[{"data":1,"prerenderedAt":455},["ShallowReactive",2],{"subject-lv-di":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4896,"lv-di","绿地","绿地画高清赏析","精选中国历代绿地题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a341596cb822515fda1658f921dc412.jpg",0,48,[14,39,60,72,82,94,106,116,128,139,148,160,166,175,184,193,206,214,223,232,241,252,263,272,281,292,301,309,317,325,338,346,353,359,365,373,379,385,394,400,406,413,419,426,432,438,444,450],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":38},225748,"flowering-plum-orchard-after-hiroshige-october-november-fan-gao-225748","Flowering plum orchard after Hiroshige (October - November )","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,30,7,31,32],"名画","临摹","油画","设色","浮世绘风格","梅","树枝","花朵","树木","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46ec6e59d5fc227dc0435a3c28cad1ec.jpg","未知","Xcm*Xcm","油画精选",[36],"795548",{"id":40,"slug":41,"title":42,"dynasty":43,"author":44,"museum":20,"description":45,"tags":46,"thumbUrl":55,"material":34,"size":35,"collection":56,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":59},258636,"qian-long-kuan-lv-di-fen-cai-kai-guang-miao-jin-shi-nv-tu-hua-kou-ping-yi-ming-258636","乾隆款绿地粉彩开光描金仕女图花口瓶","清","佚名","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[47,48,49,50,26,51,52,7,53,54],"陶瓷","粉彩","描金","开光","人物","美人","清代","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa244a319bf61c4d964499b492b80d0fb.jpg","",[],24,"BDBDBD",{"id":61,"slug":62,"title":63,"dynasty":43,"author":44,"museum":20,"description":64,"tags":65,"thumbUrl":69,"material":34,"size":35,"collection":56,"collections":70,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":59},260517,"jia-qing-kuan-lv-di-fen-cai-gua-die-wen-tan-yi-ming-260517","嘉庆款绿地粉彩瓜蝶纹坛","此器以松石绿釉为地，色调清润柔和。通身满饰瓜蝶连绵纹样，彩蝶振翅穿梭于缠枝瓜叶间，粉橙紫黄各色瓜果饱满垂坠，碎花点缀其间，构图繁密却层次分明，毫无拥塞之感。\n\n粉彩发色鲜亮柔糯，填色匀净细腻，瓜叶脉络、蝶翼纹路皆勾勒清晰入微，灵动写实。瓜蝶谐音瓜瓞，取自绵绵瓜瓞的吉祥意涵，寄托着子孙绵延的美好期许，是清代典型的吉祥瓷绘题材。\n器形饱满敦实，口沿以松石蓝釉呼应地色，整体视觉和谐统一，尽显嘉庆时期粉彩瓷精致秀雅的审美意趣，是清代吉祥纹饰瓷作中的精巧佳品。",[47,48,7,66,67,68],"瓜纹","蝶纹","缠枝花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ecf86e30730d08a566e97448134edcb.jpg",[],3,{"id":73,"slug":74,"title":75,"dynasty":43,"author":44,"museum":20,"description":76,"tags":77,"thumbUrl":80,"material":34,"size":35,"collection":56,"collections":81,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":38},258887,"lv-di-fen-cai-he-hua-wen-hua-pen-yi-ming-258887","绿地粉彩荷花纹花盆","绿地匀净莹润，内施松石蓝釉，沉静雅致。外壁粉彩绘就荷塘小景，粉嫩菡萏点缀其间，荷叶舒展叠翠，蜻蜓翩跹停于枝茎，将盛夏荷塘的鲜活生机凝于瓷上。\n\n纹饰设色明丽柔婉，笔触工致细腻，把江南水榭夏塘的清逸诗意定格其中。