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创作的中国画，现收藏于清华大学艺术博物馆。\n该画画了一位恬静仕女，手托镜子自照，用笔细劲内敛，设色古雅隽永，人物形象稍事变形夸张，高雅脱俗。\n此图的画面突出的是一位恬静、娟秀的仕女形象。\n她两手托镜自照，神态悠闲，身穿交领右衽束袖短上衣，外系长裙，腰间配有锦纹织物以及玉环小绶。\n上衣短而下裙长，袖口窄，下角圆，裙腰束得很高。\n种桃三百树，颜色亦如之。\n莫向汉宫说，美人争自为。\n洪绶似天耳社长兄。\n洪绶之印（白文）、章侯（朱文）。\n­ 渊雷室藏（朱文）、曾在朱屺瞻家（朱文）、印章漫漶（朱文）。\n该画是作者陈洪绶中后期的作品，大约创作于明崇祯九年（公元166年）。\n此图为工笔人物画，画面居中位置的仕女，面颊丰润，眉目细长，体态较同时期的人物画略显丰腴，发鬓高耸以桃花、云簪装饰，其渲染方式承唐代之法，画中仕女手持青铜菱花镜合于胸前，微微颔首垂目视镜，眉宇间略显哀愁，若有所思。\n画中人物襦裙高系，刻意变形的比例关系，又通过深色的前襟和裙摆的佩饰加以视觉的平衡。\n画面环境树石相伴，泉水隐现，人景契合 ，画面右上角斜出的桃树与画面下方皴染的几处坡石等补景起到了突出主体与调节画面的作用。\n整个画面，人物属于密体而背景属于疏体，从而形成人和自然之间的节奏变化，在艺术处理上别具匠心。\n造形夸张，带圆弧形，时常失调，反映了文人写意画脱略形似的审美意识。\n此图设色淡雅，坡石以或浓或淡的墨色与淡赭色皴染勾勒，布局疏密得当，主体突出。\n画面左上角以草书题诗，线条苍劲老练，炉火纯青。\n此图的衣饰用笔，纯属中锋，则寓清刚圆劲于长短、轻重抑扬、顿挫之中，如同奏乐，使人体会到一种韵律感。\n该画用笔细劲流畅，十分强调线条的运用，特别是服饰的摺纹，借鉴了唐人、宋人、元人的线条技巧，又重性情挥洒自如，形成了人物的线条美。\n中国艺术研究院教授 ：仕女眉毛和眼睛距离很宽，显得意态非同寻常，人物仍然是圆浑丰满的。\n线条细劲，有转折和轻重的变化，且内含苍道刚劲之力。\n设色古淡，仅于女人嘴唇点朱红色，其余地方若淡若无。\n根据收藏印记可知该画经渊雷室、近代收藏家 等收藏，现收藏于清华大学艺术博物馆。\n218年6月16日，该画在“清华藏珍·翰墨丹青——清华大学艺术博物馆藏品展”中展出。\n陈洪绶（1598—1652年），明代画家。\n号老莲、悔迟，诸暨（今属浙江）人。\n幼年即喜爱绘画，一度为宫廷作画，后南返。\n擅画人物、山水、花鸟、竹石、鱼虫，初学蓝瑛，后学李公麟、赵孟頫。\n绘有《水浒叶子》《博古叶子》《九歌》和《西厢记》等绣像插图。\n传世作品有《拳石山茶图》《笼鹅图》《升庵簪花图》《摘梅高士图》。\n著有《宝论堂集》等。",[23,24,70,48,26,25,71,27,72,73,74,51,7,75,76,77],"书画","白描","高士","侍从","枯树","山石","树木","岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8babe604516aae8491081e1577cd1935.jpg",[],39,1,{"id":83,"slug":84,"title":85,"dynasty":86,"author":87,"museum":88,"description":89,"tags":90,"thumbUrl":98,"material":99,"size":100,"collection":59,"collections":101,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":103},219439,"zhang-zhi-tian-xian-zhou-jin-ting-biao-219439","长至添线轴","清","金廷标","台北故宫博物院","三仕女或立或蹲，围聚一处，纤指捻线穿针，神态专注。古松虬枝盘结，怪石嶙峋错落，梅梢疏影横斜，几点红萼点缀其间，清寂中透着雅致。笔触细劲流畅，衣袂飘举若流云，设色温润淡雅，将冬至添线的闺阁雅事凝为静谧时光片段。山石苍朴与仕女柔婉相映，草木疏朗与神情专注相衬，尽显传统生活里的闲情与温情，似能闻得针线轻捻的细碎声响，漫溢出岁月的静好。",[24,48,25,26,27,77,91,7,92,93,94,95,96,97,75],"花草","古代服饰","庭院景致","浅绛","细笔勾勒","设色淡雅","草木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ded8ec5791225f131ba582f53901274.jpg","设色,绢本","144.5x55.1",[59],34,"BDBDBD",{"id":105,"slug":106,"title":107,"dynasty":86,"author":108,"museum":45,"description":109,"tags":110,"thumbUrl":115,"material":56,"size":56,"collection":56,"collections":116,"showCount":117,"zanCount":11,"manualWeight":11,"mainColor":103},224191,"she-se-qu-yu-shuang-qi-tu-hua-yan-224191","设色鸲鹆双栖图","华嵒","此作以空灵留白铺陈底色，枯木虬曲舒展，淡蓝花萼点缀枝桠，晕染出清寂雅致的春日氛围。禽鸟或独立垂首，或依偎枝梢，墨色浓淡变化尽显鸟羽蓬松柔润质感，红爪尖喙鲜亮醒目，将鸲鹆的灵动机趣刻画入微。