[{"data":1,"prerenderedAt":1364},["ShallowReactive",2],{"subject-ming-wen":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2604,"ming-wen","铭文","铭文画高清赏析","精选中国历代铭文题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa70f2cb1587c2ca910fba6cf61592a4f.jpg",0,159,[14,37,54,72,84,96,110,121,133,144,155,170,182,189,197,207,215,224,234,242,255,267,276,283,294,304,317,326,334,343,352,364,372,381,390,400,409,416,423,430,438,446,458,464,470,477,483,490,498,511,525,538,545,553,562,571,579,587,595,603,611,619,626,635,643,650,659,666,673,681,687,695,701,707,714,720,726,734,740,747,753,759,765,773,781,789,797,805,814,822,829,837,844,851,859,866,872,879,887,895,905,912,920,926,933,941,947,956,965,973,980,987,995,1004,1010,1018,1025,1036,1046,1055,1066,1076,1085,1093,1100,1108,1114,1120,1128,1134,1140,1147,1156,1162,1169,1178,1189,1197,1204,1213,1220,1230,1236,1244,1252,1260,1266,1273,1279,1287,1295,1301,1309,1316,1322,1330,1341,1349,1357],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":35,"manualWeight":11,"mainColor":36},214204,"guo-ji-zi-bai-pan-ming-wen-yi-ming-214204","虢季子白盘铭文","周","佚名","中国国家博物馆","铭文铸在郭记子白石板的底座上，共有八行，111个字。铭文讲述了虢国的子白奉命出征，战功赫赫，周王为他举行宴会，并赐予他弓马，以庆贺他的功绩，虢国子白因此制作此盘作为纪念。铭文语言简练、庄重，是金文中的书家法本。",[23,24,25,26,27,7,28,29],"高清","篆书","拓本","书法","青铜器","西周","刻铭","纸本,拓本","50.88x29.89","",[],225,1,"37474F",{"id":38,"slug":39,"title":40,"dynasty":18,"author":19,"museum":41,"description":42,"tags":43,"thumbUrl":50,"material":32,"size":32,"collection":51,"collections":52,"showCount":53,"zanCount":11,"manualWeight":11,"mainColor":36},242601,"fu-wu-jiang-zhong-yi-ming-242601","福无疆钟","藏地不详","它青锈裹身，带着岁月浸淫出的沉郁肌理，甬部兽面纹古拙威严，静静衔着这份来自上古的庄重。舞部之下枚乳齐整排布，如列队的仪兵，将规整礼制藏进细节。篆间铭文虽已漫漶，却依旧凝着祈福的温热心意。\n\n曾在庙堂之上振鸣的钟体，将对绵长福泽的祈愿熔铸进青铜筋骨。冷硬铜料被赋予礼乐神魂，青褐锈迹是时光镌下的勋章，静立便带着三代庙堂的肃穆底蕴，将千年前的虔诚礼制凝于一身。",[18,27,44,45,46,47,48,49,7],"铜制","雕刻","乐器","礼器","纹饰","乳钉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ad8f1fdee1ab36894c68ca2088a8805.jpg","青铜器精选",[51],161,{"id":55,"slug":56,"title":57,"dynasty":18,"author":19,"museum":41,"description":58,"tags":59,"thumbUrl":66,"material":67,"size":68,"collection":32,"collections":69,"showCount":70,"zanCount":11,"manualWeight":11,"mainColor":71},226532,"da-yu-ding-ming-wen-bei-ta-quan-pian-yi-ming-226532","大盂鼎铭文碑拓全片","青铜器（Bronze Ware）在古时被称为“金”或“吉金”，是红铜与其他化学元素锡、铅等的合金，刚刚铸造完成的青铜器是金色，但因为出土的青铜因为时间流失产生锈蚀后变为青绿色，被称为青铜。\n青铜器的使用开始于新石器时代晚期的土耳其和伊拉克地区，及叙利亚古代TellRamad遗址出土的铜珠等。中国青铜器开始于马家窑至秦汉时期，以商周时期的器物最为精美。在中国仰韶文化早期和马家窑文化时期就已经出现。\n中国最初出现的是小型工具或饰物。夏代始有青铜容器和兵器。商中期，青铜器品种已很丰富，并出现了铭文和精细的花纹。商晚期至西周早期，是青铜器发展的鼎盛时期，器型多种多样，浑厚凝重，铭文逐渐加长，花纹繁缛富丽。随后，青铜器胎体开始变薄，纹饰逐渐简化。春秋晚期至战国，由于铁器的推广使用，铜制工具越来越少。秦汉时期，随着陶器和漆器进入日常生活，铜制容器品种减少，装饰简单，多为素面，胎体也更为轻薄。\n中国青铜器制作精美，在世界青铜器中享有极高的声誉和艺术价值，代表着中国5000多年青铜发展的高超技术与文化。\n我国商、周时代的青铜器具，不单是盛物用的容器，同时也是宗庙中的礼器。青铜器的数量可以表示出身份地位的高低，青铜器形制的大小也可以显示出权力的等级。青铜器中，最重要的器类就是鼎。远古的青铜器可以分为食器、酒器、水器、乐器四大类。食器中包括鼎、鬲等等。其中鼎是最重要的礼器。\n西周中晚期我国形成了列鼎制度，据《春秋公羊传》记载，天子用9鼎，诸侯用7鼎、卿大夫用5鼎、士用3鼎或1鼎。同时。与鼎一同出现的还有簋，通常为九鼎八簋，七鼎六簋，五鼎四簋，三鼎二簋。在西周中晚期的墓葬制度中，鼎为单数而簋为双数。青铜鼎随着时代的发展，形制也在发生变化。商代早期多为圆腹尖足，也有方鼎。到了中期出现了扁足鼎等等。商代晚期尖足鼎逐渐减少，圆腹柱足鼎开始居多，鬲鼎逐渐多了起来。《尔雅》记载“鼎之款足者，谓之鬲”。鬲鼎也称为分裆鼎，是鬲和鼎的混合体，鼎从商代开始铸有各式样的神秘纹饰，多为兽面纹，如饕餮纹、蝉纹、象纹等等，纹饰变化巧妙。容器内部铸有族徽或祖先的名字。\n青铜是铜和锡铅的合金。在中国古代早期的工艺美术中青铜工艺成为奴隶社会工艺美术的典型代表是我们的祖先对人类物质文明的巨大贡献。商周时期是中国历史上的青铜时代，它以品类丰富、造型优美、纹饰华丽、制作精巧、风格独特而著称。此时是冶炼铸造技术可以说有了突发猛进的发展，在应用上具有广泛的适用性。成为中国艺术史的一个组成部分。本文以商周时期的青铜器主要代表作品作品：《后母戊大方鼎》、《盂鼎》为例，从青铜器作为“礼器”的艺术精神与青铜器的造型、装饰艺术特点来谈谈商周青铜器艺术。\n中国古代青铜器，就使用规模、铸造工艺、造型艺术及品种而言。中国古代青铜器在世界艺术史上占有独特地位。商周时期是中国历史上的青铜时代，青铜流行于新石器时代晚期至秦汉时代。以商周器物最为精美，品种已很丰富器型多种多样，并出现了铭文和精细的花纹浑厚凝重。商周青铜器艺术装饰承接新石器时代艺术中若干精髓，经过长期绵延不断的变化，形成独特的体系，在成为中国艺术史的一个组成部分。商周时期，青铜的冶炼业作为生产力的标志而达到高峰。是中国古代青铜器发展的鼎盛时期。",[23,25,26,24,60,7,61,62,63,64,65],"金文","碑拓","西周风格","篆体","金石文字","铭刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4648fe470a2c89e4438f34ddff6337a.jpg","未知","Xcm*Xcm",[],55,"795548",{"id":73,"slug":74,"title":75,"dynasty":76,"author":19,"museum":41,"description":58,"tags":77,"thumbUrl":81,"material":67,"size":68,"collection":32,"collections":82,"showCount":83,"zanCount":11,"manualWeight":11,"mainColor":36},226731,"ya-xing-wen-fu-yi-ding-yi-ming-226731","亚形文父乙鼎","商",[78,27,79,45,7,48,47,80],"商代","铸造","饪食器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe5e2837847f970d98f78e06452c99c1.jpg",[],36,{"id":85,"slug":86,"title":87,"dynasty":88,"author":19,"museum":41,"description":89,"tags":90,"thumbUrl":93,"material":67,"size":68,"collection":32,"collections":94,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":71},224091,"yu-xia-jing-yi-ming-224091","玉匣镜","隋","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[44,45,91,48,7,92],"圆形","隋代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c8d6c9de279d83864afabcd67b939c5.jpg",[],24,{"id":97,"slug":98,"title":99,"dynasty":100,"author":19,"museum":41,"description":101,"tags":102,"thumbUrl":106,"material":67,"size":68,"collection":32,"collections":107,"showCount":108,"zanCount":11,"manualWeight":11,"mainColor":109},223963,"si-ru-si-hui-wen-jing-3-yi-ming-223963","四乳四虺纹镜-3","汉","汉镜有圆形﹑方形。纽多作半球形。正面磨光背面铸有几何形图案或神人禽兽等。东汉中期出现浮雕的画像造形精美。\n两汉时期大体上分西汉、新莽、东 汉三个阶段。汉镜纹饰的主要种类有草叶纹镜、蟠龙纹镜、百乳镜、连弧纹镜、规矩镜、多乳禽兽纹镜和变形四叶镜等。",[103,27,44,45,7,24,48,104,105],"汉代","四乳纹","四虺纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F287200aa4eca41110c212609a17d53c3.jpg",[],22,"BDBDBD",{"id":111,"slug":112,"title":113,"dynasty":88,"author":19,"museum":41,"description":114,"tags":115,"thumbUrl":118,"material":67,"size":68,"collection":32,"collections":119,"showCount":120,"zanCount":11,"manualWeight":11,"mainColor":71},244728,"guang-liu-su-yue-jing-yi-ming-244728","光流素月镜","中国铜镜的制作和使用具有悠久的历史，根据考古发掘，年代最早的铜镜为4000多年前的齐家文化。从齐家文化至西周末春秋早期制作的铜镜，多以纹饰简单、形体小、种类少。此一时期为中国铜镜制作早期阶段。\n春秋中晚期开始，我国铜镜制作和使用就发展起来了，特别是战国时期，铜镜的种类复杂，题材广泛，制作工艺精细，包括此时期铜镜的合金成分，其锡含量是最适合铜镜的使用，这些充分反应了铜镜在此时期制作技术已达到成熟阶段。汉代开始铜镜得到了进一步的发展，这时期的铜镜出现了新的类型，铭纹也正逐渐成为铜镜的纹饰组成部分，反映了汉代铸镜业的发达及铜镜商品化的发展。\n隋唐时期是中国铜镜高度发展时期，此时的铜镜突破了以往圆形与方形的传统形式，出现了菱花形、葵花形铜镜。特别是盛唐时期铜镜工艺精湛，著名的瑞兽葡萄镜更是闻名于世，这一时期铜镜发展达到了顶峰。\n从唐末，五代起中国的铜镜艺术日趋衰落，宋、金、元时期的铜镜，从造型、纹饰和合金成分上都有不同于传统铜镜的特点。明，清时期虽然铜镜还在人们日常生活当中使用，但到清代中后期随着玻璃的使用，铜镜逐渐退出了历史舞台。当今虽然不再有人使用铜镜整装容，但古代铜镜给予我们的除了收藏价值，还有对古代形制、纹饰、铭文、艺术、制作工艺、成分等等的研究价值。中历收藏品鉴定中心，为我国合法第三方专业鉴定平台，证书得到了专业人士及社会各界的高度认可，藏品鉴定可咨询。",[116,44,45,117,7],"隋代","龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F375f41acc3c32c7270030015aad9c66b.jpg",[],18,{"id":122,"slug":123,"title":124,"dynasty":76,"author":19,"museum":41,"description":125,"tags":126,"thumbUrl":130,"material":32,"size":32,"collection":51,"collections":131,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":36},242751,"gui-mu-ding-yi-ming-242751","癸母鼎","立耳敞腹，柱足沉稳，古拙厚重尽显礼器肃穆威仪。腹部上栏以回首夔龙纹环绕，间饰铭文，线条蜷曲灵动，狞厉中带着精巧意趣；下栏衬以三角垂叶纹，层叠排布，如青铜礼衣垂缀的威仪饰件，晕开上古祀典的庄重氛围感。青绿铜锈漫覆器身，是岁月晕染的斑驳痕迹，将三千年前的祀典余温封存在金属肌理中。