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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,7,24,109,30,100,110],"竹边","蝶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe94843b1b4e5d33f3f86070414fe7d1d.jpg",[],{"id":114,"slug":115,"title":116,"dynasty":18,"author":19,"museum":20,"description":65,"tags":117,"thumbUrl":119,"material":32,"size":33,"collection":34,"collections":120,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},248576,"miao-cai-qi-ren-wu-gu-shi-tu-fang-he-yi-ming-248576","描彩漆人物故事图方盒",[23,7,24,30,25,118],"人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F22763820076058b6b350de70f24d7f9a.jpg",[],{"id":122,"slug":123,"title":124,"dynasty":18,"author":19,"museum":20,"description":107,"tags":125,"thumbUrl":127,"material":32,"size":33,"collection":34,"collections":128,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},248569,"miao-cai-qi-shuang-long-peng-shou-wen-liu-ban-pan-yi-ming-248569","描彩漆双龙捧寿纹六瓣盘",[24,7,25,27,126,30],"寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76700abb24e9a32c1d9098be4ded612e.jpg",[],{"id":130,"slug":131,"title":132,"dynasty":18,"author":19,"museum":20,"description":65,"tags":133,"thumbUrl":134,"material":32,"size":33,"collection":34,"collections":135,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},248568,"miao-cai-qi-hua-die-wen-fang-he-yi-ming-248568","描彩漆花蝶纹方盒",[24,7,25,100,110,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb523c4715ecacd9c6ec12f4d3011a515.jpg",[],{"id":137,"slug":138,"title":139,"dynasty":18,"author":19,"museum":20,"description":65,"tags":140,"thumbUrl":143,"material":32,"size":33,"collection":34,"collections":144,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":91},248560,"miao-cai-qi-fu-shou-wen-hu-lu-shi-he-yi-ming-248560","描彩漆福寿纹葫芦式盒",[24,30,7,25,141,142],"福寿纹","葫芦式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae76c41896b8beb2abc72e394a2443ac.jpg",[],{"id":146,"slug":147,"title":148,"dynasty":18,"author":19,"museum":20,"description":65,"tags":149,"thumbUrl":155,"material":32,"size":33,"collection":34,"collections":156,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":91},246359,"miao-cai-qi-gou-lian-jin-wen-si-fang-wei-jiao-he-yi-ming-246359","描彩漆勾莲锦纹四方委角盒",[23,24,7,150,151,152,153,25,154],"勾莲纹","锦纹","器物","盒","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe15847ccad958f6830fa52625c6f480.jpg",[],{"id":158,"slug":159,"title":160,"dynasty":161,"author":19,"museum":20,"description":162,"tags":163,"thumbUrl":164,"material":32,"size":33,"collection":34,"collections":165,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":91},246188,"miao-cai-qi-kui-long-wen-lian-yi-ming-246188","描彩漆夔龙纹奁","明","此奁以黑漆为骨，朱红为饰，色调浓烈古雅。盖顶三系造型奇巧，既为提系之用，亦添灵动意趣。腹部铺首衔环，兽面威严凶悍，线条硬朗，静中带势。周身夔龙纹盘绕回转，线条婉转流畅，古意悠然。三兽足沉稳敦实，托举器身，尽显端庄稳重。\n\n髹饰工艺精湛，红黑配色鲜明强烈，纹饰排布疏密得当，将礼器的庄重与工艺的精巧融为一体，凝缩着古典造物的审美意趣，静穆间流露狞厉古拙之美，尽显匠心之妙。",[24,7,25,30,27,154],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36bd847bea67f28430058e0a011ccc66.jpg",[],{"id":167,"slug":168,"title":169,"dynasty":18,"author":19,"museum":20,"description":107,"tags":170,"thumbUrl":172,"material":32,"size":33,"collection":34,"collections":173,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},246181,"miao-cai-qi-chan-zhi-lian-wen-mei-hua-shi-pan-yi-ming-246181","描彩漆缠枝莲纹梅花式盘",[23,24,7,77,171,30],"梅花式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F265c43bee228b5e44d00df210e451d81.jpg",[],{"id":175,"slug":176,"title":177,"dynasty":18,"author":19,"museum":20,"description":107,"tags":178,"thumbUrl":180,"material":32,"size":33,"collection":34,"collections":181,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},246174,"miao-cai-qi-kui-long-wen-tuo-yuan-pan-yi-ming-246174","描彩漆夔龙纹椭圆盘",[23,24,7,179,30],"夔龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92c799337f6488a50db13b1cd15a8357.jpg",[],{"id":183,"slug":184,"title":185,"dynasty":18,"author":19,"museum":20,"description":186,"tags":187,"thumbUrl":190,"material":32,"size":33,"collection":34,"collections":191,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":91},246150,"miao-cai-qi-jin-wen-si-ding-peng-shi-san-lun-che-yi-ming-246150","描彩漆锦纹四顶蓬式三轮车","此器以硬木髹朱漆为骨，通体镂空錾刻万字锦纹，细密规整的纹样排布，似将云锦裁入柜体，尽显雅致通透。鎏金铜件勾连边角、装饰轮轴，暖金朱红撞色，点亮整体华贵气韵。轮辐取花瓣造型，柔化车具的硬朗质感，将实用器的形制与陈设雅物的审美融于一体。器物处处可见匠心，飞檐式顶盖复刻建筑规制，构件衔接严丝合缝，是清代细作工艺的典型缩影，把代步的日常形制，升华为兼具观赏与实用的工艺珍品。",[23,24,7,151,188,30,154,189],"三轮车","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