[{"data":1,"prerenderedAt":1171},["ShallowReactive",2],{"subject-mei-gu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},256,"mei-gu","没骨","没骨画高清赏析","精选中国历代没骨题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb252168483daab03d32c1417cdafa8fa.jpg",4,115,[14,41,56,72,86,98,110,123,134,148,159,183,193,204,214,225,237,250,260,269,283,291,300,308,316,327,338,346,356,366,377,387,397,407,419,431,439,450,460,467,476,486,493,501,509,517,530,538,546,553,559,571,585,593,600,612,619,626,634,644,652,660,669,678,685,692,701,712,720,729,736,752,762,771,780,786,795,804,813,820,831,841,848,860,868,879,888,897,907,917,933,940,953,961,972,979,990,1000,1011,1018,1026,1036,1047,1057,1067,1075,1085,1097,1109,1116,1125,1135,1145,1152,1162],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":38,"manualWeight":39,"mainColor":40},214707,"chun-hua-tu-ba-kai-yun-shou-ping-214707","春花图八开","清","恽寿平","上海博物馆","恽寿平画了八种春天的花，包括桃花、牵牛花、牡丹、绣球、萱草、月季、樱花和鸢尾花。这幅画是在他晚年的时候画的，当时他五十三岁，虽是没骨而近乎写意，用笔已是纯青。",[23,24,25,26,27,7,28,29,30,31],"高清","国画","书画","册","设色","花鸟","花卉","鸢尾","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1fa759adc318004a833d99020a6068e6.jpg","纸本,设色","26.3x35.7","花鸟画精选",[35],14420,63,0,"BDBDBD",{"id":42,"slug":43,"title":44,"dynasty":18,"author":19,"museum":45,"description":46,"tags":47,"thumbUrl":51,"material":33,"size":52,"collection":35,"collections":53,"showCount":54,"zanCount":55,"manualWeight":39,"mainColor":40},214744,"hua-hui-ce-yun-shou-ping-214744","花卉册","私人收藏","恽寿平（1796-1873）是清代著名的画家，他擅长画花鸟，尤其是花卉。他的花卉册是他的代表作之一，包含了他对花卉的描绘和描写。\n\n恽寿平的花卉册以其精细的笔墨和精美的色彩著称，他善于捕捉花卉的细节和美感，并将其再现在画布上。他画的花卉通常都是生动传神，有时也带有一些象征意义。恽寿平还创作了许多花卉图谱，用来介绍各种花卉的特征和用途。\n\n恽寿平的花卉册不仅深受藏家的喜爱，也被认为是清代花卉画的杰出代表作之一。他的作品不仅为后人留下了宝贵的艺术瑰宝，而且也为我们展示了清代花卉画艺术的魅力。",[23,24,25,26,28,7,27,48,49,50],"紫藤","荷花","荷叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab73f6dce929392ea6f25d5a923c813e.jpg","",[35],10967,60,{"id":57,"slug":58,"title":59,"dynasty":18,"author":19,"museum":60,"description":61,"tags":62,"thumbUrl":65,"material":66,"size":67,"collection":35,"collections":68,"showCount":70,"zanCount":71,"manualWeight":39,"mainColor":40},214306,"mu-dan-ce-yun-shou-ping-214306","牡丹册","台北故宫博物院","用宋人没骨法作此册，不是黄筌的美作，也不是赵昌的刻本，而是徐冲子的另一种画法",[63,24,25,26,27,7,28,64],"名画","牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d1db57360d128a861a0d5e464c59ec1.jpg","绢本,设色","41x38",[35,69],"设色画精选",4567,18,{"id":73,"slug":74,"title":75,"dynasty":18,"author":19,"museum":76,"description":77,"tags":78,"thumbUrl":82,"material":33,"size":52,"collection":35,"collections":83,"showCount":84,"zanCount":85,"manualWeight":39,"mainColor":40},216593,"ou-xiang-guan-xie-sheng-ce-yun-shou-ping-216593","瓯香馆写生册","旅顺博物馆","《瓯香馆写生册》描写了四时的花果，从春到夏分别是桃花、海棠、碧海珊瑚、牡丹、枇杷、卷丹、洛阳花、凤仙花、菊花、梅花。除了梅花一开，作者写明是学杨补之的水墨画法之外，其余各开全用没骨法，完全不用墨线勾勒，直接用颜色点厾出花朵、叶片、果实，只以色线勾勒叶茎。落色点花的没骨花，既不同于细线勾勒再层层渲染的工笔花卉，也不同于水墨淋漓的大写意花卉，它介于两者之间，也被称作“小写意”花卉。工笔求逼真，写意求意趣，恽氏没骨花所求正在“似与不似之间”。着色花卉自然比纯粹的水墨更逼真，但直接点染的“落色花”比起层层渲染的工笔花卉又有更大的随意性，不必被物象的细枝末节所羁绊，可以放手表现花的风骨。就气质而言，没骨花介于工笔与大写意之间，既不刻画，也不放逸，清新洒脱。",[24,25,26,27,7,79,80,81,28],"水墨","竹","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed8966ba999269ca801a2d4a56096289.jpg",[35],2727,12,{"id":87,"slug":88,"title":89,"dynasty":18,"author":19,"museum":20,"description":21,"tags":90,"thumbUrl":94,"material":33,"size":34,"collection":52,"collections":95,"showCount":96,"zanCount":97,"manualWeight":39,"mainColor":40},214709,"chun-hua-tu-ba-kai-4-yun-shou-ping-214709","春花图八开-4",[23,24,25,26,27,28,7,91,92,93,29],"花","藤蔓","叶子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F711decf5412e0d1bdf126cff504c08c8.jpg",[],2285,11,{"id":99,"slug":100,"title":101,"dynasty":18,"author":19,"museum":20,"description":21,"tags":102,"thumbUrl":106,"material":33,"size":34,"collection":52,"collections":107,"showCount":108,"zanCount":109,"manualWeight":39,"mainColor":40},214708,"chun-hua-tu-ba-kai-3-yun-shou-ping-214708","春花图八开-3",[23,24,25,26,27,7,28,103,104,93,31,105],"桃花","枝干","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3854c4a04d540aad1f6fd4f84bc9fda.jpg",[],2124,9,{"id":111,"slug":112,"title":113,"dynasty":18,"author":19,"museum":114,"description":115,"tags":116,"thumbUrl":117,"material":118,"size":119,"collection":35,"collections":120,"showCount":121,"zanCount":122,"manualWeight":39,"mainColor":40},239441,"hua-niao-ce-yun-shou-ping-239441","花鸟册","藏地不详","恽南田（1633年—1690年），即恽寿平，原名格，字寿平，后以字行，改字正叔，号南田，别号云溪外史，晚居城东，号东园草衣，后迁居白云渡，号白云外史，明末清初著名书画家，常州画派的开山祖师，后来成为清六家之一。",[24,27,7,28,49,50,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25dc95f6524d1116e76db2a26246c9fd.jpg","未知","Xcm*Xcm",[35,69],2051,14,{"id":124,"slug":125,"title":126,"dynasty":18,"author":19,"museum":20,"description":21,"tags":127,"thumbUrl":130,"material":33,"size":34,"collection":52,"collections":131,"showCount":132,"zanCount":133,"manualWeight":39,"mainColor":40},214704,"chun-hua-tu-ba-kai-2-yun-shou-ping-214704","春花图八开-2",[23,24,25,26,27,7,28,128,129,31,105],"樱桃","枝叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6677b01b31ad3df8b7719f1993dc4829.jpg",[],1639,16,{"id":135,"slug":136,"title":137,"dynasty":18,"author":19,"museum":138,"description":139,"tags":140,"thumbUrl":142,"material":143,"size":144,"collection":35,"collections":145,"showCount":146,"zanCount":147,"manualWeight":39,"mainColor":40},220975,"shan-shui-hua-hui-tu-ce-mu-dan-yun-shou-ping-220975","山水花卉图册-牡丹","北京故宫博物院","《山水花鸟图》是清代 创作的纸本设色画。\n\n每图各有 题识，分别钤“寿平”白朱文印、“正叔”朱文印、“寿平”白文印、“恽正叔”白文印、“寿平印”白文印等。\n\n每图各有乾隆皇帝题诗一首。\n\n鉴藏印有：“ 御赏之宝”、“淳化轩”、“石渠宝笈”、“臣庞元济恭藏”、“虚斋至精之品”等二十余方。\n\n本图册第三开、第十开分别署年款“乙卯秋”、“乙卯十月”。\n\n“乙卯”为清康熙十四年（1675年），此作应为恽寿平4岁时作品。\n\n此山水花卉图册分别描绘鹅群、荷花、山水、古木寒鸦、牡丹、乔柯急涧、夜雨初霁、菊花、兰花蝴蝶花、溪山行旅等。\n\n全册为作者临仿宋、元、明诸家。\n\n山水以宗董源、巨然、米芾、赵孟頫诸家为主，秀骨清幽，富有文人书卷之气。",[23,24,63,25,26,27,141,7,28,64,93,104,105],"工笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F330e3e872b432c5d096fddbd7eafe407.jpg","纸本，设色","纵27.5厘米，横35.2厘米。",[35,69],1541,7,{"id":149,"slug":150,"title":151,"dynasty":18,"author":19,"museum":45,"description":46,"tags":152,"thumbUrl":155,"material":33,"size":52,"collection":52,"collections":156,"showCount":157,"zanCount":158,"manualWeight":39,"mainColor":40},214742,"hua-hui-ce-2-yun-shou-ping-214742","花卉册-2",[23,63,24,25,28,26,7,27,153,154,29,129],"萱草","桂花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1be5a0e030dc2534dcd967c594f0154e.jpg",[],1468,6,{"id":160,"slug":161,"title":162,"dynasty":18,"author":19,"museum":163,"description":164,"tags":165,"thumbUrl":176,"material":177,"size":178,"collection":35,"collections":179,"showCount":180,"zanCount":181,"manualWeight":39,"mainColor":182},220992,"bai-hua-tu-juan-yun-shou-ping-220992","百花图卷","美国大都会艺术博物馆","恽寿平的山水画造诣之高，受到历代画家的赞誉。然而，他到中年后却放弃了在山水画领域的成就，转向以画花卉为主。究其原因，历史上说法很多。",[23,24,25,166,27,7,141,28,29,64,167,168,49,103,169,170,171,172,173,48,174,175],"长卷","百合","菊","芙蓉","月季","水仙","兰花","芍药","蝴蝶","昆虫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff29e1c97e998205c049e5c6f18799621.jpg","手卷，绢本设色","纵32厘米，横530厘米",[35,69],1418,23,"F48FB1",{"id":184,"slug":185,"title":186,"dynasty":18,"author":19,"museum":45,"description":46,"tags":187,"thumbUrl":190,"material":33,"size":52,"collection":52,"collections":191,"showCount":192,"zanCount":109,"manualWeight":39,"mainColor":40},214738,"hua-hui-ce-4-yun-shou-ping-214738","花卉册-4",[23,24,25,26,7,141,27,103,188,29,129,189],"玉兰","红花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F326abb94d57aaaefc22233506e6e8c26.jpg",[],1350,{"id":194,"slug":195,"title":196,"dynasty":18,"author":19,"museum":114,"description":197,"tags":198,"thumbUrl":200,"material":52,"size":201,"collection":35,"collections":202,"showCount":203,"zanCount":85,"manualWeight":39,"mainColor":40},233901,"hua-hui-shan-shui-ce-yun-shou-ping-233901","花卉山水册","恽寿平（1633-1690年），初名格，后以字行，又字正叔，别号南田，一号白云外史、云溪外史、东园客、巢枫客、草衣生、横山樵者。