礼器的庄严与古铜的锈色交融，静静诉说着上古青铜工艺的卓越，凝住礼制的厚重底蕴。",[27,47,80,44,127,128,129,7],"鼎","夔龙纹","三角垂叶纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bb24016a4bc35e5b0fbf4c924d0475b.jpg",[51],14,{"id":134,"slug":135,"title":136,"dynasty":137,"author":19,"museum":41,"description":138,"tags":139,"thumbUrl":141,"material":32,"size":32,"collection":51,"collections":142,"showCount":143,"zanCount":11,"manualWeight":11,"mainColor":36},244205,"xue-hui-gong-zao-fang-jing-yi-ming-244205","薛惠公造方镜","明","此方铜镜形制方正规整，一改古镜常见的圆融造型，自带端方气韵。镜背以阳文錾刻诗文，笔力浑朴苍劲，“方正而明万里无尘，水天一色犀照群伦”将铜镜照鉴之能，托喻为君子澄澈明达的襟怀。两枚朱印斑驳古雅，与沉穆铜色相衬，晕开岁月摩挲的温润质感。\n它跳出传统铜镜的瑞兽花鸟纹样，以文人笔墨入镜，将日常器用晕染出清雅文气，是实用雅器与文人情思的精妙融合，尽显内敛东方意趣。",[137,44,45,24,27,140,7],"方形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa77c33a1d170cd227288e761e460e751.jpg",[51],11,{"id":145,"slug":146,"title":147,"dynasty":18,"author":19,"museum":41,"description":58,"tags":148,"thumbUrl":152,"material":67,"size":68,"collection":32,"collections":153,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":71},224073,"wan-qi-gu-yi-ming-224073","万諆觚",[27,44,45,7,149,150,151,48],"饮酒器","周代","兽面纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d7aee4faa7c62a11c3754b058be927d.jpg",[],7,{"id":156,"slug":157,"title":158,"dynasty":137,"author":159,"museum":41,"description":160,"tags":161,"thumbUrl":167,"material":67,"size":68,"collection":32,"collections":168,"showCount":169,"zanCount":11,"manualWeight":11,"mainColor":109},283740,"yan-ran-shan-ming-juan-dong-qi-chang-283740","燕然山铭卷","董其昌","董其昌（1555年2月10日—1636年10月26日），字玄宰，号思白、香光居士，松江华亭（今上海市）人。明朝后期大臣、书画家。正如李志敏所说：“主张学古变古，但在书法神韵问题上的迷信观念，却比古人尤有过之”。\n万历十七年，考中进士，授翰林院编修。一度担任皇长子朱常洛的讲官。历任湖广提学副使、福建提学副使、河南参政，因病辞职。泰昌元年（1620年），明光宗朱常洛继位，授太常少卿、国子司业，参修《明神宗实录》。天启五年（1625年），出任南京礼部尚书，因事辞官。崇祯五年（1632年），出任太子詹事。崇祯七年（1634年），回归乡里。崇祯九年，去世，谥号“文敏”。\n董其昌擅于山水画，师法于董源、巨然、黄公望、倪瓒，笔致清秀中和，恬静疏旷；用墨明洁隽朗，温敦淡荡；青绿设色，古朴典雅。以佛家禅宗喻画，倡“南北宗”论，为“华亭画派”杰出代表，兼有“颜骨赵姿”之美。存世作品有《岩居图》《明董其昌秋兴八景图册》《昼锦堂图》《白居易琵琶行》《草书诗册》《烟江叠嶂图跋》等。画作及画论对明末清初的画坛影响甚大。书法出入晋唐，自成一格。作品《戏鸿堂帖》（刻帖）。颇能诗文，著有《画禅室随笔》《容台文集》等。",[23,162,163,26,164,165,7,166],"名画","长卷","行书","书画","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7943cb4f682124644ffd3e9c23be0df.jpg",[],6,{"id":171,"slug":172,"title":173,"dynasty":137,"author":19,"museum":41,"description":174,"tags":175,"thumbUrl":179,"material":67,"size":68,"collection":32,"collections":180,"showCount":181,"zanCount":11,"manualWeight":11,"mainColor":36},271967,"dong-qi-chang-ming-duan-shi-yan-yi-ming-271967","董其昌铭端石砚","此砚形制取法宋式抄手，紫褐石质温润凝腻，包浆沉厚，晕染着经年摩挲的时光痕迹。砚池作如意凹弧，导墨顺达，砚堂素净平整，隐现天然石品纹理，实用与雅观兼得。\n\n盒盖錾刻行书铭文，笔致疏朗秀逸，萧散简远，暗合晚明文人士大夫的审美意趣。一方砚石，承载案头清供的风雅，将文人寄情日常的幽思凝于方寸，摩挲之间，似能窥见旧时灯下文墨相伴的闲雅况味，是文房器物里工艺与文心相融的佳品。",[176,177,26,7,178],"砚","端石砚","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdcd62b0570b93462c0775ca02380351f.jpg",[],5,{"id":183,"slug":184,"title":185,"dynasty":100,"author":19,"museum":41,"description":101,"tags":186,"thumbUrl":187,"material":67,"size":68,"collection":32,"collections":188,"showCount":181,"zanCount":11,"manualWeight":11,"mainColor":71},244910,"qing-ming-jing-yi-ming-244910","清明镜",[103,27,44,45,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9878219901a1ab849de55a79daaa26db.jpg",[],{"id":190,"slug":191,"title":192,"dynasty":100,"author":19,"museum":41,"description":101,"tags":193,"thumbUrl":195,"material":67,"size":68,"collection":32,"collections":196,"showCount":181,"zanCount":11,"manualWeight":11,"mainColor":71},226949,"ming-guang-jing-yi-ming-226949","明光镜",[103,44,45,7,48,194],"流苏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febff144f72858ccd24386cde90be6164.jpg",[],{"id":198,"slug":199,"title":200,"dynasty":100,"author":19,"museum":41,"description":101,"tags":201,"thumbUrl":204,"material":67,"size":68,"collection":32,"collections":205,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":71},245123,"die-wen-jing-yi-ming-245123","蝶纹镜",[27,45,202,24,203,7,91,103],"浮雕","蝶纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d26617df664988f47625b210b987db5.jpg",[],4,{"id":208,"slug":209,"title":210,"dynasty":100,"author":19,"museum":41,"description":101,"tags":211,"thumbUrl":213,"material":67,"size":68,"collection":32,"collections":214,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":71},244470,"jia-chang-fu-gui-jing-yi-ming-244470","家常富贵镜",[27,44,45,24,103,7,91,48,212],"模铸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a50268637433d4cf7e1925aa9e20715.jpg",[],{"id":216,"slug":217,"title":218,"dynasty":100,"author":19,"museum":41,"description":101,"tags":219,"thumbUrl":222,"material":67,"size":68,"collection":32,"collections":223,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":71},244039,"jian-ri-zhi-guang-jing-yi-ming-244039","见日之光镜",[103,44,45,24,7,220,221,91],"器物","几何纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faaccaca4f770a9876097f0f463fab790.jpg",[],{"id":225,"slug":226,"title":227,"dynasty":100,"author":19,"museum":41,"description":101,"tags":228,"thumbUrl":232,"material":67,"size":68,"collection":32,"collections":233,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":36},243637,"zhang-yi-zi-sun-jing-yi-ming-243637","长宜子孙镜",[27,229,44,230,202,7,231],"铜镜","几何纹","工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6613934333d38bff35af1ecba2bea8fc.jpg",[],{"id":235,"slug":236,"title":237,"dynasty":76,"author":19,"museum":41,"description":58,"tags":238,"thumbUrl":240,"material":67,"size":68,"collection":32,"collections":241,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":71},243331,"su-ge-yi-ming-243331","素戈",[78,27,239,44,79,7],"兵器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9fe86ad72b94a67cf15bdb0af255ca27.jpg",[],{"id":243,"slug":244,"title":245,"dynasty":137,"author":19,"museum":41,"description":246,"tags":247,"thumbUrl":253,"material":67,"size":68,"collection":32,"collections":254,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":36},228588,"tian-bai-mei-ping-nei-fu-ming-1-yi-ming-228588","甜白梅瓶（「内府」铭）-1","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[248,249,250,251,252,7],"陶瓷","甜白釉","单色釉","器","梅瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc51c62dd82cd8042147f52b96ad3ecb1.jpg",[],{"id":256,"slug":257,"title":258,"dynasty":259,"author":19,"museum":41,"description":260,"tags":261,"thumbUrl":265,"material":67,"size":68,"collection":32,"collections":266,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":71},223855,"ying-zhi-jing-yi-ming-223855","莹质镜","唐","唐代是中国古代铜镜制造的鼎盛时期，唐镜不仅继承了汉魏的文化传统，而且吸收了边疆民族的艺术成就，同时对外来（主要是波斯、印度）文化中的优秀部分也兼收并蓄，融汇一体，构图更加精细，使铜镜艺术达到了一个新的高峰。