian-dai-jun-chen-gu-shi-tu-yi-ming-214914","前代君臣故事图","清","佚名","美国弗利尔美术馆","前代君臣故事图是清朝时期的一幅条幅式绘画，其中描绘了前代君臣的故事。这幅画作品的画家是清朝时期的一位佚名画家。\n\n前代君臣故事图中描绘了许多传说中的君臣人物，如唐朝的李靖、西汉的范蠡、周朝的车骑将军等。这些君臣人物均以其忠心耿耿、才华横溢的形象呈现在画面中，并以细腻精巧的线条勾勒出了他们的肖像。\n\n在前代君臣故事图中，这些君臣人物被描绘成温厚谦逊、不畏权势、敬畏天命的英雄人物。他们不仅身经百战、深谙军事，而且还具有极高的政治才能，深受皇帝信任。\n\n前代君臣故事图是清朝时期一幅非常著名的绘画作品，其中所描绘的君臣人物形象鲜活生动，富有感染力，对后代的绘画艺术具有重要的影响。",[23,24,61,90,91,92,28,93,94,95,7],"长卷","白描","水墨","马","印章","楷书","纸本,水墨","24.1x299.4",[77],40,{"id":101,"slug":102,"title":103,"dynasty":85,"author":104,"museum":105,"description":106,"tags":107,"thumbUrl":115,"material":116,"size":117,"collection":38,"collections":118,"showCount":119,"zanCount":11,"manualWeight":11,"mainColor":41},287443,"mo-yan-li-ben-xiao-yi-zhuan-lan-ting-tu-ding-guan-peng-287443","摹阎立本萧翼赚兰亭图","丁观鹏","藏地不详","丁观鹏，生卒年不详（生于康熙晚期，约卒于乾隆三十五年[1770年]以后），清代画家，艺术活动于康熙末期至乾隆中期，顺天（今北京）人。丁观鹏雍正四年（1726）进入宫廷成为供奉画家，他擅长画人物、道释、山水，亦能作肖像，画风工整细致，受到欧洲绘画的影响，其弟丁观鹤同时供奉内廷。\n丁观鹏擅长画道释人物，也善画山水。曾与弟弟观鹤同供奉于南熏殿。他的画作清宫收藏很多。与陈枚等六家合作《庆丰图》卷，《太平春市图》卷，与陈枚、孙硝合作《丹台春晓图》卷等，均辑入《石渠宝笈》。传世作品有：《摹宋人雪渔图》和《仿韩 七子过关图》，均辑入《中国历代名画集》。",[23,24,90,61,91,26,108,109,110,7,52,111,112,113,94,114],"人物画","临摹","萧翼赚兰亭","侍从","茶具","坐具","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00d5e4507f97cac7a1fafa57455dce2a.jpg","未知","Xcm*Xcm",[],24,{"id":121,"slug":122,"title":123,"dynasty":18,"author":19,"museum":105,"description":124,"tags":125,"thumbUrl":129,"material":116,"size":117,"collection":38,"collections":130,"showCount":131,"zanCount":11,"manualWeight":11,"mainColor":41},290921,"qian-han-wen-di-chou-ying-290921","前汉文帝","仇英（约1498年—约1552年）， 字实父，号十洲，原籍江苏太仓，后移居吴县（今苏州），明代绘画大师。\n仇英出身寒门，幼年失学，曾习漆工，后拜师周臣，成为画家。\n仇英博取众长，集前人之大成，形成自己独特的艺术风格。他山水、花卉、界画、人物、仕女无所不能，既工设色，又善水墨、白描，能运用多种笔法表现不同的对象。 时人把他与周臣、唐寅誉称为院派三大家；后人又把他与沈周、文徵明、唐寅并称为“明四家”。",[24,47,62,26,28,126,127,30,114,95,128,7],"大象","飞鸟","孝行","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F363d78e5c1b4a06138d9ccc7768f88a7.jpg",[],11,{"id":133,"slug":134,"title":135,"dynasty":136,"author":137,"museum":87,"description":138,"tags":139,"thumbUrl":141,"material":142,"size":143,"collection":38,"collections":144,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":41},216913,"xiang-shan-jiu-lao-tu-10-ma-xing-zu-216913","香山九老图-10","宋","马兴祖","画的是唐贞观五年，白居易率领九位老者在河南洛阳的斗姆山聚会和宴请的故事。马兴祖是南宋画家，是马远的祖父，他的作品有花鸟、人物、山水和各种画作，特别擅长做精细的艺术家。此卷是由后来的艺术家复制的，与马兴祖没有关系。",[23,114,95,90,109,28,7,140],"香山九老","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F718d0d0f1aa1ad947dcacf88103abd00.jpg","绢本,设色","27.1x217.2",[],5,1777535742597]