江苏武进人。清代著名画家。与“四王”、吴历并称“清初六大家”。其父恽日初诗文杰出，为“复社”中人。叔父恽向（道生）为著名山水画家，自创一派。恽寿平是清朝初期最享盛名的花鸟画家。其画作多写生，人称“写生正派”；更以徐崇嗣为宗，兼取各家之长，极大的发展了没骨画。所画花卉，很少勾勒，以水墨着色渲染，用笔含蓄，画法工整，明丽简洁，天趣盎然。恽寿平不仅画作出众，风格独具，而且兼工诗书，题句清丽流畅，诗格脱俗超逸，为“昆陵六逸”之冠。恽南田《山水花卉册》八帧，其中包括山水，花鸟及情景兼容的人物，攘括了恽南田所有的画种。画中有退耕堂藏印。退耕堂为徐世昌的室名。\n恽寿平一生坎坷，饱经困苦，他幼年聪颖玲利，遭遇战乱，与兄皆被俘，与父亲失散，后遇灵隐寺方丈相救，才得以与家人团聚，归家后，发奋读书学画。经刻苦钻研，于古文、诗词、书画无不精擅。他崇尚气节，誓不应科举，少时的忧患，留下深深的创痛，一生未尝忘情。却在绘画上取得了很高的成就；恽南田曾致书王（翚）说：“格于山水，终难打破一字关，曰‘窘’，良由为古人规矩法度所束缚耳。”又说：“君独步矣！吾不为第二手也”。于是恽寿平转攻花鸟，以后山水不过偶而为之。可见其艺术抱负。《山水花卉册》中的山水，取黄公望笔法，于荒率中见秀润，尖毫勾皴，浓墨点树、高旷清淡，浸润宋元诸家，吸取王蒙、二米等人之长，渐脱刻极。40岁左右作品最为精采，如43岁的《山水花鸟册》，技法灵活多变，表达各家风貌准确，艺术已臻成熟。他的花鸟画成就最为突出，取法徐崇嗣的没骨法，他的没骨花卉，揉合了黄（筌）、徐（熙）两派技法，既重视写生，力求形似，“每画一花，必折是花插之瓶中，极力描摹，得其生香活色而后已。”又强调“与花传神”。力去华靡，追求“ 澹雅”。此册中的花鸟更是形神兼备，清新淡雅，具有新的风貌。",[24,25,7,27,28,103,199,105],"柳枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10aa5773f16fa6bd4dd6b950a442d3b2.jpg","纵32.5厘米，横25.5厘米",[35],1349,{"id":205,"slug":206,"title":207,"dynasty":18,"author":19,"museum":20,"description":21,"tags":208,"thumbUrl":210,"material":33,"size":34,"collection":52,"collections":211,"showCount":212,"zanCount":213,"manualWeight":39,"mainColor":40},214702,"chun-hua-tu-ba-kai-7-yun-shou-ping-214702","春花图八开-7",[23,24,25,26,7,27,28,167,209,105],"叶片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2389e1ac2ceb12e7d4b9e1c738856ee3.jpg",[],1232,10,{"id":215,"slug":216,"title":217,"dynasty":18,"author":19,"museum":45,"description":46,"tags":218,"thumbUrl":221,"material":33,"size":52,"collection":52,"collections":222,"showCount":223,"zanCount":224,"manualWeight":39,"mainColor":40},214734,"hua-hui-ce-6-yun-shou-ping-214734","花卉册-6",[23,24,25,63,26,7,27,28,29,219,141,220,79],"石头","草本植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa6add9c0b73e67c0dfd0de7e7d098a1.jpg",[],1228,5,{"id":226,"slug":227,"title":228,"dynasty":18,"author":19,"museum":60,"description":229,"tags":230,"thumbUrl":232,"material":27,"size":233,"collection":35,"collections":234,"showCount":235,"zanCount":236,"manualWeight":39,"mainColor":40},220990,"mu-dan-tu-yun-shou-ping-220990","牡丹图","恽寿平（1633年－1690年），初名格，字寿平，改字正叔，号南田，又号云溪外史、白云外史，武进（今江苏常州）人，清代画家。\n恽寿平生于明崇祯六年（1633年），父恽日初为复社要人。寿平八岁能咏莲，少年遭遇战乱，随父参加抗清运动，兵败后与父失散，被总督陈锦之妻收留。陈锦遇刺身亡，寿平扶灵北归时，在灵隐寺与父相遇，留寺为僧，后回乡与家人团聚。\n子恽念祖，娶西营汤氏，汤谟孙女、汤自明次女。\n生前视钱如无物，晚年贫病交迫，卒于清康熙二十九年（1690年），由好友王翚出资安葬。",[23,24,25,28,27,7,64,29,231,105],"题字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b5f207c857db2c2b1912c82d5800ded.jpg","纵28.5公分 横43公分",[35,69],1162,8,{"id":238,"slug":239,"title":240,"dynasty":18,"author":19,"museum":45,"description":46,"tags":241,"thumbUrl":246,"material":33,"size":52,"collection":52,"collections":247,"showCount":248,"zanCount":249,"manualWeight":39,"mainColor":40},214740,"hua-hui-ce-3-yun-shou-ping-214740","花卉册-3",[23,24,25,26,7,27,28,64,242,243,244,245,29],"岩石","腊梅","山茶","松枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c927f31d42dd0d26109d43256054d1e.jpg",[],1110,3,{"id":251,"slug":252,"title":253,"dynasty":18,"author":19,"museum":45,"description":46,"tags":254,"thumbUrl":257,"material":33,"size":52,"collection":52,"collections":258,"showCount":259,"zanCount":11,"manualWeight":39,"mainColor":40},214736,"hua-hui-ce-5-yun-shou-ping-214736","花卉册-5",[23,24,25,26,7,27,29,64,103,255,256,63],"丁香","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab8c1fc721132cfdc39d78db2f67e138.jpg",[],1106,{"id":261,"slug":262,"title":263,"dynasty":18,"author":19,"museum":20,"description":21,"tags":264,"thumbUrl":266,"material":33,"size":34,"collection":52,"collections":267,"showCount":268,"zanCount":158,"manualWeight":39,"mainColor":40},214706,"chun-hua-tu-ba-kai-6-yun-shou-ping-214706","春花图八开-6",[23,24,25,63,26,7,27,28,91,265,104],"叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0a989ce46045ab5e8868995eea818ba.jpg",[],1054,{"id":270,"slug":271,"title":272,"dynasty":18,"author":19,"museum":273,"description":274,"tags":275,"thumbUrl":277,"material":278,"size":279,"collection":35,"collections":280,"showCount":281,"zanCount":282,"manualWeight":39,"mainColor":40},220996,"hua-hui-tu-ce-li-hua-yun-shou-ping-220996","花卉图册·梨花","美国纳尔逊阿特金斯艺术博物馆","《花卉图册》绘有荷花、梨花、水仙、桃花、山矾、罂粟、茶蘼、金萱石榴、牵牛、双凤、桂枝及雁来红等十二种花。画用新没骨法，不用墨线钩勒，而直接着色点染而成。点色的用笔很洒脱、飘逸。十二种花，各具姿色。色彩艳而不俗，色调的表情是清丽和冷艳，在秀雅之中含有一种凛然难犯的韵味。画册中，作者或题名或赋诗，那秀劲古逸、和婉密丽的书体，与这种艳雅的画风相结合，相得益彰，更具魅力。该图册是恽寿平绘画中的精品。\n恽寿平（1633—1690），初名格，字寿平，号南田，武进（江苏常州）人。其诗格超逸，书法遒劲，擅长山水画，尤精没骨花卉画，画笔生动。",[23,24,25,63,26,7,27,28,276,129,105],"梨花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5ced6b3440393ea70433c90398c4a22.jpg","纸本 设色","24.5×29.3cm",[35,69],1003,17,{"id":284,"slug":285,"title":286,"dynasty":18,"author":19,"museum":20,"description":21,"tags":287,"thumbUrl":288,"material":33,"size":34,"collection":52,"collections":289,"showCount":290,"zanCount":11,"manualWeight":39,"mainColor":40},214703,"chun-hua-tu-ba-kai-8-yun-shou-ping-214703","春花图八开-8",[23,24,63,25,26,7,27,28,170],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8d530ee660882b48ebb828a273983c9.jpg",[],925,{"id":292,"slug":293,"title":294,"dynasty":18,"author":19,"museum":114,"description":295,"tags":296,"thumbUrl":297,"material":52,"size":52,"collection":35,"collections":298,"showCount":299,"zanCount":249,"manualWeight":39,"mainColor":40},235081,"yun-shou-ping-hua-hui-ce-yun-shou-ping-235081","恽寿平花卉册","此作为没骨写生，以清润淡彩晕染桃花，粉嫩花瓣层次自然，嫩枝新芽鲜活灵动，将春日桃花柔婉娇妍的姿态尽显笔底，不见勾勒之痕却形神兼备。\n\n画幅左侧搭配行书题诗，笔意舒展雅致，诗画相映，文心诗意融于花香之间，尽显文人花鸟画的清雅格调。整体设色明秀柔和，带着江南春日的温润诗意，把桃花轻俏柔美的娇态精妙铺展，笔墨间饱含悠然的抒情特质，尽显清隽雅致的文人意趣。",[24,25,26,27,28,103,105,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc05006248feb5fc43ca2e8c0e38ecde0.jpg",[35,69],908,{"id":301,"slug":302,"title":303,"dynasty":18,"author":19,"museum":114,"description":115,"tags":304,"thumbUrl":305,"material":118,"size":119,"collection":35,"collections":306,"showCount":307,"zanCount":249,"manualWeight":39,"mainColor":40},239423,"shan-shui-hua-hui-ce-yun-shou-ping-239423","山水花卉册",[24,25,26,7,27,29,30,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8eef68a8ee5bb0820ecadbf2acb5d76.jpg",[35,69],906,{"id":309,"slug":310,"title":311,"dynasty":18,"author":19,"museum":20,"description":21,"tags":312,"thumbUrl":313,"material":33,"size":34,"collection":52,"collections":314,"showCount":315,"zanCount":147,"manualWeight":39,"mainColor":40},214705,"chun-hua-tu-ba-kai-5-yun-shou-ping-214705","春花图八开-5",[23,24,25,26,28,27,7,64,93,31,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe56baf02b8d416236f5828d6ab4cc83.jpg",[],793,{"id":317,"slug":318,"title":319,"dynasty":18,"author":19,"museum":60,"description":320,"tags":321,"thumbUrl":322,"material":323,"size":324,"collection":35,"collections":325,"showCount":326,"zanCount":147,"manualWeight":39,"mainColor":40},220978,"hua-hui-shan-shui-he-ce-yun-shou-ping-220978","花卉山水合册","恽寿平传世作品极多，主要有《红梅山茶图》《桃花图》《 三友图》《林居高士图》等，笔墨润秀，神完气足。其没骨花卉画柔美秀雅，开创了一代新风，时人争相仿效。\n王翚有《康熙南巡图》(与杨晋等人合作)、《秋山萧寺图》、《虞山枫林图》、《秋树昏鸦图》、《芳洲图》（常熟博物馆藏）等传世。着有《清晖画跋》。",[23,24,25,63,27,7,28,29,26,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79d394a60f3fe31f74cc2a4529d753ab.jpg","白纸本","43x29厘米",[35,69],750,{"id":328,"slug":329,"title":330,"dynasty":18,"author":19,"museum":20,"description":331,"tags":332,"thumbUrl":333,"material":334,"size":335,"collection":35,"collections":336,"showCount":337,"zanCount":224,"manualWeight":39,"mainColor":40},219822,"hua-hui-shi-kai-yun-shou-ping-219822","花卉十开","此作以没骨法写就牡丹，不用墨线勾勒轮廓，纯以色彩晕染塑形。两朵粉牡丹或侧或正，花瓣由淡粉渐次过渡至胭红，层层叠叠，柔润舒展，仿佛凝着朝露尽显娇妍。叶片以深浅绿意晕染，脉络隐现，俯仰生姿，枝叶错落相依，衬得花头愈发雍容秀雅。