铸镜业是唐代最精细的工艺，每逢八月五日（唐玄宗生日）人们都将铜镜作为礼品送人，祝福长寿，这一天被定名为“千秋金鉴节”（金鉴指铜镜）。",[262,44,45,263,264,48,7,251],"唐代","兽","龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd03aa48ffc03e7bbb5d54c65c100702.jpg",[],{"id":268,"slug":269,"title":270,"dynasty":100,"author":19,"museum":41,"description":101,"tags":271,"thumbUrl":273,"material":67,"size":68,"collection":32,"collections":274,"showCount":275,"zanCount":11,"manualWeight":11,"mainColor":71},244911,"zhi-jiu-gao-tang-jing-yi-ming-244911","置酒高堂镜",[103,27,44,45,7,49,272],"几何纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e6582ced2dc624cf31231edd48b95da.jpg",[],3,{"id":277,"slug":278,"title":279,"dynasty":100,"author":19,"museum":41,"description":101,"tags":280,"thumbUrl":281,"material":67,"size":68,"collection":32,"collections":282,"showCount":275,"zanCount":11,"manualWeight":11,"mainColor":71},243888,"nei-qing-jing-yi-ming-243888","内清镜",[103,27,44,45,202,7,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a408f76364c1be7dbed7f6fda04e08c.jpg",[],{"id":284,"slug":285,"title":286,"dynasty":287,"author":19,"museum":41,"description":288,"tags":289,"thumbUrl":292,"material":67,"size":68,"collection":32,"collections":293,"showCount":275,"zanCount":11,"manualWeight":11,"mainColor":109},243272,"lu-zi-yin-yuan-bao-yi-ming-243272","禄字银元宝","清","这组船形银锭，器型饱满舒展，束腰弧底，两翼微微上扬，尽显规整大气。银表包浆沉敛温润，带着时光沉淀下的哑光旧色，银质细密匀净，可见旧时铸银工艺的扎实质感。锭底錾刻禄字，将求财纳福的民俗意趣融于实用通货之中，既是商贸流通的实物见证，也暗藏着古人对功名利禄的美好祈愿，静默诉说着往昔的财禄流俗。",[290,291,220,7],"清代","银器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4aa552c3546340ed0f612973df072599.jpg",[],{"id":295,"slug":296,"title":297,"dynasty":137,"author":19,"museum":41,"description":298,"tags":299,"thumbUrl":301,"material":67,"size":68,"collection":32,"collections":302,"showCount":303,"zanCount":11,"manualWeight":11,"mainColor":71},272627,"zhong-yue-wai-shi-ming-duan-shi-chang-fang-yan-yi-ming-272627","中岳外史铭端石长方砚","此方砚作抄手制式，石色沉敛古穆，包浆莹润厚重，凝着百年摩挲的温润质感。砚心阴刻四字，笔力苍劲浑朴，古拙意趣尽显。一圆一方双池错落排布，兼顾储墨实用与视觉雅趣。砚额满刻铭文，虽经岁月磨洗，依旧能窥见旧时文人的寄情之心。石质肌理间藏着尚朴重意的审美风骨，将文房清趣与沉厚古韵融于一身，是值得品读珍藏的文房雅物。",[176,300,178,45,26,7],"端石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc8b9284db50ddbd36ee9f2b6181be6c.jpg",[],2,{"id":305,"slug":306,"title":307,"dynasty":308,"author":19,"museum":41,"description":309,"tags":310,"thumbUrl":315,"material":67,"size":68,"collection":32,"collections":316,"showCount":303,"zanCount":11,"manualWeight":11,"mainColor":71},253970,"shi-fu-zuo-xiang-yi-ming-253970","石佛坐像","南北朝","中国雕塑是指具有中国特色且原产于中国的雕塑艺术品。中国雕塑（Chinese sculptures），为中国文化的重要组成部分。中国古代雕塑艺术的主要内容分别是陵墓雕塑（包括地上的纪念性石刻与墓室随葬俑）、宗教雕塑、民俗性及其他内容的雕塑。\n大型陵墓石刻肇始于汉代墓前的石人、石兽。存世的古代陵墓石刻主要为南朝宋、齐、梁、陈及唐、北宋、明、清各代帝陵和勋臣贵戚墓的遗存。北魏、辽、金、西夏等朝代陵墓遭严重破坏，仅有少量石刻遗留下来。南朝和唐代的作品代表了陵墓石刻的最高成就。自唐代乾陵起，以迄北宋，石刻的内容、配置方式，逐步形成定制，并为明、清两代所承袭。宗教雕塑主要保存于寺庙和石窟寺之内，由于寺庙毁损严重，石窟寺雕塑便成为宗教雕塑遗存的主要代表。石窟寺是开凿于山崖之上的宗教寺庙。以佛教为主，也有少量道教或其他宗教内容的造像。石窟形制源自印度，约于 3世纪传至中国。造窟风气最盛的时期为南北朝至唐代中期，约当5～8世纪。重要石窟多以皇室或勋臣贵戚雕造的大像为中心，由众多的窟、龛、摩崖造像等，构成庞大的石窟群。雕造的时间常延续10多个世纪。每个窟内又以立体雕塑本尊佛造像为中心，由弟子、菩萨（以后增加天王、力士）组成群像，四壁布满浮雕或壁画，形成浓厚的宗教氛围。由于造像和壁画、浮雕内容、样式的差异，而形成不同时期、不同地区的艺术风格。功能\n中国雕塑既可以是一个国家文化的标志和象征，又可作为该民族文化积累的产物。雕塑述说着民族发展的历史，凝聚着民族的精神和传统，代表着每一历史时期的精神面貌，反映着自古至今，人们的无限追求与执着信仰，展现价值观念及审美情趣。中国雕塑，城市建筑等，都是一个民族精神文明与物质文明最直观、最集中的表现。\n中国雕塑不仅仅是文化的产物，同时也是一个国际不可或缺的经济投资点。中国雕塑和其他其他国际建筑等共同构成世界高雅美丽的环境，使生活在城市中的人们受到优越的审美体验，感受到文化的魅力与美的精神，中国雕塑的存在影响了中国环境，提升了文化形象，产生了视觉空间的凝聚力，这就创造了一种对于环境的投资潜能。",[308,311,45,312,313,314,263,7],"宗教","石质","佛像","坐像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0076b24717a1dae0757d3f45178d5aa1.jpg",[],{"id":318,"slug":319,"title":320,"dynasty":100,"author":19,"museum":41,"description":101,"tags":321,"thumbUrl":324,"material":67,"size":68,"collection":32,"collections":325,"showCount":303,"zanCount":11,"manualWeight":11,"mainColor":36},244079,"zhang-wu-xiang-wang-jing-yi-ming-244079","长毋相忘镜",[322,27,44,45,323,24,7,221],"汉代风格","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6efe4136b3f4e94ce98a55f72c62df27.jpg",[],{"id":327,"slug":328,"title":329,"dynasty":100,"author":19,"museum":41,"description":101,"tags":330,"thumbUrl":331,"material":67,"size":68,"collection":32,"collections":332,"showCount":303,"zanCount":11,"manualWeight":11,"mainColor":333},226942,"yan-nian-yi-shou-jing-yi-ming-226942","延年益寿镜",[27,44,45,48,7,194],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ea660e44625a42e9f35a98925ed7932.jpg",[],"F48FB1",{"id":335,"slug":336,"title":337,"dynasty":100,"author":19,"museum":41,"description":338,"tags":339,"thumbUrl":341,"material":67,"size":68,"collection":32,"collections":342,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},281423,"gu-zhuan-yi-ti-shi-jing-ke-shi-yi-ming-281423","古篆一体石经刻石","西汉的石刻很少见，据宋尤袤《砚北杂记》说：“闻自新莽恶称汉德，凡有石刻，皆令仆而磨之，仍严其禁。大多采用阴线刻和阳线刻两种雕刻方式。\n”赵明诚《金石录》仅著录《居摄两坟坛》、《五凤刻石》两种。其他西汉石刻是清以后才陆续发现的，所以伪刻较多。近人徐森玉《西汉石刻文字初探》所收集计有十种，有《霍去病墓石刻字》、《莱子侯刻石》等十种。以上石刻仅仅是作为坟坛、宫殿的计时标志，属于“小品”性质。从以上西汉的时刻来看，隶书的波磔还不明显，严格的讲，都非正规的汉隶碑刻，其实，西汉的隶书已经成熟，具有波磔挑笔。可以从1972年山东临沂银雀山汉墓出土的《孙子兵法简》、《孙膑兵法简》中看到，笔画都带有燕尾波挑。\n东汉“碑碣云起”。刻碑之风盛行的原因之一是，当时的门生故吏很多，为府主歌功颂德，或封山祭祀之用。自郦道元《水经注》便见诸于著录，有三百多件，碑刻、拓片流传至今者（包括近所发现）的约有二百余种。清代朱彝尊在《跋汉华山碑》中把汉隶分成三种类型风格：方正、流丽、奇古。其实从形制上可以分为碑刻和摩崖两大类。从艺术特点上可以把其分为：典雅、秀逸、拙朴、雄浑、纵肆、平整、古峭、奇谲。它们的代表作品分别为：《史晨碑》、《乙瑛碑》，《礼器碑》、《曹全碑》，《张迁碑》，《西狭碑》，《石门颂》，《熹平石经》，《裴岑碑》，《夏承碑》。",[24,26,340,45,7],"石刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c086d3de246de931b0b5363b1b8d5c0.jpg",[],{"id":344,"slug":345,"title":346,"dynasty":287,"author":19,"museum":41,"description":347,"tags":348,"thumbUrl":350,"material":67,"size":68,"collection":32,"collections":351,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},272720,"yu-ming-cheng-ni-hu-fu-yan-yi-ming-272720","御铭澄泥虎符砚","砚台历经秦汉、魏晋，至唐代起，各地相继发现适合制砚的石料，开始以石为主的砚台制作。其中采用甘肃岷县的洮河石、广东端州的端石、安徽歙州的歙石制作的砚台，被分别称作洮砚、端砚、歙砚。史书将洮、端、歙称作三大名砚。清末，又将河南洛阳的澄泥砚与洮、端、歙，并列为中国四大名砚。也有人主张，以天然砚石雕制的鲁砚中的红丝石砚代替澄泥砚，合称四大名砚。\n谈起砚的种类有许多种，从砚的材质可分为：玉砚、银砚、铜砚、铁砚、陶砚、瓷砚、石砚、漆砚等，其中石砚是最为普遍，也最实用的一种砚。砚台起源于新石器时代。最早的砚是半坡村遗址出土的研磨颜料的研磨器，在1980年，大陆考古学家曾在陕西省临潼县姜寨一处原始社会的遗址中，发现了一套原始人用以陶器彩绘的工具，其中有一方石砚，砚有盖，砚面微凹，凹处并有一根石质磨杵，砚旁留存数块黑色颜料。很显然，这是先民们借助磨杵研磨颜料的早期砚的形制。由于这处遗址归属于母系氏族时期的仰韶文化，故这方砚台的实际寿龄已超过了五千年了。\n清代端石砚要求因材施艺，因石构图，在题材、立意、构图、造型、利用何种雕法都要精心推敲，刻划得当。保持了端砚的古雅、朴实，古色古香、形态自然的特点。如北京故宫收藏的「端石双龙砚」、「猫蝶砚」是端砚中的佳品。",[176,178,349,7,44,26],"虎符造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5e22c63bb2a305021d6ec5a2125bb52.jpg",[],{"id":353,"slug":354,"title":355,"dynasty":356,"author":19,"museum":41,"description":357,"tags":358,"thumbUrl":362,"material":67,"size":68,"collection":32,"collections":363,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":109},271650,"zhe-gou-wang-jia-zao-ming-chao-shou-tao-yan-yi-ming-271650","柘沟王家造铭抄手陶砚","宋","陶砚制作始于汉代，后世多有烧制。现今仍存于世的西汉“十二峰陶砚”，奇峰竞拔，形象古朴而生动，当属现存世砚台中的精品。唐代时还烧制了三彩砚台，这在唐代墓中也多有出土。在宋代时陶制砚台的制作品加大，而且更加完美，据史料载，在宋代时曾有一制砚名匠，人称万道人，其所制的陶砚可与当时的端砚、歙砚相媲美，甚至在当时的价钱超过前两者的价钱。曾有一文人买过其制作的一方陶砚，磨研30余年仍然发墨如初，被此文人视如珍宝。\n四大名砚中的澄泥砚也属于陶砚，澄泥砚的制作过程相对比较独特。制砚工匠从河水中筛得极细的泥土，做成结实的坯块，风干后雕琢成砚形，放在火中烧炼而成。其珍品性能极佳，古书上曾记载，澄泥砚可以“一匙之水，经旬不涸，一洼之墨，盛暑不干”。这些记载虽有夸张，但也说明了澄泥砚在当时文人心中的地位。其实在唐代以前，歙、端石砚还没有出现，泥砚就成为古人作书作画的唯一研墨器，澄泥砚本来就是陶砚，因其品质优良，才得以与石质的端砚、歙砚和洮河砚并列为中国的四大名砚。但因为其为人工烧制，烧制的技术也不同，所以不像石砚那样为某一方的特产，质量也会因地而异，其中虽有佳者，但劣品也不少。目前收藏普遍认为山西绛县和江苏宝山烧制的澄泥砚是相对比较好的。澄泥砚的好坏可以从颜色和斑点上看出：鳝鱼黄颜色的最好，绿头青次些；黄土有斑点，叫砂斑点，点大些的叫豆瓣砂，小的叫绿豆砂，一般大小斑点都有的是上等，很适合落墨。