[{"data":1,"prerenderedAt":465},["ShallowReactive",2],{"subject-li":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9737,"li","立","立画高清赏析","精选中国历代立题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc575c56ff869a57ac6ea3f35605974eb.jpg",0,37,[14,36,56,70,84,97,109,120,134,147,157,169,186,199,209,220,233,243,255,265,275,286,300,311,322,334,347,357,366,377,386,396,408,418,429,440,455],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":31,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":11,"mainColor":35},201821,"sui-chao-guan-shang-tu-zhou-xi-pu-201821","岁朝观赏图轴","清","席璞","上海博物馆","这幅画以岁朝清供为主题，构图疏密有致，器物与花果相映成趣。蓝釉花瓶莹润沉静，插枝缀红挂白；方盆牡丹雍容舒展，旁伴水仙清雅吐芳。鲜果饱满诱人，彩胜纹饰精巧繁复。工笔细描尽显细节之妙，设色温润雅致，线条流畅精准，将器物质感与花果鲜活刻画得淋漓尽致，传递出新春时节的祥和喜庆与文人雅趣。",[23,24,25,26,27,28,29,7],"工笔","设色","牡丹","水仙","器","花鸟","立轴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d2268e49b766f982e3d2150600d07ad.jpg","",[],27,1,"aca188",{"id":37,"slug":38,"title":39,"dynasty":18,"author":40,"museum":20,"description":41,"tags":42,"thumbUrl":52,"material":31,"size":31,"collection":31,"collections":53,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},201835,"xue-shan-xing-lv-tu-zhou-zhou-hao-201835","雪山行旅图轴","周颢","寒冬雪霁，群山覆素，苍莽沉雄。枯木裸枝挂霜凝雪，姿态虬劲；山坳茅舍错落，炊烟隐现。雪径上旅人策马，衣袂飘举，似携暖意穿行冷寂天地。笔墨间，积雪以留白与淡墨晕染相济，山峦皴擦见骨，枯树线条细劲如铁，人物虽小却形神毕肖，动静相宜。整幅画意境清旷，兼具自然肃穆与生活温情，水墨设色淡雅，尽显传统山水韵致。",[43,44,45,46,47,48,49,50,51,7],"国画","山水","皴法","水墨","人物","马","枯树","雪山","行旅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc019dd1c4aa6c9a1c74ac3d49236616.jpg",[],22,"bba58d",{"id":57,"slug":58,"title":59,"dynasty":60,"author":61,"museum":20,"description":62,"tags":63,"thumbUrl":66,"material":31,"size":31,"collection":31,"collections":67,"showCount":68,"zanCount":34,"manualWeight":11,"mainColor":69},201776,"mao-yan-guan-kui-tu-zhou-wen-zheng-ming-201776","茅檐灌葵图轴","明","文徵明","青绿设色晕染山峦，层叠间云雾缥缈，似将天地连成一片空灵。近坡林木葱茏，枝干盘曲，墨笔勾勒与青绿色点染相映，意趣盎然。溪上小桥卧波，红衣人影凭栏，茅檐隐于树后，尽显林泉之致。笔法工细中含秀逸，山石皴擦见质感，树木点叶富生机，传递出文人寄情山水的闲适心境，满卷雅致清和之气。",[43,44,64,24,65,47,23,45,7],"青绿","小桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F918ac77c19ceed20162b172e2c59b0b0.jpg",[],9,"92764f",{"id":71,"slug":72,"title":73,"dynasty":18,"author":74,"museum":20,"description":75,"tags":76,"thumbUrl":80,"material":31,"size":31,"collection":31,"collections":81,"showCount":82,"zanCount":11,"manualWeight":11,"mainColor":83},201597,"luo-fu-xian-guan-tu-zhou-lv-huan-cheng-201597","罗浮仙馆图轴","吕焕成","画面山石嶙峋，以细腻皴法勾勒肌理，古松虬枝盘曲，松针密簇，与岩崖间的楼阁相映。楼阁隐于山巅谷隙，飞檐翘角雅致，山间云雾轻绕，添缥缈仙气。近处小桥横卧，红衣人物凭栏远眺，动静相衬。设色淡雅温润，层次分明，融罗浮仙馆的清幽与山水之趣，尽显文人山水的雅致意境。",[43,44,77,78,79,24,45,65,47,7],"楼阁","松树","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F468188812d4a8a4f7b18477d0c1a8e22.jpg",[],6,"987c66",{"id":85,"slug":86,"title":87,"dynasty":18,"author":88,"museum":20,"description":89,"tags":90,"thumbUrl":93,"material":31,"size":31,"collection":31,"collections":94,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":96},202317,"han-lin-tu-zhou-zhe-zhang-202317","寒林图轴","禇章","画面以数株枯树为主体，枝干虬曲交错，如铁铸般苍劲有力。