[{"data":1,"prerenderedAt":377},["ShallowReactive",2],{"subject-mi-la":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6282,"mi-la","蜜蜡","蜜蜡画高清赏析","精选中国历代蜜蜡题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d010874b46d19c3826537b3b3c995c4.jpg",0,37,[14,34,47,68,81,93,103,114,125,135,146,155,165,173,180,186,193,199,209,216,226,235,244,253,262,270,277,289,298,306,315,322,331,338,347,358,367],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},270522,"hua-fa-lang-pen-mi-la-gui-hua-pen-jing-yi-ming-270522","画珐琅盆蜜蜡桂花盆景","清","佚名","藏地不详","宝蓝地画珐琅盆身，遍饰缠枝彩纹，浓艳富丽，古韵悠然。盆中花枝错落，蜜蜡凝就的桂花层次丰盈，与玉质枝叶相映，深浅花色交织，将盛放之态摹写得鲜活生动。角落点缀瑞兽小饰，为静雅景致添了几分灵动意趣。整座盆景以料器工艺复刻花木生姿之态，写实细腻，将手工造物的匠心融于雅致陈设，尽显内敛华贵的工艺美学意蕴，是仿生摆件中的精巧之作。",[23,24,7,25,26],"琺瑯器","盆景","桂花","工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6943aa75fd1580fd29c14496bc331822.jpg","未知","Xcm*Xcm","",[],11,"37474F",{"id":35,"slug":36,"title":37,"dynasty":18,"author":19,"museum":20,"description":38,"tags":39,"thumbUrl":44,"material":28,"size":29,"collection":30,"collections":45,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":33},252676,"mi-la-li-zhi-wen-xi-yi-ming-252676","蜜蜡荔枝纹洗","取凝润红蜜蜡为材，以圆雕、透雕相糅，将荔枝簇生之态尽揽其中。枝叶缠绕错落，与饱满果实相互依偎，仿生写实，鲜活灵动。器身阴刻锦地纹饰填色点缀，细腻勾勒出荔枝肌理，将果实的饱满莹润尽显无遗。作为文房水洗，兼具清供雅致与实用之能，又借荔枝谐音暗含吉利、励志的美好寓意，是清代文玩工艺中写实精巧、意趣兼备的上乘之作。",[40,7,41,42,43],"清代","雕刻","荔枝","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a73da2716883b5e9bbb989e746903c6.jpg",[],3,{"id":48,"slug":49,"title":50,"dynasty":18,"author":19,"museum":20,"description":51,"tags":52,"thumbUrl":66,"material":28,"size":29,"collection":30,"collections":67,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":33},241846,"yin-du-jin-dian-cui-qian-zhu-shi-feng-yi-ming-241846","银镀金点翠嵌珠石凤","以点翠晕染凤羽，幽蓝如撷取晴空之色，明丽沉静。累丝金凤肌理鲜活，衔起一抹碧玺朱红，粉晶攒作花簇，冰莹似春朝带露花枝，蜜蜡点睛温润凝光。东珠沿身铺陈如星子缀羽，凤尾末梢嵌大珠提亮，华贵雍容。\n融点翠、累丝、镶嵌诸法于一身，将瑞凤塑得灵动妍丽，尽显富丽雅致的极致审美，宝石莹光与点翠幽蓝相映，凝住旧日华贵风华，是传统细金工艺的精巧之作。",[53,54,55,56,57,58,7,59,60,61,62,63,64,65],"饰品","点翠","累丝","镶嵌工艺","粉晶","碧玺","东珠","宝石","银器","金器","凤","细金工艺","华贵雅致","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd51024c38c75d7d2b560be79d5adbbc.jpg",[],{"id":69,"slug":70,"title":71,"dynasty":18,"author":19,"museum":20,"description":72,"tags":73,"thumbUrl":78,"material":28,"size":29,"collection":30,"collections":79,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":33},270525,"qing-jin-shi-chang-fang-pen-shan-hu-zhi-mi-la-miao-shi-shan-zi-pen-jing-yi-ming-270525","青金石长方盆珊瑚枝蜜蜡苗石山子盆景","以青金石为盆，幽蓝间凝着斑驳色泽，自带沉静古意。朱红珊瑚虬枝舒展，似枯木逢春，横斜生姿，将深海灵韵化作案头佳木。蜜蜡叠作层岩，凝腻温润；松石点缀如苔草幽石，翠色柔化了朱红与赤褐的厚重。