\n澄泥砚在陶瓷材质的砚台中的市场是最好的，更多的是因为其本身的实用价值。市场中常见到的是明清时期的澄泥砚，此时的澄泥砚保存的相对比较完好，更由于此时艺术性的加强，使澄泥砚更成为文人手中的玩物。但也有一些元以前的澄泥砚由于存世量少，许多藏家不认，且难于鉴定，因此市场价位还很难确定。\n除了澄泥砚之外，还有一些陶制的砚台是比较有特点的。在南北朝、隋唐时期，当时的陶瓷工匠们模仿辟雍设计出了辟雍砚。辟雍砚是极富观赏价值的艺术珍品。魏晋南北朝时期，由于制瓷业的迅速发展，陶瓷砚台大量涌现，其中以一种造型为带足圆盘的瓷砚最为流行，这也是隋唐时期辟雍砚的前身。魏晋时期多流行三足或四足的青瓷圆盘砚，南北朝变化为五足到十足不等的珠足砚、辟雍砚，到了隋唐时期，发展出了圆形多足的辟雍砚。辟雍砚的砚面居中，研堂与墨池相连，砚台中心高高隆起，砚台四周留有深槽储水，以便书画家润笔蘸墨之用，显示出它的实用功能。砚的下部用为数众多的珠足承托，足部明显突出，往往还有纹饰。辟雍砚的造型独特，显示出制作者独具的匠心。\n陶砚中还有一种叫做瓦砚，也即是用古代建筑物上的瓦改制而成。瓦砚之材多取自秦汉晋宫殿殿瓦，如阿房宫、末央宫、铜雀台等。目前发现最早在唐代就开始盛行制作瓦砚之风。这种宫殿的瓦所取之土质极为细腻，烧制工艺极精，不易渗水，特别是铜雀台的瓦，瓦以土和胡桃油相拌，还掺入了黄丹，铅、锡等物，制成砚台后质地细腻，坚如石，不费笔而发墨，是一种很别致而珍贵的砚台，这是前人所始料不及的。此种砚台传世品极少，市场价值极高，但由于材料为瓦质，也有许多收藏家并不是很认识，他们鉴定不了此砚的真伪，因此许多瓦砚目前还埋没于民间收藏之中。",[176,248,359,360,361,7],"文房器具","抄手砚","陶砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c5c6853affd64dfca655fce37e00b42.jpg",[],{"id":365,"slug":366,"title":367,"dynasty":137,"author":19,"museum":41,"description":368,"tags":369,"thumbUrl":370,"material":67,"size":68,"collection":32,"collections":371,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":109},271424,"chen-xian-zhang-ming-duan-shi-chao-shou-yan-yi-ming-271424","陈宪章铭端石抄手砚","此砚取端石为材，紫褐石色凝润古雅，包浆厚重，尽显岁月沉淀。形制为经典太史抄手式，线条挺括利落，造型简约大气。砚面仅浅开素净砚堂与墨池，不事繁饰，边缘浅刻卷云暗纹，素雅含蓄。砚侧镌刻铭文，刀笔苍劲朴拙，文气盎然，暗合明代文人尚简崇雅的审美意趣。上好端石细润发墨，既是文房挥毫的实用佳器，又将金石笔墨之美融于一体，静静承载着旧时文房的清隽风雅，尽显明人文玩的雅致意韵。",[176,178,300,360,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5aa502a6be3de80cdb7a01bc200e735.jpg",[],{"id":373,"slug":374,"title":375,"dynasty":137,"author":19,"museum":41,"description":376,"tags":377,"thumbUrl":379,"material":67,"size":68,"collection":32,"collections":380,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":109},271386,"wen-peng-ti-shi-ming-cheng-ni-yan-yi-ming-271386","文彭题识铭澄泥砚","此砚作长方抄手式，器形规整厚重，浑朴雅致。澄泥质地坚密温润，包浆古穆内敛，尽显岁月摩挲的沉静质感。砚背携刻题铭，笔力苍劲朴拙，文辞清雅隽秀，暗合晚明文人情趣，将文人的风雅意趣凝于一方砚台之上。\n\n它既堪研墨濡毫，又可案头赏玩，融实用与审美于一体，藏着旧时文人案头的清寂雅韵，是文房佳器里的不俗之品。",[176,378,26,7,178],"澄泥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F256b886620799dea818b6836d8f423c4.jpg",[],{"id":382,"slug":383,"title":384,"dynasty":287,"author":19,"museum":41,"description":89,"tags":385,"thumbUrl":388,"material":67,"size":68,"collection":32,"collections":389,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":109},270854,"yu-ming-duan-shi-yan-fang-song-yu-tu-chao-yuan-yan-yi-ming-270854","御铭端石砚-仿宋玉兔朝元砚",[176,300,178,386,45,387,7],"兔","木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f06003f5152dd2537f37d5b31fe7f66.jpg",[],{"id":391,"slug":392,"title":393,"dynasty":287,"author":19,"museum":41,"description":394,"tags":395,"thumbUrl":398,"material":67,"size":68,"collection":32,"collections":399,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},270693,"lan-ting-xiu-xie-lan-yu-mo-yi-ming-270693","兰亭修褉蓝御墨","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[396,178,397,7,166],"墨","御墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8ff78e138598967b0b19bf2dcfe035f.jpg",[],{"id":401,"slug":402,"title":403,"dynasty":287,"author":19,"museum":41,"description":89,"tags":404,"thumbUrl":407,"material":67,"size":68,"collection":32,"collections":408,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},251668,"qing-yu-cha-ping-yi-ming-251668","青玉插屏",[405,45,26,290,406,251,24,387,7],"玉石","青绿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d6bd83c813416c14a59636b76112f7c.jpg",[],{"id":410,"slug":411,"title":412,"dynasty":18,"author":19,"museum":41,"description":58,"tags":413,"thumbUrl":414,"material":67,"size":68,"collection":32,"collections":415,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},244233,"ping-zhou-mao-yi-ming-244233","平周矛",[27,239,44,79,45,150,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9920183e5c7f5a9749c2bc2b4245770d.jpg",[],{"id":417,"slug":418,"title":419,"dynasty":100,"author":19,"museum":41,"description":101,"tags":420,"thumbUrl":421,"material":67,"size":68,"collection":32,"collections":422,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},244090,"ri-you-xi-jing-yi-ming-244090","日有憙镜",[27,44,45,24,103,48,91,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F566a6e551c8d3816450333ecca6f5918.jpg",[],{"id":424,"slug":425,"title":210,"dynasty":100,"author":19,"museum":41,"description":101,"tags":426,"thumbUrl":428,"material":67,"size":68,"collection":32,"collections":429,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},244072,"jia-chang-fu-gui-jing-yi-ming-244072",[103,27,45,24,91,427,7,44,48],"吉祥纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5f6b5403de9110941f26f515d7db77f.jpg",[],{"id":431,"slug":432,"title":433,"dynasty":100,"author":19,"museum":41,"description":101,"tags":434,"thumbUrl":436,"material":67,"size":68,"collection":32,"collections":437,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},244066,"xin-si-jun-wang-jing-yi-ming-244066","心思君王镜",[27,44,45,103,7,48,435],"镜钮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a3ca21765ca4443a5850d0c0bf5e8be.jpg",[],{"id":439,"slug":440,"title":441,"dynasty":100,"author":19,"museum":41,"description":101,"tags":442,"thumbUrl":444,"material":67,"size":68,"collection":32,"collections":445,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},244064,"chang-de-yi-jing-yi-ming-244064","常得意镜",[103,44,45,7,443,27,79,48,91,322],"钮饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23ecbceaafe699a4b3dafbbfabc1ca13.jpg",[],{"id":447,"slug":448,"title":449,"dynasty":100,"author":19,"museum":41,"description":101,"tags":450,"thumbUrl":456,"material":67,"size":68,"collection":32,"collections":457,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},244063,"zhao-ming-jing-yi-ming-244063","昭明镜",[322,451,45,452,7,453,454,455,27,44,103,251],"青铜铸造","阴刻","同心圆纹饰","环状纹饰","乳钉纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F151a462df01f7a44cf6efb7afe45f4a7.jpg",[],{"id":459,"slug":460,"title":227,"dynasty":100,"author":19,"museum":41,"description":101,"tags":461,"thumbUrl":462,"material":67,"size":68,"collection":32,"collections":463,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},244059,"zhang-yi-zi-sun-jing-yi-ming-244059",[103,27,44,45,48,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28f09c82513a11972ac0c3f67f63e5fe.jpg",[],{"id":465,"slug":466,"title":449,"dynasty":100,"author":19,"museum":41,"description":101,"tags":467,"thumbUrl":468,"material":67,"size":68,"collection":32,"collections":469,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},244046,"zhao-ming-jing-yi-ming-244046",[103,27,44,45,24,7,48],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b4f3f14d5d6cdecbbf1d1d4551df1ee.jpg",[],{"id":471,"slug":472,"title":227,"dynasty":100,"author":19,"museum":41,"description":101,"tags":473,"thumbUrl":475,"material":67,"size":68,"collection":32,"collections":476,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