树干以浓淡干湿变化的墨色勾勒皴擦，纹理斑驳，尽显岁月沧桑。背景山石隐约，溪流潺潺，淡墨晕染的朦胧意境与前景枯树的刚健形成对比，营造出清冷孤寂的氛围。笔墨简练却意蕴深厚，枯树的姿态传递出坚韧之美，整体画风朴拙而富有张力，展现出独特的艺术感染力。",[43,46,91,92,44,45,7],"枯藤","老树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9bb456dda10d994d5020513d379299f.jpg",[],4,"b9ab97",{"id":98,"slug":99,"title":100,"dynasty":60,"author":101,"museum":20,"description":102,"tags":103,"thumbUrl":106,"material":31,"size":31,"collection":31,"collections":107,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":108},202201,"fu-rong-fu-ya-tu-zhou-zhou-zhi-mian-202201","芙蓉凫鸭图轴","周之冕","凫鸭伫立石畔，羽色墨彩交融，神态闲雅。芙蓉花叶疏落有致，花瓣晕染淡粉，叶片蓝绿勾描，柔媚鲜活。水草以写意线条挥就，灵动飘逸。笔墨工写结合，勾染相济，构图疏密得宜，气韵清逸，尽显花鸟之生机与雅致意趣。",[43,28,104,23,24,105,7],"芙蓉","勾染","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0831ff21fa6d1c8bf6b2035efc85e925.jpg",[],"bfaea2",{"id":110,"slug":111,"title":112,"dynasty":18,"author":113,"museum":20,"description":114,"tags":115,"thumbUrl":117,"material":31,"size":31,"collection":31,"collections":118,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":119},202040,"kong-que-jiao-shi-tu-zhou-ren-yu-202040","孔雀蕉石图轴","任预","画面中孔雀姿态雍容，立于嶙峋孤石之上，羽翼纹理细腻入微，蓝绿斑斓间透着华贵。蕉叶舒展如扇，线条流畅飘逸，与孔雀尾屏相映成趣；点缀的红果鲜亮，为清雅画面添一抹生机。工笔设色精致，色彩过渡自然，既有传统花鸟的雅致，又具灵动鲜活之态，构图疏密有致，尽显海派绘画的清新意韵。",[43,23,28,24,116,7],"孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fd49c937bbc7cde8a79d3068dccb61e.jpg",[],"b6a99a",{"id":121,"slug":122,"title":123,"dynasty":60,"author":124,"museum":20,"description":125,"tags":126,"thumbUrl":131,"material":31,"size":31,"collection":31,"collections":132,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":133},201611,"shan-ju-qing-hua-tu-zhou-zhang-hong-201611","山居清话图轴","张宏","画面层峦叠嶂间云雾氤氲，飞瀑自崖壁倾泻而下，山腰屋宇半隐于林麓，山麓溪流潺潺绕茅舍而过，林木葱郁枝柯交错。笔墨苍润兼具细腻，山石以皴法勾勒纹理，皴染结合尽显肌理质感；树木点染有致，疏密相宜生机盎然。设色淡雅温润，整体意境清幽悠远，似有隐士于舍中促膝清谈，尽显山林栖居之趣，将自然之美与人文意趣相融。",[43,44,45,24,127,128,129,130,7],"瀑布","溪流","屋舍","林木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34ecf69ef387903be1d1a66053cf545e.jpg",[],"c1b4a4",{"id":135,"slug":136,"title":137,"dynasty":18,"author":138,"museum":20,"description":139,"tags":140,"thumbUrl":143,"material":31,"size":31,"collection":31,"collections":144,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":146},202569,"xiao-xia-tu-zhou-zhang-xiong-202569","消夏图轴","张熊","画面铺展清寂夏日意趣：粗陶瓶插荷数枝，荷叶以淡蓝绿晕染，叶脉疏朗，花瓣留白显清润；瓶侧瓜实饱满，墨绿与浅青交织，藤蔓缠绕自然；几点桃实点缀，添鲜活生机。陶罐用淡墨皴擦出朴拙质感，花叶线条灵动，设色清雅脱俗。画风兼工带写，融文人意趣与生活气息，海派花鸟的温婉雅致尽显，消夏之悠然闲适扑面而来。",[43,28,24,141,27,142,64,23,7],"荷","桃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0447b4cda797ff4200cbf07e89c1a1f2.jpg",[],3,"cbc1b1",{"id":148,"slug":149,"title":150,"dynasty":18,"author":151,"museum":20,"description":152,"tags":153,"thumbUrl":154,"material":31,"size":31,"collection":31,"collections":155,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":156},202105,"guan-pu-tu-zhou-hu-yuan-202105","观瀑图轴","胡远","画面峭壁凌云，飞瀑如练倾泻而下，气势灵动。山间松枝盘曲，杂树葱茏，崖边二人对坐观瀑，意态悠然。山石以皴法写就，笔墨苍劲兼具秀逸，设色淡雅清润。