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，字子和，一字子鹤，号西亭，自号谷林樵客、鹤道人，又署野鹤，江苏常熟人。山水为王翚入室弟子，尝与绘圣祖南巡图颇精。晚年每多率笔，未免苍而不润，神气便少。然农村景物则颇工，尤长画牛，多写意，夕阳芳草，郊牧之风宛然在目，兼及人物写真，花鸟草虫。每侍翚出游，翚作图凡有人物、舆轿、驼、马、牛、羊等皆命补之。又尝摹内府所藏名迹，作副本进御。卒年八十五。",[23,80,187,52,83,110,111,188,7,32,34,189],"册","孤石","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e340cdb6f9a982c4336e6e154f1d51a.jpg",[],29,{"id":194,"slug":195,"title":196,"dynasty":47,"author":197,"museum":198,"description":199,"tags":200,"thumbUrl":201,"material":66,"size":66,"collection":95,"collections":202,"showCount":203,"zanCount":11,"manualWeight":11,"mainColor":204},201859,"shan-shui-zhou-lu-zun-shu-201859","山水轴","陆遵书","上海博物馆","笔墨淡逸清润，以皴法写山峦肌理，线条勾勒林木屋舍，意境空灵悠远。近处溪流潺湲，岸边林木错落，茅舍隐于树荫下，似闻烟火气；远处峰岫层叠，云雾轻绕，尽显丘壑深幽。布局疏密得宜，虚实相映，于简淡中见生机，传递出文人寄情山水的闲适心境，观之如入林泉，尘烦尽涤。",[23,83,52,34,29,172,7,154,78],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4038281679da690fabf70b4d852a753b.jpg",[95],28,"b69d81",{"id":206,"slug":207,"title":208,"dynasty":47,"author":48,"museum":49,"description":209,"tags":210,"thumbUrl":215,"material":216,"size":217,"collection":66,"collections":218,"showCount":219,"zanCount":11,"manualWeight":11,"mainColor":69},290393,"xia-jing-shan-shui-tu-gong-xian-290393","夏景山水图","龚贤（1618—1689）明末清初著名画家，金陵八大家之一。又名岂贤，字半千、半亩，号野遗，又号柴丈人、钟山野老，江苏昆山人，流寓金陵（今南京市），早年曾参加复社活动，明末战乱时外出漂泊流离，入清隐居不出，居南京清凉山，买画课徒，生活清苦。性孤僻，与人落落寡合。工诗文，善行草，源自米芾，又不拘古法，自成一体。著有《香草堂集》他与同时活跃于金陵地区的画家樊圻、高岑、邹喆、吴宏、叶欣、胡慥、谢荪等并称“金陵八家”；与清初著名诗书画家吕潜（号半隐）并称“天下二半”。",[78,23,52,83,211,112,212,7,85,213,189,214,34],"小桥","孤舟","苇草","夏景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a821ec2e8c22386cf40018ec9410fcb.jpg","未知","Xcm*Xcm",[],27,{"id":221,"slug":222,"title":223,"dynasty":104,"author":169,"museum":224,"description":225,"tags":226,"thumbUrl":228,"material":229,"size":66,"collection":66,"collections":230,"showCount":231,"zanCount":11,"manualWeight":11,"mainColor":42},217937,"ming-ren-shan-shui-hua-ce-zhi-shi-er-yi-ming-217937","明人山水画册之(十二)","大英博物馆","明朝是中国历史上一个重要的朝代，它的艺术创作也十分丰富多彩。其中，佚名的《明人山水画册》是一部非常著名的山水画集，被认为是明朝山水画发展的里程碑之一。\n\n《明人山水画册》收录了许多佚名画家的作品，这些画家均擅长运用山水画的技巧，描绘出了美丽的山水景观。这些画作以其精细的线条和细腻的色彩闻名，能够表现出山水的神韵和灵动。\n此外，《明人山水画册》还收录了一些诗文，这些诗文与画作形成了很好的呼应。这使得这部画册不仅是一部艺术作品，而且是一部文学作品。