器型圆融端庄，三矮足平添古朴稳重，暗藏宫廷御用的华贵底蕴，整体工巧雅致，尽显晚清瓷作隽秀柔美的宫廷审美意趣。",[53,47,48,7,26,78,79,54],"荷花","蜻蜓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b55d26bbfdf1fbdbcb7e7aecd246c01.jpg",[],{"id":83,"slug":84,"title":85,"dynasty":43,"author":44,"museum":20,"description":86,"tags":87,"thumbUrl":91,"material":34,"size":35,"collection":56,"collections":92,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":93},258797,"jia-qing-kuan-lv-di-fen-cai-kai-guang-fan-hong-cai-shi-wen-hai-tang-shi-xi-yi-ming-258797","嘉庆款绿地粉彩开光矾红彩诗文海棠式洗","此器造型取海棠花形，轮廓柔婉灵动，自带清雅隽秀之姿。地釉匀净莹润，以粉彩敷设缠枝花卉，碧色为底托衬粉红外彩，繁花妍丽饱满，描金边饰晕出细腻华贵。开光内矾红书就诗文，笔力端稳规整，文气与瓷韵相融，将文房清趣与彩瓷装饰精妙结合，尽显清中期制瓷工艺的雅致格调，是兼具赏玩与实用的文房佳器。",[47,7,48,50,88,26,89,90,54],"矾红彩","海棠式","诗文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe149a01e325c6a501b89f35c67195b83.jpg",[],"37474F",{"id":95,"slug":96,"title":97,"dynasty":43,"author":44,"museum":20,"description":98,"tags":99,"thumbUrl":103,"material":34,"size":35,"collection":56,"collections":104,"showCount":105,"zanCount":11,"manualWeight":11,"mainColor":93},259512,"da-ya-zhai-kuan-lv-di-fen-cai-hua-niao-tu-gao-zu-pan-yi-ming-259512","大雅斋款绿地粉彩花鸟图高足盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[47,48,7,100,101,26,102],"花鸟","高足盘","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0a2da4f3da962a17f40b94f9d9239ae.jpg",[],2,{"id":107,"slug":108,"title":109,"dynasty":43,"author":44,"museum":20,"description":110,"tags":111,"thumbUrl":114,"material":34,"size":35,"collection":56,"collections":115,"showCount":105,"zanCount":11,"manualWeight":11,"mainColor":38},258791,"jia-qing-kuan-lv-di-fen-cai-kai-guang-ren-wu-tu-bi-yan-hu-yi-ming-258791","嘉庆款绿地粉彩开光人物图鼻烟壶","鼻烟壶指的是盛鼻烟的容器，小可手握，便于携带。明末清初，鼻烟传入中国，鼻烟盒渐渐东方化，产生了鼻烟壶。\n人们嗜用鼻烟的习惯几近绝迹，但鼻烟壶却作为一种精美艺术品流传下来，而且长盛不衰，被誉为“集中各国多种工艺之大成的袖珍艺术品”。\n中国鼻烟壶，作为精美的工艺品，采用瓷、铜、象牙、玉石、玛瑙、琥珀等材质，运用青花、五彩、雕瓷、套料、巧作、内画等技法，汲取了域内外多种工艺的优点，被雅好者视为珍贵文玩，在海内外皆享有盛誉。\n在世界上，中国素有「烟壶之乡」的称誉，其中鼻烟壶以其精巧卓绝的制作技术，被称为「集多种工艺之大成于一身的袖珍艺术品」。鼻烟壶为盛装鼻烟之容器，鼻烟系一种烟草制品，原为西洋之物，明末清初自欧洲传入中国后，加工转化后成为粉末状药材，吸闻之后不但具有明目避疫的功效，吸闻鼻烟在各阶层更是蔚为风尚，且迅速地融入了中国的艺术风格，发展出匠心独运的各式鼻烟壶，在清代美学工艺上大放异彩，成为清代艺术的重要标志之一。",[43,47,54,48,50,26,51,112,113,7],"松树","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2740fa9782a8f43973aa57c543bec08.jpg",[],{"id":117,"slug":118,"title":119,"dynasty":43,"author":44,"museum":20,"description":45,"tags":120,"thumbUrl":126,"material":34,"size":35,"collection":56,"collections":127,"showCount":105,"zanCount":11,"manualWeight":11,"mainColor":38},258562,"qian-long-kuan-lv-di-fen-cai-chan-zhi-lian-kai-guang-shi-ju-shan-shui-tu-bi-ping-yi-ming-258562","乾隆款绿地粉彩缠枝莲开光诗句山水图壁瓶",[47,48,50,7,26,121,122,123,31,113,124,125],"缠枝莲","山水","楼阁","诗句","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa95064f7594020a975049dce9c8ecde8.jpg",[],{"id":129,"slug":130,"title":131,"dynasty":43,"author":44,"museum":20,"description":45,"tags":132,"thumbUrl":136