云雾轻绕峰峦，流水潺潺映带，动静相生间，尽显文人山水之清幽雅趣，传递出寄情自然的闲适心境。",[43,44,45,24,127,78,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe4fce65eb71d8e1913251091303b1e1.jpg",[],"b4a390",{"id":158,"slug":159,"title":160,"dynasty":18,"author":161,"museum":20,"description":162,"tags":163,"thumbUrl":166,"material":31,"size":31,"collection":31,"collections":167,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":168},201496,"xi-shan-yu-she-tu-zhou-xi-gang-201496","溪山渔舍图轴","奚岡","层岩叠嶂自远及近，墨色由淡转浓，干笔皴擦出峰峦苍劲质感。山间留白如岚气氤氲，引视线落向开阔水面——几叶扁舟轻漾，渔舍隐于岸畔疏林，枯树与青松相映，笔意萧散。近坡以浓墨点染草木，石块用折带皴勾勒，简淡中见生趣。整幅画以水墨为骨，意境清旷冷逸，尽显文人山水的淡泊之致，仿佛溪声渔歌入耳，尘嚣尽涤。",[43,44,46,45,164,165,7],"渔乐","孤舟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ddf267f3f1c943a39901c005a22aa73.jpg",[],"c1b4a3",{"id":170,"slug":171,"title":172,"dynasty":173,"author":174,"museum":175,"description":176,"tags":177,"thumbUrl":10,"material":181,"size":182,"collection":31,"collections":183,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":185},253506,"tao-nan-li-yong-yi-ming-253506","陶男立俑","汉","佚名","藏地不详","春秋战国时期，有一种殉葬用的“俑”，据《礼记·檀弓》，孔子“谓为俑者不仁”。郑玄注：“俑，偶人也，有面目机发，有似于生人。”皇侃疏：“机械发动踊跃，故谓之俑也。”孔颖达正义：“刻木为人，而自发动，与生人无异，但无性灵知识。”又《孟子·梁惠王》：“仲尼曰：始作俑者，其无后乎?为其像人而用之也。”焦循《孟子正义》：《广雅》引(张揖)《埤苍》云：“俑，木人，送葬设关而能跳踊，故名之。”“为其像人者，谓为其像人之转动跳踊也。”可见“俑”就是由简单机械发动能够自己转动跳跃的木人。\n中国古代坟中墓中陪葬用的偶人。是象征殉葬奴隶的模拟品。东周墓中出现渐多，秦汉至隋唐盛行，北宋以后逐渐衰落，但仍沿用到元明时期。俑的质料以木、陶质最常见，也有瓷、石或金属制品。宋代以后纸明器开始流行，陶、木、石质的俑开始渐渐减少。俑的形象，主要有奴仆、舞乐、士兵、仪仗等，并常附有鞍马、牛车、庖厨用具和家畜等模型，还有镇墓胜的神物。俑大多真实地模拟着当时的各种人物，因而可以考见当时社会的生活习俗，也是研究各代舆服制度的重要资料。俑还可以反映出各个时代雕塑艺术的水平。\n秦代的秦始皇陵兵马俑，形体比人略高，陶制，是已知最大的俑；另外还有铜俑等。汉俑种类比以前增多，有兵士、女侍、仆役及乐舞俑。南方以木俑为多，有的彩绘着衣。其他地方多陶、石、木、金属等多种材质的俑，注重传神。两晋南北朝制作多样，南方承中原传统并有了瓷俑；北方出了少数民族形象的陶俑。隋唐俑型大而精美，三彩俑为盛唐时的制作高峰。现在能见到的，是保存在陕西省历史博物馆的唐三彩杰作，有陕西省乾县懿德太子李重润墓出土的、三彩纹胎骑马狩猎俑，和西安市中堡村唐墓出土的唐三彩骆驼戴乐舞俑。这些俑的特点，普遍是形象高大雄健，神态生动富有传神，可谓形神俱佳的作品。并反映了盛唐时期，中华民族富有创造性和豪迈自信的民族性格。五代以后，以俑殉葬的风气开始低落，金元墓葬中出现了陶塑、砖雕表演杂剧的俑，往往成组塑造，还有舞台背景，较为生动，是制作俑的最后一个高潮，以山西出土为多。明清墓葬中俑的出现渐少。在高官王侯墓中出土有木俑和石俑，多以成群人物或辅以仪仗、侍从的庞大场面，用来炫耀死者地位为主，但作为雕塑制品已失去了艺术感染力。秦兵马俑的历史文化价值是独具魅力的。它打开了观察它所产生的那个时代的窗口，大大地改变了人们对那个时代的看法。\n秦兵马俑震撼世人的首推其卓越的艺术成就。几千件魁伟英武的大型陶塑艺术作品，以整体形象排列在将近两万平方米的空间里，其磅礴的气势几乎使所有不同肤色的参观者都从心灵深处产生强烈震颤，体现出艺术家驾驭宏大艺术题材、追求整体气韵和艺术创造的卓越才能。秦俑千人千面、呼之欲出的人物塑造则从形体把握、神韵处理、色彩运用、细部刻画等方面表现出作者的艺术素养和艺术成就。作品写实主义的风格不仅给我们留下了一个高超的古代艺术范本，同时也留下了许多关于那个时代的极富价值的历史记录。严肃划一的军旅题材能够处理得如此生动，产生如此震撼人心的艺术魅力，使人们不得不换一副眼光来审视中国古代艺术发展历程中的特殊规律，重新探索和构架中国古代造型艺术发展的历史。\n秦兵马俑坑文物的出土也较大幅度地改写了人们对秦代的科技水平的认识，以大量的实证材料形象地展现了秦代生产力的发展水平。就科技史而言，秦俑坑发现的许多资料都是令世人震惊的。譬如：1、秦俑坑出土文物所展现的秦代冶金和金属加工技术比我们以往的估计要高出很多，其中青铜涂铬防锈技术的大量应用是最具代表性的一例，它在当时已是一种很成熟的技术，秦俑出土的绝大多数兵器表面都涂有这种保护层。这种绝技似乎从汉代以后就失传了，与之形成鲜明对比的是，两千多年后的1937年，现代镀铬技术才在德国产生，并以专利发明载入了史册。2、秦俑坑出土兵器明确印证了秦简中关于“为器同物者，其小大、短长”是一种标准化概念，秦人在标准化实践方面取得了惊人的成就。这种标准化既是秦人管理艺术发展的代表，也是秦代科技水平的标志。秦人加工的青铜弩机器件精密、形体标准，相同规格的器件完全可以互换。许多特殊的加工工艺，如青铜铍脊上的纹饰生成，纤如毫发的金属小孔钻刻技艺，也都令人叹为观止，一些工艺至今还是不解之谜。由于古代统治者们有重政治、重伦理、崇人事而轻科技的倾向，史书关于科技的记载往往简略残缺，秦代科技资料更是凤毛麟角。正因为如此，秦俑考古的历史文化价值也就更加重要。\n俑坑数千兵马俑所展示的军事内容无疑是军事史研究的最重要的、最形象的资料之一，许多资料使人们对古代军事领域的认识更进一步。譬如，关于当时的兵种构成、组合搭配和结阵形式，兵器、兵器配置形式以及甲具防护装备，军伍组织结构和指挥系统，甚至军伍士卒的来源等，都有珍贵的资料价值。