\n\n整体设色清和柔润，褪去牡丹常有的艳俗，只留清雅端方的韵致，将春日盛放的花姿凝于绢上，带着恬淡平和的意趣，把草木的生机与温婉雅致尽数藏于笔墨晕染之间，淡而不薄，丽而不妖，尽显一花一叶的灵动情致。",[63,24,25,26,27,28,64,7,141],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee6f10f9ed98e171597fc55f333a01f8.jpg","设色,绢本","20.4×29.2厘米",[35],704,{"id":339,"slug":340,"title":341,"dynasty":18,"author":19,"museum":273,"description":274,"tags":342,"thumbUrl":343,"material":278,"size":279,"collection":35,"collections":344,"showCount":345,"zanCount":109,"manualWeight":39,"mainColor":40},220998,"hua-hui-tu-ce-gui-hua-yun-shou-ping-220998","花卉图册·桂花",[23,63,24,25,26,27,7,28,29,154,104,209],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d3d4803a177ac67268b07a8c66a1114.jpg",[35,69],657,{"id":347,"slug":348,"title":349,"dynasty":18,"author":19,"museum":60,"description":350,"tags":351,"thumbUrl":352,"material":27,"size":353,"collection":35,"collections":354,"showCount":355,"zanCount":158,"manualWeight":39,"mainColor":40},220988,"yu-zao-tu-ce-bai-he-yun-shou-ping-220988","鱼藻图册-百合","此套《瓯香馆写生册》共十幅，天津博物馆藏，描写了四时的花果，从春到夏分别是桃花、海棠、碧海珊瑚、牡丹、枇杷、卷丹、洛阳花、凤仙花、菊花、梅花。除了梅花一开，作者写明是学杨补之的水墨画法之外，其余各开全用没骨法，完全不用墨线勾勒，直接用颜色点厾出花朵、叶片、果实，只以色线勾勒叶茎。落色点花的没骨花，既不同于细线勾勒再层层渲染的工笔花卉，也不同于水墨淋漓的大写意花卉，它介于两者之间，也被称作“小写意”花卉。工笔求逼真，写意求意趣，恽氏没骨花所求正在“似与不似之间”。着色花卉自然比纯粹的水墨更逼真，但直接点染的“落色花”比起层层渲染的工笔花卉又有更大的随意性，不必被物象的细枝末节所羁绊，可以放手表现花的风骨。就气质而言，没骨花介于工笔与大写意之间，既不刻画，也不放逸，清新洒脱。",[23,24,25,26,7,27,28,167,93,104],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2762924bf1e1eee5608b789b14168bf1.jpg","37.8x60.5厘米",[35,69],626,{"id":357,"slug":358,"title":359,"dynasty":18,"author":19,"museum":273,"description":274,"tags":360,"thumbUrl":363,"material":278,"size":279,"collection":35,"collections":364,"showCount":365,"zanCount":224,"manualWeight":39,"mainColor":40},221000,"hua-hui-tu-ce-dou-hua-shi-zhu-yun-shou-ping-221000","花卉图册·豆花石竹",[23,24,25,26,7,27,28,361,362],"豆花","石竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99e5a05a9a06168177d3bb7fda38b174.jpg",[35,69],523,{"id":367,"slug":368,"title":369,"dynasty":18,"author":19,"museum":273,"description":274,"tags":370,"thumbUrl":373,"material":278,"size":279,"collection":69,"collections":374,"showCount":376,"zanCount":249,"manualWeight":39,"mainColor":40},220997,"hua-hui-tu-ce-zhu-shi-tu-yun-shou-ping-220997","花卉图册·竹石图",[23,24,25,27,26,7,80,81,371,372,28],"草","果实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ddb009d00a9d8acb3b4ebc9060d819d.jpg",[69,375],"竹石精选",511,{"id":378,"slug":379,"title":380,"dynasty":18,"author":19,"museum":76,"description":77,"tags":381,"thumbUrl":383,"material":33,"size":384,"collection":52,"collections":385,"showCount":386,"zanCount":147,"manualWeight":39,"mainColor":40},216591,"ou-xiang-guan-xie-sheng-ce-3-yun-shou-ping-216591","瓯香馆写生册-3",[24,25,26,27,7,28,48,91,382,92],"树枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2e60e3d8683439073039aa23e65ff0f.jpg","26x36cm",[],506,{"id":388,"slug":389,"title":390,"dynasty":18,"author":19,"museum":76,"description":77,"tags":391,"thumbUrl":394,"material":33,"size":52,"collection":52,"collections":395,"showCount":396,"zanCount":11,"manualWeight":39,"mainColor":40},216592,"ou-xiang-guan-xie-sheng-ce-2-yun-shou-ping-216592","瓯香馆写生册-2",[24,25,63,26,27,7,392,28,103,393],"写生","柳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F018de872e84372dbf68adb58dee36ac1.jpg",[],485,{"id":398,"slug":399,"title":294,"dynasty":18,"author":19,"museum":138,"description":400,"tags":401,"thumbUrl":403,"material":143,"size":52,"collection":52,"collections":404,"showCount":405,"zanCount":406,"manualWeight":39,"mainColor":40},234300,"yun-shou-ping-hua-hui-ce-yun-shou-ping-234300","恽寿平（1633年-1690年），初名格，字惟大，后改字寿平，以字行。别号南田。作为明末清初著名的书画家，他开创了没骨花卉画的独画风，是常州画派的开山祖师。自小敏慧，却一生坎坷\n恽（yùn）寿平出生于官宦之家，又是书香门第，曾祖父、祖父、爹爹、叔父不是为官就是为学，从小敏慧，长相出众，8岁便有咏莲花之诗。清初遭遇战乱，年仅12岁的恽寿平随父远走浙、闽、粤几省，风餐露宿，历尽艰险。后参加了福建建宁王祈的抗清队伍。\n顺治五年（1648年），闽浙总督陈锦率六万清军强攻建宁，15岁的恽寿平坚守孤城。城陷后，与兄皆被虏至清兵营。陈锦无子，其妻见寿平聪明清秀，收为养子。恽寿平虽在总督府生活优裕，但思亲之情未绝。五年后，遇灵隐寺方丈相救，才得以与家人团聚。此后，他刻苦钻研学问，古文、诗词、书画无不精擅。",[24,25,26,7,27,402,105,64,29,28],"行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dc8ee0032281ae979767d6d432d5240.jpg",[],407,2,{"id":408,"slug":409,"title":410,"dynasty":18,"author":19,"museum":138,"description":411,"tags":412,"thumbUrl":415,"material":33,"size":416,"collection":35,"collections":417,"showCount":418,"zanCount":97,"manualWeight":39,"mainColor":40},220275,"tao-hua-tu-yun-shou-ping-220275","桃花图","图绘一花团锦簇的折枝桃花斜入画面。笔法轻快疏秀，设色淡雅清丽，充分体现了以没骨法点染物象的独特魅力，不仅表现出花之媚，叶之柔，同时表现出春光下桃花含烟带雾、“习习香熏薄薄烟”的诗意。",[23,24,25,413,414,7,27,103,104,93],"立轴","花鸟画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6bd26c1e63df902ca04500cd59486069.jpg","纵133厘米，横55.5厘米",[35],384,{"id":420,"slug":421,"title":422,"dynasty":18,"author":19,"museum":138,"description":423,"tags":424,"thumbUrl":427,"material":33,"size":428,"collection":35,"collections":429,"showCount":430,"zanCount":11,"manualWeight":39,"mainColor":40},216084,"ying-su-hua-tu-yun-shou-ping-216084","罂粟花图","此图以恽寿平出古入新所创立的“没骨”法描绘盛开的罂粟花。花瓣、叶不用墨笔勾勒轮廓线，而全以色彩点染而成，颇具摇曳多姿的娇娆之美，达到了他所追求的色、光、态、韵俱佳的艺术境界。恽氏的这种注重形似，但又不以形似为满足的没骨写生法，不仅博得清皇室的喜爱，成为清代院体花鸟的正宗，同时也赢得了市民阶层的喜好。不过，以卖画为生的他，生前其画作并没有受到市场的追捧，58岁病故时，因家贫无力治丧，是王翚为他料理的殡事。",[23,425,24,28,7,27,426,105,31],"扇面","罂粟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52253e14b0a8d4b0eee043bf72225968.jpg","纵16.2厘米，横50.5厘米",[35],346,{"id":432,"slug":433,"title":44,"dynasty":18,"author":19,"museum":114,"description":197,"tags":434,"thumbUrl":436,"material":52,"size":201,"collection":52,"collections":437,"showCount":438,"zanCount":224,"manualWeight":39,"mainColor":40},233896,"hua-hui-ce-yun-shou-ping-233896",[24,25,63,26,27,7,28,435,265,105,31,402],"绣球花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1de138b415462f9c2198e7b482bf75a8.jpg",[],340,{"id":440,"slug":441,"title":442,"dynasty":18,"author":19,"museum":20,"description":229,"tags":443,"thumbUrl":445,"material":446,"size":447,"collection":35,"collections":448,"showCount":449,"zanCount":224,"manualWeight":39,"mainColor":40},220993,"qiu-hai-tang-tu-yun-shou-ping-220993","秋海棠图",[23,24,25,28,7,27,444,93],"海棠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09cce0beb88108cf460712c4b71d3339.jpg","绢本，设色","42x60cm",[35,69],336,{"id":451,"slug":452,"title":453,"dynasty":18,"author":19,"museum":273,"description":274,"tags":454,"thumbUrl":457,"material":278,"size":279,"collection":35,"collections":458,"showCount":459,"zanCount":224,"manualWeight":39,"mainColor":40},220999,"hua-hui-tu-ce-sui-han-san-you-tu-yun-shou-ping-220999","花卉图册·岁寒三友图",[23,24,63,25,26,7,27,28,455,80,456],"松","梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb29a40cff960843c68f7263ecdb0bd8e.jpg",[35,69],326,{"id":461,"slug":462,"title":113,"dynasty":18,"author":19,"museum":114,"description":115,"tags":463,"thumbUrl":464,"material":118,"size":119,"collection":52,"collections":465,"showCount":466,"zanCount":11,"manualWeight":39,"mainColor":40},239431,"hua-niao-ce-yun-shou-ping-239431",[24,25,26,27,7,28,103],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5391d418d6a9273a2cb10bd932c4d201.jpg",[],302,{"id":468,"slug":469,"title":470,"dynasty":18,"author":19,"museum":60,"description":61,"tags":471,"thumbUrl":472,"material":66,"size":67,"collection":52,"collections":473,"showCount":474,"zanCount":475,"manualWeight":39,"mainColor":40},214299,"mu-dan-ce-8-yun-shou-ping-214299","牡丹册-8",[24,25,26,27,7,28,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b8f834fe87b3d9965aaf66b4aec7480.jpg",[],295,1,{"id":477,"slug":478,"title":479,"dynasty":18,"author":19,"museum":273,"description":274,"tags":480,"thumbUrl":481,"material":482,"size":483,"collection":35,"collections":484,"showCount":485,"zanCount":11,"manualWeight":39,"mainColor":40},220995,"hua-hui-tu-ce-tao-hua-yun-shou-ping-220995","花卉图册·桃花",[23,24,25,26,27,7,28,103,29,