[{"data":1,"prerenderedAt":252},["ShallowReactive",2],{"subject-mao-pi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6571,"mao-pi","毛皮","毛皮画高清赏析","精选中国历代毛皮题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0278e00c21e398e7269fb52ee75bec36.jpg",0,20,[14,45,60,69,85,96,105,123,137,149,162,170,179,190,200,209,219,229,236,244],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":38,"material":39,"size":40,"collection":41,"collections":42,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},232416,"he-er-bai-yin-75-he-er-bai-yin-232416","荷尔拜因75","不详","荷尔拜因","藏地不详","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[23,24,25,26,27,28,29,30,31,7,32,33,34,35,36,37],"油画","肖像","写实","精细刻画","人物","男性","服饰","珠宝","金器","丝绸","布料","头饰","项链","戒指","手持物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e47e8c11c1e66cba7a84c50a031bbe3.jpg","未知","Xcm*Xcm","",[],4,"795548",{"id":46,"slug":47,"title":48,"dynasty":18,"author":19,"museum":20,"description":21,"tags":49,"thumbUrl":56,"material":39,"size":40,"collection":41,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":59},232358,"he-er-bai-yin-17-he-er-bai-yin-232358","荷尔拜因17",[27,24,25,50,51,52,53,54,7,55],"素描","设色","淡彩","老人","帽子","衣物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febe9d77b539118dca0231f34d610764b.jpg",[],2,"BDBDBD",{"id":61,"slug":62,"title":63,"dynasty":18,"author":19,"museum":20,"description":21,"tags":64,"thumbUrl":67,"material":39,"size":40,"collection":41,"collections":68,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":59},232353,"he-er-bai-yin-12-he-er-bai-yin-232353","荷尔拜因12",[65,27,66,54,7,25,50,52],"名画","老年男性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbfc2ae32f48b9f22a6c0eb6cef13ad31.jpg",[],{"id":70,"slug":71,"title":72,"dynasty":73,"author":74,"museum":20,"description":75,"tags":76,"thumbUrl":82,"material":39,"size":40,"collection":41,"collections":83,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":44},266494,"jiang-se-ke-si-zhi-mei-wen-zhen-zhu-mao-pi-dui-jin-ma-gua-yi-ming-266494","绛色缂丝枝梅纹珍珠毛皮对襟马褂","清","佚名","缂（kè，同：刻）丝（英文：K’o-ssu 、Kesi 或 Chinese silk tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[77,78,79,7,80,33,81],"对襟马褂","衣帽","缂丝","枝梅纹","梅花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe41cff6878182ab64abb8bcb6f7cdf83.jpg",[],1,{"id":86,"slug":87,"title":88,"dynasty":73,"author":74,"museum":20,"description":89,"tags":90,"thumbUrl":94,"material":39,"size":40,"collection":41,"collections":95,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":59},266473,"xing-huang-se-ke-si-cai-yun-jin-long-wen-xiang-yang-pi-yin-shu-pi-nan-mang-pao-yi-ming-266473","杏黄色缂丝彩云金龙纹镶羊皮银鼠皮男蟒袍","清代皇帝服饰有朝服、吉服、常服、行服等。皇帝的龙袍属于吉服范畴，比朝服、衮服等礼服略次一等，平时较多穿着。穿龙袍时，必须戴吉服冠，束吉服带及挂朝珠。龙袍以明黄色为主也可用金黄杏黄等色。古时称帝王之位，为九五之尊。九、五两数，通常象征着高贵，在皇室建筑、生活器具等方面都有所反映。清朝皇帝的龙袍，据文献记载，也绣有九条龙。从实物来看，前后只有八条龙，与文字记载不符，缺一条龙。有人认为还有一条龙是皇帝本身。其实这条龙客观存在着，只是被绣在衣襟里面，一般不易看到。这样一来，每件龙袍实际即为九龙，而从正面或背面单独看时，所看见的都是五龙，与九五之数正好相吻合。