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Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,7,30,31,32],"油画","静物","花卉","白色玫瑰","花瓶","厚涂","设色","桌面","笔触奔放","色彩鲜明","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61092a1c7e00462e6c53a81e571c9644.jpg","未知","Xcm*Xcm","油画精选",[36],212,1,"795548",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":20,"description":47,"tags":48,"thumbUrl":55,"material":34,"size":35,"collection":56,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":59},264460,"lv-se-zhi-ma-sha-xiu-qiu-hai-tang-jin-tuan-shou-zi-wen-pao-liao-yi-ming-264460","绿色芝麻纱绣秋海棠金团寿字纹袍料","清","佚名","是传统刺绣形式之一。它是在方格纱的底料上严格按格数眼进行刺绣的。不仅图案美丽，而且随 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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[144,151,308,299,152,288,309,310,311,7,312],"镂雕","流苏","红色","橙色","双面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6edc879ac57d6cf623c26fa72ce60ec.jpg",[],"FFFFFF",{"id":317,"slug":318,"title":319,"dynasty":45,"author":46,"museum":20,"description":47,"tags":320,"thumbUrl":325,"material":34,"size":35,"collection":56,"collections":326,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},273911,"lv-se-sha-xiu-yun-jin-long-hai-shui-jiang-ya-wen-biao-qiang-qi-yi-ming-273911","绿色纱绣云金龙海水江崖纹标枪旗",[7,51,321,49,288,322,323,324,29],"纱绣","海水江崖","旗帜","兵器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F627e2ab760c63dddc1d5eda10df512a3.jpg",[],{"id":328,"slug":329,"title":330,"dynasty":45,"author":46,"museum":20,"description":331,"tags":332,"thumbUrl":335,"material":34,"size":35,"collection":56,"collections":336,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},270472,"dao-guang-kuan-lv-se-bo-li-guang-su-zha-dou-yi-ming-270472","道光款绿色玻璃光素渣斗","这件器物以玻璃为材，色泽如深湖凝碧，莹润清透，自带沉静雅致的光泽。造型线条柔婉舒展，撇口束颈，丰肩圆腹，轮廓饱满却不见冗赘，尽显简约克制之美。通体光素无饰，将玻璃材质本身的清隽质感烘托到极致，没有繁复纹样的加持，反而更凸显出器物沉静端庄的古典气韵，尽显清代玻璃工艺含蓄内敛的审美意趣，是素净雅致的中式美学典范之作。",[238,333,334,7,215],"日用具","渣斗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2756d3cd1e437a2ccc89869535f87f72.jpg",[],{"id":338,"slug":339,"title":340,"dynasty":45,"author":46,"museum":20,"description":341,"tags":342,"thumbUrl":343,"material":34,"size":35,"collection":56,"collections":344,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},270471,"xian-feng-kuan-lv-se-bo-li-guang-su-zha-dou-yi-ming-270471","咸丰款绿色玻璃光素渣斗","这件器物莹润通透，沉静湖绿似将深潭凝于方寸，自带清冽柔光。撇口束颈，丰肩鼓腹下承矮圈足，线条婉转舒展，全无多余装饰，以极简形制勾勒出秀雅轮廓。\n光线下匀净光泽缓缓晕开，尽显玻璃料质的纯粹莹纯。