},244027,"zhang-yi-zi-sun-jing-yi-ming-244027",[103,27,79,45,91,435,7,427,44,474],"传统纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4eec2bd73e5372fb8939471fe50b7ac3.jpg",[],{"id":478,"slug":479,"title":210,"dynasty":100,"author":19,"museum":41,"description":101,"tags":480,"thumbUrl":481,"material":67,"size":68,"collection":32,"collections":482,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},243930,"jia-chang-fu-gui-jing-yi-ming-243930",[103,27,79,45,24,7,44,220],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08691a62fe2e1c525c8ba8d474c1602d.jpg",[],{"id":484,"slug":485,"title":486,"dynasty":100,"author":19,"museum":41,"description":101,"tags":487,"thumbUrl":488,"material":67,"size":68,"collection":32,"collections":489,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},243831,"ming-wen-jing-yi-ming-243831","铭文镜",[100,44,45,7,220],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9062f5ea6b67864af593799a895fe3b8.jpg",[],{"id":491,"slug":492,"title":493,"dynasty":259,"author":19,"museum":41,"description":114,"tags":494,"thumbUrl":496,"material":67,"size":68,"collection":32,"collections":497,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},243245,"rong-qi-qi-jing-yi-ming-243245","荣启奇镜",[44,45,495,7,262],"人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdd148d7626b764eab26d7cbd0706380.jpg",[],{"id":499,"slug":500,"title":501,"dynasty":502,"author":19,"museum":41,"description":503,"tags":504,"thumbUrl":509,"material":67,"size":68,"collection":32,"collections":510,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},242792,"e-guo-3-gu-bi-tong-bi-yi-ming-242792","俄国3古比铜币","不详","深沉的铜色包浆晕开时光的厚重，环身俄文铭文舒展规整，将视觉落点引向中央双头鹰纹章。双翅舒展拱卫着王室徽记，浮雕纹路虽经岁月摩挲，依旧能辨旧日精工，王权的庄重凝缩在方寸铜身之上。\n\n它曾是流转市井的通货，承载过旧俄街头的烟火日常，如今褪去交易属性，凝固为一枚历史切片。每一处细微磨损，都是时光亲手留下的注脚，静静诉说着百年前沙俄的金融脉络与审美意趣，将远去时代的风貌，封存在这小小铜制载体之中。",[44,505,506,202,507,508,7],"铜币","双头鹰","文物","钱币","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14b507fde9742727d6481b360c2b6d5f.jpg",[],{"id":512,"slug":513,"title":514,"dynasty":502,"author":515,"museum":41,"description":516,"tags":517,"thumbUrl":523,"material":67,"size":68,"collection":32,"collections":524,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":109},232511,"he-er-bai-yin-170-he-er-bai-yin-232511","荷尔拜因170","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[518,519,495,520,521,7,522],"白描","设色","马","建筑","旗帜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F066e1738eeafa9119776020b22faaadc.jpg",[],{"id":526,"slug":527,"title":528,"dynasty":529,"author":19,"museum":41,"description":530,"tags":531,"thumbUrl":536,"material":67,"size":68,"collection":32,"collections":537,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":71},228103,"yue-bai-qing-ci-pan-gu-zi-ming-yi-ming-228103","月白青瓷盘(「古」字铭)","元","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[248,532,533,534,7,535,251],"青瓷","月白釉","开片","元代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc934b563080113a1d981c0aa0391ddc1.jpg",[],{"id":539,"slug":540,"title":541,"dynasty":100,"author":19,"museum":41,"description":101,"tags":542,"thumbUrl":543,"material":67,"size":68,"collection":32,"collections":544,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":109},226951,"qing-bai-jing-yi-ming-226951","清白镜",[103,44,45,7,48,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F379d7d16c48b8b58a7c9f780c8f74393.jpg",[],{"id":546,"slug":547,"title":548,"dynasty":100,"author":19,"museum":41,"description":101,"tags":549,"thumbUrl":551,"material":67,"size":68,"collection":32,"collections":552,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":333},226943,"yan-nian-yi-shou-jing-1-yi-ming-226943","延年益寿镜-1",[44,27,220,45,7,550,194,79],"绳结","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb830592b035de2bf5b6a7e41d315e595.jpg",[],{"id":554,"slug":555,"title":556,"dynasty":137,"author":19,"museum":41,"description":557,"tags":558,"thumbUrl":560,"material":67,"size":68,"collection":32,"collections":561,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274646,"wan-li-liu-nian-jiu-yue-he-zao-ming-tong-chang-fang-quan-yi-ming-274646","万历六年九月合造铭铜长方权","此件铜权造型端稳古拙，冠式钮带穿孔，既方便系挂收纳，又添几分雅致意趣，方座敛住身形，线条利落洗练。\n\n正面錾刻的铭文历经岁月磨蚀，笔痕依旧带着手工錾凿的朴拙质感，是旧时度量制度的鲜活注脚。器身包浆沉厚温润，暗褐光泽里晕开时光的痕迹，边角细微的磨损，藏着古时市井商贸里斤两相较的日常烟火，静静承载着往昔民生与商贸往来的温度，是兼具实用功能与文史价值的古物遗存。",[27,44,559,45,7],"日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa82e88f82b372aa8613dbc5b675fa849.jpg",[],{"id":563,"slug":564,"title":565,"dynasty":287,"author":19,"museum":41,"description":566,"tags":567,"thumbUrl":569,"material":67,"size":68,"collection":32,"collections":570,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274377,"qian-long-er-shi-jiu-nian-kuan-tong-wu-bai-liang-fa-ma-yi-ming-274377","乾隆二十九年款铜五百两砝码","此器造型圆浑厚重，铜色沉穆古旧，包浆凝润厚重，尽显官造重器的端严质感。端面錾刻阴文款识，字体朴拙苍劲，工整排布，清晰留存着当时造办相关的部院信息，是清代官方权衡制度的鲜活见证。\n\n作为五百两计量砝码，它承载着清代商事交易与典章规制的细节脉络，虽经岁月磨洗，形制与款识依然清晰可辨，既彰显了当时严谨的官作工艺，更成为考证明清衡制体系的珍贵实物遗存，静静诉说着旧时官方计量体系的森严法度。",[44,27,568,7,24],"砝码","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F247751f408f91e6d9de529209b45e71f.jpg",[],{"id":572,"slug":573,"title":574,"dynasty":287,"author":19,"museum":41,"description":575,"tags":576,"thumbUrl":577,"material":67,"size":68,"collection":32,"collections":578,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274239,"qian-long-ming-tong-jia-liang-yi-ming-274239","乾隆铭铜嘉量","圆筒器身沉稳端方，对称出耳简约规整，周身遍镌铭文，字字端严清晰。深褐包浆凝住时光痕迹，古意盎然。它是计量制度的具象载体，铭文载录典章规制，将精准的度量标准凝固于青铜之上，兼具实用与礼制双重价值，制式肃穆规整，尽显传统工艺的沉稳匠心，静静诉说着旧时计量体系的严谨法度。",[27,44,47,7,24,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1753f0786173a36d0dd2aaebd5aba6e4.jpg",[],{"id":580,"slug":581,"title":582,"dynasty":287,"author":19,"museum":41,"description":347,"tags":583,"thumbUrl":585,"material":67,"size":68,"collection":32,"collections":586,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},272702,"yu-ming-she-shi-yan-fang-song-tian-cheng-feng-zi-xing-yan-yi-ming-272702","御铭歙石砚－仿宋天成风字形砚",[176,584,26,178,7],"楷书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0d19b58f540f4ccb179da1b847e4662.jpg",[],{"id":588,"slug":589,"title":590,"dynasty":287,"author":19,"museum":41,"description":347,"tags":591,"thumbUrl":593,"material":67,"size":68,"collection":32,"collections":594,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},272701,"yu-ming-she-shi-yan-fang-song-de-shou-dian-xi-wen-yan-yi-ming-272701","御铭歙石砚-仿宋德寿殿犀纹砚",[176,584,26,178,45,592,7],"歙石砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F402e8670cde08a38897effb0b59afada.jpg",[],{"id":596,"slug":597,"title":598,"dynasty":287,"author":19,"museum":41,"description":347,"tags":599,"thumbUrl":601,"material":67,"size":68,"collection":32,"collections":602,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},272697,"yu-ming-she-shi-yan-fang-han-hai-tian-chu-yue-yan-yi-