二号坑弩兵的单独结阵，骑兵、轻车兵的编队和配合，是以前有所不知或知之不详的重要资料，以之对照《孙膑兵法》中关于车、步、骑配合原则的论述，给人留下的印象是极其深刻的。古代军事著述中关于兵器配置中长短相杂、相救的原则在秦俑坑兵器配置中也有直观表现，同样有其军事科学上的研究价值。难怪有人将秦俑三坑称为一座内容丰厚的秦代军事博物馆。\n历史本身赋予了秦俑多种历史文化价值。秦俑所折射的历史层面既多又广，在建筑史、服饰史、制度史尤其是王陵制度史等方面，具有独特的认识价值。即使秦俑的身高、体魄、服饰发髻、刻记文字以及秦人在俑坑留下的生产工具和劳作痕迹，都能从不同侧面反映出秦代社会生活的真实影像，反映出一个时代的文化特质，反映出秦兴亡的历史真谛。\n秦俑坑出土文物的精美和丰富，是文物所代表的那个时代物质成就的直接见证。它让人们重新认识和评价那个时代，也提出了许多值得探讨的历史课题，譬如关于帝王权力的重新认识、秦代文化的特质、秦在中国历史发展中的地位等。与之相联系的是，秦始皇的历史评价又一次成为人们关注的话题，秦俑坑出土文物所反映的科技水平和生产能力，在一定程度上反映出秦始皇所起的某种积极作用，同时也从一个侧面证实史书中提到的秦代好大喜功、横征暴敛的统治问题。秦俑考古还在继续，相信对这些问题的研究将会随着考古的进展而不断深入。",[173,178,179,47,180,7],"陶瓷","俑","雕刻","未知","Xcm*Xcm",[],2,"795548",{"id":187,"slug":188,"title":189,"dynasty":18,"author":190,"museum":20,"description":191,"tags":192,"thumbUrl":196,"material":31,"size":31,"collection":31,"collections":197,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":198},202539,"lin-li-zhu-nen-shan-shui-zhou-gao-yong-202539","临李竹嫩山水轴","高邕","此作笔墨苍劲，山峦以流畅皴线勾勒，叠嶂起伏间尽显雄浑气势。山间林木错落，墨色浓淡相宜，枝叶疏密有致，生机暗藏。掩映于树丛间的亭台质朴雅致，与自然山水浑然一体。山间溪流蜿蜒，虽未着多色，却似有声韵流淌。整幅画作既得原作神韵，又融入自身笔意，尽显传统山水画的意境之美，观之如入清幽之境，心神俱宁。",[43,44,193,45,194,195,128,46,7],"临摹","亭","树木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93fdaa3011c7d1f3ab5f9ed88a0b10a4.jpg",[],"aca39b",{"id":200,"slug":201,"title":202,"dynasty":18,"author":203,"museum":20,"description":204,"tags":205,"thumbUrl":206,"material":31,"size":31,"collection":31,"collections":207,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":208},202511,"fang-huang-gong-wang-shan-shui-zhou-gao-cen-202511","仿黄公望山水轴","高岑","这幅山水轴层峦叠嶂，气势浑朴。笔墨间可见仿黄公望的苍劲笔意，山石以细腻皴法勾勒纹理，尽显嶙峋质感；瀑布从崖壁间蜿蜒倾泻，增添灵动之气。山间屋舍错落，隐于林木葱茏处，似有文人雅士居停其间；小桥跨溪，流水潺潺，与挺拔树木相映成趣，整体意境清幽雅致，尽显自然与人文相融之妙，传递出超脱尘俗的隐逸情怀。",[43,44,45,79,127,129,65,130,193,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92dc6ad303376b17e7d9d5c5b12252a1.jpg",[],"b1a18f",{"id":210,"slug":211,"title":212,"dynasty":60,"author":213,"museum":20,"description":214,"tags":215,"thumbUrl":217,"material":31,"size":31,"collection":31,"collections":218,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":219},202193,"ting-yu-tu-zhou-wen-bo-ren-202193","听雨图轴","文伯仁","烟霭轻笼远岫，溪光漫过林皋。楼阁藏于苍树间，幽人凭栏，静聆雨丝敲叶。流水绕舍，小桥横波，孤舟泊岸，江南烟雨的清寂扑面而来。笔墨细腻温润，山石皴擦见纹理，树木淡墨晕染显层次，远近景致虚实相生。整幅画氤氲着文人的闲适心境，将听雨的悠然与自然之趣相融，尽显雅致韵致。",[43,44,46,24,77,65,216,165,45,7],"流水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca1f783cb98a4d6072081be8cdfb4086.jpg",[],"9c949d",{"id":221,"slug":222,"title":223,"dynasty":18,"author":224,"museum":20,"description":225,"tags":226,"thumbUrl":230,"material":31,"size":31,"collection":31,"collections":231,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":232},201619,"mo-zhu-zhou-zheng-xie-201619","墨竹轴","郑燮","墨竹数竿立轴间，竿劲如篆，叶撇似草，以“个”“介”之形布陈，疏密有致。中锋运笔写竿，骨力挺拔；侧锋挥毫撇叶，墨色浓淡相济，干湿交错，尽显竹之清劲与生机。题跋行书流畅洒脱，“我自用我法”道出不拘成规的创作态度。