[{"data":1,"prerenderedAt":34},["ShallowReactive",2],{"subject-mi-se":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4262,"mi-se","米色","米色画高清赏析","精选中国历代米色题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f690ca54ee56423c0fc5ded261101e0.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},223799,"mi-se-qing-ci-tuo-yuan-yan-yuan-wei-qi-zuo-hou-gai-zhi-cheng-yan-tai-yi-ming-223799","米色青瓷椭圆砚（原为器座，后改制成砚台）","宋","佚名","藏地不详","唐人造的箕形，看它下摆的两条边线，略微的向外那么一延展，尝觉得，颇似一站立的人，张开手臂向外。而以宋人的抄手砚看，人觉得仍是站着，可是双臂拢起了。\n宋人不再如唐砚那般，郁结于一砚的厚薄高低，它们越过一方砚的三足，五足亦或多足，制砚上不再欲行又止犹犹豫豫摸着石头过河。宋代，砚有了方正式，椭圆样。这样的长，宽，厚度，式样，不再是忽有忽无，时隐时现，而是有了规范态势。宋代，砚的池、堂、边，不再浑如唐箕的说不清道不明，它们有了明确界定，开始各司其职。通俗地说，宋代，砚有了属于砚的相貌，有了自己特有的区别于它物的形态，样式。\n宋砚的天下，是石质砚的天下。尽管石质入砚，以石为砚，汉砚甚至更为古老的石器时代，古人便有过琢磨，涉及。尽管，聪明的古人不仅以石入砚，先民还用铜质，铁质，陶泥，瓷质，玉质等等尝试过制砚。也尽管，开启石质制砚时代大门的是唐人。",[18,23,7,24,25,26,27],"青瓷","开片","砚","陶瓷","器","未知","Xcm*Xcm","",[],4,"795548",1777535852669]