ming-272697","御铭歙石砚－仿汉海天初月砚",[176,178,600,584,26,7],"歙石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fecafc5b55704988d13f97638052a1a43.jpg",[],{"id":604,"slug":605,"title":606,"dynasty":287,"author":19,"museum":41,"description":347,"tags":607,"thumbUrl":609,"material":67,"size":68,"collection":32,"collections":610,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},272696,"yu-ming-she-shi-yan-fang-tang-cheng-ni-ba-leng-yan-yi-ming-272696","御铭歙石砚－仿唐澄泥八棱砚",[176,584,26,45,178,608,7],"石制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8cf70e7237ed801bd221b309526f35ae.jpg",[],{"id":612,"slug":613,"title":614,"dynasty":287,"author":19,"museum":41,"description":89,"tags":615,"thumbUrl":617,"material":67,"size":68,"collection":32,"collections":618,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},272695,"yu-ming-she-shi-yan-fang-song-yu-tu-chao-yuan-yan-yi-ming-272695","御铭歙石砚－仿宋玉兔朝元砚",[176,386,45,26,616,7,608],"文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b0be3336dfe39c7e1f051c7d0f7432e.jpg",[],{"id":620,"slug":621,"title":622,"dynasty":287,"author":19,"museum":41,"description":347,"tags":623,"thumbUrl":624,"material":67,"size":68,"collection":32,"collections":625,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},272619,"yu-ming-duan-shi-feng-zi-xing-yan-yi-ming-272619","御铭端石风字形砚",[176,300,584,7,26,178,45,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07cb7ae91404dc41c9b86539eb27d7cd.jpg",[],{"id":627,"slug":628,"title":629,"dynasty":287,"author":19,"museum":41,"description":347,"tags":630,"thumbUrl":633,"material":67,"size":68,"collection":32,"collections":634,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},272573,"chang-sheng-ming-can-zhuan-fang-yan-yi-ming-272573","长生铭残砖方砚",[176,178,24,631,632,7],"篆刻","砖砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ccc6c6edecec10b7e324256fa0f7988.jpg",[],{"id":636,"slug":637,"title":638,"dynasty":287,"author":19,"museum":41,"description":639,"tags":640,"thumbUrl":641,"material":67,"size":68,"collection":32,"collections":642,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},272199,"ji-di-ming-si-zu-zhuan-yan-yi-ming-272199","及第铭四足砖砚","以砖制砚者似乎只用汉砖，这是因为汉砖上多有图案文字，高古淳朴，极具玩赏价值，且砖质细腻，宜于制砚。从唐宋开始的文人墨客，发现用秦砖汉瓦制作的砖砚，非常好用，于是竞相效仿，以至于一砖难求，价格可比金玉，一直到近代吴昌硕大师作画写字多用砖砚研墨，鲁迅先生更是此砚种的使用和爱好者，以至于在北京被周作人夫妇打赶出家门之际，怀抱一砖砚而出，好的砖砚研墨写字作画和石头砚台一样，甚至更加好用，但是古砖稀少，今用之人甚少。",[176,178,45,7,632],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36157cb568d70ea4d343a182c1c2eed3.jpg",[],{"id":644,"slug":645,"title":646,"dynasty":287,"author":19,"museum":41,"description":347,"tags":647,"thumbUrl":648,"material":67,"size":68,"collection":32,"collections":649,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},272033,"gui-fu-ting-ji-ming-duan-shi-an-shi-chi-yan-yi-ming-272033","桂馥廷济铭端石案式池砚",[176,300,7,178,387,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0652445e1b5e3f8c54ddd5de9f189510.jpg",[],{"id":651,"slug":652,"title":653,"dynasty":287,"author":19,"museum":41,"description":347,"tags":654,"thumbUrl":657,"material":67,"size":68,"collection":32,"collections":658,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},271956,"yu-ming-cheng-ni-yan-fang-song-tian-cheng-feng-zi-xing-yan-yi-ming-271956","御铭澄泥砚-仿宋天成风字形砚",[176,178,655,656,405,387,7],"澄泥砚","风字形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F745ea8ad5b64d519e0b2f6da6b8278c7.jpg",[],{"id":660,"slug":661,"title":653,"dynasty":287,"author":19,"museum":41,"description":347,"tags":662,"thumbUrl":664,"material":67,"size":68,"collection":32,"collections":665,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},271946,"yu-ming-cheng-ni-yan-fang-song-tian-cheng-feng-zi-xing-yan-yi-ming-271946",[176,655,663,178,251,7],"风字形砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1302444a688e3862f7db2f5981a8dd9.jpg",[],{"id":667,"slug":668,"title":669,"dynasty":287,"author":19,"museum":41,"description":89,"tags":670,"thumbUrl":671,"material":67,"size":68,"collection":32,"collections":672,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},271945,"yu-ming-cheng-ni-fang-song-yu-tu-chao-yuan-yan-yi-ming-271945","御铭澄泥仿宋玉兔朝元砚",[176,386,45,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6b4a37059669249e43bd0e44b57cc10.jpg",[],{"id":674,"slug":675,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":677,"thumbUrl":679,"material":67,"size":68,"collection":32,"collections":680,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271816,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271816","御铭歙石仿唐观象砚",[176,178,600,678,45,7],"八边形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c84d9f2fae3393ac38280f4a8700a61.jpg",[],{"id":682,"slug":683,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":684,"thumbUrl":685,"material":67,"size":68,"collection":32,"collections":686,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271804,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271804",[176,178,600,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4f5796bf233d037bc7c9086f7a2e0c4.jpg",[],{"id":688,"slug":689,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":690,"thumbUrl":693,"material":67,"size":68,"collection":32,"collections":694,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271792,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271792",[176,691,600,692,7],"文房四宝","石雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7bc6cbc98e5bdf84f32956cf35f8ff4.jpg",[],{"id":696,"slug":697,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":698,"thumbUrl":699,"material":67,"size":68,"collection":32,"collections":700,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271788,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271788",[176,600,178,678,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53cc3c3ca198ee513d32edc3f116e99f.jpg",[],{"id":702,"slug":703,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":704,"thumbUrl":705,"material":67,"size":68,"collection":32,"collections":706,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271767,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271767",[176,600,616,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0dd66670a0dca9806bc2a1d9bbcc835.jpg",[],{"id":708,"slug":709,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":710,"thumbUrl":712,"material":67,"size":68,"collection":32,"collections":713,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271763,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271763",[176,600,178,7,608,711],"八角形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec8c01bea92b9844969f43cd60561966.jpg",[],{"id":715,"slug":716,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":717,"thumbUrl":718,"material":67,"size":68,"collection":32,"collections":719,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