\n\n总的来说，《明人山水画册》是一部十分珍贵的艺术作品，它为我们展示了明朝山水画的高超技巧和精湛工艺，同时也为我们呈现了明朝文化的瑰丽风貌。",[78,23,80,52,34,187,83,113,111,7,227,112],"石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c54ac9ee30e801bdac132949220f58a.jpg","纸本,设色",[],23,{"id":233,"slug":234,"title":235,"dynasty":104,"author":236,"museum":198,"description":237,"tags":238,"thumbUrl":242,"material":66,"size":66,"collection":95,"collections":243,"showCount":231,"zanCount":11,"manualWeight":11,"mainColor":244},203011,"yan-wu-ba-jing-tu-ce-dong-qi-chang-203011","燕吴八景图册","董其昌","画面取山水之精粹，左幅以淡彩晕染山峦，峰顶赭石点染与深绿山体形成层次，云雾借留白与淡墨晕化，松枝挺劲，岸畔茅舍隐现，尽显江南山水的温润悠远；右幅以水墨写雪景，山石皴法刚健，线条勾勒积雪厚重与岩石肌理，枯树疏枝傲立，寒江静谧，传递冬日山川的清寂萧疏。笔墨间可见董其昌对意境的追求，不重写实而重神韵，以简洁构图营造空灵淡远的文人气息，尽显“以画为寄”的艺术主张。",[239,52,82,34,83,240,7,89,173,25,151,241,78],"扇面","松","寒江","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc25ef6d679fbc825f90db5e577bda970.jpg",[95],"beae99",{"id":246,"slug":247,"title":248,"dynasty":47,"author":249,"museum":250,"description":251,"tags":252,"thumbUrl":255,"material":256,"size":66,"collection":66,"collections":257,"showCount":258,"zanCount":11,"manualWeight":11,"mainColor":69},237196,"shan-shui-ce-sun-yi-237196","山水册","孙逸","北京故宫博物院","孙逸(1604—约1658) 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御制五律一章，以宠其行，行至山东临清以病卒。",[23,81,52,25,83,113,7,294,151,295,189,296,297],"松树","题字","幽居","清冷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ebecd8fd68b61db612f78fd8a2c040f.jpg",[],18,{"id":302,"slug":303,"title":277,"dynasty":304,"author":305,"museum":198,"description":306,"tags":307,"thumbUrl":308,"material":66,"size":66,"collection":95,"collections":309,"showCount":310,"zanCount":11,"manualWeight":11,"mainColor":311},203152,"shan-shui-tu-zhou-chen-shi-ceng-203152","近代","陈师曾","这幅画以水墨晕染出悠远意境，皴法勾勒山石肌理，远近山峦层次分明，苍劲中透着朴拙。近景林木错落，枯荣交织，枝桠虬曲见风骨；几间茅舍隐于林麓，伴小桥跨溪、流水潺潺，流露隐逸之趣。构图疏密有致，笔墨简淡却意韵醇厚，于自然景致中传递出静谧闲适的文人情怀，尽显传统山水画的雅致与随性，简括中见生机，清幽里藏深味。",[23,52,83,34,211,112,85,7,78],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f801eeb970ddee523b59e849841175d.jpg",[95],17,"c8c1b7",{"id":313,"slug":314,"title":315,"dynasty":47,"author":316,"museum":49,"description":317,"tags":318,"thumbUrl":319,"material":66,"size":66,"collection":95,"collections":320,"showCount":321,"zanCount":11,"manualWeight":11,"mainColor":69},238947,"shan-shui-ye-wang-hui-238947","山水页","王翚","图绘万壑千岩、草木葱茏、瀑布高悬直泻的江南风光。王翚约16岁师从同邑张珂学画时，就以元黄公望（号井西道人）的笔墨为宗，刻苦摹学始终不怠。此图是他早年学黄氏画法的代表作。图中山石以赭色和绿色交替晕染，学黄氏用纵线的披麻皴皴擦石面，笔势潇洒而秀润。