129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb300ee60f9ba34664528d3e4e7228c38.jpg","绢本","每帧纵32.5厘米，横25.5厘米",[35,69],284,{"id":487,"slug":488,"title":44,"dynasty":18,"author":19,"museum":114,"description":197,"tags":489,"thumbUrl":490,"material":52,"size":201,"collection":52,"collections":491,"showCount":492,"zanCount":249,"manualWeight":39,"mainColor":40},233898,"hua-hui-ce-yun-shou-ping-233898",[24,63,25,26,7,27,28,29,91,265],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F762dbd11be83006cb14a4b005d749e3d.jpg",[],275,{"id":494,"slug":495,"title":496,"dynasty":18,"author":19,"museum":60,"description":61,"tags":497,"thumbUrl":498,"material":66,"size":67,"collection":52,"collections":499,"showCount":500,"zanCount":147,"manualWeight":39,"mainColor":40},214303,"mu-dan-ce-3-yun-shou-ping-214303","牡丹册-3",[24,25,28,64,141,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdffa0ff34f933df084b45570f27fb53d.jpg",[],271,{"id":502,"slug":503,"title":504,"dynasty":18,"author":19,"museum":60,"description":61,"tags":505,"thumbUrl":506,"material":66,"size":67,"collection":52,"collections":507,"showCount":508,"zanCount":475,"manualWeight":39,"mainColor":40},214302,"mu-dan-ce-6-yun-shou-ping-214302","牡丹册-6",[24,25,26,27,28,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf3d8efc49ce810dd44e41bf1722ac45.jpg",[],254,{"id":510,"slug":511,"title":512,"dynasty":18,"author":19,"museum":60,"description":61,"tags":513,"thumbUrl":514,"material":66,"size":67,"collection":52,"collections":515,"showCount":516,"zanCount":475,"manualWeight":39,"mainColor":40},214300,"mu-dan-ce-7-yun-shou-ping-214300","牡丹册-7",[24,63,28,27,7,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0f7b2fc7446ee7009d16b458846da32.jpg",[],251,{"id":518,"slug":519,"title":520,"dynasty":18,"author":521,"museum":114,"description":522,"tags":523,"thumbUrl":526,"material":143,"size":527,"collection":52,"collections":528,"showCount":529,"zanCount":406,"manualWeight":39,"mainColor":40},234803,"fang-yun-shou-ping-hua-hui-zhou-jiang-ji-xi-234803","仿恽寿平花卉轴","蒋季锡","蒋季锡，女（具体生卒年不详），从其画作上判断她大致活动于清康熙至雍正年间（公元1661－1735年），字苹南，江苏常熟人。陕西道监察御史、画家蒋伊之女，大学士蒋廷锡之妹。她出生与官宦书画世家，并常与父兄探讨画理，研习画艺。她的艺术功底深厚，思路开阔，在艺术上刻意求新。其花鸟画学马荃的勾染花卉法，兼学恽寿平的没骨写生法，同时巧妙地吸收了西洋的明暗技法，使她的画作工整细致、写实逼真、别有意境。\n落款自题七言诗一首：“一叶芳心任卷舒，客愁乡梦待何如。平生枉用藤溪纸，绿玉窗前好写书。仿瓯香馆笔意，苹南女史蒋季锡。”钤“苹南”、“季锡”印二方。",[24,25,413,28,27,7,168,524,29,525],"芭蕉","临摹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7049879c68c188c33b57a9d26849b1c6.jpg","纵107厘米，横33.4厘米",[],234,{"id":531,"slug":532,"title":228,"dynasty":18,"author":19,"museum":114,"description":533,"tags":534,"thumbUrl":535,"material":52,"size":52,"collection":52,"collections":536,"showCount":529,"zanCount":249,"manualWeight":39,"mainColor":537},230251,"mu-dan-tu-yun-shou-ping-230251","此作用没骨法写就，以色代线，晕染出牡丹娇柔丰腴之态。白粉牡丹瓣层轻叠，莹润如凝脂；朱砂秾艳不俗，紫花幽柔淡雅，色彩过渡自然清妍，不见勾勒却形神兼备。枝叶以深浅草绿斡染，俯仰顾盼间尽显舒展生机，古拙顽石衬于花下，旁缀幽兰数茎，添清寂古雅之趣。\n\n右上题诗与花木相映，将富贵之态融入澹逸文气，以秀雅之笔消解艳俗，淡而不薄，丽而不妖，把写生之功与文人意趣相融，尽显春日花盛的清和雅致。",[23,24,25,413,27,28,64,174,81,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85bcececee698ff8393e54eef5a76e67.jpg",[],"795548",{"id":539,"slug":540,"title":196,"dynasty":18,"author":19,"museum":114,"description":197,"tags":541,"thumbUrl":543,"material":52,"size":52,"collection":52,"collections":544,"showCount":545,"zanCount":249,"manualWeight":39,"mainColor":40},233911,"hua-hui-shan-shui-ce-yun-shou-ping-233911",[24,25,26,7,27,28,29,444,542],"花叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F365b8ee143cb6b67cd7e5ece42f851e1.jpg",[],218,{"id":547,"slug":548,"title":113,"dynasty":18,"author":19,"museum":114,"description":115,"tags":549,"thumbUrl":550,"material":118,"size":119,"collection":52,"collections":551,"showCount":552,"zanCount":475,"manualWeight":39,"mainColor":40},239432,"hua-niao-ce-yun-shou-ping-239432",[63,24,25,26,7,27,28,29,129,372],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48e378a87f8912632f7510fda2eb40c7.jpg",[],215,{"id":554,"slug":555,"title":44,"dynasty":18,"author":19,"museum":114,"description":197,"tags":556,"thumbUrl":557,"material":52,"size":201,"collection":52,"collections":558,"showCount":552,"zanCount":475,"manualWeight":39,"mainColor":40},233895,"hua-hui-ce-yun-shou-ping-233895",[63,24,25,26,27,7,28,29,170,93],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e39781d8731f909f8ad4b52da88dd7d.jpg",[],{"id":560,"slug":561,"title":562,"dynasty":18,"author":19,"museum":563,"description":564,"tags":565,"thumbUrl":567,"material":66,"size":568,"collection":52,"collections":569,"showCount":570,"zanCount":249,"manualWeight":39,"mainColor":537},216108,"yun-shou-ping-hua-guo-shu-cai-ce-ye-3-yun-shou-ping-216108","恽寿平花果蔬菜册页-3","天津博物馆","恽寿平花果蔬菜册页一共六开，绢本设色，以没骨写意画法依次描写了丝瓜、竹笋、竹子、葡萄、茄子、扁豆、白菜、芋头等日常蔬果，笔致灵动、色调雅致清新，描写入微，蔬果的叶尖、芽尖也刻画细致生动，尽显淡然天真之气，是恽寿平晚年描绘蔬果的没骨精品。 此册页每一页所绘蔬果都有刘墉相应赋诗一首，书法浑厚大气，古朴自然，自成一派，看似松散，实则丰貌骨劲。刘墉所描写蔬果诗文生动质朴，贴近生活，与恽寿平描绘的蔬果相应成趣，极大增加了观赏趣味。",[24,25,26,27,7,28,566,92,93,372],"葡萄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e662822fd50f45acad8354abff8c0d6.jpg","26.1x19.9cm",[],206,{"id":572,"slug":573,"title":574,"dynasty":575,"author":576,"museum":138,"description":577,"tags":578,"thumbUrl":581,"material":482,"size":582,"collection":35,"collections":583,"showCount":584,"zanCount":475,"manualWeight":39,"mainColor":537},222048,"mei-gu-hua-hui-tiao-fu-wang-zhong-222048","没骨花卉条幅","明","汪中","绘花鸟虫石一幅，湖石立于地面，棱角尖锐，内部多孔，其四周有月季、金银花穿插之中，花儿娇艳，虫蝶生动活泼。汪中，字容甫，清朝时期著名的哲学家、文学家、史学家，与阮元、焦循同为“扬州学派” 的杰出代表。",[23,24,25,413,7,27,28,81,29,174,579,92,129,580],"蜻蜓","花朵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a80d2f3763b05356d5be7d88d57866d.jpg","54.4x113.9",[35,69],204,{"id":586,"slug":587,"title":113,"dynasty":18,"author":19,"museum":114,"description":115,"tags":588,"thumbUrl":590,"material":118,"size":119,"collection":52,"collections":591,"showCount":592,"zanCount":249,"manualWeight":39,"mainColor":40},239434,"hua-niao-ce-yun-shou-ping-239434",[24,27,7,28,26,589,92,93,105],"牵牛花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68f83bf355d91cd4fd4d269c81b711e7.jpg",[],203,{"id":594,"slug":595,"title":44,"dynasty":18,"author":19,"museum":114,"description":197,"tags":596,"thumbUrl":597,"material":52,"size":201,"collection":52,"collections":598,"showCount":599,"zanCount":406,"manualWeight":39,"mainColor":40},233900,"hua-hui-ce-yun-shou-ping-233900",[24,25,63,26,7,27,91,129,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa0a7750d865b52861787be6b9bef938.jpg",[],201,{"id":601,"slug":602,"title":603,"dynasty":18,"author":19,"museum":60,"description":229,"tags":604,"thumbUrl":608,"material":27,"size":609,"collection":35,"collections":610,"showCount":611,"zanCount":406,"manualWeight":39,"mainColor":40},220984,"yin-xing-li-fang-yun-shou-ping-220984","银杏栗房",[23,24,25,26,7,27,141,605,606,129,607],"银杏","栗房","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff79d66c05b6bf9a17cc28bba35d1c764.jpg","50.8厘米",[35,69],170,{"id":613,"slug":614,"title":113,"dynasty":18,"author":19,"museum":114,"description":115,"tags":615,"thumbUrl":616,"material":118,"size":119,"collection":52,"collections":617,"showCount":618,"zanCount":406,"manualWeight":39,"mainColor":40},239440,"hua-niao-ce-yun-shou-ping-239440",[24,25,26,27,7,28,168],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b3627af4cb98f39b311d922f9322c36.jpg",[],169,{"id":620,"slug":621,"title":294,"dynasty":18,"author":19,"museum":114,"description":115,"tags":622,"thumbUrl":623,"material":118,"size":119,"collection":52,"collections":624,"showCount":625,"zanCount":249,"manualWeight":39,"mainColor":40},235684,"yun-shou-ping-hua-hui-ce-yun-shou-ping-235684",[24,25,26,27,28,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6930bde3108470cfd97757dcaf702f3.jpg",[],163,{"id":627,"slug":628,"title":319,"dynasty":18,"author":19,"museum":60,"description":629,"tags":630,"thumbUrl":631,"material":323,"size":324,"collection":35,"collections":632,"showCount":633,"zanCount":39,"manualWeight":39,"mainColor":40},220977,"hua-hui-shan-shui-he-ce-yun-shou-ping-220977","初工山水，笔墨秀峭，后与王翚交往，多作花卉，重视写生，往往用水墨淡彩，清润明丽，自成一格，有“恽派”之称。