竹影摇曳，若闻风响，暗喻君子气节，笔墨间融书法与画意，是文人画中墨竹的典范之作。",[43,46,227,228,229,7],"竹","行书","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24e6a6e16b8f25831b806a0cf2ec386f.jpg",[],"c0b2a0",{"id":234,"slug":235,"title":236,"dynasty":60,"author":237,"museum":20,"description":238,"tags":239,"thumbUrl":240,"material":31,"size":31,"collection":31,"collections":241,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":242},201554,"zi-zeng-shi-bing-hua-zhou-xiang-sheng-mo-201554","自赠诗并画轴","项圣谟","层岩叠嶂间，高崖之上隐现亭榭，林木错落掩映幽径。小桥横架溪涧，流水潺潺绕石而过，数株古树扎根崖边，枝干苍劲，叶态葱茏。笔墨运用淡雅温润，皴擦结合勾勒山石纹理，线条挺劲却不失灵动，将山水的静谧与生机融为一体。画面意境清幽雅致，仿佛能闻得林间风声与溪水叮咚，尽显文人山水的逸趣与沉静气韵。",[43,46,44,194,65,216,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4beb670ef31a6cdd5ce9cf7dd80f23aa.jpg",[],"b3b0aa",{"id":244,"slug":245,"title":246,"dynasty":60,"author":247,"museum":20,"description":248,"tags":249,"thumbUrl":252,"material":31,"size":31,"collection":31,"collections":253,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":254},202672,"qu-jiang-xiao-du-tu-zhou-dai-jin-202672","曲江晓渡图轴","戴缙","晓雾轻笼曲江，远山隐现于烟霭间，崖岸覆翠，桃花点染其间。近景楼阁临流，舟楫往来，渡头人影绰约，一派春日鲜活。设色淡雅温润，皴染结合，线条灵动勾勒景物情态，将江南水乡的温婉韵致与渡头的静谧生机融于尺幅，尽显明代山水的雅致意趣。",[43,44,24,77,250,251,45,7],"行舟","桃花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8987635414d4ff7039fac5c81473b5ae.jpg",[],"be9059",{"id":256,"slug":257,"title":258,"dynasty":18,"author":259,"museum":20,"description":260,"tags":261,"thumbUrl":262,"material":31,"size":31,"collection":31,"collections":263,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":264},202478,"fang-yan-wen-gui-shan-shui-zhou-wang-xue-hao-202478","仿燕文贵山水轴","王学浩","这幅山水以水墨为基调，笔墨秀逸灵动。山峦层叠处皴法交错，线条勾勒间见古雅意趣，既追摹燕文贵的笔意，又融入自身的文人情怀。云雾在峰谷间流转，似将山体轻掩，添就空濛之韵；山腰与谷底散落着几处屋舍，隐于松柳疏影中，透着隐逸的静谧；山间小径蜿蜒，树木姿态苍劲或疏朗，浓淡相宜的笔墨尽显山林幽深。整体意境清旷，笔法细腻却不失洒脱，将自然之趣与人文情思相融，是仿作中见个性的佳构，尽显传统山水的雅致与深邃。",[43,46,44,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83afffb46e4a403d9b13171ce61b3681.jpg",[],"c7b9a3",{"id":266,"slug":267,"title":268,"dynasty":18,"author":269,"museum":20,"description":270,"tags":271,"thumbUrl":272,"material":31,"size":31,"collection":31,"collections":273,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":274},202413,"shan-shui-zhou-qian-song-202413","山水轴","钱松","这幅山水以苍劲笔触勾勒峰峦，皴擦交织尽显山石纹理；飞瀑倾泻涧谷，似闻水声潺潺，为静穆山景注入灵动。山间屋舍错落，林木疏密相生，墨色浓淡间层次渐远，清幽意境扑面而来。笔墨兼具骨力与韵致，承传统山水画精髓，尽显自然之趣与文人情怀。",[43,46,45,44,127,129,130,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F405e12cda1767f0fe296a2cd472e1c4c.jpg",[],"b4a797",{"id":276,"slug":277,"title":278,"dynasty":18,"author":279,"museum":20,"description":280,"tags":281,"thumbUrl":283,"material":31,"size":31,"collection":31,"collections":284,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":285},202392,"he-hua-tu-zhou-di-cheng-ji-202392","荷花图轴","翟成基","皎洁的白荷与粉嫩的荷花错落绽放，深浅墨色的荷叶层叠铺展，淡彩晕染间尽显清雅。纤细水草点缀其间，添几分灵动。笔触细腻工致，设色温润雅致，将荷塘的静谧生机凝于尺幅，流露悠然恬淡的文人意趣。",[23,24,282,28,7],"荷花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76ecc0259edcd02ca3d0cf572f1df7a6.jpg",[],"d0bda1",{"id":287,"slug":288,"title":289,"dynasty":18,"author":290,"museum":20,"description":291,"tags":292,"thumbUrl":297,"material":31,"size":31,"collection":31,"collections":298,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":299},202214,"luan-feng-he-ming-tu-zhou-hua-yan-202214","鸾凤和鸣图轴","华嵒","鸾凤栖于苍劲虬枝，蓝羽凤鸟昂首展翼，翎羽如流霞泻彩；红羽鸾鸟依偎相伴，姿态温婉亲昵。