其石边缘上的苔点要比黄氏的更为繁密，排列整齐的苔点，给高崖峻壑增添了青绿之美，同时，它与以卧笔横点表现的树叶，形成点与点的呼应，全图在“点”的统一下，具有湿润华滋的艺术效果。",[23,80,52,82,34,187,83,85,211,112,156,89,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f8241595b412879fd3462585f1b6fb1.jpg",[95,120],15,{"id":323,"slug":324,"title":325,"dynasty":304,"author":326,"museum":198,"description":327,"tags":328,"thumbUrl":332,"material":66,"size":66,"collection":95,"collections":333,"showCount":334,"zanCount":11,"manualWeight":11,"mainColor":335},203167,"fang-hong-ren-shan-shui-tu-zhou-feng-chao-ran-203167","仿弘仁山水图轴","冯超然","此图承弘仁山水之清冷孤峭，以劲挺线条勾勒奇峰怪石，折带皴法皴擦山石肌理，尽显岩壑峻拔之势。山间枯松虬曲，枝干如铁，与嶙峋山体相映成趣；溪流蜿蜒穿谷，茅舍隐于林麓，添几分烟火气却未破清寂。淡墨层层晕染，留白疏密有致，营造出空灵悠远的禅意。笔法简洁而意韵深厚，既得弘仁“瘦处见腴、密处见空”之妙，又融自身笔墨情致，为仿古山水之佳构。",[23,81,83,52,34,329,330,331,172,7,78],"临摹","奇峰","枯松","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9379624ab34494693db323230b352b99.jpg",[95],14,"cec4b5",{"id":337,"slug":338,"title":339,"dynasty":47,"author":340,"museum":198,"description":341,"tags":342,"thumbUrl":345,"material":66,"size":66,"collection":95,"collections":346,"showCount":334,"zanCount":11,"manualWeight":11,"mainColor":347},201988,"fang-dong-qi-chang-shan-shui-tu-zhou-hong-li-201988","仿董其昌山水图轴","弘历","这幅山水取法董氏笔意，以淡墨皴染出平远丘壑。近景枯藤缠枝，老树疏朗，疏竹与山石相映成趣，笔墨简约却见清润；林间隐现茅舍，添几分野逸之致。远景山峦连绵，墨气淡远，皴擦结合间尽显空灵韵味。整体画风萧散简远，墨色层次分明，将文人画的闲适淡远融入笔触，仿作中既得董氏山水的笔墨神韵，又暗含悠然的文人情怀，意境清幽耐人寻味。",[83,52,329,34,343,344,110,89,7,78],"枯藤","老树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F942bfe52e852ad3d2090a46b4bc577fb.jpg",[95],"c8ad90",{"id":349,"slug":350,"title":351,"dynasty":74,"author":352,"museum":20,"description":353,"tags":354,"thumbUrl":358,"material":359,"size":360,"collection":66,"collections":361,"showCount":362,"zanCount":11,"manualWeight":11,"mainColor":69},290939,"qiu-lin-diao-ting-tu-ma-wan-290939","秋林钓艇图","马琬","该幅画秋林钓艇，马琬以章草题款，笔法工整。幅上另有陶宗仪隶书题识，正方结字与方笔折刀法，显见魏晋隶书影响。马氏章草与陶氏隶书均以规矩均整见长，充分反映元代之复古书风，与明初云间书家之于古法中求变，颇异其趣。 释文：柔兆涒滩八月望。余侍原实孙先生过杨翁。留饮竟日。焚香啜茗。雅论清事。酒余。翁出扶风马文壁氏所画树石一幅。上有臧祥卿沤鸟。求孙先生题咏。翌日诗成。命予作篆。乃书于上。姑此以识岁月云。南村陶九成",[79,23,80,81,52,83,355,212,112,7,356,357,268,189],"秋林","渔者","秋景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F034c21b2cf2060d651f01a28ac02e451.jpg","纸本,水墨","92x38",[],13,{"id":364,"slug":365,"title":366,"dynasty":47,"author":367,"museum":49,"description":368,"tags":369,"thumbUrl":374,"material":66,"size":66,"collection":66,"collections":375,"showCount":376,"zanCount":11,"manualWeight":11,"mainColor":69},238232,"shan-jing-ri-zhang-tu-ce-zhang-yu-sen-238232","山静日长图册","张雨森","张雨霖，初名雨，字作霖，一字紫琅，号苍野，安徽当涂人，经子，工山水，得文家风韵。