另外，龙袍的下摆，斜向排列着许多弯曲的线条，名谓水脚。水脚之上，还有许多波浪翻滚的水浪，水浪之上，又立有山石宝物，俗称“海水江涯”，它除了表示绵延不断的吉祥含意之外，还有“一统山河”和“万世升平”的寓意。\n皇后常服样式，与满族贵妇服饰基本相似，圆领、大襟，衣领、衣袖及衣襟边缘，都饰有宽花边，只是图案有\n所不同。本图展示的服装纹样为凤穿牡丹。整件服装在鲜艳的蓝色缎地上，绣八只彩凤，彩凤中间，穿插数朵牡丹。牡丹的颜色处理得净穆而素雅，色彩变化惟妙，具有传统的山水画特点。与此相反，凤的颜色比较浓重，红绿对比度极为强烈，具有典型民族风格和时代特色。\n清代官服主要品种为长袍马褂。官帽与前朝截然不同，凡军士、差役以上军政人员都戴似斗笠而小的纬帽，按冬夏季节有暖帽、凉帽之分，还视品级高低安上不同颜色、质料的“顶子”，帽后拖一束孔雀翎。翎称花翎，高级的翎上有“眼”（羽毛上的圆斑），并有单眼、双眼、三眼之别，眼多者为贵，只有亲王或功勋卓著的大臣才被赏戴。皇帝有时还赏穿黄马褂，以示特别恩宠。影响所及，其他颜色的马褂遂在官员士绅中逐渐流行，成为一般的礼服。四、五品以上官员还项挂朝珠，用各种贵重珠宝、香木制成，构成清代官服的又一特点。丝纺绣染及各种手工专业的进步，为清代服饰品种的丰富创造了条件。\n清代男装主要是长袍和马褂，袖端呈马蹄形是历代不曾见过的。长袍造型简练，立领直身，偏大襟，前后衣身有接缝，下摆有两开衩（古时称“缺裤”），四开衩和无开衩几种类型。皇室贵族为便于骑射，着四面开衩长袍，即衣前后中缝和左右两侧均有开衩的式样，平民则着左右两侧开衩或称“一裹圆”的不开衩长袍。在我国文学名著《红楼梦》第九十四回“宴海棠贾母赏花妖”一节中，记述了一段内容“那日宝玉本来穿着”一裹圆的皮袄在家休息，忽听贾母要来，便去换了一件狐腋箭袖，罩了一件玄狐腿外褂。这里说明“一裹圆”，是休闲衣服，不可登大雅之堂，所以贾母的到来，必须换掉便装，改着正式穿戴。满清时期长袍外面的马褂身长不过膝，袖宽且短。衣服上的佩饰比较琐繁，一个金银牌上垂挂着数十件小东西，如耳挖子、镊子、牙签，还有一些古代兵器的小模型，如戟、枪之类，佩挂饰物在清代已经形成风尚。",[78,33,79,91,92,93,7],"龙","彩云","蟒袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19a94cbd34cb2b87a0f2ef19567f638f.jpg",[],{"id":97,"slug":98,"title":99,"dynasty":73,"author":74,"museum":20,"description":89,"tags":100,"thumbUrl":103,"material":39,"size":40,"collection":41,"collections":104,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":59},266057,"jiang-se-ke-si-cai-yun-fu-lan-long-wen-tian-ma-pi-nan-long-pao-yi-ming-266057","绛色缂丝彩云蝠蓝龙纹天马皮男龙袍",[78,101,79,33,91,102,92,7],"龙袍","蝙蝠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faac7a9bbb7a93f83c4c1849d9b558dbe.jpg",[],{"id":106,"slug":107,"title":108,"dynasty":18,"author":19,"museum":20,"description":21,"tags":109,"thumbUrl":121,"material":39,"size":40,"collection":41,"collections":122,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":59},232523,"he-er-bai-yin-182-he-er-bai-yin-232523","荷尔拜因182",[50,110,25,111,112,27,113,114,115,116,117,118,119,7,33,120],"白描","线条","宗教","羊","十字架","古典建筑","柱子","拱门","光环","衣纹","地面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f2b5f499a869d00a6046ae139cc5a28.jpg",[],{"id":124,"slug":125,"title":126,"dynasty":18,"author":19,"museum":20,"description":21,"tags":127,"thumbUrl":135,"material":39,"size":40,"collection":41,"collections":136,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":44},232466,"he-er-bai-yin-125-he-er-bai-yin-232466","荷尔拜因125",[23,25,51,24,128,27,29,7,116,129,130,131,132,133,54,134],"细节刻画","窗帘","窗外风景","树木","建筑","剑","花纹织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2954bcd901287352eb00ebf257deb8a3.jpg",[],{"id":138,"slug":139,"title":140,"dynasty":18,"author":19,"museum":20,"description":21,"tags":141,"thumbUrl":147,"material":39,"size":40,"collection":41,"collections":148,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":44},232460,"he-er-bai-yin-119-he-er-bai-yin-232460","荷尔拜因119",[23,25,51,27,28,29,7,54,142,143,32,144,26,145,146,24],"权杖","金属饰品","皮革","绿色背景","质感表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafe52918