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的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[58,104,105,7,27,41],"青釉","镂空","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febbfa623f21f74c703b03c3be0ea8ceb.jpg",[],{"id":109,"slug":110,"title":111,"dynasty":18,"author":19,"museum":20,"description":56,"tags":112,"thumbUrl":115,"material":29,"size":30,"collection":65,"collections":116,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":85},259017,"yi-xing-yao-zi-sha-lu-yan-wen-liu-fang-cha-ye-guan-yi-ming-259017","宜兴窑紫砂芦雁纹六方茶叶罐",[41,58,73,63,113,114,27,7],"芦雁","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97224f83c9181c1a9a9433b198b2f1d5.jpg",[65],{"id":118,"slug":119,"title":120,"dynasty":18,"author":19,"museum":20,"description":56,"tags":121,"thumbUrl":123,"material":29,"size":30,"collection":65,"collections":124,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":34},259016,"yi-xing-yao-zi-sha-liu-fang-lu-yan-wen-gai-guan-yi-ming-259016","宜兴窑紫砂六方芦雁纹盖罐",[58,73,63,122,7,27],"芦雁纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79d86bda5c37317901a686dc454616cd.jpg",[65],{"id":126,"slug":127,"title":128,"dynasty":18,"author":19,"museum":20,"description":129,"tags":130,"thumbUrl":133,"material":29,"size":30,"collection":31,"collections":134,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":85},258944,"qing-hua-jin-wen-liu-fang-hua-pen-yi-ming-258944","青花锦纹六方花盆","青花瓷（blue 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porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[58,131,132,7,27],"青花","锦纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe24cb5e13939c2050f5f417fbf37135a.jpg",[],{"id":136,"slug":137,"title":138,"dynasty":18,"author":19,"museum":20,"description":21,"tags":139,"thumbUrl":143,"material":29,"size":30,"collection":31,"collections":144,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":34},250071,"qia-si-fa-lang-tuan-hua-wen-liu-fang-hua-pen-yi-ming-250071","掐丝珐琅团花纹六方花盆",[41,23,140,27,141,7,142],"珐琅器","团花","日用品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8c64ccc4649827934e07906c29a9afa.jpg",[],{"id":146,"slug":147,"title":148,"dynasty":18,"author":19,"museum":20,"description":56,"tags":149,"thumbUrl":151,"material":29,"size":30,"collection":65,"collections":152,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},258979,"yi-xing-yao-zi-sha-liu-fang-zhu-jie-cha-hu-yi-ming-258979","宜兴窑紫砂六方竹节茶壶",[41,58,73,7,150,63,27],"竹节","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9f78b4c70bbc6dcdff3f01c79714046.jpg",[65],{"id":154,"slug":155,"title":148,"dynasty":18,"author":19,"museum":20,"description":56,"tags":156,"thumbUrl":158,"material":29,"size":30,"collection":65,"collections":159,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},258978,"yi-xing-yao-zi-sha-liu-fang-zhu-jie-cha-hu-yi-ming-258978",[58,73,7,150,157,41],"茶壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa94df4af45d1069e6af59143ee8f36f5.jpg",[65],{"id":161,"slug":162,"title":163,"dynasty":18,"author":19,"museum":20,"description":129,"tags":164,"thumbUrl":171,"material":29,"size":30,"collection":31,"collections":172,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},258914,"kang-xi-kuan-qing-hua-ren-wu-tu-liu-fang-hua-pen-yi-ming-258914","康熙款青花人物图六方花盆",[58,131,165,166,167,168,7,169,170],"人物","山水","云","波浪","卷云纹","釉下彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f6ab5a260fe16f14fbe83d2a27c811a.jpg",[],{