善泼墨，惜用墨皆渗以胶。亦善画花鸟。乾隆时曾供奉内廷。乾隆时供奉内廷，乾隆帝题其《山水图》有“悬之高堂六月凉，助我清兴生吟席”句，又题其《仿沈周山水图》“吴中沈周清狂客，雨森笔似人亦肖”句。画迹有摹燕文贵《江干雪霁图》卷，著录于《石渠宝笈初编》。",[79,23,80,187,82,34,83,370,371,7,85,110,372,173,373,89],"山","水","荷叶","栈道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18dd9df66367d82542672b8b337dc484.jpg",[],12,{"id":378,"slug":379,"title":380,"dynasty":47,"author":381,"museum":198,"description":382,"tags":383,"thumbUrl":386,"material":66,"size":66,"collection":95,"collections":387,"showCount":376,"zanCount":11,"manualWeight":11,"mainColor":388},201790,"qiu-xi-xiao-ting-tu-zhou-gu-da-shen-201790","秋溪小艇图轴","顾大申","秋溪泛艇，木叶疏朗间浸满清寂秋意。岸边老树盘曲，枝桠以细劲线条勾勒，墨色浓淡相衬显萧瑟之态；山石用淡墨皴擦，纹理自然晕染，兼具苍劲与秀逸。溪水轻漾，一艇悠然泊于岸侧，似载着渔者的归隐之思；远处茅舍隐于林麓，几缕飞鸟点染空濛天际，更添悠远之韵。笔墨简淡却意韵醇厚，线条灵动不失沉稳，设色雅致贴合秋景，整体铺陈出文人画特有的闲适超脱，将秋日溪山的静谧与隐逸情怀融于尺幅之间。",[23,83,81,34,82,212,384,344,89,7,156,385,78],"秋溪","渔乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30c5a3d5368ba4f6b6b2307cd04594fe.jpg",[95],"5d401b",{"id":390,"slug":391,"title":277,"dynasty":47,"author":392,"museum":198,"description":393,"tags":394,"thumbUrl":396,"material":66,"size":66,"collection":95,"collections":397,"showCount":398,"zanCount":99,"manualWeight":11,"mainColor":399},202043,"shan-shui-tu-zhou-zhu-xuan-202043","朱轩","画面以水墨写意铺陈山水之趣，近处枯藤老树倚着嶙峋孤石而生，几间茅舍隐于林下，溪流绕石潺潺而过；远处山峦用淡墨皴染，线条疏朗，留白处漾出空濛悠远的意境。用笔简淡却意韵深厚，皴法细腻勾勒山石肌理，墨色层次晕染自然，尽显文人山水的清寂雅致，观之如入幽林深处，心绪随之沉静。",[52,83,34,344,188,7,172,395,160,78],"写意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d62665f6a0eb3fed5dfc9ea9e67dbac.jpg",[95],11,"c1a387",{"id":401,"slug":402,"title":403,"dynasty":18,"author":169,"museum":49,"description":404,"tags":405,"thumbUrl":410,"material":216,"size":217,"collection":66,"collections":411,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":69},289452,"cheng-jiang-bi-xiu-tu-yi-ming-289452","澄江碧岫图","此作为边角取景的山水小品，左实右虚，将江南烟水意蕴纳于尺幅间。峭拔山石以青绿晕染，石色清润雅致，与赭色底色相融，古松苍劲虬曲，栖于岩岸，茅庐隐于林下，野趣悠然。空阔江面之上，数艘扁舟缓行，破开一江澄澈。远景远山以淡墨晕散，隐没于烟霭之中，虚实相映间，江天浩渺的静穆清旷扑面而来。画作简淡清远，以小见大，尽得清隽温润之韵，将寄情山水的幽远意趣藏在每一处晕染勾勒中，尽显江南水色的空灵闲雅。",[239,23,79,253,82,24,406,407,408,29,7,32,156,409],"青山","江水","行舟","宁静","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7decbafa7e5bee3ec097a1a143c123e2.jpg",[],9,{"id":414,"slug":415,"title":416,"dynasty":47,"author":417,"museum":198,"description":418,"tags":419,"thumbUrl":421,"material":66,"size":66,"collection":66,"collections":422,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":423},203051,"hui-lin-ji-miao-ce-zhu-da-203051","绘林集妙册","朱耷","画面中山石以简括皴法写就，肌理隐现；松枝虬劲盘曲，若含古意；杂树错落，枝叶或浓或淡，皆见笔力。