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Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36,37,38,39,40,41,42,43,44,45,46],"油画","后印象派","厚涂","笔触","色彩","设色","花园","草地","花卉","树木","房屋","栅栏","户外","自然景观","庭院","白花","红花","蓝花","田园","植物","花丛","绿色调","田园风光","户外场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51956f5c386825806a76df15e92eff54.jpg","未知","Xcm*Xcm","油画精选",[50],68,1,"795548",{"id":56,"slug":57,"title":58,"dynasty":18,"author":59,"museum":20,"description":60,"tags":61,"thumbUrl":76,"material":48,"size":49,"collection":50,"collections":77,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":54},225700,"sha-mo-zhong-de-sheng-fang-ji-ge-qiao-fan-ni-bei-li-ni-225700","沙漠中的圣方济各","乔凡尼·贝利尼","乔凡尼·贝利尼，（Giovanni 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Manet，1832.01.23～1883.04.30）是19世纪印象主义的奠基人之一，1832年出生于法国巴黎。他从未参加过印象派的展览，但他深具革新精神的艺术创作态度，却深深影响了莫奈、塞尚、梵高等新兴画家，进而将绘画带入现代主义的道路上。受到日本浮世绘及西班牙画风的影响，马奈大胆采用鲜明色彩，舍弃传统绘画的中间色调，将绘画从追求三元次立体空间的传统束缚中解放出来，朝二元次的平面创作迈出革命性的一大步。\n印象派大师爱德华·马内的名画《春天》5日在美国纽约佳士得拍卖行拍得3320万美元。《春天》是马内的代表作之一，最早于1882年在法国巴黎展出，描绘女演员让娜·德马尔西身穿花裙，与春色交相辉映。马内试图用画笔描绘四季，但仅完成《春天》和《秋天》。马内1883年离世，终年51岁。",[23,86,28,63,64,87,88,89,90,91,92,93,7,31,94,95,96,97,98],"印象派","温室植物","长椅","花盆","遮阳伞","帽子","女士","男士","室内场景","服饰","光影","热带植物","互动场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5670ad47ae742da5c0afcd6fcba8f181.jpg","",[],61,"37474F",{"id":105,"slug":106,"title":107,"dynasty":18,"author":108,"museum":20,"description":109,"tags":110,"thumbUrl":116,"material":48,"size":49,"collection":50,"collections":117,"showCount":118,"zanCount":11,"manualWeight":11,"mainColor":54},225933,"gardeners-house-at-antibes-1888-mo-nai-225933","Gardeners House at Antibes, 1888","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[86,23,33,32,7,29,111,68,112,34,113,96,114,115],"海面","烟囱","春日","色彩明快","笔触短促","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feea2b0d57445229eae49e7021e17c2b4.jpg",[50],56,{"id":120,"slug":121,"title":122,"dynasty":18,"author":108,"museum":20,"description":109,"tags":123,"thumbUrl":132,"material":48,"size":49,"collection":50,"collections":133,"showCount":134,"zanCount":53,"manualWeight":11,"mainColor":103},225937,"giverny-the-rosarium-of-monet-mo-nai-225937","Giverny, the Rosarium of 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garden at the asylum at Saint 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Gadren at Giverny, 1927",[86,124,125,174,353,130,158,29,30,32,31,145,354,68,66,7,355,356,357,36],"户外写生","藤蔓","红色叶树","黄色花卉","红色花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf6889c12a63ee3040e48b55b02b36c8.jpg",[50],12,{"id":362,"slug":363,"title":364,"dynasty":18,"author":19,"museum":20,"description":21,"tags":365,"thumbUrl":367,"material":48,"size":49,"collection":50,"collections":368,"showCount":369,"zanCount":11,"manualWeight":11,"mainColor":103},225863,"undergrowth-july-fan-gao-225863","Undergrowth (July - )",[23,24,366,271,32,354,7,35],"树林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b663238660a4ed0b834f202f2bce4f9.jpg",[50],11,{"id":371,"slug":372,"title":373,"dynasty":18,"author":19,"museum":20,"description":21,"tags":374,"thumbUrl":381,"material":48,"size":49,"collection":50,"collections":382,"showCount":383,"zanCount":11,"manualWeight":11,"mainColor":54},225765,"houses-in-auvers-fan-gao-225765","Houses in