[{"data":1,"prerenderedAt":299},["ShallowReactive",2],{"subject-mei-gui":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4981,"mei-gui","玫瑰","玫瑰画高清赏析","精选中国历代玫瑰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46d3a60614fba5855055438203fb970b.jpg",0,20,[14,45,61,72,91,104,113,127,140,173,184,208,224,235,246,253,261,271,280,287],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":37,"material":38,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":43,"manualWeight":11,"mainColor":44},225937,"giverny-the-rosarium-of-monet-mo-nai-225937","Giverny, the Rosarium of Monet","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[23,24,25,26,27,7,28,29,30,31,32,33,34,35,36],"印象派","油画","光影捕捉","色彩晕染","笔触轻快","草地","树木","垂柳","天空","花园","绿植","户外景致","自然光影","色彩融合","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99235da26b7da38ff6b2e94c739a94b7.jpg","未知","Xcm*Xcm","油画精选",[40],51,1,"37474F",{"id":46,"slug":47,"title":48,"dynasty":18,"author":49,"museum":20,"description":50,"tags":51,"thumbUrl":10,"material":38,"size":39,"collection":40,"collections":58,"showCount":59,"zanCount":43,"manualWeight":11,"mainColor":60},225803,"roses-1889-fan-gao-225803","Roses 1889","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[24,52,53,54,7,55,56,28,57],"后印象派","厚涂","设色","绿叶","花丛","花卉",[40],49,"795548",{"id":62,"slug":63,"title":64,"dynasty":18,"author":49,"museum":20,"description":50,"tags":65,"thumbUrl":69,"material":38,"size":39,"collection":40,"collections":70,"showCount":71,"zanCount":43,"manualWeight":11,"mainColor":60},225881,"wild-roses-april-may-fan-gao-225881","Wild roses (April - May )",[24,54,52,7,66,67,68],"花朵","叶子","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0963962b5ae60baef8cf939bd255454b.jpg",[40],37,{"id":73,"slug":74,"title":75,"dynasty":76,"author":77,"museum":20,"description":78,"tags":79,"thumbUrl":86,"material":38,"size":39,"collection":87,"collections":88,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":90},235811,"hua-mei-gui-hua-zhou-tian-qiu-shu-mei-gui-fu-he-bi-shan-wen-jia-235811","画玫瑰花周天球书玫瑰赋合璧扇","明","文嘉","文嘉（1501年～1583），字休承，号文水，南直隶 苏州府长洲（今江苏苏州）人。大书画家文徵明次子。\n吴门派代表画家。初为乌程训导，后为和州学正。\n能诗，工书，小楷清劲，亦善行书。精于鉴别古书画，工石刻，为明一代之冠。画得徵明一体，善画山水，笔法清脆，颇近倪瓒，着色山水具幽澹之致，间仿王蒙皴染，亦颇秀润，兼作花卉。明人王世贞评：“其书不能如兄，而画得待诏（文徵明）一体。”詹景凤亦云：“嘉小楷轻清劲爽，宛如瘦鹤，稍大便疏散不结束，径寸行书亦然，皆不逮父。”",[80,81,82,54,83,7,84,85],"国画","书画","扇面","花鸟","书法","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71faa4378c6f9e8510d6f90708e3ceb4.jpg","",[],26,"BDBDBD",{"id":92,"slug":93,"title":94,"dynasty":18,"author":19,"museum":20,"description":21,"tags":95,"thumbUrl":101,"material":38,"size":39,"collection":40,"collections":102,"showCount":103,"zanCount":11,"manualWeight":11,"mainColor":60},225936,"giverny-willow-and-roses-mo-nai-225936","Giverny, Willow and Roses",[23,24,96,97,98,99,7,28,29,100,32],"光影","色彩明快","笔触","柳树","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc60310cdeb9847ff1032969cee026600.jpg",[40],25,{"id":105,"slug":106,"title":107,"dynasty":18,"author":19,"museum":20,"description":21,"tags":108,"thumbUrl":110,"material":38,"size":39,"collection":40,"collections":111,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":60},225916,"claude-monet-the-house-among-the-roses-1925-mo-nai-225916","Claude Monet -The House among the Roses, 1925",[23,24,54,7,28,31,109],"房屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F060e674ca2c196be5d4d77e986633f04.jpg",[40],18,{"id":114,"slug":115,"title":116,"dynasty":18,"author":19,"museum":20,"description":21,"tags":117,"thumbUrl":124,"material":38,"size":39,"collection":40,"collections":125,"showCount":126,"zanCount":11,"manualWeight":11,"mainColor":44},225935,"giverny-roses-and-waterlilies-mo-nai-225935","Giverny, Roses and Waterlilies",[23,24,25,97,118,119,35,7,120,99,109,28,121,68,32,29,56,122,123],"笔触松散","户外写生","睡莲","池塘","水景","田园风光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9966ae20ecd5dd7785816cc86e135faa.jpg",[40],17,{"id":128,"slug":129,"title":130,"dynasty":18,"author":19,"museum":20,"description":21,"tags":131,"thumbUrl":137,"material":38,"size":39,"collection":40,"collections":138,"showCount":139,"zanCount":11,"manualWeight":11,"mainColor":60},226134,"the-willow-the-roses-and-the-waterlilies-at-giverny-mo-nai-226134","The Willow, the Roses and the Waterlilies at Giverny",[23,132,25,97,118,30,7,28,133,134,135,136],"外光写生","阳光","阴影","山坡","自然场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb850dd4bb15b61b25b76b86d6f388c1.jpg",[40],13,{"id":141,"slug":142,"title":143,"dynasty":18,"author":144,"museum":20,"description":145,"tags":146,"thumbUrl":170,"material":38,"size":39,"collection":87,"collections":171,"showCount":172,"zanCount":11,"manualWeight":11,"mainColor":60},232286,"a-er-ma-13-lao-lun-si-a-er-ma-ta-de-ma-232286","阿尔玛13","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[147,24,54,148,149,150,151,152,153,154,7,155,156,157,158,159,160,161,162,163,164,165,166,31,167,168,169],"名画","古典风格","写实","人物","女性","孩童","古典建筑","大理石","花瓣","乐器","海景","柱式建筑","石凳","地面瓷砖","花环","豹纹装饰","凉鞋","古式服饰","竖琴","手鼓","远山","石质栏杆","兽头装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48071b240f143c3b94cbda6a7eb5ce20.jpg",[],9,{"id":174,"slug":175,"title":176,"dynasty":18,"author":19,"museum":20,"description":21,"tags":177,"thumbUrl":181,"material":38,"size":39,"collection":40,"collections":182,"showCount":183,"zanCount":11,"manualWeight":11,"mainColor":60},226075,"the-house-among-the-roses-1925-1926-mo-nai-226075","The House among the Roses, 1925-1926",[23,24,178,57,179,31,96,36,98,7,180],"风景","小径","植被","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F777dd79ccce3ba9f9910c5a8bcc1eef5.jpg",[40],8,{"id":185,"slug":186,"title":187,"dynasty":18,"author":188,"museum":20,"description":189,"tags":190,"thumbUrl":205,"material":38,"size":39,"collection":87,"collections":206,"showCount":207,"zanCount":11,"manualWeight":11,"mainColor":44},232565,"mi-lai-si-109-yue-han-ai-fu-li-te-mi-lai-si-232565","米莱斯109","约翰·埃弗里特米莱斯","John Everett 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