山间茅舍隐于林麓，似闻林泉之音却无人迹，留白处云雾轻笼，更添山林空寂之趣。笔墨间既有野逸之气，又含文人画的空灵禅意，于简淡中见深致。",[52,83,34,240,89,7,420],"文人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b15fcd2c64cd86b8a7d20fd0765ab60.jpg",[],"9da09e",{"id":425,"slug":426,"title":427,"dynasty":74,"author":428,"museum":198,"description":429,"tags":430,"thumbUrl":434,"material":66,"size":66,"collection":95,"collections":435,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":436},201770,"shan-shui-tu-juan-lu-guang-201770","山水图卷","陆广","淡墨轻皴，烟峦隐现。卷中山石以披麻皴写就，肌理温润；林木葱郁，枝干劲挺，点叶错落有致。溪流蜿蜒穿岩过谷，近处茅舍依岸筑立，竹树环绕，尽显幽居之趣。画面虚实相生，留白处似有云气流动，意境清旷淡远，得元人山水萧散之致。笔墨取法黄公望的秀逸与王蒙的细密，皴染结合，层次丰富，于简淡中见深致。整体气息雅致，将文人对自然的眷恋融于尺幅，是元代文人山水画的典型风貌。",[83,52,34,129,160,172,7,29,431,432,433,78],"烟峦","淡墨","元画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb16106c1eb300fe48c746a498f9cb72.jpg",[95],"c6b28d",{"id":438,"slug":439,"title":440,"dynasty":47,"author":48,"museum":198,"description":441,"tags":442,"thumbUrl":445,"material":66,"size":66,"collection":95,"collections":446,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":447},201533,"lin-luo-gao-yi-tu-zhou-gong-xian-201533","林萝高逸图轴","层峦叠嶂间，林木苍劲幽深，瀑布如银练垂落，隐于林间的茅舍透着恬淡超然。画家以积墨之法层层皴染，山石纹理厚重而富有层次，墨色浓淡交织中尽显自然生机；树木枝干挺拔，笔触老辣，与幽深林麓相映成趣。整体意境静谧超脱，仿佛能闻流水潺潺，观之如入隐逸之境，尽显高逸情怀。",[443,34,52,81,83,85,444,7,78],"积墨","瀑布","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bcf74f5cfce21a396f85597fd5f770f.jpg",[95],"ccc6bc",{"id":449,"slug":450,"title":451,"dynasty":18,"author":169,"museum":49,"description":452,"tags":453,"thumbUrl":460,"material":66,"size":66,"collection":66,"collections":461,"showCount":462,"zanCount":11,"manualWeight":11,"mainColor":69},227886,"shui-cun-yan-ai-tu-yi-ming-227886","水村烟霭图","这幅小品以淡墨晕染出烟霭笼罩的水村晨色，浅赭铺陈的远山隐在氤氲雾气里，和浩渺水面晕融成一片空濛。近岸松林错落，茅舍悄然栖于林下，仿佛还浸在拂晓的湿意中。\n\n画家以极简的笔触轻皴淡染，留白处皆是流动的水雾，将江南水乡的清寂温柔晕开。没有繁复勾勒，只借墨色浓淡铺就幽远意境，似将水村清晨的恬然凝在绢素之上，仿佛能闻见湿润的水汽，静听水波轻漾，尽显山水简淡清远的意趣，将人拉入这安谧空阔的悠然之中。",[78,79,23,239,52,82,83,454,7,455,456,457,458,459,34],"松林","水乡","水雾","清寂","安谧","清远","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73b44eb01cfd8f0d4d2d18c15bf08eed.jpg",[],8,{"id":464,"slug":465,"title":466,"dynasty":47,"author":467,"museum":198,"description":468,"tags":469,"thumbUrl":472,"material":66,"size":66,"collection":66,"collections":473,"showCount":474,"zanCount":11,"manualWeight":11,"mainColor":475},202695,"fang-gu-shan-shui-ping-huang-jun-202695","仿古山水屏","黄均","画面层叠山峦为骨，云雾轻笼似带，晕染出悠远空濛之境。