},271754,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271754",[176,178,600,7,711],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38aa72fb2a2220f0596cb2e9505e3eb7.jpg",[],{"id":721,"slug":722,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":723,"thumbUrl":724,"material":67,"size":68,"collection":32,"collections":725,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271743,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271743",[176,178,608,711,600,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b4aeb419a21619861ba7686b77f172b.jpg",[],{"id":727,"slug":728,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":729,"thumbUrl":732,"material":67,"size":68,"collection":32,"collections":733,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271733,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271733",[176,730,731,7,711],"文房器","石材雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1a2b783a298e5f115ebeb0a02f6730e.jpg",[],{"id":735,"slug":736,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":737,"thumbUrl":738,"material":67,"size":68,"collection":32,"collections":739,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271730,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271730",[176,178,600,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6da1277bafff0bbfd3e7df7b070e679.jpg",[],{"id":741,"slug":742,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":743,"thumbUrl":745,"material":67,"size":68,"collection":32,"collections":746,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271728,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271728",[176,178,600,7,744],"石质器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50c59e30af518caf32fbf746fd68c0a9.jpg",[],{"id":748,"slug":749,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":750,"thumbUrl":751,"material":67,"size":68,"collection":32,"collections":752,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271725,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271725",[176,178,608,7,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0e83d8490c33bf1f9591fae593ea603.jpg",[],{"id":754,"slug":755,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":756,"thumbUrl":757,"material":67,"size":68,"collection":32,"collections":758,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271721,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271721",[176,600,711,7,178],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f25b3b715f5b548541fc3ee85690112.jpg",[],{"id":760,"slug":761,"title":676,"dynasty":287,"author":19,"museum":41,"description":347,"tags":762,"thumbUrl":763,"material":67,"size":68,"collection":32,"collections":764,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271716,"yu-ming-she-shi-fang-tang-guan-xiang-yan-yi-ming-271716",[176,312,616,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2add9273699928eea1ad0f45a5b427e2.jpg",[],{"id":766,"slug":767,"title":768,"dynasty":287,"author":19,"museum":41,"description":347,"tags":769,"thumbUrl":771,"material":67,"size":68,"collection":32,"collections":772,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},271600,"fang-qian-long-ming-duan-shi-ba-leng-yan-yi-ming-271600","仿乾隆铭端石八棱砚",[176,300,770,45,26,178,7],"八棱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00861554fc593a525c5673323ba9c201.jpg",[],{"id":774,"slug":775,"title":776,"dynasty":137,"author":19,"museum":41,"description":777,"tags":778,"thumbUrl":779,"material":67,"size":68,"collection":32,"collections":780,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},271548,"fang-song-xuan-he-keng-qing-yin-tang-ming-duan-shi-yan-yi-ming-271548","仿宋宣和坑清吟堂铭端石砚","此砚取端石为料，石质温润莹洁，抚之如触凝脂。器形规整雅致，砚面素净无饰，隐现天然石纹，包浆醇厚古雅，尽显岁月沉淀的静穆质感。原配砚盒阴刻铭文，笔意瘦劲挺秀，金石气盎然，暗合追摹古制的雅趣。整器兼具文房实用与赏玩之妙，是文人案头清供的佳器，藏着旧时文人心底的幽远襟怀，将文玩雅韵与沉静古意融为一体。",[176,300,7,178,45,26,24,387],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febed73a40fa2f9a73997fb8b59fea978.jpg",[],{"id":782,"slug":783,"title":784,"dynasty":356,"author":19,"museum":41,"description":785,"tags":786,"thumbUrl":787,"material":67,"size":68,"collection":32,"collections":788,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},271387,"bian-huan-ya-wen-ming-cheng-ni-chao-shou-yan-yi-ming-271387","卞圜押文铭澄泥抄手砚","此砚澄泥匀细坚密，抄手制式素雅古拙，暗合宋人雅致审美。入手温润，发墨益毫，是文房研墨佳器。配装的木质砚匣錾刻题铭，笔力苍朴沉凝，带着旧岁藏家的追慕情思，将古砚风雅与岁月沉香封藏其间。它携带着千年前文墨浸润的余温，静静叙说着古时士子濡墨挥毫的日常雅事，把两宋文人气韵凝在这一方天地中，是兼具实用效能与赏玩价值的文房遗珍。",[176,655,360,7,26,178,387],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F458dd6c8f51dd613489324b8ff691adf.jpg",[],{"id":790,"slug":791,"title":792,"dynasty":356,"author":19,"museum":41,"description":793,"tags":794,"thumbUrl":795,"material":67,"size":68,"collection":32,"collections":796,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":333},271383,"xie-run-fu-shang-shi-ming-duan-shi-yan-yi-ming-271383","谢润夫赏十铭端石砚","此砚石质温润凝腻，包浆古厚，随形而制，砚池浅敛素雅，尽显宋人尚简的文房意趣。盒身题铭笔力沉实朴拙，藏尽藏家的珍视之心。\n\n它沉静内敛，历经岁月洗练，依旧带着宋时文房的清雅风骨，摩挲之际，似能窥见昔年案头研墨挥毫的悠然光景，方寸砚台藏着旧日笔墨余温，是文房雅器里的隽永旧物，晕开跨越时光的沉静诗意。",[176,300,7,178,26,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50963379764daa8bafbdde553d5fab6f.jpg",[],{"id":798,"slug":799,"title":800,"dynasty":137,"author":19,"museum":41,"description":801,"tags":802,"thumbUrl":803,"material":67,"size":68,"collection":32,"collections":804,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},271380,"li-kai-xian-yong-duan-shi-yan-yi-ming-271380","李开先用端石砚","此砚随石赋形，砚池宽绰，包浆沉郁莹润，尽是岁月摩挲的痕迹。一隅浅镂云纹，走线柔婉舒展，似将云烟轻拢于砚畔，暗蕴飘逸古意。侧旁阴镌铭文，刀痕苍劲朴拙，藏着旧时文人的笔墨情致。\n端石质地温腻密实，发墨细腻不伤毫颖，砚面深浅墨痕层叠，是昔年文思晕染的印记。整器形制内敛雅致，无过多雕饰，尽显尚简求真的审美意趣，静立中似仍能窥见灯下笔砚相伴、翰墨流淌的伏案旧影。",[176,178,300,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01170c10829e47389558480b3325ac5b.jpg",[],{"id":806,"slug":807,"title":808,"dynasty":287,"author":19,"museum":41,"description":347,"tags":809,"thumbUrl":812,"material":67,"size":68,"collection":32,"collections":813,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},271361,"wu-yun-cang-yi-bing-shou-ming-duan-shi-yan-yi-ming-271361","吴云藏伊秉绶铭端石砚",[176,300,45,7,810,811,178],"云纹","海水纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61eab54c91e1c4224c24cc12115b098a.jpg",[],{"id":815,"slug":816,"title":817,"dynasty":287,"author":19,"museum":41,"description":394,"tags":818,"thumbUrl":820,"material":67,"size":68,"collection":32,"collections":821,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},271333,"hu-kai-wen-xuan-yan-zi-mo-ke-qing-mo-yi-ming-271333","胡开文选烟子墨客卿墨",[396,178,819,7],"描金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F641e1a817f3dc505d8f193aaa4b5113e.jpg",[],{"id":823,"slug":824,"title":825,"dynasty":287,"author":19,"museum":41,"description":357,"tags":826,"thumbUrl":827,"material":67,"size":68,"collection":32,"collections":828,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},271286,"xian-yun-shan-fang-ming-yuan-tao-yan-yi-ming-271286","闲云山房铭圆陶砚",[176,248,26,7,616],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde55813993c781f334a5b6c805543866.jpg",[],{"id":830,"slug":831,"title":832,"dynasty":137,"author":19,"museum":41,"description":833,"tags":834,"thumbUrl":835,"material":67,"size":68,"collection":32,"collections":836,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":333},271282,"liang-gong-ming-shi-yan-yi-ming-271282","梁公铭石砚","此砚形制周正古雅，长方制式配内敛矮足，沉稳端庄。