\n\n整体排布错落谐和，把山海珍宝裁为案上清供，将天然灵材糅合中式盆景的写意意趣，尽显巧思匠心，将深壑林泉的雅致意境缩于方寸之间，藏着旧时文人案头赏玩的闲情雅致。",[24,43,41,74,75,7,76,77],"玉石","珊瑚","青金石","石山子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa424a361cdd1fa15249ed001ae7752fa.jpg",[],1,{"id":82,"slug":83,"title":84,"dynasty":18,"author":19,"museum":20,"description":85,"tags":86,"thumbUrl":90,"material":28,"size":29,"collection":30,"collections":91,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":92},270143,"mi-la-fo-shou-pen-jing-yi-ming-270143","蜜蜡佛手盆景","苍褐木枝虬曲古雅，蜜蜡佛手色泽红润凝腻，肌理莹润写实，如将秋日佳果采撷案头。青玉裁为叶片，翠色通透鲜亮，与蜜蜡相映成趣，间缀细小花蕊，添得几分灵动生机。\n\n掐丝珐琅盆身以宝蓝为底，粉荷舒展、缠枝婉转，鎏金饰边勾勒出华贵气度，将玉石雅趣与宫廷珐琅工艺相融，以盆景定格祥瑞清趣，尽显清代造艺的精工雅致，是陈设雅玩中的绝妙之作。",[24,7,74,87,88,89,26],"珐琅器","佛手","荷花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2cfd573196b536d74015747cec2d415.jpg",[],"795548",{"id":94,"slug":95,"title":96,"dynasty":18,"author":19,"museum":20,"description":97,"tags":98,"thumbUrl":101,"material":28,"size":29,"collection":30,"collections":102,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":92},252673,"mi-la-zuo-hou-yi-ming-252673","蜜蜡坐猴","这枚小件以温润蜜蜡塑就，红棕包浆晕开柔糯光泽。灵猴呈随性坐姿，侧身垂臂持物，圆颅上眉眼浅刻，圆眼弯弧带笑意，憨态可掬里带着灵动劲儿。\n它不尚繁复雕琢，以朴拙刀工勾勒身形轮廓，把小猴松弛小憩的模样鲜活呈现，带着民间手作的质朴意趣。寸许之间藏着匠人巧思，将世俗里对灵猴讨喜形象的偏爱融在指尖刀下，虽小巧却耐看，带着旧时光里的手作温度，静诉着旧时文玩的闲趣。",[41,7,99,100],"猴","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe650a3a9e6dfaddf278d19369e4f78bc.jpg",[],{"id":104,"slug":105,"title":106,"dynasty":18,"author":19,"museum":20,"description":107,"tags":108,"thumbUrl":112,"material":28,"size":29,"collection":30,"collections":113,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":33},242126,"mi-la-chao-zhu-yi-ming-242126","蜜蜡朝珠","莹润蜜蜡串起主链，暖棕柔光沉敛雅致，三颗湖水绿翡翠结珠错落点缀，清透翠色撞出亮眼层次。佛头以翡翠雕琢，配套背云内嵌翡翠圆牌，金饰镶边晕开华贵气质。\n\n细浅米珠拧成的记捻垂落，末端悬垂翡翠与宝色坠饰，轻晃时灵动生姿。整串配饰配色和谐，暖润蜜蜡衬得冷翠愈显清透，金饰细节尽显匠心巧思，将礼制规整与雅致审美融于一体，尽显旧时配饰的温婉华贵，是传统工艺的精巧缩影。",[40,53,7,74,109,110,111],"挂饰","流苏","装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f4d3ffb8834173c16494849f36bd6df.jpg",[],{"id":115,"slug":116,"title":117,"dynasty":18,"author":19,"museum":20,"description":118,"tags":119,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":123,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":124},229448,"mi-la-shu-zhu-qing-guang-xu-er-shi-yi-nian-ban-chan-e-er-de-ni-jin-yi-ming-229448","蜜蜡数珠-清光绪二十一年班禅额尔德尼进","这串数珠以蜜蜡为材，颗颗匀润饱满，凝着暖糯的琥珀色泽，澄澈通透间晕开经年的温润包浆。搭配花丝珐琅饰件，宝蓝底色衬着鎏金纹饰，掐丝填色细腻雅致，藏地风格浓郁庄重，带着沉静的宗教意蕴。