b9472718ff70ca3fefc70b6f.jpg",[],{"id":150,"slug":151,"title":152,"dynasty":18,"author":19,"museum":20,"description":21,"tags":153,"thumbUrl":159,"material":39,"size":40,"collection":41,"collections":160,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":161},232399,"he-er-bai-yin-58-he-er-bai-yin-232399","荷尔拜因58",[23,25,51,27,154,24,7,155,133,156,54,157,158],"男性人物","金项链","手套","深色服饰","白色袖口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd6a75e9308c30c797ce55a4071bd417.jpg",[],"37474F",{"id":163,"slug":164,"title":165,"dynasty":18,"author":19,"museum":20,"description":21,"tags":166,"thumbUrl":168,"material":39,"size":40,"collection":41,"collections":169,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":59},232394,"he-er-bai-yin-53-he-er-bai-yin-232394","荷尔拜因53",[27,24,28,78,50,25,7,167],"笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb7b76909f16ccc57cd9cdae98dbb2a8.jpg",[],{"id":171,"slug":172,"title":173,"dynasty":18,"author":174,"museum":20,"description":175,"tags":176,"thumbUrl":10,"material":39,"size":40,"collection":41,"collections":178,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":161},230631,"rembrandt-harmensz-van-rijn-0265-lun-bo-lang-230631","Rembrandt Harmensz.van Rijn - 0265","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,24,27,177,78,7,28],"明暗对比",[],{"id":180,"slug":181,"title":182,"dynasty":73,"author":74,"museum":20,"description":183,"tags":184,"thumbUrl":188,"material":39,"size":40,"collection":41,"collections":189,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},266577,"shi-qing-se-duan-xiu-si-tuan-cai-yun-jin-long-wen-zhen-zhu-mao-pi-gun-fu-yi-ming-266577","石青色缎绣四团彩云金龙纹珍珠毛皮衮服","绣法是以绣线横排，故名。如，特点是整齐、均匀，圆润；在绣叶瓣时，在中间分开，运用斜针成倒人字形；也有绣成中间针迹相交叠的形式；也可绣成中间作一钉线的绣法。排绣针法富有变化，刺绣出的花瓣、叶瓣得体逼真，用途较广。",[78,33,185,91,92,186,7,187],"刺绣","缎绣","团纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe816e3a9b98e961318f239bea5f72bb7.jpg",[],{"id":191,"slug":192,"title":193,"dynasty":73,"author":74,"museum":20,"description":194,"tags":195,"thumbUrl":198,"material":39,"size":40,"collection":41,"collections":199,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},266496,"sao-xue-diao-pi-mian-zhen-zhu-mao-pi-li-ma-gua-yi-ming-266496","扫雪貂皮面珍珠毛皮里马褂","马褂是一种穿于袍服外的短衣，衣长至脐，袖仅遮肘，满语叫“鄂多赫”，因着之便于骑马而得名，亦称 “短褂” 或 “马墩子”，流行于清代及民国时期\n清代初期，马褂为一般士兵穿着，至康熙时期富贵之家也有穿者。雍正后，马褂已甚为流行 。并发展成单、夹、纱、皮、棉等服装，成为男式便衣，士庶都可穿着。之后更逐渐演变为一种礼仪性的服装，不论身份，都以马褂套在长袍之外，显得文雅大方 。民国年间曾被列为礼服之一。新中国成立后，马褂逐步被摈弃，后经改良又以“唐装”的名称重新回到人们的视野中 。",[78,196,197,7],"马褂","貂皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ac2389efdfdf525623f1f15295d4d54.jpg",[],{"id":201,"slug":202,"title":203,"dynasty":73,"author":74,"museum":20,"description":89,"tags":204,"thumbUrl":207,"material":39,"size":40,"collection":41,"collections":208,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},266435,"tuo-se-tian-wen-jin-zhen-zhu-mao-pi-chang-fu-pao-yi-ming-266435","驼色天纹锦珍珠毛皮常服袍",[78,33,205,206,7],"常服