以素净诠释大雅，将材质本真的温润清透之美尽数释放，含蓄内敛间尽显东方器物的隽秀格调，静穆之中藏着不俗匠作功力，是素雅器物美学的绝佳体现。",[238,333,215,7,334],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06d6295dd89687475074ea1ec8c6f3f5.jpg",[],{"id":346,"slug":347,"title":348,"dynasty":45,"author":46,"museum":20,"description":349,"tags":350,"thumbUrl":354,"material":34,"size":35,"collection":56,"collections":355,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},270408,"tong-zhi-kuan-lv-se-bo-li-guang-su-qian-wan-yi-ming-270408","同治款绿色玻璃光素浅碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[238,351,352,7,333,353],"碗","素面","饪食器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F533751637bcd857d7cef725ab5dac3f2.jpg",[],{"id":357,"slug":358,"title":359,"dynasty":45,"author":46,"museum":20,"description":360,"tags":361,"thumbUrl":364,"material":34,"size":35,"collection":56,"collections":365,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},267839,"lv-se-bai-die-wen-hua-chou-yi-ming-267839","绿色百蝶纹花绸","这抹深翠如盛夏幽潭，暗纹蝶影错落隐于绸面，似将百蝶振翅的灵动凝入沉静底色。经纬交织间，蝶形纹样婉转排布，仿佛群蝶正于碧色林薮中翩跹穿梭，不见喧嚣，只余雅致清宁。织物肌理质朴温润，带着旧时光沉淀下的细腻质感，将东方独有的含蓄浪漫织入寸寸绸面，静穆底色里藏着鲜活生机，尽显旧时织造工艺的精巧心思。",[49,362,7,363],"蝶纹","绸料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3e8c5df72de9f2d246df089e3ae4f03.jpg",[],{"id":367,"slug":368,"title":369,"dynasty":45,"author":46,"museum":20,"description":370,"tags":371,"thumbUrl":374,"material":34,"size":35,"collection":56,"collections":375,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},267758,"lv-se-yin-xian-ya-hua-sha-yi-ming-267758","绿色银线轧花纱","这一抹苍绿如深春苔痕，银线似溶凝的霜色，晕出对称婉转的纹样。似云涛翻涌定格于纱间，又像幽谷山纹镌入纤薄肌理，虚实错落间藏着织造巧思。\n\n轧花工艺让纱面起伏生韵，银线在绿意里若隐若现，如月色淌过古潭，清寂又温婉。将东方山水意境织入纱料，把雅致揉进经纬之间，尽显旧时光里沉静内敛的东方美学意趣。",[49,372,373,7],"轧花","银线","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8b81948d7e94b1d5e00637666f8d8d3.jpg",[],{"id":377,"slug":378,"title":379,"dynasty":45,"author":46,"museum":20,"description":380,"tags":381,"thumbUrl":384,"material":34,"size":35,"collection":56,"collections":385,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},267756,"lv-se-di-si-he-ru-yi-wen-jin-yi-ming-267756","绿色地四合如意纹锦","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[49,382,383,29,7],"织锦","四合如意纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbe25fa046f2a1c7f9784898e7ea7da0.jpg",[],{"id":387,"slug":388,"title":389,"dynasty":45,"author":46,"museum":20,"description":390,"tags":391,"thumbUrl":395,"material":34,"size":35,"collection":56,"collections":396,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":95},266528,"lv-se-er-ze-tuan-long-wen-an-hua-jiang-chou-yang-pi-dui-jin-kan-jian-yi-ming-266528","绿色二则团龙纹暗花江绸羊皮对襟坎肩","湖绿色江绸底色沉静雅致，暗纹团龙隐于料面，低调间暗显贵气。内里纳羊皮，将冬日暖意藏于雅丽外观之下，兼顾美感与实穿。\n\n撞色宽边缀以连续缠枝纹样，利落勾勒衣身轮廓，明暗配色让层次愈发明晰。一字排开的铜质盘扣，金属的冷冽光泽与柔滑绸缎相映成趣，平衡了制式服饰的庄重，又添几分精巧灵动。整体剪裁舒展大气，纹样排布疏密得宜，将东方美学的含蓄融于工整制式里，是旧时服饰精工巧思的缩影。",[50,392,393,394,87,88,89,7,49],"坎肩","对襟","江绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26fa090f72e1791e4b2ab1aec2bf42c1.jpg",[],{"id":398,"slug":399,"title":400,"dynasty":45,"author":46,"museum":20,"description":401,"tags":402,"thumbUrl":406,"material":34,"size":35,"collection":56,"collections":407,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},266505,"lv-se-jin-wen-an-hua-duan-xiang-diao-pi-bian-dui-jin-jia-ma-gua-yi-ming-266505","绿色锦纹暗花缎镶貂皮边对襟夹马褂","马褂是一种穿于袍服外的短衣，衣长至脐，袖仅遮肘，满语叫“鄂多赫”，因着之便于骑马而得名，亦称 “短褂” 或 “马墩子”，流行于清代及民国时期\n清代初期，马褂为一般士兵穿着，至康熙时期富贵之家也有穿者。