兼工带写的笔触，既精细勾勒禽鸟华美羽色，又以写意墨法皴擦树木枝干，青绿叶片点缀其间，墨色浓淡相宜，尽显自然生机与祥瑞氛围。画面融工致与洒脱于一体，和谐雅致，尽显独特艺术风韵。",[43,28,23,293,294,24,295,296,64,7],"写意","兼工带写","禽鸟","虬枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00487a06b7abb1c32e361444317aa8d7.jpg",[],"aa9b8b",{"id":301,"slug":302,"title":303,"dynasty":18,"author":304,"museum":20,"description":305,"tags":306,"thumbUrl":308,"material":31,"size":31,"collection":31,"collections":309,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":310},202213,"xia-shan-fei-pu-tu-zhou-dai-xi-202213","夏山飞瀑图轴","戴熙","画面层峦叠嶂，皴笔勾勒的山石尽显苍劲肌理；一道飞瀑如白练垂落，穿云破雾似携清响。山间林木疏密错落，浓淡墨韵晕染出夏木荫翳的生机，近树深秀、远林含烟，与缭绕云雾相融，漾开清幽深远的意境。笔墨流转间，自然之趣与文人雅致尽显，仿佛能闻涧水潺潺、林风轻拂，引人入胜。",[44,46,45,307,79,195,7],"飞瀑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ea464b9f7de1f97e250f59c05fdd20e.jpg",[],"beb6b1",{"id":312,"slug":313,"title":314,"dynasty":18,"author":315,"museum":20,"description":316,"tags":317,"thumbUrl":319,"material":31,"size":31,"collection":31,"collections":320,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":321},202075,"shan-shui-tu-zhou-cheng-yi-202075","山水图轴","程义","画面中山峦叠嶂，水墨晕染出清逸之态，山石轮廓以简练线条勾勒，辅以皴法显其肌理。苍松错落其间，枝干挺劲，针叶疏密有致，尽显苍劲古拙之姿。山间隐现小屋，藏于松荫下，似有幽人栖居，传递出隐逸恬淡的文人意趣。溪流蜿蜒而下，墨色浓淡相间，添得几分灵动。整体笔墨清雅，意境悠远，尽显山水之文人风骨。",[43,46,44,318,45,7],"松","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ff8a9317445a9c6a694cffd8e5161bb.jpg",[],"b69e7f",{"id":323,"slug":324,"title":325,"dynasty":18,"author":326,"museum":20,"description":327,"tags":328,"thumbUrl":331,"material":31,"size":31,"collection":31,"collections":332,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":333},201582,"hua-die-tu-zhou-chen-shu-201582","花蝶图轴","陈书","画面中花枝蜿蜒伸展，芙蓉花瓣晕染得娇嫩欲滴，脉络分明的绿叶扶疏其间，间杂浅粉菊花点缀。两只彩蝶灵动鲜活，一只栖于花丛，一只翩跹空中，似携清风而来。笔墨兼具工细与意趣，设色清新雅致，绢本底色衬得花鸟愈发鲜活，尽显自然生机与温婉韵致。",[43,28,23,24,104,329,330,7],"蝴蝶","菊花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb87eb94fee159204dfbf01764095e4b7.jpg",[],"c09c69",{"id":335,"slug":336,"title":337,"dynasty":60,"author":338,"museum":20,"description":339,"tags":340,"thumbUrl":344,"material":31,"size":31,"collection":31,"collections":345,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":346},201429,"hua-mao-chun-song-tu-zhou-chen-can-201429","花茂春松图轴","陈粲","苍松古干鳞皴密布，松针如簇，笔力细致入微；嶙峋石体淡墨皴染，与松枝的遒劲相映。玉兰与山桃点缀其间，花瓣晕染清雅，色泽温润，春意悄然流淌。整幅设色工致，写实中见雅致，将春日生机与古木的苍劲融于一卷，尽显工笔花鸟的细腻韵致。",[23,24,28,318,341,342,343,45,7],"石","玉兰","山桃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8034114f19005bd5d2ac233692b9789.jpg",[],"a38653",{"id":348,"slug":349,"title":350,"dynasty":18,"author":290,"museum":20,"description":351,"tags":352,"thumbUrl":354,"material":31,"size":31,"collection":31,"collections":355,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":356},201252,"li-zhi-qian-niu-tu-zhou-hua-yan-201252","荔枝牵牛图轴","这幅画构图疏密有致，荔枝果实红艳饱满，质感鲜活，叶片以水墨晕染，笔触细腻间见灵动。藤蔓牵绕，柔姿与荔果的热烈相映；右侧孤石写意勾勒，皴擦简练却显苍劲，石畔细草点缀，野趣盎然。