\n\n笔墨工写相融，写意枯石淡染花枝，工笔描摹禽鸟形神兼备，萧疏中暗藏生趣，尽显清逸隽秀的文人意趣，把闲静安栖的林下之景晕染开来，将江南画派的灵秀雅致藏于淡墨留白之间，是颇具韵致的花鸟佳构。",[23,24,70,48,25,111,112,113,7,114],"花鸟","写意","八哥","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F139f403993c7353c724ca1f532a8d0a2.jpg",[],17,{"id":119,"slug":120,"title":121,"dynasty":86,"author":19,"museum":45,"description":122,"tags":123,"thumbUrl":140,"material":56,"size":56,"collection":56,"collections":141,"showCount":142,"zanCount":11,"manualWeight":11,"mainColor":103},234390,"hong-li-shi-yi-shi-er-tu-zhou-yi-ming-234390","弘历是一是二图轴","工笔淡彩晕染出雅致书斋，主人凭榻安坐，仆从侍侧奉茶。博古架上瓷瓶书卷错落，案头盆景清供雅致静立，将文人闲居意趣铺陈开来。\n线条秀逸细腻，设色柔和平静，画面写实入微，又暗藏是一是二的禅意哲思。主人凝睇画像，物我交融的意境悄然流露，将古时文人士大夫观照自我的精神世界定格绢素，让人身临其境触摸旧日清贵的闲雅日常。",[24,25,26,27,124,125,126,127,128,129,130,50,7,131,132,133,134,135,136,137,138,139],"山水","文房四宝","家具","器物","桌案","榻","盆景","室内场景","笔","墨","纸","砚","香炉","几案","盆栽","屏风","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5a85e7afac4f195c0df770e25d47790.jpg",[],15,{"id":144,"slug":145,"title":146,"dynasty":147,"author":19,"museum":45,"description":148,"tags":149,"thumbUrl":155,"material":156,"size":157,"collection":56,"collections":158,"showCount":159,"zanCount":11,"manualWeight":11,"mainColor":103},225440,"fu-shi-hui-198-yi-ming-225440","浮世绘198","不详","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[150,151,25,27,152,153,7,154],"浮世绘","木刻","美人","雪景","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bf0d221a3b9b7b0aff602b828a639a0.jpg","未知","Xcm*Xcm",[],13,{"id":161,"slug":162,"title":163,"dynasty":86,"author":19,"museum":164,"description":165,"tags":166,"thumbUrl":175,"material":25,"size":56,"collection":56,"collections":176,"showCount":177,"zanCount":11,"manualWeight":11,"mainColor":103},217303,"gu-xiu-wu-shi-san-can-tu-ce-14-yi-ming-217303","顾绣·五十三参图册-14","北京故宫博物院","云气氤氲间，左页仙人驾青虬踏虚而来，鳞爪飞扬带起赤色飘带，与崖边童子遥相呼应；右页佛陀趺坐莲台，莲瓣层叠如碧波绽放，侧旁稚童捧物趋近，似呈供养之礼。梅枝斜逸、山石清奇，水波与祥云勾勒出空灵之境。顾绣针丝如笔，设色清妍，将佛教故事中的庄严与灵动融于尺幅，每一处细节皆见匠心，既显信仰之虔诚，又含尘世之趣，尽显传统绣绘结合的雅致韵味。",[167,25,168,169,27,170,171,172,75,76,114,173,174,7],"顾绣","册","宗教","龙","莲花","祥云","水","小孩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46ecaa6be5186756685112a2299a736b.jpg",[],4,{"id":179,"slug":180,"title":181,"dynasty":86,"author":19,"museum":45,"description":182,"tags":183,"thumbUrl":189,"material":156,"size":157,"collection":56,"collections":190,"showCount":191,"zanCount":11,"manualWeight":11,"mainColor":103},262141,"fen-cai-ying-xi-tu-gai-wan-yi-ming-262141","粉彩婴戏图盖碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[184,185,186,25,27,28,187,188,7],"陶瓷","日用具","粉彩","孩童","嬉戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3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and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[184,198,7,199],"青花","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0114a4b10c87f726005d25c1f733658.jpg",[],1777535734002]