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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[24,143,26,144,7,145,146,23],"填金","花卉","高足","供碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef9afb11ae4efe9ae97da4f99e8da085.jpg",[],{"id":150,"slug":151,"title":140,"dynasty":18,"author":19,"museum":20,"description":141,"tags":152,"thumbUrl":155,"material":44,"size":45,"collection":29,"collections":156,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},251732,"bi-yu-tian-jin-hua-hui-wen-lian-ban-shi-gao-zu-gong-wan-yi-ming-251732",[23,24,143,26,144,7,153,154],"高足器","供器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52669ece810f3f109b1316bf6e19e17b.jpg",[],{"id":158,"slug":159,"title":160,"dynasty":18,"author":19,"museum":20,"description":141,"tags":161,"thumbUrl":167,"material":44,"size":45,"collection":29,"collections":168,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},251721,"bi-yu-lian-ban-shi-gao-zu-wan-yi-ming-251721","碧玉莲瓣式高足碗",[24,23,26,162,27,163,7,164,165,166],"描金","饮酒器","兽","设色","回纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faea6ba432a7d828a7c30c6a6a1572c34.jpg",[],{"id":170,"slug":171,"title":172,"dynasty":18,"author":19,"museum":20,"description":141,"tags":173,"thumbUrl":174,"material":44,"size":45,"collection":29,"collections":175,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},251653,"qing-yu-lian-ban-tuo-gu-shi-xiang-cha-yi-ming-251653","青玉莲瓣托觚式香插",[18,24,26,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae728ecf995965f346477c9d076e798b.jpg",[],{"id":177,"slug":178,"title":179,"dynasty":18,"author":19,"museum":20,"description":141,"tags":180,"thumbUrl":183,"material":44,"size":45,"collection":29,"collections":184,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},251584,"qing-yu-mei-hua-wen-shuang-er-lian-ban-shi-xi-yi-ming-251584","青玉梅花纹双耳莲瓣式洗",[23,24,26,181,7,182,27],"梅","双耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3c536f8810778402d3bfa365658fb95.jpg",[],{"id":186,"slug":187,"title":188,"dynasty":111,"author":19,"museum":20,"description":189,"tags":190,"thumbUrl":204,"material":44,"size":45,"collection":29,"collections":205,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},246011,"ti-hong-xie-qin-fang-you-tu-lian-ban-shi-pan-yi-ming-246011","剔红携琴访友图莲瓣式盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[191,192,193,113,194,195,196,197,7,198,199,200,201,202,203],"漆器","雕漆","剔红","人物","楼阁","小桥","流水","乐器","山水","亭台","树木","携琴访友","界画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a607a99de92ff953b39f15ffa49293a.jpg",[],{"id":207,"slug":208,"title":209,"dynasty":210,"author":19,"museum":20,"description":211,"tags":212,"thumbUrl":215,"material":44,"size":45,"collection":29,"collections":216,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},245469,"yin-zan-ke-lian-ban-shi-zuo-yi-ming-245469","银錾刻莲瓣式座","元","木底座是属于园艺工艺品一种，就是红木、檀木、花梨木制成的底座，通称为木底座。随着现在人们生活水平的提高和艺术审美的加强，各种工艺品收藏的火爆也让木底座这种搜藏渐渐走入我们的生活中，让我们的生活中每个角落里都有了美丽和艺术的氛围。木底座主要用来摆放工艺品和奇石等。",[210,213,214,7,26],"银器","錾刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26fd4d7c273bd8617ba2de6905d48fc1.jpg",[],{"id":218,"slug":219,"title":220,"dynasty":111,"author":19,"museum":20,"description":221,"tags":222,"thumbUrl":224,"material":44,"size":45,"collection":29,"collections":225,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":106},228710,"qing-ci-hua-hua-lian-ban-wan-yi-ming-228710","青瓷划花莲瓣碗","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[113,54,78,223,7,27],"划花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18312c2926fa50a3efd02255bbfa8871.jpg",[],{"id":227,"slug":228,"title":65,"dynasty":111,"author":19,"museum":20,"description":221,"tags":229,"thumbUrl":231,"material":44,"size":45,"collection":29,"collections":232,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},228698,"qing-ci-lian-ban-wan-yi-ming-228698",[54,69,27,7,230],"刻划","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c4d06d1153d81d7202d5ff4197f044c.jpg",[],{"id":234,"slug":235,"title":236,"dynasty":66,"author":19,"museum":20,"description":237,"tags":238,"thumbUrl":244,"material":44,"size":45,"collection":29,"collections":245,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},223889,"bai-yu-lian-ban-wan-yi-ming-223889","白玉莲瓣碗","宋辽金时期，实用装饰玉占重要地位，礼性大减，玩味大增，更加接近现实生活。文人的审美意识逐渐渗入玉器的造型之中，总体风格不如唐代浑厚有力，多小件精致器物，出现了玉童子、玉笔架、玉镇纸等新品种。雕刻技法出现深层立体镂雕。值得一提的是，辽、金时契丹、女真等少数民族政权狩猎风盛，喜用海东青捕天鹅和猎取熊、鹿等，这一题材的春水、秋山玉洋溢着浓厚的生活气息和游牧文化风格，也颇受汉族士大夫阶层的喜爱。\n宋辽金玉器在继承隋唐文化市庶化、艺术化的基础上，形成了鲜明的朴素淡雅艺术风格。浓郁的乡土韵味，彰显的民族特性，通过构图精致、空灵剔透、神形兼备的“宋作工”体现得淋漓尽致。宋辽金玉器是我国玉文化的一朵奇葩，它的艺术成就可谓“光前绝后”。",[66,24,26,7,239,240,241,242,243],"器物","白玉","素面","莲瓣纹","浮雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F464e0fa44962b17c188881d0ff0714e5.jpg",[],{"id":247,"slug":248,"title":65,"dynasty":66,"author":19,"museum":20,"description":67,"tags":249,"thumbUrl":251,"material":44,"size":45,"collection":29,"collections":252,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},223771,"qing-ci-lian-ban-wan-yi-ming-223771",[54,27,7,78,66,242,250],"青瓷烧制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15cd11fb6b6b90f5c3e04ca2e7d23f8a.jpg",[],1777535719951]