\n\n作为朝贡进献的供器，它联结着藏汉礼佛传统，每一枚珠子都载着祈福愿力，沉淀着晚清宗教与政治交融的历史余温，藏地工艺与中原审美在此呼应，朴素里见匠心，静穆间藏着虔诚信仰的重量。",[40,120,121,53,7,122,41],"宗教","佛教","数珠",[],"BDBDBD",{"id":126,"slug":127,"title":128,"dynasty":18,"author":19,"museum":20,"description":129,"tags":130,"thumbUrl":133,"material":28,"size":29,"collection":30,"collections":134,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},280919,"shen-xing-mi-la-yin-yi-ming-280919","“慎行”蜜蜡印","战国时期，主张合纵的名相苏秦佩戴过六国相印。近几年来，出土的文物又把印章的历史向前推进了数百年。也就是说，印章在周朝时就有了。\n传世的古代玺印，多数出于古城废墟、河流和古墓中。有的是战争中战败者流亡时所遗弃，也有在战争中殉职者遗弃在战场上的，而当时的惯例，凡在战场上虏获的印章必须上交，而官吏迁职、死后也须脱解印绶上交。其它有不少如官职连姓名的，以及吉语印、肖形印等一般是殉葬之物，而不是实品。其它在战国时代的陶器和标准量器上，以及有些诸侯国的金币上，都用印章盖上名称和记录上制造工匠的名姓或图记性质的符号，也被流传下来。\n古玺是先秦印章的通称。我们现在所能看到的一般最早的印章大多是战国古玺。印文笔画细如毫发，都出于铸造。白文古玺大多加边栏，或在中间加一竖界格，文字有铸有凿。官玺的印文内容有“司马”、“司徒”等名称外，还有各种不规则的形状，内容还刻有吉语和生动的物图案。朱文古玺大多加边栏，或在中间加一竖界格，文字有铸有凿。",[131,132,7,41],"印章","篆刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd47210c14f9f470e5164e98d1789f793.jpg",[],{"id":136,"slug":137,"title":138,"dynasty":18,"author":19,"museum":20,"description":139,"tags":140,"thumbUrl":144,"material":28,"size":29,"collection":30,"collections":145,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},270962,"cheng-fen-wen-ju-mi-la-diao-wu-chi-wen-fang-ping-yi-ming-270962","成份文具-蜜蜡雕五螭纹方瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[41,7,141,142,43,143],"螭纹","方瓶","文具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9fa213219cc4a70a2ca64aa53e53c2d.jpg",[],{"id":147,"slug":148,"title":106,"dynasty":18,"author":19,"museum":20,"description":149,"tags":150,"thumbUrl":153,"material":28,"size":29,"collection":30,"collections":154,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},268718,"mi-la-chao-zhu-yi-ming-268718","此串朝珠以红润蜜蜡为主体珠材，颗颗匀净饱满，包浆莹润，自带内敛温醇的质感。佛头、分珠与背云皆以粉碧玺配搭，柔润粉嫩撞上蜜蜡暖红，配色雅致和谐，明暗层次尽显温柔韵味。\n\n佛头下明黄绦带肃穆规整，嵌宝饰件精巧点缀，点明礼制规格，下垂背云坠饰细腻玲珑。两侧记捻串起粉珠摇曳生姿，小坠垂落更添灵动雅致。\n\n整体制式严谨华贵，将材质肌理之美与清代礼制美学相融，静穆端庄中不失温婉灵秀，尽显宫廷配饰的精工巧思。",[53,151,7,152],"朝珠","珠串","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febc8f8b8f4f4320704e53cc97f3c18ff.jpg",[],{"id":156,"slug":157,"title":158,"dynasty":18,"author":19,"museum":20,"description":159,"tags":160,"thumbUrl":163,"material":28,"size":29,"collection":30,"collections":164,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},268330,"mi-la-niu-kou-yi-ming-268330","蜜蜡纽扣","纽扣，在古罗马，最初的纽扣是用来做装饰品的，而系衣服用的是饰针。13世纪，纽扣的作用才与今天相同。那时，人们已懂得在衣服上开扣眼，这种做法大大提高了纽扣的实用价值。16世纪，纽扣得到了普及。