\n人称其笔有仙气，与王时敏、王鉴、王翚、王原祁、吴历齐名，为“清初六大家”之一。",[23,24,25,63,26,27,7,28,64,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76f579f145d671f95c77813259add473.jpg",[35,69],156,{"id":635,"slug":636,"title":637,"dynasty":18,"author":19,"museum":114,"description":638,"tags":639,"thumbUrl":641,"material":27,"size":642,"collection":35,"collections":643,"showCount":633,"zanCount":224,"manualWeight":39,"mainColor":537},220136,"yan-qiu-tu-yun-shou-ping-220136","艳秋图","此作为没骨花鸟之佳作，以晕染代勾勒，将秋花柔姿与顽石苍朴相融。红白菊花错落在嶙峋奇石间，瓣层舒展鲜活，设色明雅清润，艳而不俗。旁侧秋卉轻曳，石畔细草偃仰，层次铺陈自然和谐。\n\n画中不见刚硬线条，全以色泽晕染出花叶的蓬松柔润、山石的糙粝质感，将秋日群芳的妍丽雅致晕于绢素，鲜活灵动间满溢江南文人的温婉意趣。写实中暗含写意闲情，晕染出深秋清妍静雅的澹澹秋韵。",[23,24,25,413,27,7,640,219,31],"菊花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6547396a7425eb4e68a17e14638ceff.jpg","165×69.7厘米",[35],{"id":645,"slug":646,"title":44,"dynasty":18,"author":19,"museum":114,"description":197,"tags":647,"thumbUrl":649,"material":52,"size":201,"collection":52,"collections":650,"showCount":651,"zanCount":39,"manualWeight":39,"mainColor":40},233897,"hua-hui-ce-yun-shou-ping-233897",[24,25,26,27,7,28,29,648,105],"鱼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc808c246006bd21e0410433b0454b719.jpg",[],154,{"id":653,"slug":654,"title":196,"dynasty":18,"author":19,"museum":114,"description":197,"tags":655,"thumbUrl":657,"material":52,"size":52,"collection":52,"collections":658,"showCount":659,"zanCount":11,"manualWeight":39,"mainColor":40},233907,"hua-hui-shan-shui-ce-yun-shou-ping-233907",[63,24,25,26,27,7,141,28,589,92,93,656,105],"花苞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F141cf9f332104177044cc00b6174e0b6.jpg",[],151,{"id":661,"slug":662,"title":113,"dynasty":18,"author":19,"museum":114,"description":115,"tags":663,"thumbUrl":666,"material":118,"size":119,"collection":52,"collections":667,"showCount":668,"zanCount":475,"manualWeight":39,"mainColor":40},239439,"hua-niao-ce-yun-shou-ping-239439",[24,63,26,7,27,28,664,80,665],"荷","水禽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec7e30a442cbdb53613fd8222a1bae4f.jpg",[],145,{"id":670,"slug":671,"title":672,"dynasty":18,"author":19,"museum":563,"description":564,"tags":673,"thumbUrl":676,"material":66,"size":568,"collection":52,"collections":677,"showCount":668,"zanCount":406,"manualWeight":39,"mainColor":537},216107,"yun-shou-ping-hua-guo-shu-cai-ce-ye-4-yun-shou-ping-216107","恽寿平花果蔬菜册页-4",[24,26,27,141,7,28,674,675,265],"蔬菜","茄子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d6bc6ad63fe8327a7125c68b0f32629.jpg",[],{"id":679,"slug":680,"title":44,"dynasty":18,"author":19,"museum":114,"description":197,"tags":681,"thumbUrl":682,"material":52,"size":201,"collection":52,"collections":683,"showCount":684,"zanCount":39,"manualWeight":39,"mainColor":40},233894,"hua-hui-ce-yun-shou-ping-233894",[24,25,28,27,7,103,382,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6264e10266425c21b4f12e01ab8d910.jpg",[],143,{"id":686,"slug":687,"title":196,"dynasty":18,"author":19,"museum":114,"description":197,"tags":688,"thumbUrl":689,"material":52,"size":201,"collection":52,"collections":690,"showCount":691,"zanCount":475,"manualWeight":39,"mainColor":40},233902,"hua-hui-shan-shui-ce-yun-shou-ping-233902",[24,25,63,26,7,27,28,168,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb250b9fd14df750f14494c9e5f68270.jpg",[],139,{"id":693,"slug":694,"title":695,"dynasty":18,"author":19,"museum":563,"description":564,"tags":696,"thumbUrl":698,"material":66,"size":568,"collection":52,"collections":699,"showCount":700,"zanCount":39,"manualWeight":39,"mainColor":537},216106,"yun-shou-ping-hua-guo-shu-cai-ce-ye-5-yun-shou-ping-216106","恽寿平花果蔬菜册页-5",[24,25,26,79,7,674,697],"白菜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4f5f53e977e7efc527a9d38d0124d37.jpg",[],137,{"id":702,"slug":703,"title":704,"dynasty":18,"author":19,"museum":138,"description":705,"tags":706,"thumbUrl":708,"material":482,"size":709,"collection":35,"collections":710,"showCount":711,"zanCount":475,"manualWeight":39,"mainColor":40},220973,"shuang-qing-tu-yun-shou-ping-220973","双清图","本幅是恽寿平55岁时所作。以“双清”为画名是因为梅花以“众芳摇落独暄妍”的品格而水仙以淡色疏香和清气逼人的特性同被视为传统绘画题材中的“清物”。此图以淡花青晕染绢地，烘托双清的花色。梅树苍干繁枝，横斜取势，其花瓣法南宋扬无咎的画法，即以墨笔圈线为瓣，线条雅秀雄健，勾勒出花之勃勃生机。水仙法元人赵孟坚的白描笔韵，叶片用笔富于急迟、粗细、顿折诸变化，花儿或仰或俯，或张或合，亦变化多端。作者以活泼多变的表现技法成功地展示出梅花、水仙暗香浮动的美感。全图不刻意求工、求似，唯求自然天趣，揭示出恽寿平一向所追求的平淡超逸的审美意趣。",[23,24,25,413,27,28,7,456,707,105],"兰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8da6c06676028e116b16baef378dbe92.jpg","纵88.5cm，横54cm",[35,69],135,{"id":713,"slug":714,"title":196,"dynasty":18,"author":19,"museum":114,"description":197,"tags":715,"thumbUrl":717,"material":52,"size":52,"collection":52,"collections":718,"showCount":719,"zanCount":39,"manualWeight":39,"mainColor":40},233909,"hua-hui-shan-shui-ce-yun-shou-ping-233909",[24,25,26,27,7,29,81,371,716,105],"竹子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6174e80dbb9482ece91dbfbb01b8787f.jpg",[],130,{"id":721,"slug":722,"title":113,"dynasty":18,"author":19,"museum":114,"description":115,"tags":723,"thumbUrl":726,"material":118,"size":119,"collection":52,"collections":727,"showCount":728,"zanCount":39,"manualWeight":39,"mainColor":40},239437,"hua-niao-ce-yun-shou-ping-239437",[24,25,26,27,7,28,648,724,725],"水草","花瓣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffea37733e86b90f083dc9a91eca90815.jpg",[],129,{"id":730,"slug":731,"title":294,"dynasty":18,"author":19,"museum":114,"description":115,"tags":732,"thumbUrl":733,"material":118,"size":119,"collection":52,"collections":734,"showCount":735,"zanCount":475,"manualWeight":39,"mainColor":40},235085,"yun-shou-ping-hua-hui-ce-yun-shou-ping-235085",[24,26,7,27,29,129,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61a7b3aafdec8a0f229dbcde14d2bdc4.jpg",[],124,{"id":737,"slug":738,"title":196,"dynasty":18,"author":19,"museum":114,"description":197,"tags":739,"thumbUrl":750,"material":52,"size":52,"collection":52,"collections":751,"showCount":735,"zanCount":475,"manualWeight":39,"mainColor":40},233905,"hua-hui-shan-shui-ce-yun-shou-ping-233905",[24,7,27,79,740,80,741,29,742,105,743,744,745,746,747,748,749],"皴法","石","兰草","苔草","红色花卉","黄色花卉","竹叶","竹笋","石块","花草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4377c657f826c18b3596050a5963db15.jpg",[],{"id":753,"slug":754,"title":755,"dynasty":18,"author":19,"museum":60,"description":756,"tags":757,"thumbUrl":758,"material":759,"size":52,"collection":35,"collections":760,"showCount":761,"zanCount":406,"manualWeight":39,"mainColor":40},220979,"ping-shan-mian-hua-ce-yun-shou-ping-220979","平扇面畫冊","扇面顧名思義就是扇子形狀的一個面，在幾何上是這樣定義何為扇形的：一條弧和經過這條弧兩端的兩條半徑所圍成的圖形叫扇形，那麼扇面是不是就是一個扇形的面呢？其實並不是。\n現多指為書畫作品的一種形式，分為摺扇和團扇。",[23,425,7,27,28,64,29,129,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec7984a13c489e6e7b3ce49166670d47.jpg","纸本设色",[35,69],123,{"id":763,"slug":764,"title":765,"dynasty":18,"author":19,"museum":563,"description":564,"tags":766,"thumbUrl":768,"material":66,"size":568,"collection":52,"collections":769,"showCount":770,"zanCount":39,"manualWeight":39,"mainColor":537},216105,"yun-shou-ping-hua-guo-shu-cai-ce-ye-6-yun-shou-ping-216105","恽寿平花果蔬菜册页-6",[24,25,26,7,27,79,141,674,767,31,105],"花果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3724ec920b115a05ae3e781e2301e54f.jpg",[],119,{"id":772,"slug":773,"title":774,"dynasty":18,"author":19,"museum":20,"description":775,"tags":776,"thumbUrl":777,"material":66,"size":335,"collection":52,"collections":778,"showCount":779,"zanCount":249,"manualWeight":39,"mainColor":40},219815,"hua-hui-shi-kai-8-yun-shou-ping-219815","花卉十开-8","此作以没骨法绘鸢尾，淡紫花瓣晕染柔润细腻，深浅紫韵自然晕开，将含露轻绽的娇柔情态尽致铺陈。