[{"data":1,"prerenderedAt":50},["ShallowReactive",2],{"subject-mi-jia-shan-shui":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7653,"mi-jia-shan-shui","米家山水","米家山水画高清赏析","精选中国历代米家山水题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff8872f3f211ac9fd3d2589faf668ec1.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":44,"size":45,"collection":46,"collections":47,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},233705,"yun-shan-mo-xi-tu-juan-mi-you-ren-233705","云山墨戏图卷","宋","米友仁","北京故宫博物院","此图描绘沿江景色，近处岸边一条细径曲曲弯弯，间有板桥相连，远方峰峦起伏，云烟密布，溪流缓缓，林木森郁，屋舍隐现。此图采用“米家山水”的典型画法，山峦坡渚先用淡墨染就，继以大小各异的横向墨点反复在山头、山脊等部位再次图写，从而达到表现江南风光润泽华滋、雾气迷蒙的独特效果。明代董其昌曾携此图往游洞庭湖，惊叹米友仁的写生本领，云：“舟次斜阳，篷底一望空阔，长天云物，怪怪奇奇，一幅米家墨戏也。”\n《云山墨戏图》原题为米友仁所绘，但徐邦达先生根据其画法、题款的用笔及书写部位等因素认为并非米友仁原作。不过，此图画法全从“米家山水”而来，董其昌称其“元气淋漓，布境特妙”毫不夸张，对研究此派山水的重要价值显而易见。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,40,41,42,7,43],"国画","书画","长卷","水墨","山水","云","树木","印章","书法","皴法","写意","点染","远山","近树","云雾","山峦","题字","墨笔","文人画","水墨山水","米点皴法","纸本，墨笔","纵21.4厘米，横195.8厘米","",[],36,"BDBDBD",1777535822855]