随着快时尚的兴起，纽扣从以前的功能型已经变成创意型；开始成为服装装饰等。",[53,7,161,162,87],"纽扣","云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50ebabf74aab5b77a3649ebfec5530b9.jpg",[],{"id":166,"slug":167,"title":158,"dynasty":18,"author":19,"museum":20,"description":159,"tags":168,"thumbUrl":171,"material":28,"size":29,"collection":30,"collections":172,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},268329,"mi-la-niu-kou-yi-ming-268329",[53,169,7,161,170],"日用具","琺瑯","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F848355b0dc6de376f1a9f1d390c6e20f.jpg",[],{"id":174,"slug":175,"title":158,"dynasty":18,"author":19,"museum":20,"description":159,"tags":176,"thumbUrl":178,"material":28,"size":29,"collection":30,"collections":179,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},268328,"mi-la-niu-kou-yi-ming-268328",[53,169,7,161,177],"琺瑯装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81541b3f4a49e74d3ed6b21c31c40fc8.jpg",[],{"id":181,"slug":182,"title":158,"dynasty":18,"author":19,"museum":20,"description":159,"tags":183,"thumbUrl":184,"material":28,"size":29,"collection":30,"collections":185,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},268327,"mi-la-niu-kou-yi-ming-268327",[53,7,161],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3402506d0e4d08f207daf1a30099ed9.jpg",[],{"id":187,"slug":188,"title":158,"dynasty":18,"author":19,"museum":20,"description":159,"tags":189,"thumbUrl":191,"material":28,"size":29,"collection":30,"collections":192,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},268325,"mi-la-niu-kou-yi-ming-268325",[53,7,161,190],"珐瑯器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93287e461eacac594099552dbdabf738.jpg",[],{"id":194,"slug":195,"title":158,"dynasty":18,"author":19,"museum":20,"description":159,"tags":196,"thumbUrl":197,"material":28,"size":29,"collection":30,"collections":198,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},267595,"mi-la-niu-kou-yi-ming-267595",[53,7,161,61,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe56ae0776ce9facd17850c0fb48fe4f6.jpg",[],{"id":200,"slug":201,"title":202,"dynasty":18,"author":19,"museum":20,"description":203,"tags":204,"thumbUrl":207,"material":28,"size":29,"collection":30,"collections":208,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},267328,"mi-la-dai-mi-zhu-zhai-jie-pai-yi-ming-267328","蜜蜡带米珠斋戒牌","斋戒牌，中国古代行斋戒礼时所置示警牌。明洪武五年（1372）令诸衙门各制作木斋戒牌，刻文于上，文为“国有常定，神有鉴焉”。\n凡行祭祀则设置。清沿明制，凡大祀、中祀皇帝致祭，事前应斋戒，由太常寺进斋戒牌。斋戒牌为木质，饰以黄纸，以清汉文书写斋戒日期。圜丘、祈谷、常雩，皇帝宿内廷斋宫，于乾清门设斋戒牌二日，置于黄案。坛所斋宫设斋戒牌一日。皇后亲蚕，亦进斋戒牌，由太常寺进递到乾清门交给内监，置于交泰殿。各衙门官员斋戒，大祀斋于公署，于大堂正中设案置斋戒红牌；中祀斋于私署。