"id":174,"slug":175,"title":176,"dynasty":18,"author":19,"museum":20,"description":177,"tags":178,"thumbUrl":183,"material":29,"size":30,"collection":31,"collections":184,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":97},258755,"jia-qing-kuan-lv-di-fen-cai-chan-zhi-lian-wen-liu-fang-bi-tong-yi-ming-258755","嘉庆款绿地粉彩缠枝莲纹六方笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[41,179,180,181,7,182,58],"粉彩","绿地","缠枝莲纹","笔筒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d9690deb70e4befd84af3585856011a.jpg",[],{"id":186,"slug":187,"title":188,"dynasty":18,"author":19,"museum":20,"description":189,"tags":190,"thumbUrl":192,"material":29,"size":30,"collection":31,"collections":193,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":97},258655,"huang-di-fen-cai-liu-fang-chan-zhi-lian-wen-hua-pen-yi-ming-258655","黄地粉彩六方缠枝莲纹花盆","四方倭角造型，底承矮足，器型秀雅内敛。内壁施湖绿釉，匀净莹润，如春水凝光。外壁以墨彩题诗，笔意清隽洒脱，笔墨间自带书卷清气，朱红印章点缀其间，更添文雅意趣。整器釉色温厚匀净，将文人诗意融于瓷绘之中，把诗书风雅凝于案头方寸之间，尽显旧时文房雅物的审美意趣，是一件颇具文人情思的文房佳器。",[58,179,191,181,7],"黄地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24e1e5c70ce027098fb5e9ba42e0ff60.jpg",[],{"id":195,"slug":196,"title":197,"dynasty":18,"author":19,"museum":20,"description":198,"tags":199,"thumbUrl":202,"material":29,"size":30,"collection":31,"collections":203,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},258077,"yong-zheng-kuan-fang-guan-you-guan-er-liu-fang-hu-yi-ming-258077","雍正款仿官釉贯耳六方壶","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[58,27,200,201,7],"仿官釉","贯耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e81f738d7a06d769ed74ef46a941975.jpg",[],{"id":205,"slug":206,"title":207,"dynasty":208,"author":19,"museum":20,"description":209,"tags":210,"thumbUrl":219,"material":29,"size":30,"collection":65,"collections":220,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257541,"peng-cheng-yao-bai-you-tu-hua-liu-fang-shuang-er-san-zu-ding-yi-ming-257541","彭城窑白釉凸花六方双耳三足鼎","明","彭城窑，古代北方民窑，磁州窑的中心窑场之一。彭城窑创始于宋，经过金元的发展，在元末明初达到顶峰，并且一直延续到民国时期。\n窑地位于河北省邯郸市峰峰矿区彭城镇，有盐店和大庙坡两处遗址。该窑产品十分丰富，尤其在元明时期，造型有碗、盘、瓶、罐、坛、盆、炉、枕、瓷俑及陶瓷玩具等，装饰技法有白地黑花、白地赭花、灰地白彩、刻划花、绿釉、五彩、翠蓝釉及黑釉、天目釉等。",[58,211,212,27,213,214,215,7,216,217,218],"白釉","凸花","鼎","龙","兽","双耳","三足","明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12e5be40fd3bf82c0da540702413eb09.jpg",[65],{"id":222,"slug":223,"title":224,"dynasty":18,"author":19,"museum":20,"description":21,"tags":225,"thumbUrl":226,"material":29,"size":30,"collection":31,"collections":227,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},250073,"qia-si-fa-lang-hua-hui-wen-liu-fang-hua-pen-yi-ming-250073","掐丝珐琅花卉纹六方花盆",[23,140,27,46,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa184942cea4fad4d37adec1951a028fb.jpg",[],{"id":229,"slug":230,"title":231,"dynasty":18,"author":19,"museum":20,"description":232,"tags":233,"thumbUrl":238,"material":29,"size":30,"collection":31,"collections":239,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},250072,"zan-tai-fa-lang-kai-guang-yu-fu-wen-liu-fang-hua-pen-yi-ming-250072","錾胎珐琅开光鱼蝠纹六方花盆","六方敞口造型舒展端庄，线条利落雅致。以錾胎珐琅工艺精心打造，松石绿地衬起缠枝宝相花，婉转连绵间铺陈出灵动雅致的装饰底色。\n\n开光内取柔润粉地，鱼蝠纹样搭配清供饰件，鱼谐余、蝠谐音福，暗合吉庆有余的美好祈愿，两侧蝙蝠展翼环绕，满溢祥瑞之气。