叶片以汁绿分染，浅赭醒出叶筋，苍润舒展，与柔花形成刚柔互衬的清和意趣。\n\n左侧题书与花绘相映，诗画交融，逸韵悠然。全作弃墨线勾勒，以色造型，明洁秀润尽显清逸冶丽之风，将花草天趣与文人情思相融，淡冶之中自有静雅高致，是没骨花鸟的精妙佳构。",[63,24,25,26,7,27,29,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff281040b68aa6c58226f8690b30d0dcf.jpg",[],117,{"id":781,"slug":782,"title":294,"dynasty":18,"author":19,"museum":114,"description":115,"tags":783,"thumbUrl":784,"material":118,"size":119,"collection":52,"collections":785,"showCount":12,"zanCount":475,"manualWeight":39,"mainColor":40},235082,"yun-shou-ping-hua-hui-ce-yun-shou-ping-235082",[24,25,26,27,7,402,105,28,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18f6cfe7b0c9fd846a94eda0dfacb50e.jpg",[],{"id":787,"slug":788,"title":789,"dynasty":18,"author":19,"museum":20,"description":790,"tags":791,"thumbUrl":792,"material":66,"size":335,"collection":52,"collections":793,"showCount":794,"zanCount":406,"manualWeight":39,"mainColor":40},219820,"hua-hui-shi-kai-3-yun-shou-ping-219820","花卉十开-3","以没骨技法晕染桃花，枝桠清疏舒展，粉瓣柔妍动人。花色由深粉晕向柔白，过渡柔和自然，将桃花初绽的缱绻柔态尽显，仿佛携带着春日融融暖意。嫩绿叶芽点缀枝间，与粉花相映，愈衬花色明丽清新，未用轮廓勾勒却形神兼备。\n\n左侧题诗与右侧钤印呼应，诗画交融，将桃花不拟梅之傲雪、自有柔香引蝶的雅致品格点明，文人意趣跃然纸上。整幅画作清润秀雅，尽显淡逸之风，将春日桃花的娇柔定格，雅致脱俗，尽显没骨花鸟的动人韵味。",[24,63,25,26,7,27,28,29,104,93,31,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff19bf3a15b42d07ec373376a6522b8c.jpg",[],114,{"id":796,"slug":797,"title":798,"dynasty":18,"author":19,"museum":20,"description":799,"tags":800,"thumbUrl":801,"material":66,"size":335,"collection":52,"collections":802,"showCount":803,"zanCount":406,"manualWeight":39,"mainColor":40},219816,"hua-hui-shi-kai-7-yun-shou-ping-219816","花卉十开-7","这幅没骨花卉以柔淡晕染写就虞美人，花瓣由深粉向浅肉色自然过渡，将盛放时的娇慵舒展尽显无遗，薄如蝉翼的质感仿佛带着晨露的温润。叶片以嫩绿晕染，叶脉细劲清透，鲜活的生机随枝蔓漫溢开来。\n\n整幅画作摒弃勾勒轮廓的笔线，纯以色泽铺陈造型，色调雅净柔和，尽显空灵秀润之美。不着一笔多余的浓墨重彩，只以浅淡层次烘托出花草的天然意趣，将江南文人的清雅诗意融于尺幅间，仿佛能窥见晚春庭中花木的恬然风姿，予人静穆悠然的隽永观感。",[63,24,27,7,28,26,29,656,93],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23945fb0fe4a99f23fff1b0f01143428.jpg",[],113,{"id":805,"slug":806,"title":807,"dynasty":18,"author":19,"museum":20,"description":808,"tags":809,"thumbUrl":810,"material":66,"size":335,"collection":52,"collections":811,"showCount":812,"zanCount":475,"manualWeight":39,"mainColor":40},219817,"hua-hui-shi-kai-6-yun-shou-ping-219817","花卉十开-6","此作以没骨法绘就，以色代笔晕染柔润。粉白花瓣清透柔和，从边缘淡紫晕向花心莹白，将海棠怯怯娇柔的姿态尽显。叶片分敷粉绿，色泽过渡自然细润，以劲细线条勾勒叶脉，摹画出叶片舒展之态。\n\n整体格调清逸淡雅，摒弃轮廓勾勒的硬挺，纯以色彩晕染出花木鲜活生机，尽显文人情致里的秀润空灵，仿佛将庭前暮春幽花轻绽之景凝于绢上。笔简意足，将草木柔婉清丽的天趣诗意展现淋漓尽致。",[24,28,26,7,27,141,29,93,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe782f4173741fead3fb94a5abbe98375.jpg",[],112,{"id":814,"slug":815,"title":294,"dynasty":18,"author":19,"museum":114,"description":115,"tags":816,"thumbUrl":817,"material":118,"size":119,"collection":52,"collections":818,"showCount":819,"zanCount":39,"manualWeight":39,"mainColor":40},235084,"yun-shou-ping-hua-hui-ce-yun-shou-ping-235084",[24,25,26,27,7,28,49,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d27a48961942f8bb0bbc6702c8f07b6.jpg",[],111,{"id":821,"slug":822,"title":196,"dynasty":18,"author":19,"museum":114,"description":197,"tags":823,"thumbUrl":828,"material":52,"size":52,"collection":52,"collections":829,"showCount":830,"zanCount":39,"manualWeight":39,"mainColor":40},233906,"hua-hui-shan-shui-ce-yun-shou-ping-233906",[24,256,26,7,27,105,824,825,648,826,827],"柳树","松树","明月","落花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F45310b0b5b6eed41b29e10791b123347.jpg",[],110,{"id":832,"slug":833,"title":834,"dynasty":18,"author":19,"museum":20,"description":835,"tags":836,"thumbUrl":838,"material":66,"size":335,"collection":52,"collections":839,"showCount":840,"zanCount":406,"manualWeight":39,"mainColor":40},219819,"hua-hui-shi-kai-4-yun-shou-ping-219819","花卉十开-4","此作以没骨法绘就杜鹃，枝桠舒展错落，艳红杜鹃次第绽放在绢素之上。花瓣以色晕染，从浓烈朱红渐过渡到柔粉，边缘轻透灵动，将盛放时的娇柔鲜活尽数呈现。叶片敷色层次分明，苍嫩绿意与丹红花瓣相映，鲜活雅致。\n右上角题诗与绘面呼应，诗画交融，将杜鹃含露待放的山野清灵勾勒入心。整作不用墨骨，纯以色彩塑形晕染，尽显清雅文人意趣，把春日杜鹃的生机定格，静谧间满溢草木蓬勃灵气，藏着笔下花木写意的雅致情致。",[24,25,26,27,7,28,29,837,129],"杜鹃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd845887bc2884d5aced37e1e46e150a4.jpg",[],108,{"id":842,"slug":843,"title":294,"dynasty":18,"author":19,"museum":114,"description":115,"tags":844,"thumbUrl":845,"material":118,"size":119,"collection":52,"collections":846,"showCount":847,"zanCount":475,"manualWeight":39,"mainColor":40},235083,"yun-shou-ping-hua-hui-ce-yun-shou-ping-235083",[63,24,25,26,27,7,28,29,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd080a0982598eaf4d529200e5e92e27c.jpg",[],107,{"id":849,"slug":850,"title":851,"dynasty":852,"author":853,"museum":114,"description":854,"tags":855,"thumbUrl":858,"material":52,"size":52,"collection":52,"collections":859,"showCount":847,"zanCount":39,"manualWeight":39,"mainColor":537},227518,"mo-li-hua-tu-zhao-chang-227518","茉莉花图","宋","赵昌","赵昌（730—814），字洪祚，天水人。祖不器，父居贞，皆有名于时。李承昭为昭义节度，辟昌在幕府。贞元七年，为虔州刺史。属安南都护为夷獠所逐，拜安南都护，夷人率化。十年，因屋坏伤胫，恳疏乞还，以检校兵部郎中裴泰代之，入拜国子祭酒。及泰为首领所逐，德宗诏昌问状。昌时年七十二，而精健如少年者，德宗奇之，复命为都护，南人相贺。",[23,63,24,25,856,425,141,27,7,28,857,129],"宋代","茉莉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c26aa0a5bf06d8540629ecbc54cada7.jpg",[],{"id":861,"slug":862,"title":863,"dynasty":18,"author":19,"museum":20,"description":864,"tags":865,"thumbUrl":866,"material":66,"size":335,"collection":52,"collections":867,"showCount":847,"zanCount":11,"manualWeight":39,"mainColor":40},219814,"hua-hui-shi-kai-9-yun-shou-ping-219814","花卉十开-9","这幅没骨花卉，以淡色晕染出栀子清姿，不用墨线拘囿轮廓，色阶自然过渡，将花瓣莹白温润的质感描摹入微。盛放的花朵舒展柔瓣，如琼玉初绽；待放的花苞敛藏静美，浓淡不一的青叶或苍润鲜碧，或带枯斑，枯荣相衬，更显生机清隽。左上角题诗与画意相融，笔墨间漫溢着文人画的清雅淡远，将江南草木的温婉灵秀，化作平和冲淡的审美意趣，尽显雅致脱俗的笔墨格调。",[24,25,26,27,141,7,28,29,93,104,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1235f17160dbe697ecea3722caedca0e.jpg",[],{"id":869,"slug":870,"title":871,"dynasty":18,"author":19,"museum":60,"description":872,"tags":873,"thumbUrl":874,"material":875,"size":876,"collection":52,"collections":877,"showCount":878,"zanCount":475,"manualWeight":39,"mainColor":40},232677,"dong-li-qiu-se-tu-yun-shou-ping-232677","东篱秋色图","恽寿平(1633~1690)，初名格，字寿平，后以字行，更字正叔，号南田、云溪外史、东园生，晚年又号白云外史、瓯香散人。善画山水、花卉。早年画山水，取法元、五代大家。中年后以画花卉为主，自创一种名为“仿北宋徐崇嗣”的没骨花卉画法，即以潇洒秀逸的用笔直接点蘸敷染而成。这种画法独开生面，风靡一时。其山水画创作亦从未间断，有很高成就，笔墨灵秀，以神韵、情趣取胜。作品有《晴川揽胜图轴》、《设色花卉册》、《花果图册》等。",[256,24,25,413,28,29,27,7,640,129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62e5c11e2567494e206962fa4dbf026f.jpg","绢本设色","107.6x54.5厘米",[],105,{"id":880,"slug":881,"title":882,"dynasty":18,"author":19,"museum":20,"description":883,"tags":884,"thumbUrl":885,"material":66,"size":335,"collection":52,"collections":886,"showCount":887,"zanCount":475,"manualWeight":39,"mainColor":40},219821,"hua-hui-shi-kai-2-yun-shou-ping-219821","花卉十开-2","这幅花卉以没骨之法绘就，淡赭底衬出清透雅致的基调。嫩黄花瓣以轻匀色彩晕染，边缘微微化开，仿佛带着朝露舒展，花蕊明黄点睛，尽显娇妍柔媚。叶片以深浅绿意区分阴阳向背，细劲墨线勾勒叶脉，将草木鲜润柔嫩的质感全然带出。\n\n花枝穿插错落，删繁就简，毫无生硬雕琢之感。全作以色彩堆叠出花叶层次，不见勾勒硬线，尽显江南花木清隽秀雅的天趣，将仲夏篱边悠然自在的清景凝于尺幅，淡静雅致间蕴藏蓬勃自然生机。",[24,25,26,27,28,29,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02991a6910c01aff3d84e90e53c39c06.jpg",[],104,{"id":889,"slug":890,"title":891,"dynasty":18,"author":19,"museum":20,"description":892,"tags":893,"thumbUrl":894,"material":66,"size":335,"collection":52,"collections":895,"showCount":896,"zanCount":406,"manualWeight":39,"mainColor":40},219818,"hua-hui-shi-kai-5-yun-shou-ping-219818","花卉十开-5","此作用没骨法绘就，不见墨线勾勒，纯以色泽晕染造型。粉紫月季花瓣自瓣根至瓣尖由深渐浅，层层晕开，盛放者娇柔饱满，含苞花蕾玲珑含露，柔媚动人。叶片以深浅青绿区分阴阳向背，色泽清润鲜活，将月季的盎然生机传神铺陈。