行祀之日各佩斋戒牌，不理刑名，不宴会，不作乐，不入内寝，不问疾吊丧，而有疾有服者不与戒",[53,7,41,205,206,110],"斋戒牌","米珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2657d270d6cc9e747b398900a3544337.jpg",[],{"id":210,"slug":211,"title":158,"dynasty":18,"author":19,"museum":20,"description":159,"tags":212,"thumbUrl":214,"material":28,"size":29,"collection":30,"collections":215,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},266894,"mi-la-niu-kou-yi-ming-266894",[53,169,7,161,213,54],"牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b7aab3bcedbedfbe61c35a6f0141bd7.jpg",[],{"id":217,"slug":218,"title":219,"dynasty":18,"author":19,"museum":20,"description":220,"tags":221,"thumbUrl":224,"material":28,"size":29,"collection":30,"collections":225,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},252674,"mi-la-fu-shou-wen-shuang-bei-yi-ming-252674","蜜蜡凫兽纹双杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[40,7,41,222,100,43,223],"凫","饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b650f6d5325d67bfea0afb8e0a7ca0f.jpg",[],{"id":227,"slug":228,"title":229,"dynasty":18,"author":19,"museum":20,"description":230,"tags":231,"thumbUrl":233,"material":28,"size":29,"collection":30,"collections":234,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},252344,"mi-la-mi-le-fo-yi-ming-252344","蜜蜡弥勒佛","此件造像以通透红润的蜜蜡雕琢而成，质地莹亮如凝脂，暖光流动间尽显材质天然温润。弥勒宽袍敞怀，袒胸垂腹，斜身趺坐，神态憨然讨喜。弯眉垂目，笑意漫过唇角，将乐天豁达的性情尽皆展露。右手随性搭膝，左手轻携布袋，衣褶线条柔和舒展，刀法圆润利落，毫无生硬棱角，让造型浑然天成。创作者以极简刀工，将蜜蜡的通透质感与弥勒自在随性的神韵相融，把布袋和尚安贫乐道的意趣诠释得恰到好处，是兼具赏玩与审美价值的精巧造像。",[7,41,120,232],"人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd38e8070df3fc67d3012133f6d1c4747.jpg",[],{"id":236,"slug":237,"title":238,"dynasty":18,"author":19,"museum":20,"description":239,"tags":240,"thumbUrl":242,"material":28,"size":29,"collection":30,"collections":243,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},252321,"mi-la-mu-dan-wen-ye-shi-xi-yi-ming-252321","蜜蜡牡丹纹叶式洗","此件取凝润红褐蜜蜡为材，包浆醇厚柔润。随形就势以叶片为洗膛，器身浮雕牡丹，花瓣层叠饱满，柔媚鲜活。花叶舒展蜷曲，贴合料形走势，将蜜蜡天然肌理与精湛刀工相融。\n\n刀意婉转细腻，花瓣褶皱脉络写实清晰，枝蔓隐于叶底，虚实相映。既保留蜜蜡温润质感，又以浮雕技法赋予器物雅致生趣，兼具文房清玩的实用性与陈设观赏性，静穆间晕开盛放花事的鲜活意趣，尽显隽秀雅致的文房审美意韵。",[7,41,241,43],"牡丹纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4fd4c7f3a6c29790cedeeaa94541c9c1.jpg",[],{"id":245,"slug":246,"title":247,"dynasty":18,"author":19,"museum":20,"description":248,"tags":249,"thumbUrl":251,"material":28,"size":29,"collection":30,"collections":252,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},252313,"mi-la-yu-lan-hua-shi-xi-yi-ming-252313","蜜蜡玉兰花式洗","这件器物色泽浓红醇厚，质地温润如凝脂。依料随形雕刻玉兰花与缠枝，枝蔓交错盘绕，将天然纹理与雕刻意趣融为一体。花苞饱满莹润，花瓣舒展灵动，肌理褶皱间尽显柔美雅致。