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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[173,159,174,175,57,176,7,30,177,178,162],"明代","剔彩","雕刻","莲塘","荷叶","荷花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5401e06e7807f981fbcd1dcc40472ca3.jpg",[],14,{"id":183,"slug":184,"title":185,"dynasty":84,"author":186,"museum":20,"description":187,"tags":188,"thumbUrl":192,"material":43,"size":43,"collection":43,"collections":193,"showCount":194,"zanCount":11,"manualWeight":11,"mainColor":47},238213,"duan-yang-gu-shi-ce-xu-yang-238213","端阳故事册","徐扬","垂柳依依拂岸，数位仕民驻足河沿，引颈望向水面竞渡的龙舟。衣袂飘然的人物各有情态，或抬指点评，或牵孩眺望，将观赛时的热切尽兴尽数藏于眉目间。水面晕开浅淡波纹，龙舟破浪而行的勃发气势呼之欲出。\n\n整作设色清润雅致，笔触工细温婉，将端阳观渡的民俗盛景晕染得鲜活生动，把清代市井端午的融融节庆意趣，收纳于绢本方寸之间，恬淡里满溢着烟火暖意，尽显民俗写生的细腻情致。",[24,25,189,57,29,34,190,191,7,73],"册","柳树","水面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b9d5e5b7a0c75f0bd9ae99801bcd317.jpg",[],11,{"id":196,"slug":197,"title":198,"dynasty":170,"author":19,"museum":20,"description":171,"tags":199,"thumbUrl":200,"material":41,"size":42,"collection":43,"collections":201,"showCount":202,"zanCount":11,"manualWeight":11,"mainColor":139},246232,"ti-cai-long-zhou-tu-he-ye-shi-pan-yi-ming-246232","剔彩龙舟图荷叶式盘",[170,159,174,175,57,7,177,116,31,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1512a6620f5c7d1dabf386ba38bf931c.jpg",[],4,{"id":204,"slug":205,"title":206,"dynasty":84,"author":207,"museum":20,"description":208,"tags":209,"thumbUrl":218,"material":41,"size":42,"collection":43,"collections":219,"showCount":123,"zanCount":11,"manualWeight":11,"mainColor":139},241507,"qi-yan-shi-zhou-zhao-shi-jun-241507","七言诗轴","赵世骏","赵世骏（?—1927年），字声伯，号山木，江西南丰人，久居在北京，为陈宝琛弟子 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