,"material":34,"size":35,"collection":56,"collections":137,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":38},263513,"qian-long-kuan-lv-di-fen-cai-hua-hui-wen-bi-ping-yi-ming-263513","乾隆款绿地粉彩花卉纹壁瓶",[47,48,133,134,7,49,135],"花卉纹","壁瓶","缠枝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1488188582fe61c299aad9a6f2909c59.jpg",[],1,{"id":140,"slug":141,"title":142,"dynasty":43,"author":44,"museum":20,"description":110,"tags":143,"thumbUrl":146,"material":34,"size":35,"collection":56,"collections":147,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":93},258662,"qian-long-kuan-lv-di-fen-cai-kai-guang-dong-shi-hua-hui-wen-shi-ju-bi-yan-hu-yi-ming-258662","乾隆款绿地粉彩开光洞石花卉纹诗句鼻烟壶",[47,48,7,50,144,32,124,102,26,54,145,125],"洞石","行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e618b0504e356e508aa67619ec9573a.jpg",[],{"id":149,"slug":150,"title":151,"dynasty":43,"author":44,"museum":20,"description":45,"tags":152,"thumbUrl":158,"material":34,"size":35,"collection":56,"collections":159,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":38},258648,"qian-long-kuan-lv-di-jin-cai-tu-hua-wen-shuang-er-pie-kou-ping-yi-ming-258648","乾隆款绿地金彩凸花纹双耳撇口瓶",[53,47,153,154,7,155,156,157,54],"金彩","凸花","双耳","撇口","兽纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0453fd4827244913da7a7d46d241c570.jpg",[],{"id":161,"slug":162,"title":131,"dynasty":43,"author":44,"museum":20,"description":45,"tags":163,"thumbUrl":164,"material":34,"size":35,"collection":56,"collections":165,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},263515,"qian-long-kuan-lv-di-fen-cai-hua-hui-wen-bi-ping-yi-ming-263515",[47,48,133,134,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf32fb5e3156903ff2cf5a7f84556a09.jpg",[],{"id":167,"slug":168,"title":169,"dynasty":43,"author":44,"museum":20,"description":170,"tags":171,"thumbUrl":173,"material":34,"size":35,"collection":56,"collections":174,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},263502,"qian-long-kuan-lv-di-fen-cai-hua-hui-wen-shi-liu-zun-yi-ming-263502","乾隆款绿地粉彩花卉纹石榴尊","尊，今作樽，是商周时代中国的一种大中型盛酒器。青铜器，尊的形制圈足，圆腹或方腹，长颈，敞口，口径较大。尊盛行于商代至西周时期，春秋后期已经少见。较著名的有四羊方尊。商周至战国时期，还有另外一类形制特殊的盛酒器—彝。彝通常呈鸟兽状，有羊、虎、象、豕、牛、马、鸟、雁、凤等形象。《周礼·春官·司尊彝》：“春祠夏禴，裸用鸡彝鸟彝......追享朝享，裸用虎彝蜼彝。”彝纹饰华丽，在背部或头部有尊盖。",[47,48,133,172,7],"石榴尊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0416adb79accf2a24a0979b9dddd8d92.jpg",[],{"id":176,"slug":177,"title":178,"dynasty":43,"author":44,"museum":20,"description":98,"tags":179,"thumbUrl":182,"material":34,"size":35,"collection":56,"collections":183,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},261649,"lv-di-fen-cai-chan-zhi-lian-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