刀工圆熟细腻，写实中带着写意松弛感，既留存花果鲜活生机，又不失文房雅器的沉静内敛，尽显匠人巧思与清隽文玩意趣，是仿生雕刻的精巧之作。",[7,41,250,43],"玉兰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d1da27e62b424737c025b4c17c1f267.jpg",[],{"id":254,"slug":255,"title":256,"dynasty":18,"author":19,"museum":20,"description":257,"tags":258,"thumbUrl":260,"material":28,"size":29,"collection":30,"collections":261,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":124},252222,"mi-la-chi-wen-pei-yi-ming-252222","蜜蜡螭纹佩","古人的很多生活器具都是由玉雕成的，能常戴在身上的惟有玉佩。繁钦诗中“美玉”是指玉做的佩，或写作“佩”。古人对玉佩的热爱不是因为玉的贵重，而是源于玉的品格，所以古语有“君子无故，玉不去身”。",[40,41,7,100,259,53],"龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9b85419c4a3baa81eed543f086f99cb.jpg",[],{"id":263,"slug":264,"title":265,"dynasty":18,"author":19,"museum":20,"description":266,"tags":267,"thumbUrl":268,"material":28,"size":29,"collection":30,"collections":269,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},251953,"mi-la-fo-shou-yi-ming-251953","蜜蜡佛手","这件摆件取蜜蜡暖红天然肌理，依形雕琢成佛手。指节蜷曲交叠，褶皱肌理宛然如生，仿佛带着新摘鲜果的鲜活意趣。\n\n匠人巧借蜜蜡温润包浆，晕出琥珀柔光，将佛手祈愿福寿的祥瑞寓意凝于方寸。既保留原料天成质感，又以细腻刀工还原清雅形态，藏着清人案头赏玩的闲情，摩挲间尽是古韵温情，是赏玩与祈福兼具的精妙小件。",[40,7,41,88,43],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bf7053975f7de4e5eab2df66fc2e767.jpg",[],{"id":271,"slug":272,"title":265,"dynasty":18,"author":19,"museum":20,"description":273,"tags":274,"thumbUrl":275,"material":28,"size":29,"collection":30,"collections":276,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},251952,"mi-la-fo-shou-yi-ming-251952","其色如熔凝的蜜膏，暖黄间晕开浅淡赤霞，莹润凝腻的肌理泛着玉石般柔光。造型写实传神，将佛手交错蜷曲之态刻画入微，指节圆腴饱满，褶皱宛然如生，仿若能触到成熟果实的柔韧肌理，尽显硕果坠枝的鲜活意态。\n\n配座取阴沉木随形雕作老干瘤疤，粗粝朴拙的质感，恰好衬得蜜蜡愈显莹润温雅，刚柔相映，愈见层次。\n\n整件器物既是仿生佳构，又暗合福寿双全的吉意，可赏可玩，尽显清代文玩雅致灵韵，藏着案头清供的闲雅意趣。",[7,41,88,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a14662522e3e4c188e78bce0a5d0ce8.jpg",[],{"id":278,"slug":279,"title":280,"dynasty":18,"author":19,"museum":20,"description":281,"tags":282,"thumbUrl":287,"material":28,"size":29,"collection":30,"collections":288,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},251922,"mi-la-tui-xiong-yi-ming-251922","蜜蜡推胸","温润蜜蜡凝作饱满珠首，莹泽鲜亮，以缠丝金属雅致托举，与沉郁乌木手柄相映，明暗碰撞间尽显质感层次。柄身旋纹规整利落，拿捏趁手。尾端垂挂黄丝流苏，搭配彩络绳结，素朴底色晕开鲜亮点缀，添几分灵动雅致。\n\n此物将养生实用与文玩赏鉴相融，工法利落选材考究，静静承载着旧时闲雅的日常意趣，尽显清时造物的细腻巧思。",[40,7,283,284,110,285,41,286],"木质","金属","器物","镶嵌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c5464b2e278b5b95e769cde97c3aba3.jpg",[],{"id":290,"slug":291,"title":292,"dynasty":18,"author":19,"museum":20,"description":293,"tags":294,"thumbUrl":296,"material":28,"size":29,"collection":30,"collections":297,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":124},251901,"mi-la-hua-hui-wen-yuan-he-yi-ming-251901","蜜蜡花卉纹圆盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[18,7