笔墨兼工带写，设色清雅明艳，将花果生机与山石朴拙相融，于咫尺间蕴自然意趣，尽显独特花鸟韵味，耐人寻味。",[43,28,294,24,46,116,353,7],"荔枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bea4d9758af6f7074f177735f569470.jpg",[],"bcad95",{"id":358,"slug":359,"title":360,"dynasty":18,"author":290,"museum":20,"description":361,"tags":362,"thumbUrl":363,"material":31,"size":31,"collection":31,"collections":364,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":365},202283,"fang-da-chi-shan-shui-zhou-hua-yan-202283","仿大痴山水轴","笔墨清润秀逸，山峦以披麻皴写就，线条松灵婉转，淡墨晕染间显丘壑层次。林木扶疏，枝干虬曲或挺拔，枝叶细劲勾勒，墨色浓淡相衬，生机暗藏。溪流蜿蜒穿谷，小桥横卧水面，村落屋舍隐于树石间，亭台点缀山腰，静谧悠远如桃源。布局疏密有致，虚实相生，既承黄公望山水萧散简远之韵，又融华喦自身灵动之趣，古雅中见生机，传递恬淡林下之风。",[43,46,44,45,65,216,194,195,193,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7cbace2ded94f355682d0b7d49779784.jpg",[],"b29c7d",{"id":367,"slug":368,"title":369,"dynasty":18,"author":370,"museum":20,"description":371,"tags":372,"thumbUrl":374,"material":31,"size":31,"collection":31,"collections":375,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":376},202184,"tao-liu-shuang-yan-tu-zhou-liu-yan-chong-202184","桃柳双燕图轴","刘彦冲","轻烟淡墨晕染出春日雅境，柳枝如丝绦垂落，嫩条拂风带露；桃花几点，绽于枝间，似含怯意。双燕灵动，一栖柳梢，羽翅墨色浓淡相间，神态悠然；一掠低空，尾羽修长如剪，身姿轻盈欲飞。笔墨简括却形神兼备，柳枝以流畅线条勾柔婉之态，桃花用淡墨点染显娇妍之姿，燕子羽翼尾羽几笔带过，尽显生机。整幅清逸雅致，春日鲜活与静谧交融，似闻柳丝轻响、燕语呢喃，尽展水墨花鸟韵致。",[43,46,28,251,373,7],"飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e880075f33a89efe9dad9bc4b10e141.jpg",[],"c2b1aa",{"id":378,"slug":379,"title":314,"dynasty":18,"author":380,"museum":20,"description":381,"tags":382,"thumbUrl":383,"material":31,"size":31,"collection":31,"collections":384,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":385},202052,"shan-shui-tu-zhou-he-xi-jue-202052","何锡爵","画面层峦叠嶂，山石以细腻皴法勾勒纹理，显浑厚质感；林木葱茏，或点叶或介字点，疏密有致。山间溪流蜿蜒，与岩石相映成趣，近景瀑布潺潺，添灵动生机。整体意境清幽，笔墨雅致，尽显传统山水的静谧深远，仿佛可闻林泉之音，可观云烟之态，是清代山水佳作中颇具韵味的一幅。",[43,44,46,45,195,128,127,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0719fc12fa938ee7f3a50978ea98650e.jpg",[],"ab9678",{"id":387,"slug":388,"title":389,"dynasty":18,"author":390,"museum":20,"description":391,"tags":392,"thumbUrl":393,"material":31,"size":31,"collection":31,"collections":394,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":395},201659,"ci-shan-tu-zhou-dong-bang-da-201659","慈山图轴","董邦达","画面以清劲之笔勾勒山石轮廓，辅以细腻皴法表现肌理，淡墨晕染间显层峦叠嶂之态。山顶林木疏朗，坡麓处楼阁错落，白墙黛瓦隐于枯荣相间的树丛中，静谧悠然。右侧溪流蜿蜒，小桥横跨其上，岸边乱石与浅滩相映，似闻流水潺潺。整体墨色层次丰富，既有文人画的雅致意境，又含写实细节，将慈山景致的清幽之韵传递得淋漓尽致，尽显山居生活的恬淡与悠远。",[43,44,45,77,65,216,79,195,46,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6874b222e9d5068037877f9b51cbc1ed.jpg",[],"bdab99",{"id":397,"slug":398,"title":399,"dynasty":60,"author":400,"museum":20,"description":401,"tags":402,"thumbUrl":405,"material":31,"size":31,"collection":31,"collections":406,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":407},201618,"xue-zhan-xing-lv-tu-zhou-cao-xi-201618","雪栈行旅图轴","曹羲","寒冬雪覆群山，峰峦似裹银装，枯木虬枝凝霜挂雪，山道蜿蜒隐于琼瑶间。旅人策骑缓行，衣袂带暖，马蹄踏破静谧，为冷峭景致添几分生气。笔墨技法上，以留白衬积雪之厚，淡墨染山峦之幽，线条勾勒山石轮廓，皴法表现岩骨肌理。