袍","驼色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89164f010a335657e56784ff4f9a7ad2.jpg",[],{"id":210,"slug":211,"title":212,"dynasty":73,"author":74,"museum":20,"description":89,"tags":213,"thumbUrl":217,"material":39,"size":40,"collection":41,"collections":218,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},266054,"lan-se-ke-si-cai-yun-fu-jin-long-wen-bai-hu-pi-jie-qing-bai-qian-pi-nan-chao-pao-yi-ming-266054","蓝色缂丝彩云蝠金龙纹白狐皮接青白肷皮男朝袍",[78,33,79,91,214,215,7,216],"蝠纹","彩云纹","朝袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7803020f32063516d920e59fdffe666b.jpg",[],{"id":220,"slug":221,"title":222,"dynasty":73,"author":74,"museum":20,"description":223,"tags":224,"thumbUrl":227,"material":39,"size":40,"collection":41,"collections":228,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},266002,"ming-huang-se-tuan-long-wen-an-hua-jiang-chou-xun-diao-pi-duan-zhao-yi-ming-266002","明黄色团龙纹暗花江绸薫貂皮端罩","端罩（duān zhào ），满语叫“达呼”，是清代一种极珍贵的皮制礼服；清代服饰名。在清代服饰制度中，是一种皇帝、诸王、高级官员等人在冬季时替代衮服·\n补褂套穿在朝服，吉服袍等袍服外的一种圆领、对襟、平袖、长及膝、左右垂带的翻毛外褂。\n端罩按《大清会典》的制度，有黑狐、紫貂、青狐、貂皮、猞猁狲、红豹皮、黄狐皮等几种；按质地、皮色的好坏及其里、带的颜色等内容，又分为八个等级，以此来区别其身份、地位的高低尊卑。皮端罩，是清代皇帝及文三品、武二品以上官员所用的一种翻毛外褂，一般在冬季穿着朝服、吉服等服饰时，代替衮服、补服罩于朝袍、吉服袍等。皇帝的端罩有黑狐皮和紫貂皮两种皮质。在冬季应穿端罩的时间里皇帝从十一月朔至上元穿用黑狐皮端罩，其余时间穿用紫貂皮端罩",[78,33,7,225,226],"团龙纹","明黄色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46b7bc05cc9342f102d883774ea30166.jpg",[],{"id":230,"slug":231,"title":232,"dynasty":73,"author":74,"museum":20,"description":183,"tags":233,"thumbUrl":234,"material":39,"size":40,"collection":41,"collections":235,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},265955,"shi-qing-se-duan-xiu-si-tuan-cai-yun-jin-long-wen-qing-bai-qian-pi-gun-fu-yi-ming-265955","石青色缎绣四团彩云金龙纹青白肷皮衮服",[78,33,185,91,92,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0418d81f2bc279bb037667eca62af485.jpg",[],{"id":237,"slug":238,"title":239,"dynasty":73,"author":74,"museum":20,"description":240,"tags":241,"thumbUrl":242,"material":39,"size":40,"collection":41,"collections":243,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},265947,"diao-qian-mian-huang-qian-li-pi-chang-gua-yi-ming-265947","貂肷面黄肷里皮长褂","此褂以暖调皮草拼接湖蓝素面织物，将冬日暖意与雅致观感相融。皮草色泽层次柔和自然，米白与金棕晕染过渡，带着原生毛绒的蓬松质感，取料精良尽显冬日御寒的实用巧思。湖蓝面料匀净沉静，中和皮草的厚重，添了几分清隽秀雅。边缘以窄皮条滚边勾勒轮廓，走线利落工整，让两种材质衔接自然和谐。整体形制舒展大气，关外的实用御寒美学与中原服饰的雅致审美在此相融，是旧时光里兼顾温度与美感的精巧造物。",[78,7,33,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66dd8e212f85fdd5788140ee78f6735a.jpg",[],{"id":245,"slug":246,"title":247,"dynasty":73,"author":74,"museum":20,"description":183,"tags":248,"thumbUrl":250,"material":39,"size":40,"collection":41,"collections":251,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},265939,"shi-qing-se-duan-xiu-si-tuan-cai-yun-jin-long-wen-tian-ma-pi-gun-fu-yi-ming-265939","石青色缎绣四团彩云金龙纹天马皮衮服",[78,249,33,7,185,91,92],"衮服","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2540b28d807b1556a638edbb6c6c47f4.jpg",[],1777535720872]