,41,295,43],"花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F336788c44b6f4fc84bbbe81f8dc52da3.jpg",[],{"id":299,"slug":300,"title":301,"dynasty":18,"author":19,"museum":20,"description":293,"tags":302,"thumbUrl":304,"material":28,"size":29,"collection":30,"collections":305,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},251895,"mi-la-miao-jin-hua-hui-wen-yuan-he-yi-ming-251895","蜜蜡描金花卉纹圆盒",[40,7,303,295,43],"描金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe06bf6ab4e14046556a4efc7a4274ca.jpg",[],{"id":307,"slug":308,"title":309,"dynasty":18,"author":19,"museum":20,"description":310,"tags":311,"thumbUrl":313,"material":28,"size":29,"collection":30,"collections":314,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},251894,"mi-la-yu-lan-hua-xing-xi-yi-ming-251894","蜜蜡玉兰花形洗","这枚文房洗取浓红蜜蜡随形而制，莹润包浆晕开琥珀般柔光。作者依玉兰花绽放之态琢磨，花瓣舒展柔婉，花苞饱满娇憨，虬曲枝干缠绕其间，将盛花期的鲜活生机凝于方寸。\n\n器型兼顾实用与雅赏，洗池隐于花萼之间，既得盛水之用，又借花枝掩映消弭匠气，将文房清趣与天然意趣相融，尽显工艺写实生动的审美意涵，灵秀雅致间，藏着琢制者的巧思匠心。",[18,7,41,312,43],"玉兰花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66efa1ca06298ce48590e88446160cb0.jpg",[],{"id":316,"slug":317,"title":280,"dynasty":18,"author":19,"museum":20,"description":318,"tags":319,"thumbUrl":320,"material":28,"size":29,"collection":30,"collections":321,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},251893,"mi-la-tui-xiong-yi-ming-251893","此器物取蜜蜡制珠，四颗圆珠色泽红润凝腻，包浆温润自带岁月柔光，金属弯架将其串联，与沉敛雅致的红木手柄相映成趣。手柄末端悬垂黄穗，柔丝轻摆中和了金属与硬木的冷硬，添了几分温婉灵动。它既是旧时用以推按舒筋的养生好物，亦是颇具巧思的文玩清供，将实用功能与雅致审美相融，藏着古人日常里的闲情质感，朴拙又精巧的形制，尽显传统造物里的温润意趣。",[40,7,43,169,41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd16a6367da746c76447edc3a58ce184.jpg",[],{"id":323,"slug":324,"title":325,"dynasty":18,"author":19,"museum":20,"description":326,"tags":327,"thumbUrl":329,"material":28,"size":29,"collection":30,"collections":330,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},251892,"mi-la-tai-shi-shao-shi-yi-ming-251892","蜜蜡太狮少狮","此件以浓红莹润的蜜蜡雕琢而成，色泽如凝血般通透鲜亮。匠师以圆雕技法刻画太狮少狮亲昵嬉闹的模样，瑞狮身形饱满敦实，鬃毛发丝雕琢细密灵动，纹路婉转流畅，将狮兽憨态可掬又不失威严的神态勾勒得淋漓尽致。\n\n大狮温驯沉稳，幼狮娇憨灵动，依偎互动间尽显融融温情，暗合子嗣绵长、官禄承袭的美好寓意。整体刀法圆润细腻，将蜜蜡天然质感与雕刻意趣完美融合，是一件兼具审美价值与吉祥意涵的文房清玩佳作。",[18,7,41,100,328],"狮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd65364ceeab7756b169924e98a6b0e79.jpg",[],{"id":332,"slug":333,"title":265,"dynasty":18,"author":19,"museum":20,"description":334,"tags":335,"thumbUrl":336,"material":28,"size":29,"collection":30,"collections":337,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},251890,"mi-la-fo-shou-yi-ming-251890","此件以蜜蜡为材，凝润脂厚的红褐包浆晕染周身，自带沉古温润的质感。