近景溪畔茅舍掩映，苍松虬枝横斜，山石以皴法写就，肌理分明。中景林木蓊郁，小径蜿蜒隐现，远山淡墨轻描，层次递进。笔墨温润秀雅，线条细腻灵动，既承传统山水的古拙韵致，又蕴文人画的诗意留白，将林泉之趣凝于纸端，观之如临幽寂清旷之域，心绪亦随之沉静。",[23,80,83,52,34,470,7,281,173,89,471,78],"仿古","溪畔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf72c4322b66650e80528a5b0c871a67.jpg",[],7,"c1a493",{"id":477,"slug":478,"title":479,"dynasty":47,"author":480,"museum":198,"description":481,"tags":482,"thumbUrl":485,"material":66,"size":66,"collection":95,"collections":486,"showCount":487,"zanCount":11,"manualWeight":11,"mainColor":488},203255,"shan-shui-tu-ce-xue-xuan-203255","山水图册","薛宣","这幅水墨山水以苍润笔墨绘就，近景垂柳疏枝轻拂，线条灵动传神；中景水面平远开阔，与远处层叠山峦相衬。山石用淡墨渲染，皴擦结合显肌理，林麓间隐现茅舍，透着隐逸清寂之韵。构图疏密有致，意境悠远，尽显文人画的雅致情致。",[23,80,187,52,83,34,483,7,89,160,484,154,78],"垂柳","水面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F354e006ebae26142fd25e2ac92dd4990.jpg",[95],6,"c4b69e",{"id":490,"slug":491,"title":277,"dynasty":47,"author":492,"museum":198,"description":493,"tags":494,"thumbUrl":496,"material":66,"size":66,"collection":95,"collections":497,"showCount":487,"zanCount":11,"manualWeight":11,"mainColor":498},201980,"shan-shui-tu-zhou-shen-zong-jing-201980","沈宗敬","此作以水墨皴染绘就山水幽境。层峦叠嶂间瀑布垂落，山石借皴法勾勒肌理，显浑厚质感；山麓林木葱茏，古松苍劲挺拔，掩映几椽茅舍；溪流蜿蜒，小桥横跨其上，似引观者步入隐逸山居。笔墨兼具工致与写意，墨色浓淡相宜，晕染出清旷静谧的意境，融自然之趣与文人淡泊心境，尽显山林幽寂之味。",[23,52,83,34,211,495,7,80,60,78],"古松","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa74eda1196c7a42ab2893f24386f9dd7.jpg",[95],"a6947f",{"id":500,"slug":501,"title":502,"dynasty":47,"author":316,"museum":20,"description":503,"tags":504,"thumbUrl":508,"material":117,"size":66,"collection":66,"collections":509,"showCount":510,"zanCount":11,"manualWeight":11,"mainColor":69},237380,"shan-shui-ce-shan-ting-yue-se-ye-wang-hui-237380","山水册-山亭月色页","王翚（1632年4月10日─1717年11月15日），字石谷，号耕烟散人、剑门樵客、乌目山人、清晖老人等。江南省苏州府常熟人(今江苏常熟)。清代著名画家。其绘画以山水为主，山水融会南北诸家之长，创立了所谓“南宗笔墨、北宗丘壑”的新面貌，被称为“清初画圣”。与王时敏、王鉴、王原祁合称山水画家“四王”，又与吴历、恽寿平并称“清六家”。同时他还是虞山派鼻祖。\n王翚自幼嗜画，继承家学，又随学黄公望画法的同乡张珂学画，很早便表现出非凡的绘画才能。王翚师从王时敏、王鉴。但他所画山水不拘于一家，广采博揽，集唐宋以来诸家之大成，熔南北画派为一炉。王翚在王时敏、王鉴发展南宗画派的基础上，借鉴北宗的某些技法，比较全面地对山水画传统进行整理，形成具有综合概括性质的法则。王翚将黄公望、王蒙的书法性用笔与巨然、范宽的构图完美地结合起来，创造出一种华滋浑厚、气势勃发的山水画风格。