雍正后，马褂已甚为流行 。并发展成单、夹、纱、皮、棉等服装，成为男式便衣，士庶都可穿着。之后更逐渐演变为一种礼仪性的服装，不论身份，都以马褂套在长袍之外，显得文雅大方 。民国年间曾被列为礼服之一。新中国成立后，马褂逐步被摈弃，后经改良又以“唐装”的名称重新回到人们的视野中 。",[50,49,403,404,405,7],"貂皮","锦纹暗花","对襟马褂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1707c0e86fdc951fb3b3fdb6b0c5935.jpg",[],{"id":409,"slug":410,"title":411,"dynasty":45,"author":46,"museum":20,"description":412,"tags":413,"thumbUrl":417,"material":34,"size":35,"collection":56,"collections":418,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":95},266387,"lv-se-yun-feng-wen-an-hua-ling-xiao-mian-ao-yi-ming-266387","绿色云凤纹暗花绫小棉袄","整体底色清润柔和，暗织的云凤纹样若隐若现，将祥瑞意趣藏于纱线肌理，内敛雅致。紫绦滚边沿着偏襟蜿蜒铺开，和袖口的织花镶边相映，冷色撞出鲜活层次，朱红领口成为点睛之笔，在沉静底色里晕开暖意。\n\n走线细腻工整，版型温婉贴合，把东方审美里的含蓄精致融在一针一线间，妥帖藏着旧时闺阁的精巧心思，是旧时光里温柔鲜活的日常风物，藏着古人对雅致烟火的追寻。",[50,49,414,415,416,7],"棉袄","云凤纹","暗花绫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a2ffc3f3a19c450a6ee11c7f3a5d0d7.jpg",[],{"id":420,"slug":421,"title":422,"dynasty":45,"author":46,"museum":20,"description":85,"tags":423,"thumbUrl":429,"material":34,"size":35,"collection":56,"collections":430,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":95},265821,"lv-se-chou-xiu-ba-tuan-cai-yun-fu-jin-long-wen-nv-mian-long-pao-yi-ming-265821","绿色绸绣八团彩云蝠金龙纹女棉龙袍",[50,49,51,7,424,288,425,426,427,428],"龙袍","蝙蝠","彩云","海水纹","女袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05298382cf87c2457aa2e62192d12b88.jpg",[],{"id":432,"slug":433,"title":434,"dynasty":45,"author":46,"museum":20,"description":435,"tags":436,"thumbUrl":441,"material":34,"size":35,"collection":56,"collections":442,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":95},265793,"da-hong-se-zhi-jin-duan-jie-lv-se-an-hua-duan-jie-shi-qing-se-yun-long-wen-zhuang-hua-duan-chao-qun-yi-ming-265793","大红色织金缎接绿色暗花缎接石青色云龙纹妆花缎朝裙","整体三段式形制配色鲜明浓烈又层次和谐。朱红上襕织金团纹隐现，自带雍容贵气，暗合肃穆礼制。中层草绿暗花缎晕开柔婉肌理，暗纹似花枝轻绽，中和上部浓艳，添了几分雅致清隽。下摆石青地妆花云龙腾跃舒展，彩线织就的纹饰鲜活生动，织金镶边勾出凌厉轮廓，将皇家仪范的威严尽显。整裙以三种面料衔接过渡，既恪守服制规制，又将织金、暗花、妆花工艺融于一身，是礼制审美与织造匠心的精妙结合，静立便自成庄重华贵的宫廷气象。",[437,50,49,179,76,438,439,310,7,440],"朝裙","妆花缎","云龙纹","石青色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe89e84768b5ee1679b174e4cb9bcb710.jpg",[],{"id":444,"slug":445,"title":446,"dynasty":45,"author":46,"museum":20,"description":447,"tags":448,"thumbUrl":452,"material":34,"size":35,"collection":56,"collections":453,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},264502,"lv-se-xing-lin-chun-yan-wen-xian-chou-yi-ming-264502","绿色杏林春燕纹线绸","豆绿底色清新柔润，暗花隐于绸面肌理，光影流转间，杏林春燕的图景缓缓浮现。春燕振翅穿梭杏花枝桠，轻捷灵动的身姿，伴着杏花初绽的柔婉，将融融春意织入丝缕。