画面右侧题字配朱印，与花叶相映成趣，融笔墨意趣与写生精妙为一体，尽显雅致秀逸的文人意趣，把花卉清妍之态鲜活定格，笔墨简淡却意蕴悠长，尽显淡雅明净的审美意趣，将月季柔媚风姿静静铺展于绢素之上。",[24,27,7,28,170,29,141],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9bce3f469d9ea7fa61fd921e063a2d5f.jpg",[],100,{"id":898,"slug":899,"title":704,"dynasty":18,"author":19,"museum":114,"description":705,"tags":900,"thumbUrl":903,"material":446,"size":904,"collection":35,"collections":905,"showCount":906,"zanCount":39,"manualWeight":39,"mainColor":40},220974,"shuang-qing-tu-yun-shou-ping-220974",[23,24,25,413,256,7,27,28,901,171,104,209,902],"梅花","传统技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25d9b08a441f3b8f0cf2cc92ce26149c.jpg","纵88.5厘米，横54厘米",[35,69],98,{"id":908,"slug":909,"title":910,"dynasty":18,"author":19,"museum":114,"description":274,"tags":911,"thumbUrl":912,"material":913,"size":914,"collection":35,"collections":915,"showCount":916,"zanCount":39,"manualWeight":39,"mainColor":182},221001,"hua-hui-li-zhou-yun-shou-ping-221001","花卉立轴",[23,24,413,7,27,28,64,80,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb72df777f65aff6071f8368bf22ed0ab.jpg","纸","48.5×118.5",[35,69],96,{"id":918,"slug":919,"title":920,"dynasty":852,"author":921,"museum":138,"description":922,"tags":923,"thumbUrl":927,"material":928,"size":929,"collection":930,"collections":931,"showCount":932,"zanCount":39,"manualWeight":39,"mainColor":40},221333,"pi-pa-shan-niao-tu-ye-zhao-ji-221333","枇杷山鸟图页","赵佶","本幅款押“天下一人”。钤“御书”朱文葫芦形印一方。裱边题签：“宋宣和枇杷山鸟”。鉴藏印钤“宣统御览之宝”，中缝钤“八征耄念之宝”、“太上皇帝之宝”朱文印各一方。\n图中枇杷果实累累，枝叶繁盛。一山雀栖于枝上，翘首回望翩翩凤蝶，神情生动。此图体现崔白清澹之体。宋徽宗赵佶的花鸟画以设色为多，然而此图纯以水墨勾染而成，格调高雅，略似没骨画效果，别具一种苍劲细腻之韵致，体现了赵佶多方面的绘画才能。\n对开有清乾隆御题诗一首：“结实圆而椭，枇杷因以名。徒传象厥体，奚必问其声。鸟自讬形稳，蝶还翻影轻。宣和工位置，何事失东京。”感慨宋徽宗如此精于绘画，工于构图和经营位置，缘何却把国家丢失了？",[23,24,25,425,79,141,7,28,924,925,926,31,105],"枇杷","山雀","凤蝶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facbc63c4273f7440564bd9b6a15e123f.jpg","绢本墨笔","纵22.6厘米，横24.5厘米","宋画精选",[930,35,69],93,{"id":934,"slug":935,"title":113,"dynasty":18,"author":19,"museum":114,"description":115,"tags":936,"thumbUrl":937,"material":118,"size":119,"collection":52,"collections":938,"showCount":939,"zanCount":39,"manualWeight":39,"mainColor":40},239433,"hua-niao-ce-yun-shou-ping-239433",[24,25,26,7,27,79,28,105,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F142b6495fb6062dbc404fdab2aa71537.jpg",[],76,{"id":941,"slug":942,"title":943,"dynasty":852,"author":944,"museum":60,"description":945,"tags":946,"thumbUrl":948,"material":949,"size":950,"collection":52,"collections":951,"showCount":952,"zanCount":39,"manualWeight":39,"mainColor":40},289352,"pi-pa-shou-dai-tu-xu-chong-si-289352","枇杷绶带图","徐崇嗣","徐崇嗣，北宋画家。徐熙孙。擅画草虫、禽鱼、蔬果、花木及蚕茧等。其画初承家学，因不合当时图画院程式和风尚，遂改学黄筌、黄居寀父子。后自创新体，所作不用墨笔钩勒，而直接以彩色晕染，世称“没骨图”，也称“没骨花”。兄徐崇勋、弟徐崇矩，均擅画花鸟，崇矩并工士女。",[63,24,25,425,28,27,7,924,947,402,105],"飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3638daf283762690d69128dce425c2f8.jpg","绢","25.7x27.8",[],74,{"id":954,"slug":955,"title":44,"dynasty":18,"author":19,"museum":114,"description":197,"tags":956,"thumbUrl":958,"material":52,"size":201,"collection":52,"collections":959,"showCount":960,"zanCount":39,"manualWeight":39,"mainColor":40},233899,"hua-hui-ce-yun-shou-ping-233899",[24,25,26,7,79,27,28,29,957,265,580],"枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1d0de15881eaef9e1fd66f6593c6ec1.jpg",[],71,{"id":962,"slug":963,"title":964,"dynasty":18,"author":965,"museum":114,"description":966,"tags":967,"thumbUrl":969,"material":52,"size":52,"collection":52,"collections":970,"showCount":971,"zanCount":39,"manualWeight":39,"mainColor":40},230124,"hua-hui-shi-er-kai-ren-yi-230124","花卉十二开","任颐","此作用淡墨晕染湖石，兼以浓墨勾皴纹理，苍润朴拙，自带沉静古雅之气。右上方艳红浆果攒簇饱满，似燃着点点丹砂，浓墨枝叶分映阴阳，层次宛然，红果墨叶相互衬映，明丽又不失清雅。\n画面兼工带写，花果鲜妍生动，湖石苍劲静穆，一动一静相映成趣。题字笔意纵逸，与画境相融，将文人写意的隽秀风骨与秋实的鲜活生机揉合一处，寥寥数笔便尽显雅致意趣，堪称小品佳作。",[24,27,28,81,29,968,25,63,79,7],"写意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28cad6736c0bce09b9ac3ea758c58ce7.jpg",[],67,{"id":973,"slug":974,"title":303,"dynasty":18,"author":19,"museum":114,"description":115,"tags":975,"thumbUrl":976,"material":118,"size":119,"collection":52,"collections":977,"showCount":978,"zanCount":39,"manualWeight":39,"mainColor":40},239427,"shan-shui-hua-hui-ce-yun-shou-ping-239427",[24,25,26,79,27,28,29,105,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9406c01c9cf327977d6f77fd93d7de67.jpg",[],64,{"id":980,"slug":981,"title":982,"dynasty":575,"author":983,"museum":138,"description":984,"tags":985,"thumbUrl":987,"material":446,"size":988,"collection":52,"collections":989,"showCount":38,"zanCount":475,"manualWeight":39,"mainColor":537},233881,"fu-rong-e-tu-zhou-sun-long-233881","芙蓉鹅图轴","孙隆","图绘池塘草畔，一只大鹅昂首前望，侧立于芙蓉、湖石下。芙蓉花叶用先点后勾法画成，墨、色相间。太湖石以没骨法渲染。鹅则兼用没骨与勾勒，以淡墨线勾勒轮廓、羽毛，淡墨渲染花色，朱棕赭石填染咀和掌，造型严整，笔致工细。整幅画不拘泥于细节的刻划，而是从整体出发，着力表现白鹅、芙蓉的生动神态。\n在画法上，作者将写意与写形、没骨与勾勒、水墨与淡彩融为一体，和谐地统一于图画之中。这种画法的渊源，应为宋、元以来水墨写意花鸟技法的发展和变异，是孙隆的一种创造，开写意花鸟画之新风。此图为其存世佳作。",[24,63,25,413,28,27,7,169,986,50,724],"鹅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4161d97123ab1447f6e046cfecf58534.jpg","纵159.3厘米，横84.1厘米",[],{"id":991,"slug":992,"title":993,"dynasty":18,"author":19,"museum":114,"description":994,"tags":995,"thumbUrl":996,"material":33,"size":997,"collection":35,"collections":998,"showCount":999,"zanCount":39,"manualWeight":39,"mainColor":40},219990,"yao-pu-qiong-pa-tu-yun-shou-ping-219990","瑶圃琼葩图","图绘湖石一块，形状怪异；后有牡丹围绕，枝繁叶茂，枝头花朵或粉红，或红白相间，花瓣层层叠叠，层次清晰。此幅敷色生硬，或是后人摹本。",[23,24,25,28,63,413,7,27,141,64,219,716,29,129,104],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52a659286fd748d9c56f400aa903af4c.jpg","120×54",[35],56,{"id":1001,"slug":1002,"title":1003,"dynasty":18,"author":19,"museum":114,"description":115,"tags":1004,"thumbUrl":1006,"material":1007,"size":1008,"collection":69,"collections":1009,"showCount":1010,"zanCount":39,"manualWeight":39,"mainColor":40},221003,"hua-guo-shu-cai-ce-ye-yun-shou-ping-221003","花果蔬菜册页",[23,24,25,26,7,27,79,28,1005],"蔬果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38aaa574a7446c4481fe42d5b8f15d83.jpg","纸本 设色 册页","23 X 28 CM X 10",[69],50,{"id":1012,"slug":1013,"title":294,"dynasty":18,"author":19,"museum":114,"description":115,"tags":1014,"thumbUrl":1015,"material":118,"size":119,"collection":52,"collections":1016,"showCount":1017,"zanCount":39,"manualWeight":39,"mainColor":40},235086,"yun-shou-ping-hua-hui-ce-yun-shou-ping-235086",[24,25,26,27,7,28,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70b0a915e22f1438d7007f6edc85c06e.jpg",[],49,{"id":1019,"slug":1020,"title":303,"dynasty":18,"author":19,"museum":114,"description":115,"tags":1021,"thumbUrl":1023,"material":118,"size":119,"collection":52,"collections":1024,"showCount":1025,"zanCount":39,"manualWeight":39,"mainColor":40},239429,"shan-shui-hua-hui-ce-yun-shou-ping-239429",[63,24,25,26,27,7,402,1022,29],"山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4165765c72dedf8943fa5f69a909a7c7.jpg",[],31,{"id":1027,"slug":1028,"title":1029,"dynasty":18,"author":19,"museum":20,"description":1030,"tags":1031,"thumbUrl":1032,"material":52,"size":52,"collection":35,"collections":1033,"showCount":1034,"zanCount":39,"manualWeight":39,"mainColor":1035},203130,"chun-hua-tu-ce-yun-shou-ping-203130","春花图册","枝桠婉转伸展，桃花嫣然绽放。花瓣以没骨法晕染，淡粉层叠过渡，似含朝露轻颤；翠叶点染其间，脉络隐现，与粉瓣相映成趣。枝干笔墨灵动，干湿相宜，尽显自然生趣。旁侧行书题跋清逸洒脱，诗画相融，蕴藉文人雅韵。整幅画作清新雅致，无勾勒之迹却形神兼备，将桃花的柔媚与生机凝于尺幅，尽显独特的没骨花鸟韵味。",[24,28,7,27,103,402,26,25,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe98b9880e877fa8eab8a55fb6a572fc4.jpg",[35],22,"ded9ce",{"id":1037,"slug":1038,"title":1039,"dynasty":18,"author":1040,"museum":114,"description":1041,"tags":1042,"thumbUrl":1045,"material":52,"size":52,"collection":52,"collections":1046,"showCount":282,"zanCount":39,"manualWeight":39,"mainColor":40},222810,"hua-hui-cao-chong-ce-li-xiao-222810","花卉草虫册","李孝","李孝，字敦庸，号桐园，活动于康熙年间，系安徽无为人，父李亨（李仲仁）。