[{"data":1,"prerenderedAt":49},["ShallowReactive",2],{"subject-liu-fang-ping":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8917,"liu-fang-ping","六方瓶","六方瓶画高清赏析","精选中国历代六方瓶题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbf562c591cdbf3916433df77a013895.jpg",0,2,[14,34],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},258592,"qian-long-kuan-qing-hua-chan-zhi-lian-wen-shuang-guan-er-liu-fang-ping-yi-ming-258592","乾隆款青花缠枝莲纹双贯耳六方瓶","清","佚名","藏地不详","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,24,25,26,7,27],"陶瓷","青花","缠枝莲纹","双贯耳","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bc8a90f362c9aa09602e3a84ce6094b.jpg","未知","Xcm*Xcm","",[],"BDBDBD",{"id":35,"slug":36,"title":37,"dynasty":18,"author":19,"museum":20,"description":38,"tags":39,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":48,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},246677,"ti-hong-kai-guang-ji-qing-you-yu-wen-shuang-shou-er-liu-fang-ping-yi-ming-246677","剔红开光吉庆有余纹双兽耳六方瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[18,40,41,42,43,7,44,45,46,47,27],"漆器","雕刻","剔红","开光","双兽耳","吉庆有余纹","兽","鱼",[],1777535806376]