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and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[70,73,60,7,41,45],"青花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1ff1f372cd1af5f8045ae89f6af53b1.jpg",[],4,"BDBDBD",{"id":79,"slug":80,"title":81,"dynasty":18,"author":19,"museum":20,"description":82,"tags":83,"thumbUrl":90,"material":28,"size":29,"collection":30,"collections":91,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":49},274915,"tao-si-fa-lang-ba-gong-yang-yi-ming-274915","搯丝珐琅八供养","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[18,654,635,59,627,7,45],"画珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa971e40f73b8f61b7ca3f98eb4d8c0eb.jpg",[],{"id":658,"slug":659,"title":660,"dynasty":18,"author":19,"museum":20,"description":82,"tags":661,"thumbUrl":663,"material":28,"size":29,"collection":30,"collections":664,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":65},249331,"qian-long-kuan-qia-si-fa-lang-gou-lian-wen-xiang-zu-gai-lu-yi-ming-249331","乾隆款掐丝珐琅勾莲纹象足盖炉",[111,227,627,261,662,7,228,59],"象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63aecbc36ed85c716f6c9710f78e0988.jpg",[],{"id":666,"slug":667,"title":668,"dynasty":18,"author":19,"museum":20,"description":82,"tags":669,"thumbUrl":672,"material":28,"size":29,"collection":30,"collections":673,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":65},249166,"qia-si-fa-lang-chan-zhi-lian-wen-long-er-xiang-zu-lu-yi-ming-249166","掐丝珐琅缠枝莲纹龙耳象足炉",[227,627,45,670,662,671,57,7],"龙","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe14a994d6421e28b6ab6d231cd732e4b.jpg",[],{"id":675,"slug":676,"title":677,"dynasty":70,"author":19,"museum":20,"description":186,"tags":678,"thumbUrl":679,"material":28,"size":29,"collection":30,"collections":680,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":65},249148,"qia-si-fa-lang-gou-lian-wen-shou-er-huo-huan-ping-yi-ming-249148","掐丝珐琅勾莲纹兽耳活环瓶",[478,227,84,671,7,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F654f11dc9097049dad1966e7dcf63519.jpg",[],{"id":682,"slug":683,"title":684,"dynasty":18,"author":19,"museum":20,"description":685,"tags":686,"thumbUrl":688,"material":28,"size":29,"collection":30,"collections":689,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":77},248778,"ti-hong-chan-zhi-lian-wen-ju-ban-shi-pen-yi-ming-248778","剔红缠枝莲纹菊瓣式盆","此器取菊瓣为形，口底镶饰金边，朱红漆色沉莹鲜亮，与金饰相映愈发雅致。器身以阳线界出方格分层排布，满工精雕缠枝莲纹，枝蔓婉转勾连，莲花饱满舒展，刀工圆熟细腻，纹饰繁而不紊。整器将实用与陈设性相融，剔红工艺尽显华贵工致，缠枝莲暗含清和吉祥之意，尽显东方古雅雍容的韵致，是传统髹漆工艺中颇具代表性的精妙之作。",[111,153,154,155,198,687,7,480],"菊瓣式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06d5e0d1c70cc323167070d61a81a0bc.jpg",[],{"id":691,"slug":692,"title":693,"dynasty":18,"author":19,"museum":20,"description":151,"tags":694,"thumbUrl":695,"material":28,"size":29,"collection":30,"collections":696,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},248336,"ti-hong-chan-zhi-lian-wen-kui-ban-shi-he-yi-ming-248336","剔红缠枝莲纹葵瓣式盒",[111,153,154,155,57,61,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21293405a30e70ed00665ffe3a96ed35.jpg",[],{"id":698,"slug":699,"title":700,"dynasty":18,"author":19,"museum":20,"description":151,"tags":701,"thumbUrl":704,"material":28,"size":29,"collection":30,"collections":705,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":77},247877,"dui-cai-he-lian-wen-he-yi-ming-247877","堆彩荷莲纹盒",[111,702,155,59,153,114,703,115,7,158],"堆彩","莲蓬","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feed38fd8a3a4ae9c600e77e219e72a3a.jpg",[],{"id":707,"slug":708,"title":709,"dynasty":18,"author":19,"museum":20,"description":151,"tags":710,"thumbUrl":711,"material":28,"size":29,"collection":30,"collections":712,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},247725,"dui-cai-lian-peng-wen-he-yi-ming-247725","堆彩莲蓬纹盒",[18,702,155,703,114,7,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60156f2fa13c8bf89221bc1ad9c48e28.jpg",[],{"id":714,"slug":715,"title":716,"dynasty":18,"author":19,"museum":20,"description":652,"tags":717,"thumbUrl":719,"material":28,"size":29,"collection":30,"collections":720,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":77},246937,"ti-hong-gou-lian-ba-bao-wen-gong-pan-yi-ming-246937","剔红勾莲八宝纹供盘",[111,153,154,155,635,718,61,7,220],"八宝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb844e86cacf79ab7d7bbf1f026f091d4.jpg",[],{"id":722,"slug":723,"title":724,"dynasty":18,"author":19,"museum":20,"description":448,"tags":725,"thumbUrl":727,"material":28,"size":29,"collection":30,"collections":728,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":77},246835,"ti-hong-fan-wen-chan-zhi-lian-wen-tong-li-wan-yi-ming-246835","剔红梵文缠枝莲纹铜里碗",[18,154,155,726,57,7,153,261,411,178],"梵文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b37bed60205d438168fc802120473bd.jpg",[],{"id":730,"slug":731,"title":732,"dynasty":18,"author":19,"museum":20,"d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[2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 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