因而他所画的江南小景往往生趣盎然，清幽灵动。王翚作画喜好干笔、湿笔并用，而且多以细笔皴擦，画面效果比较繁密。曾说“以元人笔墨，运宋人丘壑，而泽以唐人气韵，乃为大成”。他早期画风清丽工秀，晚期则倾向苍茫浑厚。章法富于变化，水墨与浅绛渲染得法。也有评者指出王翚用笔过于圆熟，某些画则显得刻露，墨法少有变化，构图略感壅塞。",[23,52,187,24,505,151,506,89,112,7,34,189,507],"山亭","明月","清幽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc323859920ccdeb03fb34af9ce6a88ad.jpg",[],5,{"id":512,"slug":513,"title":248,"dynasty":47,"author":514,"museum":49,"description":515,"tags":516,"thumbUrl":517,"material":176,"size":66,"collection":66,"collections":518,"showCount":510,"zanCount":11,"manualWeight":11,"mainColor":69},236502,"shan-shui-ce-cheng-ming-236502","程鸣","程鸣（1676-1745），字友声，号松门，安徽歙县人，占籍江苏仪征。黄宾虹在《黄山画苑论略》中云其为雍正年间诸生。山水学於石涛（道济）参以程邃，每以秃毫渴墨，运以中锋，纯以书法成之，不加渲染，自然沈郁苍浑。诗出王士祯之门，尝为士祯作古夫于亭图，与陈撰、方士庶、厉鹗为诗画友。",[23,80,187,52,82,83,188,112,85,32,444,7,34],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49af4914e228e5d43bacfee39b2237e7.jpg",[],{"id":520,"slug":521,"title":277,"dynasty":304,"author":522,"museum":198,"description":523,"tags":524,"thumbUrl":10,"material":66,"size":66,"collection":95,"collections":525,"showCount":510,"zanCount":11,"manualWeight":11,"mainColor":526},202933,"shan-shui-tu-zhou-huang-bin-hong-202933","黄宾虹","这幅山水图轴笔墨浑厚华滋，意境苍茫深秀。层岩叠嶂间云雾氤氲，虚实相生；近处松石挺劲，枝干虬曲，墨色浓淡相宜。溪畔茅舍隐约，小桥横跨，似有隐士居于此间，尽显清寂雅致的山林气象。画家以干笔皴擦勾勒山石肌理，湿墨晕染烘托云气，浓淡干湿交错，墨色层次丰富，尽显“黑密厚重”之韵，蕴含着对自然山川的深刻体悟与文人画的诗意情怀，是其山水风格的典型体现。",[23,52,83,34,294,89,211,7,173,78],[95],"e1d9cb",{"id":528,"slug":529,"title":277,"dynasty":47,"author":530,"museum":198,"description":531,"tags":532,"thumbUrl":533,"material":66,"size":66,"collection":95,"collections":534,"showCount":510,"zanCount":11,"manualWeight":11,"mainColor":535},201834,"shan-shui-tu-zhou-zhang-yun-201834","张芸","淡墨皴染间，山水意趣渐生。近景枯树盘曲，茅舍隐于枝桠下；山间溪流缓淌，石径依稀；中景山峦层叠，林木疏朗有致；远景云雾轻笼峰巅，添几分悠远。笔墨简淡却韵致悠长，萧疏山林间藏着静谧幽境，似能闻得山风轻拂、溪水潺潺。",[52,34,81,83,343,344,7,32,172,78],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe33f5da2b0604236207c72509457c956.jpg",[95],"956c3f",{"id":537,"slug":538,"title":539,"dynasty":47,"author":169,"museum":49,"description":540,"tags":541,"thumbUrl":542,"material":216,"size":217,"collection":66,"collections":543,"showCount":544,"zanCount":11,"manualWeight":11,"mainColor":69},290199,"jiu-fu-cao-chong-tu-ce-yi-ming-290199","九幅草虫图册","这幅跨页山水以开合之景铺陈野趣，近岸虬曲古木扎根嶙峋怪石，苍劲枝干间苔点错落，旁侧茅庐临水而设，隐于疏林之下。开阔水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