Auvers",[239,23,24,25,159,375,33,376,377,378,32,68,379,380,7,144],"色彩鲜明","草顶","红顶","小路","云朵","行人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfef57e96049a9ee0182a14132868945.jpg",[50],7,{"id":385,"slug":386,"title":387,"dynasty":18,"author":108,"museum":20,"description":109,"tags":388,"thumbUrl":391,"material":48,"size":49,"collection":50,"collections":392,"showCount":393,"zanCount":11,"manualWeight":11,"mainColor":103},225964,"la-barque-1890-mo-nai-225964","La Barque, 1890",[23,86,389,390,7,96],"小船","水草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5cc03a3f2d248df1834a51a039d8f92.jpg",[50],6,{"id":395,"slug":396,"title":397,"dynasty":18,"author":398,"museum":20,"description":399,"tags":400,"thumbUrl":410,"material":48,"size":49,"collection":100,"collections":411,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":54},232585,"wei-lian-a-dao-fu-bu-ge-luo-199-wei-lian-a-dao-fu-bu-ge-luo-232585","威廉·阿道夫·布格罗199","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[23,63,28,401,64,402,403,404,30,189,405,7,32,65,46,406,407,408,409],"细腻笔触","女性","孩童","裸童","黄花","赤脚","衣物褶皱","自然背景","人物刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cd1eaa7206ac914ecc37acdc1f81d0e.jpg",[],4,{"id":414,"slug":415,"title":416,"dynasty":18,"author":417,"museum":20,"description":418,"tags":419,"thumbUrl":425,"material":100,"size":100,"collection":100,"collections":426,"showCount":198,"zanCount":11,"manualWeight":11,"mainColor":249},225356,"fu-shi-hui-112-yi-ming-225356","浮世绘112","佚名","明黄的拱形木桥凌于清浅水面之上，结构舒展雅致，醒目的色调让桥身成为画面焦点。桥上行人三两，或凭栏远眺天光水色，或拾级缓行，衣袂轻曳间尽显日常的松弛闲趣。\n\n沿岸绿植蓊郁，临水屋舍与淡远空蒙的天色相映，水面漾开柔缓波纹，晕开悠然的市井氛围。线条洗练精准，将桥的建筑美感与俗世情态相融，以澹雅平和的色调，把隅间闲景晕染成隽永的和风诗意，藏着独属于旧时烟火的澹泊温情。",[420,28,64,255,421,422,7,423,424],"浮世绘","流水","屋舍","闲趣","悠然","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc71216c2f204223fd22dffe8e81dbbff.jpg",[],{"id":428,"slug":429,"title":430,"dynasty":203,"author":417,"museum":20,"description":431,"tags":432,"thumbUrl":439,"material":48,"size":49,"collection":100,"collections":440,"showCount":53,"zanCount":11,"manualWeight":11,"mainColor":54},261893,"wu-cai-shi-nv-shuang-ying-tu-bi-tong-yi-ming-261893","五彩仕女双婴图笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[433,434,435,28,64,303,436,437,7,438],"陶瓷","笔筒","五彩","婴孩","飞鸟","石块","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce39e20099898db77ba691ca213d393e.jpg",[],{"id":442,"slug":443,"title":444,"dynasty":18,"author":445,"museum":20,"description":446,"tags":447,"thumbUrl":453,"material":48,"size":49,"collection":100,"collections":454,"showCount":53,"zanCount":11,"manualWeight":11,"mainColor":328},232211,"dancer-circa-1877-1878-private-collection-pastel-de-jia-232211","Dancer – circa 1877-1878 - Private collection - pastel","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[448,86,64,449,450,451,28,7,452],"粉彩","舞者","芭蕾舞者","芭蕾裙","装饰构件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8477b806702405b0ce4799c77f69103.jpg",[],{"id":456,"slug":457,"title":458,"dynasty":18,"author":417,"museum":20,"description":459,"tags":460,"thumbUrl":477,"material":100,"size":100,"collection":100,"collections":478,"showCount":53,"zanCount":11,"manualWeight":11,"mainColor":249},225359,"fu-shi-hui-115-yi-ming-225359","浮世绘115","这幅版画以明媚春景入画，岛屿错落于澄澈水色间，漫山樱花如云似雪，苍松点缀翠色，晕染出融融春意。回环山径上踏青游人缓步徐行，渡头与岸畔人影攒动，乌篷船静泊水面，波痕轻漾晕开清浅蓝调。屋舍错落花林间，木桥勾连水岸，将春日郊野的鲜活烟火铺陈开来。\n\n用色明快柔婉，石青铺就水天，砂黄晕染坡岸，粉白樱枝与深松翠影相映成趣，带着日式版画独有的装饰意趣。构图疏密得宜，将踏青的闲雅盛景定格，把市井闲情与春日诗意揉为一处，尽显雅致悠然的和风美学。",[420,461,28,213,255,421,462,33,32,64,463,464,319,465,466,467,468,422,469,178,7,380,470,471,472,473,474,475,476],"木刻","船只","岛屿","湖泊","岸边","开花植物","海湾","行船","步道","舟楫","堤岸","林间小路","水岸人家","花树","远岛","近岸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa89971454455ccd323ecef04635e7d4f.jpg",[],1777535716094]