善山水、花鸟、草虫，以“没骨画”著称，师法明代孙隆 。\n康熙五十年（1711）尝作《草虫图轴》。“没骨”，是中国传统绘画中的一种技法，它不用墨线勾勒，直接以彩色涂画物象。\n金陵天渡楼藏有其康熙己亥（1719）作《花卉草虫册》十二开。",[23,24,79,7,414,413,664,1043,1044],"鹭鸟","芦苇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda87507bf5208022f8d038afe868d9f7.jpg",[],{"id":1048,"slug":1049,"title":1050,"dynasty":18,"author":1051,"museum":20,"description":1052,"tags":1053,"thumbUrl":1054,"material":52,"size":52,"collection":52,"collections":1055,"showCount":133,"zanCount":39,"manualWeight":39,"mainColor":1056},203468,"hua-hui-ce-shi-kai-yun-bing-203468","花卉册十开","恽冰","此帧花卉以没骨法绘就，朱红牡丹嫣然绽放，花瓣层叠间色阶过渡细腻，如凝晨露之润。翠叶以墨绿晕染，叶脉婉转隐现，枝干用笔简洁却见风骨，秀逸中含遒劲。设色明丽而不失清雅，承恽派写生之韵，将牡丹的雍容华贵与枝叶的清劲挺秀相衬，鲜活展现春日花事的生机盎然。画面留白疏朗，于方寸册页间藏自然意趣，尽显作者对花鸟情态的精准捕捉与文人审美之融合，读来如沐春风，悦目怡心。",[24,25,26,27,7,28,64,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96659e821af8e162b03e31f0b2dd5524.jpg",[],"c3a885",{"id":1058,"slug":1059,"title":1060,"dynasty":18,"author":1061,"museum":138,"description":1062,"tags":1063,"thumbUrl":1064,"material":875,"size":52,"collection":52,"collections":1065,"showCount":1066,"zanCount":39,"manualWeight":39,"mainColor":40},232943,"hua-hui-tu-ce-fan-ting-zhen-232943","花卉图册","范廷镇","范廷镇（清），字鹿畴，一作祉安，或止安，号芷庵，一号冻亭，又号乐亭，武进（今江苏常州）人。能作花卉草虫，并书法，俱效恽寿平。\n范廷镇是恽寿平的亲传弟子，最能得恽南田没骨写生花卉之神髓，他的个别作品甚至可以达到乱真的地步，也是恽寿平的主要代笔人。包括他的书法与恽寿平都十分相近，接近于形神兼备，但格调稍欠，诗文才情更是与恽寿平相差甚远。",[24,25,63,28,64,27,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd6bba090af366abeabd6fe7f40c3a9d.jpg",[],15,{"id":1068,"slug":1069,"title":1060,"dynasty":18,"author":19,"museum":20,"description":1070,"tags":1071,"thumbUrl":1072,"material":52,"size":52,"collection":35,"collections":1073,"showCount":122,"zanCount":39,"manualWeight":39,"mainColor":1074},203213,"hua-hui-tu-ce-yun-shou-ping-203213","画面中桃花枝蔓舒展，粉瓣轻叠似云，嫩叶翠润鲜活。以没骨设色法晕染，花瓣色泽过渡自然，无勾勒之痕却形神毕肖；枝干用墨简练，浓淡相间显苍劲之姿。旁配行书题跋，笔意流畅，与花卉相得益彰，右下角朱印点缀，更添古雅韵致。整体画风清新雅致，融写生之真与文人意趣，尽显没骨花卉的妍丽生机，传递出春日桃花的温婉灵动。",[7,27,103,28,402,105,141,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2253ae17a601aa17e096a6c29fadd09c.jpg",[35],"d8d1be",{"id":1076,"slug":1077,"title":1060,"dynasty":18,"author":1078,"museum":20,"description":1079,"tags":1080,"thumbUrl":1082,"material":52,"size":52,"collection":35,"collections":1083,"showCount":122,"zanCount":39,"manualWeight":39,"mainColor":1084},203062,"hua-hui-tu-ce-ju-lian-203062","居廉","墨痕流转间，花枝自右下蜿蜒而上，苍劲枝干携新蕾，与盛放花团相映成趣。花瓣以淡墨晕染，边缘轻浅如纱，花心浓墨点簇藏生机；叶片墨色层叠，浓处似坠墨玉，淡处若浮轻烟，撞水之法隐于肌理，更显润泽。留白写意，疏朗间见雅致，笔墨简劲却形神兼备，将花卉娇柔与风骨凝于尺幅，尽展写生精妙与文人雅趣。",[24,79,28,170,105,7,1081,23],"撞水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7aba85284d060469a63be0341d9f675.jpg",[35],"cdc2ab",{"id":1086,"slug":1087,"title":1088,"dynasty":18,"author":19,"museum":20,"description":1089,"tags":1090,"thumbUrl":10,"material":52,"size":52,"collection":52,"collections":1094,"showCount":1095,"zanCount":39,"manualWeight":39,"mainColor":1096},203049,"hua-niao-za-hua-ce-yun-shou-ping-203049","花鸟杂画册","藤蔓蜿蜒，翠叶层叠间，淡紫小花轻绽，嫩荚垂悬如坠。一只小虫静栖枝上，触角微张，姿态憨然。画作以没骨法晕染，色彩清润雅致，叶片的脉络、花瓣的柔润皆以色彩层次自然带出，无墨线束缚却形神兼备。笔触细腻中藏灵动，将草木的生机与虫豸的意趣凝于尺幅，尽显对自然细微之美的捕捉与描摹，满溢着恬淡清新的文人意趣。",[7,27,28,1091,1092,29,1093],"豆荚","小虫","写",[],13,"d3bf98",{"id":1098,"slug":1099,"title":1100,"dynasty":18,"author":1101,"museum":20,"description":1102,"tags":1103,"thumbUrl":1106,"material":27,"size":1107,"collection":52,"collections":1108,"showCount":85,"zanCount":39,"manualWeight":39,"mainColor":537},219802,"hua-niao-cao-chong-tu-8-sun-long-219802","花鸟草虫图-8","孙龙","此册绢本设色，共十二图，描绘荷塘鹡鴒、蓼花螳螂、水藻玄蝉、秋塘青蛙、秋草蝗虫、蜀葵、黄叶麻雀、海棠白头等内容。",[24,25,26,79,27,28,1104,1105,968,7],"莲蓬","孤鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0a5fdcecbf0137e7b17922047721539.jpg","纵22.9 厘米 横21.5 厘米",[],{"id":1110,"slug":1111,"title":1112,"dynasty":18,"author":19,"museum":114,"description":115,"tags":1113,"thumbUrl":1114,"material":118,"size":119,"collection":52,"collections":1115,"showCount":213,"zanCount":39,"manualWeight":39,"mainColor":40},240415,"ti-hua-gao-ce-yun-shou-ping-240415","题画稿册",[24,25,26,402,105,7,28,79,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9415120a293fd2616460e625cdcc022.jpg",[],{"id":1117,"slug":1118,"title":1119,"dynasty":18,"author":19,"museum":20,"description":1120,"tags":1121,"thumbUrl":1122,"material":52,"size":52,"collection":52,"collections":1123,"showCount":109,"zanCount":39,"manualWeight":39,"mainColor":1124},203209,"hua-guo-ce-yun-shou-ping-203209","花果册","这幅花鸟册页以没骨技法写春日景致，桃花瓣晕染得娇嫩柔媚，粉白交融间带淡红，似沾晨露；柳枝以轻逸笔触绘出，叶片纤长舒展，如随风飘拂。色彩清新雅致，笔墨不着硬痕，尽显花木的自然生机与文人雅致。留白与浅素底色相映，空灵悠远，将江南春日的温婉韵致凝于方寸之间。",[7,27,28,103,199],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F386879e2b1bc9cf7f709dd1240543b4b.jpg",[],"dccba8",{"id":1126,"slug":1127,"title":1128,"dynasty":575,"author":1101,"museum":20,"description":1129,"tags":1130,"thumbUrl":1132,"material":52,"size":52,"collection":35,"collections":1133,"showCount":158,"zanCount":39,"manualWeight":39,"mainColor":1134},203308,"hua-niao-cao-chong-ce-sun-long-203308","花鸟草虫册","枝叶以没骨法晕染，墨彩交融如沾清露，舒展间见草木柔姿；草虫勾勒简练却形神兼备，翅脉纹理皆含灵动之态。画面摒弃硬挺轮廓，凭色彩浓淡层次塑物态，鲜活捕捉花鸟草虫的自然野趣，尽显文人画中“观物取情”的雅致，方寸册页间凝缩生机无限。",[7,79,27,28,1131,26,23],"草虫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F131c1995596ddf3c287fbcb502fe1b17.jpg",[35],"bcbbaf",{"id":1136,"slug":1137,"title":1138,"dynasty":18,"author":19,"museum":20,"description":1139,"tags":1140,"thumbUrl":1142,"material":52,"size":52,"collection":52,"collections":1143,"showCount":158,"zanCount":39,"manualWeight":39,"mainColor":1144},201714,"ju-shi-tu-zhou-yun-shou-ping-201714","菊石图轴","画面中菊花与山石相依成趣，以没骨法晕染出万千姿态。白菊素洁如霜，粉菊柔婉似霞，紫菊幽艳，黄菊暖润，花瓣层叠间色彩过渡自然，叶片脉络清晰可辨，尽显鲜活生机。山石以淡赭皴擦，肌理厚重朴拙，与柔美的花卉形成刚柔对比。整体构图疏密得当，花枝摇曳生姿，笔墨间蕴含文人画的清雅意趣，将秋菊傲霜之态与自然天趣完美融合，观之如临东篱，暗香袭人。",[7,27,28,168,81,740,105,1141],"工","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa94bfe52ee698d0c343d8fabf261795f.jpg",[],"a37d54",{"id":1146,"slug":1147,"title":1060,"dynasty":18,"author":19,"museum":20,"description":1148,"tags":1149,"thumbUrl":1150,"material":52,"size":52,"collection":35,"collections":1151,"showCount":39,"zanCount":39,"manualWeight":39,"mainColor":1074},203134,"hua-hui-tu-ce-yun-shou-ping-203134","画面中桃花灼灼，粉瓣层叠间晕染出自然过渡，嫩蕊含露似带春温，枝叶以淡绿衬之，柔劲相生。恽寿平以没骨法写就，不用墨线勾勒，直以色彩点染花叶，形神毕肖，尽显“写生正派”之韵。旁配行书题跋，诗画相映，文气盎然，印章朱红点睛，更添雅致。整幅作品清新脱俗，将桃花的娇妍与生机凝于尺幅，尽显文人花卉的逸趣与意韵。",[7,27,28,103,26,31,105,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b0a1164ef9c9d8b91a295284e5ec1ea.jpg",[35],{"id":1153,"slug":1154,"title":1155,"dynasty":18,"author":19,"museum":20,"description":1156,"tags":1157,"thumbUrl":1159,"material":52,"size":52,"collection":52,"collections":1160,"showCount":39,"zanCount":39,"manualWeight":39,"mainColor":1161},201371,"hua-hui-shan-yun-shou-ping-201371","花卉扇","扇面之上，花枝疏朗有致。白梅枝干以淡墨写就，虬曲中含秀逸；花瓣弃墨线勾勒，凭白粉晕染，层层叠叠间透出清润。旁侧粉花配翠叶，色彩淡雅柔和，叶脉隐现，尽显没骨技法之灵动。左侧题字笔意流畅，与花卉相映成趣，朱红印章点缀，更添古朴雅致。整幅画作清新脱俗，笔墨细腻温婉，将花木生机与文人雅致融于方寸，尽显江南画派的温婉韵致。",[425,28,7,27,456,103,105,1158],"行","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbac736023c5449db4e75561841ec7a9b.jpg",[],"dbd2c5",{"id":1163,"slug":1164,"title":1165,"dynasty":18,"author":19,"museum":20,"description":1166,"tags":1167,"thumbUrl":1168,"material":52,"size":52,"collection":69,"collections":1169,"showCount":39,"zanCount":39,"manualWeight":39,"mainColor":1170},201345,"shu-hua-shan-yun-shou-ping-201345","书画扇","这幅扇面以恽寿平标志性的没骨法绘就，鱼群灵动游弋于水草丛间，荷叶轻展，水草柔曼，色彩淡雅却层次丰盈。画家不用墨线勾勒轮廓，直接以色彩晕染物象，鱼的鳞光、叶的脉络皆显自然生机，形神兼备间尽显“恽派”花鸟的清逸雅致。左侧题诗文与画面相映，笔墨相生，文气盎然，是文人书画合璧的典范，于方寸间藏天地之趣，观之令人心境澄明。",[425,7,27,648,49,24,25,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F855abeee7446c80aec3ade04f2cede5c.jpg",[69],"dcd1c2",1777535703762]