\n\n此作以暗花工艺织就，纹样含蓄雅致，将科举及第的美好祈愿藏于日常面料之中，没有张扬的雕绘，只以丝缕交织出东方美学的含蓄意趣，让日用织物成为承载吉祥憧憬的流动画卷，尽显传统织造工艺的细腻巧思。",[49,248,7,449,450,451],"杏林","春燕","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb64833e12a8f0d6bc651c81435be73f9.jpg",[],{"id":455,"slug":456,"title":457,"dynasty":45,"author":46,"museum":20,"description":47,"tags":458,"thumbUrl":460,"material":34,"size":35,"collection":56,"collections":461,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},264364,"lv-se-shi-di-sha-xiu-qian-cai-teng-luo-wen-pao-liao-yi-ming-264364","绿色实地纱绣浅彩藤萝纹袍料",[49,51,459,7,259,191],"藤萝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8355eb94c6e8e54db9e1786d59e1be27.jpg",[],{"id":463,"slug":464,"title":465,"dynasty":45,"author":46,"museum":20,"description":466,"tags":467,"thumbUrl":471,"material":34,"size":35,"collection":56,"collections":472,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},264092,"lv-se-hua-die-wen-guang-duan-yi-ming-264092","绿色花蝶纹广缎","以柔嫩绿调为底，满铺循环往复的花蝶纹样，粉花吐黄蕊，彩蝶翩跹其间，将春日郊野的灵动生机凝入丝线。细密织纹把娇花与蝶翼的细节晕染入微，规整排布自带韵律感，仿佛徐徐铺开一卷鲜活春景。\n\n朱红饰边勾勒轮廓，底部墨绿缎面垂坠流苏，冷暖色调相映调和，既添华贵雍容之气，又让视觉重心沉稳得体。整匹缎面色泽明丽柔和，织作工艺精妙细腻，将日用装饰与雅致意趣相融，尽显传统织绣工艺的不俗造诣。",[49,468,469,470,269,7],"广缎","花蝶纹","花鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f1bcd5c6297f1beb07e2c01f3e63743.jpg",[],{"id":474,"slug":475,"title":476,"dynasty":45,"author":46,"museum":20,"description":477,"tags":478,"thumbUrl":481,"material":34,"size":35,"collection":56,"collections":482,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},264084,"lv-se-wu-hu-si-hai-wen-hui-hui-zhi-jin-duan-yi-ming-264084","绿色五湖四海纹回回织金缎","松石素缎为底，沉静雅致如春水初融，织金团纹似碎金落于碧波。五湖四海纹环衬团窠，回回织金技法让金线与缎身浑然相融，缠枝柔蔓与规整团花交错排布，既有对称构图的端方庄重，亦藏舒展柔婉的韵律。经纬走线细腻密实，历经岁月经纬间光泽依旧柔和不减，将纳福祈祥的中式意涵与异域织绣匠心巧妙糅合，尽显传统织造工艺的极致水准，是实用与美学兼具的织物佳作。",[49,479,480,104,7],"织金","五湖四海纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7e1b0e1e71be282b8e5c5559d4a6a7d.jpg",[],{"id":484,"slug":485,"title":486,"dynasty":45,"author":46,"museum":20,"description":487,"tags":488,"thumbUrl":490,"material":34,"size":35,"collection":56,"collections":491,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},263980,"lv-se-di-yun-wen-hui-hui-zhi-jin-jin-yi-ming-263980","绿色地云纹回回织金锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[489,49,114,7],"织金锦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3d4849f36747f1f6897af9cf072f1a6.jpg",[],{"id":493,"slug":494,"title":495,"dynasty":45,"author":46,"museum":20,"description":380,"tags":496,"thumbUrl":498,"material":34,"size":35,"collection":56,"collections":499,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},263979,"lv-se-jin-yin-ru-yi-wen-hui-hui-zhi-jin-chou-yi-ming-263979","绿色金银如意纹回回织金绸",[7,49,479,497,248],"如意纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51c17ed70f28f1544dddd1b2ea9f06d0.jpg",[],{"id":501,"slug":502,"title":503,"dynasty":45,"author":46,"museum":20,"description":504,"tags":505,"thumbUrl":508,"material":34,"size":35,"collection":56,"collections":509,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},263884,"lv-se-ling-chu-wen-zhi-jin-duan-yi-ming-263884","绿色铃杵纹织金缎","嫩绿地子晕着柔润光泽，织就的金纹细密铺陈，铃杵暗纹四方排布，藏着清净吉祥的暗喻。