人物动态鲜活，马匹神态宛然，于清冷雪景中藏行旅意趣，尽显传统山水之雅致韵致。",[43,44,46,24,47,48,403,404,45,7],"古道","枯木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0380112196f6d5d68f56285056797b6.jpg",[],"c1bbb4",{"id":409,"slug":410,"title":411,"dynasty":18,"author":412,"museum":20,"description":413,"tags":414,"thumbUrl":415,"material":31,"size":31,"collection":31,"collections":416,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":417},201506,"song-shi-tu-zhou-wang-san-xi-201506","松石图轴","王三锡","双松并立，老干虬劲，斑驳纹理以皴擦结合写就，笔墨苍劲中见细腻。松石相依，石体用墨浓淡有致，与松干的留白形成对比，周遭杂草丛生，野趣盎然。整幅画面清幽静谧，尽显自然生机，笔墨间流露对松石风骨的推崇，意境悠远。",[43,46,45,116,92,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d77b4cc96c685b21b9e9071ef280958.jpg",[],"bdbab0",{"id":419,"slug":420,"title":421,"dynasty":18,"author":422,"museum":20,"description":423,"tags":424,"thumbUrl":426,"material":31,"size":31,"collection":31,"collections":427,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":428},201502,"tao-hua-gui-yu-tu-zhou-gai-qi-201502","桃花鳜鱼图轴","改琦","嫩枝婉转斜伸，桃花嫣然吐蕊，粉白花瓣凝露般娇嫩，深红花蕊点染其间，淡绿叶片轻垂，尽显春日柔媚。下方鳜鱼以水墨写意，墨色浓淡交织，鳞鳍线条简练却形神毕肖，与柔枝繁花形成刚柔相济之趣。画面布局疏朗，设色清雅，笔墨兼具工细与洒脱，将花鸟生机与文人雅意融于一纸，春日闲逸之韵扑面而来。",[43,28,251,425,24,23,46,7],"鱼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ecb2b5a3087149d039156d7aa39ce86.jpg",[],"d4b793",{"id":430,"slug":431,"title":432,"dynasty":18,"author":433,"museum":20,"description":434,"tags":435,"thumbUrl":437,"material":31,"size":31,"collection":31,"collections":438,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":439},201254,"chun-jiang-bu-yu-tu-zhou-wang-hui-201254","春江捕鱼图轴","王翚","画面以淡墨铺陈春江景致，柳丝垂曳如缕，枝条用细劲线条勾勒，尽显柔姿；近岸水波轻泛，碎石错落，墨色干湿相间。中景江面开阔，远山以浅绛皴染，轮廓朦胧，与天际相融。几只飞鸟斜掠而过，为静谧春景添灵动生机。整体笔墨清润雅致，构图层次分明，近、中、远景过渡自然，于恬淡中隐现渔乐之趣，尽显传统山水的诗意韵致。",[46,45,44,436,216,373,164,7],"柳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5e0e0a017d00e6ad2646529dbf7ba5b.jpg",[],"bbb5a1",{"id":441,"slug":442,"title":443,"dynasty":18,"author":444,"museum":20,"description":445,"tags":446,"thumbUrl":452,"material":31,"size":31,"collection":31,"collections":453,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":454},201234,"mei-hua-mao-wu-tu-zhou-hong-ren-201234","梅花茅屋图轴","弘仁","画面以干笔淡墨勾勒，山峦叠嶂间，几椽茅屋隐于梅枝疏影下，小桥横架溪上，流水潺潺。山石用折带皴，线条刚劲如铁，尽显冷峻之态；梅枝以简练笔触点染，暗香浮动。笔墨简淡却意蕴深远，清冷孤绝的意境中，藏着画家超然物外的心境，尽显新安画派高古简远之韵。仿佛山风携梅香漫溢，溪水伴松涛轻吟，引人步入那片静谧绝尘的天地。",[43,46,447,448,44,449,65,216,450,79,451,7],"干笔","折带皴","茅屋","梅","书画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77a26e219c0f533bbc57d7cbb6f53b1f.jpg",[],"b9aa96",{"id":456,"slug":457,"title":458,"dynasty":18,"author":459,"museum":20,"description":460,"tags":461,"thumbUrl":462,"material":31,"size":31,"collection":31,"collections":463,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":464},201225,"shui-hui-yuan-ya-ji-tu-zhou-dai-cang-201225","水绘园雅集图轴","戴苍","画面以清幽山水为底色，松枝盘虬，山石嶙峋，溪流缓绕。数位雅士或围案品茗，或促膝清谈，或踞石静坐，神态悠然，衣纹流畅尽显飘逸。笔墨工致细腻，设色清雅温润，人物造型传神，山水皴擦自然，融雅集之闲适与山水之清幽于一体，尽显古代文人的林下风致与诗意栖居之态。",[43,23,24,45,44,47,318,79,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50e3d525e1a7003ebd3aa2a28c986f36.jpg",[],"a99c88",1777535712659]