[{"data":1,"prerenderedAt":61},["ShallowReactive",2],{"subject-lv-se-qiang-bi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6975,"lv-se-qiang-bi","绿色墙壁","绿色墙壁画高清赏析","精选中国历代绿色墙壁题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc19e32e6a4a08ea4fc716f459a8eb6db.jpg",0,2,[14,41],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":37,"size":37,"collection":37,"collections":38,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},231966,"the-dance-class-metropolitan-museum-of-art-usa-de-jia-231966","The Dance Class - - Metropolitan Museum of Art (USA)","不详","德加","藏地不详","午后柔光漫过窗棂，晕开冷绿墙面的生硬。芭蕾少女们散落在教室各处，鬓边的绒红花在素白纱裙间跃动鲜活。有人倚在琴架旁垂睫喘息，有人踮起脚尖舒展肢体，薄纱裙摆蹭过木地板漾开柔软褶皱。拄杖老教师静立一侧，目光温柔追随着排练的身影。\n\n没有舞台聚光灯下的完美姿态，只有日常排练里的松弛与投入。灵动笔触定格下幕后的真实瞬间，将少女们的青涩、疲惫与专注揉进暖调光影，把庸常的排练日常淬成诗意刹那，让观者窥见舞台光环之下，那些不为人知的柔软韧劲。",[23,24,25,26,27,28,7,29,30,31,32,33,34,35,36],"印象派","油画","人物","芭蕾舞女","舞蹈教室","木地板","乐谱架","乐谱","舞鞋","老师","镜子","动态","光影","白色舞裙","",[],13,"795548",{"id":42,"slug":43,"title":44,"dynasty":18,"author":45,"museum":20,"description":46,"tags":47,"thumbUrl":57,"material":58,"size":59,"collection":37,"collections":60,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":40},232561,"mi-lai-si-105-yue-han-ai-fu-li-te-mi-lai-si-232561","米莱斯105","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[24,48,49,25,50,51,52,7,53,54,55,56],"写实","设色","男女","小狗","木门","红色地毯","军装","长裙","挂画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb55b22a40d4e502fe2f9148675d86edd.jpg","未知","Xcm*Xcm",[],1777535789982]