填色匀净鲜亮，錾刻线条细腻流畅，金边勾勒凸显层次，配色明丽却不俗艳，华贵雅致兼具，尽显精湛考究，藏着旧时对圆满富足的深切期许。",[41,140,234,235,236,237,7,27],"錾胎珐琅","开光","鱼","蝠纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0555a85627e2fb7fd63eb42e22c1171.jpg",[],{"id":241,"slug":242,"title":243,"dynasty":18,"author":19,"museum":20,"description":21,"tags":244,"thumbUrl":245,"material":29,"size":30,"collection":31,"collections":246,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},249932,"qia-si-fa-lang-liu-fang-hua-pen-yi-ming-249932","掐丝珐琅六方花盆",[23,24,27,46,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19a6c70402863b75aa591db3234e404a.jpg",[],{"id":248,"slug":249,"title":250,"dynasty":18,"author":19,"museum":20,"description":39,"tags":251,"thumbUrl":255,"material":29,"size":30,"collection":31,"collections":256,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},249509,"hua-fa-lang-hua-hui-long-feng-wen-liu-fang-qi-zi-he-yi-ming-249509","画珐琅花卉龙凤纹六方七子盒",[18,252,253,46,214,254,27,7],"画珐琅","设色","凤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f074cdfb4435c1d8d8231b0b1260c36.jpg",[],{"id":258,"slug":259,"title":260,"dynasty":18,"author":19,"museum":20,"description":21,"tags":261,"thumbUrl":263,"material":29,"size":30,"collection":31,"collections":264,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},249419,"qia-si-fa-lang-tu-hua-liu-fang-fu-er-ping-yi-ming-249419","掐丝珐琅凸花六方蝠耳瓶",[23,212,24,27,262,46,7],"蝙蝠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60636e01da2ae83eefd9f7bf88df1930.jpg",[],{"id":266,"slug":267,"title":268,"dynasty":18,"author":19,"museum":20,"description":21,"tags":269,"thumbUrl":271,"material":29,"size":30,"collection":31,"collections":272,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},249151,"qia-si-fa-lang-si-ji-hua-hui-wen-shuang-er-liu-fang-ping-yi-ming-249151","掐丝珐琅四季花卉纹双耳六方瓶",[23,140,27,270,216,7],"四季花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82b1066f1089471e18af61a51431e98c.jpg",[],{"id":274,"slug":275,"title":276,"dynasty":18,"author":19,"museum":20,"descr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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[41,289,290,42,63,291,292,293,294,7,27],"金器","玉石","镶嵌","莲","蝠","塔式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d37ec27e06eea2be49543b041d8d46d.jpg",[],{"id":298,"slug":299,"title":300,"dynasty":18,"author":19,"museum":20,"description":301,"tags":302,"thumbUrl":307,"material":29,"size":30,"collection":31,"collections":308,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},246685,"ti-hong-kui-long-wen-shou-er-huo-huan-liu-fang-ping-yi-ming-246685","剔红夔龙纹兽耳活环六方瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[41,42,303,63,304,305,7,306,215,214],"剔红","兽耳","活环","夔龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69fd9d3e122552cd7df9b1df77606c93.jpg",[],{"id":310,"slug":311,"title":300,"dynasty":18,"author":19,"museum":20,"description":301,"tags":312,"thumbUrl":313,"material":29,"size":30,"collection":31,"collections":314,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},246684,"ti-hong-kui-long-wen-shou-er-huo-huan-liu-fang-ping-yi-ming-246684",[41,42,303,63,27,214,215,7,305],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb240469b4f20881b385f097bae77cd68.jpg",[],{"id":316,"slug":317,"title":318,"dynasty":18,"author":19,"museum":20,"description":319,"tags":320,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":322,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},246432,"ti-hong-chan-zhi-lian-jiao-ye-wen-liu-fang-hua-gu-yi-ming-246432","剔红缠枝莲蕉叶纹六方花觚","花觚这一瓷器品种产生于清初，主要盛行于顺治、康熙、乾隆时期。随着瓷器从乾隆后期及嘉庆开始衰退，这一品种已渐消失。我们欣赏不同时期得花觚时，可领略到不同时期的艺术风格，造型的变化，在欣赏它的艺术美感的同时，从色彩、胎釉、造型、胎体去辨别不同时期的品种，增强鉴别真伪得能力。",[41,42,63,181,321,7,27],"蕉叶纹",[],1777535715734]