金彩与绿色相衬，清雅中透着雍容华贵，织金技法圆熟精巧，金线浮沉间将纹样勾勒得灵动饱满。\n\n下段的规整横纹打破满幅纹样的匀净，凭添律动感，让整匹缎料张弛有度，既不失宗教织物的庄正端方，又带着织造匠人的巧思灵韵。经纬交织紧实规整，尽显旧时丝织工艺的上乘水准，是宗教审美与织造匠心相融的精巧之作。",[49,179,506,7,507],"铃杵纹","宗教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7b2fe6d6f1d1e9a541159958950b3ca.jpg",[],{"id":511,"slug":512,"title":513,"dynasty":45,"author":46,"museum":20,"description":514,"tags":515,"thumbUrl":517,"material":34,"size":35,"collection":56,"collections":518,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":158},263842,"lv-se-que-mei-wen-an-hua-duan-yi-ming-263842","绿色雀梅纹暗花缎","鲜妍翠绿晕开清雅生机，暗花工艺将雀鸟梅枝隐入缎面肌理，似把早春园景裁入锦帛。灵雀振翅欲飞，梅苞凝露待绽，纹样排布疏密相宜，随缎面褶皱光影浮动，静中藏动。\n\n它将江南织绣的婉约意趣融于经纬，把文人咏梅的雅致意境悄然藏入暗纹，不张扬外露，却将岁寒报春的意韵织入丝缕，以含蓄内敛的织造美学，把中式古典的清雅审美揉进日常织物，于方寸间留存旧时工艺的细腻匠心。",[49,89,451,516,7],"梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52ebc78e1a5e2e3aa114c8c3622c274c.jpg",[],{"id":520,"slug":521,"title":522,"dynasty":45,"author":46,"museum":20,"description":523,"tags":524,"thumbUrl":528,"material":34,"size":35,"collection":56,"collections":529,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},263805,"lv-se-yun-fu-tuan-hua-wen-zhou-chou-yi-ming-263805","绿色云蝠团花纹绉绸","湖绿底色清润雅致，绉绸自带的柔皱肌理晕开朦胧质感。云蝠团花暗纹错落排布，蝠形舒展灵动，云纹卷曲连绵，暗合洪福齐天的吉祥意涵。织物带着旧时光的温润触感，每一处织纹都藏着细腻匠心，将中式吉祥意趣融于日常织物，静穆间流露着内敛雅致的东方意韵，尽显旧时织造工艺的精妙。",[49,7,525,526,527],"云蝠纹","团花纹","绉绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98b86b43097b9959291947a3b6ba17d5.jpg",[],{"id":531,"slug":532,"title":533,"dynasty":45,"author":46,"museum":20,"description":534,"tags":535,"thumbUrl":537,"material":34,"size":35,"collection":56,"collections":538,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},263804,"lv-se-xiao-ba-bao-wen-zhou-chou-yi-ming-263804","绿色小八宝纹绉绸","碧色如潭水初凝，柔润丝光裹着沉静雅致的气韵。暗刻的小八宝纹样隐于绉绸肌理之间，细碎精巧，唯有光影流转时才缓缓浮现，将祈福吉庆的心意藏于含蓄意趣中。\n\n经纬交织出自然绉缩的褶皱肌理，抚之软糯又带着丝料独有的挺括骨相，把日常织物晕染出雅致耐看的东方韵味，藏着旧时丝织工艺的细腻巧思，带着旧时光里温婉静敛的质感。",[7,49,527,536],"八宝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb13549ac20eb2bb4e66c27f050ee9a99.jpg",[],{"id":540,"slug":541,"title":542,"dynasty":45,"author":46,"museum":20,"description":543,"tags":544,"thumbUrl":547,"material":34,"size":35,"collection":56,"collections":548,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":549},263797,"cong-lv-se-long-jing-yu-wen-hua-chou-yi-ming-263797","葱绿色龙睛鱼纹花绸","葱绿绸底清新雅致，提花暗纹排布规整。龙睛鱼纹样婉转灵动，两两呼应，将吉庆余裕的美好寓意藏于经纬之间。织造工艺精巧细腻，纹理柔和秀润，岁月晕开的几处痕迹，晕染出古旧温润的质感，尽显旧时织造的匠心巧思，把含蓄雅致的中式审美融于织物之中，静静承载着独有的温婉意趣。",[49,248,545,546,7],"鱼","龙睛鱼纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1ecdff98bcfb1f1ea9357c97a897e81.jpg",[],"FDD835",{"id":551,"slug":552,"title":553,"dynasty":45,"author":46,"museum":20,"description":554,"tags":555,"thumbUrl":557,"material":34,"size":35,"collection":56,"collections":558,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},2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