[{"data":1,"prerenderedAt":110},["ShallowReactive",2],{"subject-lian-yi-qun":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3545,"lian-yi-qun","连衣裙","连衣裙画高清赏析","精选中国历代连衣裙题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d2594aacd912cb97a9800bb8053940b.jpg",0,4,[14,37,64,89],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},220563,"mu-nv-tu-xu-bei-hong-220563","母女图","民国","徐悲鸿","中央美术学院美术馆","这幅画以细腻写实的笔触，晕染出东方家庭的静好日常。身着旗袍的女子沉静温婉，圆框眼镜衬出淡淡的书卷气，水蓝布料层层晕开，将身形勾勒得熨帖雅致，带着旧时代女性的娴静气度。身侧的小女孩身着碎花粉裙，眼神怯生生带着娇憨，被轻握的小手牵起融融暖意。\n\n整体色调克制柔和，灰调背景衬出人物的温润质感，没有浓烈的情绪外放，将母女间内敛的亲昵藏在抬手相触的细节中，让东方家庭的脉脉温情流淌在画面的方寸之间，写实技法揉合含蓄的东方美学，复刻了旧时光里的温柔瞬间。",[23,24,25,26,27,28,29,7,30],"高清","油画","写实","设色","人物","母女","旗袍","椅子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49b3dbedc11a8e38a9882c7b4eaffaa3.jpg","油彩","",[],22,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":41,"author":42,"museum":43,"description":44,"tags":45,"thumbUrl":58,"material":59,"size":60,"collection":33,"collections":61,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},232584,"wei-lian-a-dao-fu-bu-ge-luo-198-wei-lian-a-dao-fu-bu-ge-luo-232584","威廉·阿道夫·布格罗198","不详","威廉·阿道夫·布格罗","藏地不详","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[24,25,26,27,46,47,48,49,50,51,52,53,7,54,55,56,57],"儿童","卷发","赤脚","茶杯","户外场景","山脉","草地","天空","手持器物","细腻写实","自然景观","人物肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63869be21bf25d5e3f898f3c92ecb532.jpg","未知","Xcm*Xcm",[],3,"795548",{"id":65,"slug":66,"title":67,"dynasty":41,"author":68,"museum":43,"description":69,"tags":70,"thumbUrl":85,"material":59,"size":60,"collection":33,"collections":86,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":88},232565,"mi-lai-si-109-yue-han-ai-fu-li-te-mi-lai-si-232565","米莱斯109","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[24,25,26,27,71,7,72,73,74,75,76,77,78,79,80,81,82,30,83,84],"少女","蕾丝","帽子","花束","花瓶","雕花家具","木质","布料","玫瑰","花卉","室内场景","桌子","篮子","孔雀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b9c1c2e8e84966cdeea1f489bd678d8.jpg",[],2,"37474F",{"id":90,"slug":91,"title":92,"dynasty":41,"author":93,"museum":43,"description":94,"tags":95,"thumbUrl":10,"material":59,"size":60,"collection":33,"collections":108,"showCount":109,"zanCount":11,"manualWeight":11,"mainColor":63},232143,"hortense-valpin-on-minneapolis-institute-of-arts-usa-de-jia-232143","Hortense Valpinзon - - - Minneapolis Institute of Arts (USA)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[24,96,27,73,7,97,98,99,100,101,102,25,103,104,105,106,107],"印象派","桌布","织物","室内","静物","色彩","光影","笔触","衣物","家具","花纹","背景",[],1,1777535760352]