[{"data":1,"prerenderedAt":106},["ShallowReactive",2],{"subject-mei-wen":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8238,"mei-wen","梅纹","梅纹画高清赏析","精选中国历代梅纹题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06ac8acbe6641a62841d948332793a58.jpg",0,8,[14,35,49,60,73,80,87,96],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},241926,"yin-du-jin-qian-zhu-cui-mei-zhu-wen-tou-hua-yi-ming-241926","银镀金嵌珠翠梅竹纹头花","清","佚名","藏地不详","中国妇女最偏爱的头花当属绒花，尤其是在女儿出嫁时，头上必须戴红色绒花，图火红吉利。在中国妇女中，只要条件允许，不仅婚礼喜庆日时要戴绒花，而且一年四季都愿意头戴绒花，求谐音吉祥。尤其到应时节序戴应季绒花：立春日戴春幡，清明日戴柳枝，端阳日戴艾草，中秋日戴桂花，重阳日戴茱萸，立冬日戴葫芦阳生……。清宫后妃们的头花，还有大批的绒花、绢花、绫花流存于世，这些花色彩协调，晕色层次丰富，堪称“乱真”之花。清代遗留下来的绒、绢、绫、绸等质地的头花有白、粉、桃红三晕色的牡丹花，浅黄、中黄、深黄三色的菊花，白、藕、雪青三色的月季花及粉、白相间的梅花等等，历时百年不久，仍鲜艳悦人。",[23,24,25,26,7,27,28],"清代","银镀金","镶嵌","珠翠","竹纹","饰品","未知","Xcm*Xcm","",[],10,"FFFFFF",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":45,"material":29,"size":30,"collection":31,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":48},263992,"mei-gui-zi-se-di-xiao-yuan-qiu-mei-wen-hui-hui-zhi-jin-jin-yi-ming-263992","玫瑰紫色地小圆球梅纹回回织金锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[41,42,7,43,44],"布料","织锦","织金","几何纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc13df23b1aea640e8ae34598dca15cf6.jpg",[],1,"795548",{"id":50,"slug":51,"title":52,"dynasty":18,"author":19,"museum":20,"description":53,"tags":54,"thumbUrl":57,"material":29,"size":30,"collection":31,"collections":58,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":59},263836,"qing-se-die-mei-wen-er-se-duan-yi-ming-263836","青色蝶梅纹二色缎","藏青底色晕着宝蓝纹样，蝶影蹁跹绕着梅枝舒展往复，缠枝纹样铺满整幅，繁密却不拥塞。\n织作细腻，两色蓝调晕出深浅层次，将蝶的灵动、梅的清隽勾勒得恰到好处，似把春日庭院小景织入锦缎。满幅循环的纹样藏着岁岁常安的祈愿，沉静底色衬出雅致生机，是旧时光里藏在衣料里的温柔匠心，将日常织物晕染出淡远闺阁清趣。",[41,55,56,7],"缎面","蝶纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd79012d50bdace849e487b72cf3be260.jpg",[],"37474F",{"id":61,"slug":62,"title":63,"dynasty":18,"author":19,"museum":20,"description":64,"tags":65,"thumbUrl":70,"material":29,"size":30,"collection":31,"collections":71,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},268077,"pin-yue-se-duan-di-mei-zhu-wen-tao-yi-ming-268077","品月色缎地梅竹纹绦","经线提花锦的组织结构和纹样都十分复杂，舞人动物纹锦的纹样横贯全幅，充分反映了当时已有了先进的提花织造技术。精美的刺绣品共有17种纹样，构图大，讲究对称、平衡，色彩配合恰当，给人以端庄典雅、富丽堂皇的美感。纹样内容充满神话色彩，鲜明地反映了楚文化的浪漫主义特色。墓中出土的衣袍为直据，是当时贵族中最流行的一种服式。这批先秦织物的出土，为深入研究我国古代纺织史提供了珍贵的实物资料。",[41,66,55,67,7,27,68,69],"绦带","织绣","花卉","设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc26a2877e805d0e24a320b138498373.jpg",[],"BDBDBD",{"id":74,"slug":75,"title":76,"dynasty":18,"author":19,"museum":20,"description":64,"tags":77,"thumbUrl":78,"material":29,"size":30,"collection":31,"collections":79,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},264784,"jin-di-bing-mei-wen-tao-yi-ming-264784","金地冰梅纹绦",[41,28,7,43],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca537e201b4f8877f872dbe8f44168c8.jpg",[],{"id":81,"slug":82,"title":83,"dynasty":18,"author":19,"museum":20,"description":64,"tags":84,"thumbUrl":85,"material":29,"size":30,"collection":31,"collections":86,"showCount":11,"zanCount":11,"manualWeight":11,"main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