匠人依循原料随形施艺，将佛手虬曲舒展的姿态刻画入微，蜷曲交错的指节肌理分明，褶皱起伏间仿若携带着枝头鲜灵的意态，将佛手清奇雅致的形韵尽数呈现。俏色巧留的浅黄点缀其间，于沉郁色调里添了几分灵动。下方瓜棱底座朴拙沉稳，将佛手托举得愈发清雅隽秀。既藏着福寿绵长的美好祈愿，亦是清代文玩雅趣的精巧缩影，兼收天然之美与匠人之思。",[41,7,88,43,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17b1198ad2c58cd0eeef5e2825368934.jpg",[],{"id":339,"slug":340,"title":341,"dynasty":18,"author":19,"museum":20,"description":342,"tags":343,"thumbUrl":345,"material":28,"size":29,"collection":30,"collections":346,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":92},251889,"mi-la-shuang-shou-xing-zhen-zhi-yi-ming-251889","蜜蜡双兽形镇纸","此件镇纸以蜜蜡雕就，通体凝润红褐，包浆厚重古雅。子母瑞兽依偎盘踞，母兽身形丰腴，周身浅镌卷云晕染肌理，首颔微抬，鬃毛翻卷虬劲，威严里晕着柔意；幼兽憨态可掬，亲昵偎依身侧，尽显舐犊温情。\n\n整器圆雕与浅刻并施，线条朴拙流畅，将瑞兽灵秀气韵与蜜蜡温润质地相融，既保留天然肌理质感，又借瑞兽寄寓驱邪纳福的祈愿，是文房案头实用与赏玩兼具的雅致佳器。",[7,41,100,43,344],"文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F285123b44b89ec9a1769ae2b0a5c8875.jpg",[],{"id":348,"slug":349,"title":350,"dynasty":18,"author":19,"museum":20,"description":351,"tags":352,"thumbUrl":356,"material":28,"size":29,"collection":30,"collections":357,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":124},250439,"mi-la-tou-diao-feng-lian-wen-hua-pian-yi-ming-250439","蜜蜡透雕凤莲纹花片","这件半圆雕件取温润蜜蜡为材，以透雕技法穿凿出凤莲图景。凤鸟身姿灵动婉转，羽翼纤毫毕现，缠枝莲花舒展卷绕，与瑞鸟交缠错落，构图饱满却不觉拥塞。刀工婉转利落，将花叶的柔润、翎羽的轻盈尽数雕琢，纹理层叠间尽显匠心。暖棕色泽顺着纹路晕染，古雅温润的质感扑面而来，把凤穿莲的吉祥意趣藏在疏密有致的镂刻当中，古韵悠然，是一方精巧雅致的典藏小件。",[7,353,354,355,53,40,41],"透雕","凤纹","莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F510feb6b4ec444c1efd64ca53df921f4.jpg",[],{"id":359,"slug":360,"title":361,"dynasty":18,"author":19,"museum":20,"description":203,"tags":362,"thumbUrl":365,"material":28,"size":29,"collection":30,"collections":366,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":124},229919,"mi-la-tao-shi-zhai-jie-pai-yi-ming-229919","蜜蜡桃式斋戒牌",[40,41,53,7,363,364],"桃式","斋戒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F062725706b346458a28db5828b1bb476.jpg",[],{"id":368,"slug":369,"title":370,"dynasty":18,"author":19,"museum":20,"description":371,"tags":372,"thumbUrl":375,"material":28,"size":29,"collection":30,"collections":376,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":124},229822,"shan-hu-mi-la-bao-shi-mi-zhu-ying-luo-yi-ming-229822","珊瑚蜜蜡宝石米珠缨络","以米珠编就柔婉网坠，珊瑚串联出灵动枝节，蜜蜡凝作温润的点睛饰珠，宝石沉稳压缀结点。整体舒展成环，枝杈状饰件错落分布，仿佛将山野意趣凝于颈间。金属细丝穿连起颗颗珍材，疏密之间兼顾庄重与灵动，是旧时匠心独运的佩饰佳作。\n\n天然珍材与手工编结技艺相融，旧时光的雅致华贵藏于其间，尽显古人对佩饰美学的独到理解。细节处工巧精致，各色饰材温润色泽相互映衬，自成一幅流动的颈间图景，将佩戴之美藏于方寸形制中。",[40,53,75,7,60,206,373,152,374],"缨络","传统工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5146b64dc11532f14b9e043757cd744f.jpg",[],1777535712732]