砚额浮雕题字，笔力苍浑朴拙，带着厚重的金石意韵。砚堂包浆莹润，深浅不一的研磨痕迹，是百年文墨相伴的时光烙印。随形砚池蜿蜒浅凹，残存的淡旧墨痕，仿佛还萦绕着松烟墨的清雅余韵。\n\n整体无过多华饰，以素简见风骨，将文房实用与古朴意趣相融，静静沉淀着旧时案头的笔墨光阴，尽显尚朴重雅的审美旨趣。",[176,178,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b59d8fa253f238e08f7d837b446880c.jpg",[],{"id":838,"slug":839,"title":840,"dynasty":287,"author":19,"museum":41,"description":347,"tags":841,"thumbUrl":842,"material":67,"size":68,"collection":32,"collections":843,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},271227,"huang-shen-tian-ming-duan-shi-yan-yi-ming-271227","黄莘田铭端石砚",[176,300,7,45,387,178],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b061b6660ad91d984b87bc7ac8ac26c.jpg",[],{"id":845,"slug":846,"title":847,"dynasty":287,"author":19,"museum":41,"description":394,"tags":848,"thumbUrl":849,"material":67,"size":68,"collection":32,"collections":850,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},271215,"cheng-gong-yu-zun-sheng-chuang-mo-yi-ming-271215","程公瑜尊胜幢墨",[396,616,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30ee378014a07b8cee15fdd735d7a0a6.jpg",[],{"id":852,"slug":853,"title":854,"dynasty":287,"author":19,"museum":41,"description":347,"tags":855,"thumbUrl":857,"material":67,"size":68,"collection":32,"collections":858,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},271170,"sui-yuan-lao-ren-ming-duan-shi-jiu-ding-chang-fang-yan-yi-ming-271170","随园老人铭端石九鼎长方砚",[176,300,178,387,856,7],"长方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe60d9e33d223d5666b7cafaba13d56a2.jpg",[],{"id":860,"slug":861,"title":862,"dynasty":287,"author":19,"museum":41,"description":347,"tags":863,"thumbUrl":864,"material":67,"size":68,"collection":32,"collections":865,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},271132,"yu-ming-she-shi-fang-tang-ba-leng-yan-yi-ming-271132","御铭歙石仿唐八棱砚",[176,600,770,616,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08cae6182db0d8aacc9e4f6cf4f5559c.jpg",[],{"id":867,"slug":868,"title":862,"dynasty":287,"author":19,"museum":41,"description":347,"tags":869,"thumbUrl":870,"material":67,"size":68,"collection":32,"collections":871,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},271131,"yu-ming-she-shi-fang-tang-ba-leng-yan-yi-ming-271131",[176,691,600,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5a202e6e41f0d601f110344c895d9fe.jpg",[],{"id":873,"slug":874,"title":875,"dynasty":287,"author":19,"museum":41,"description":347,"tags":876,"thumbUrl":877,"material":67,"size":68,"collection":32,"collections":878,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},270929,"jia-qing-yu-shang-ming-song-hua-jiang-shi-dai-gai-yuan-yan-yi-ming-270929","嘉庆御赏铭松花江石带盖圆砚",[176,178,405,45,810,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6b3b44031080fac0954f6ee7d6c5916.jpg",[],{"id":880,"slug":881,"title":882,"dynasty":287,"author":19,"museum":41,"description":347,"tags":883,"thumbUrl":885,"material":67,"size":68,"collection":32,"collections":886,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},270916,"yu-ming-cheng-ni-fang-han-wa-shi-yan-yi-ming-270916","御铭澄泥仿汉瓦式砚",[176,655,884,26,7,359],"瓦式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0521792feb3ed874a47f73f7edbfbe49.jpg",[],{"id":888,"slug":889,"title":890,"dynasty":356,"author":19,"museum":41,"description":891,"tags":892,"thumbUrl":893,"material":67,"size":68,"collection":32,"collections":894,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},270906,"cheng-ni-shi-han-shi-yan-yi-ming-270906","澄泥石函式砚","此砚仿石函为形，子母扣合严整浑融，砚膛浅挖宽平，适配研墨濡毫。石质温润凝腻，周身包浆沉厚，带着悠悠岁月摩挲的痕迹。砚背以端庄隶书镌铭，笔墨间藏着雅致风骨，将文房实用之能与金石赏鉴之趣合二为一。整体造型简素内敛，不见繁缛修饰，尽显中古文房器物的隽永之美，静静诉说着旧时文人窗下研墨、寄情笔墨的雅事。",[176,178,312,26,7,45,691],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67b0060182e62bfa4c56e6d0898d946c.jpg",[],{"id":896,"slug":897,"title":898,"dynasty":287,"author":19,"museum":41,"description":347,"tags":899,"thumbUrl":903,"material":67,"size":68,"collection":32,"collections":904,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},270904,"duan-shi-lou-kong-fang-sheng-wen-tong-he-nuan-yan-yi-ming-270904","端石镂空方胜纹铜盒暖砚",[900,176,178,300,44,901,902,584,26,7,45],"暖砚","镂空雕刻","方胜纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17d19ede26aa9058e926a8eb471c6c8b.jpg",[],{"id":906,"slug":907,"title":908,"dynasty":287,"author":19,"museum":41,"description":347,"tags":909,"thumbUrl":910,"material":67,"size":68,"collection":32,"collections":911,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},270900,"yu-ming-song-hua-jiang-shi-zhu-chi-sui-xing-yan-yi-ming-270900","御铭松花江石竹池随形砚",[176,405,26,584,7,178],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43619921b7c336d1c80c40ee8f5c2481.jpg",[],{"id":913,"slug":914,"title":915,"dynasty":287,"author":19,"museum":41,"description":347,"tags":916,"thumbUrl":918,"material":67,"size":68,"collection":32,"collections":919,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},270884,"yu-ming-cheng-ni-fang-song-de-shou-dian-xi-wen-yan-yi-ming-270884","御铭澄泥仿宋德寿殿犀纹砚",[176,655,26,584,7,45,178,917],"犀纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F317d9eefab1fd6e98fabf80bf023f542.jpg",[],{"id":921,"slug":922,"title":915,"dynasty":287,"author":19,"museum":41,"description":347,"tags":923,"thumbUrl":924,"material":67,"size":68,"collection":32,"collections":925,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},270883,"yu-ming-cheng-ni-fang-song-de-shou-dian-xi-wen-yan-yi-ming-270883",[176,584,26,7,45,166,178,655],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F997e0afd210cc13741962a52b1bf734b.jpg",[],{"id":927,"slug":928,"title":929,"dynasty":287,"author":19,"museum":41,"description":347,"tags":930,"thumbUrl":931,"material":67,"size":68,"collection":32,"collections":932,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},270871,"yu-ming-cheng-ni-yan-fang-han-hai-tian-chu-yue-yan-yi-ming-270871","御铭澄泥砚-仿汉海天初月砚",[176,655,178,26,584,387,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ccd6d3d685da185a1188d4c9dd25b88.jpg",[],{"id":934,"slug":935,"title":936,"dynasty":287,"author":19,"museum":41,"description":347,"tags":937,"thumbUrl":939,"material":67,"size":68,"collection":32,"collections":940,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},270869,"yu-ming-cheng-ni-yan-fang-tang-cheng-ni-ba-leng-yan-yi-ming-270869","御铭澄泥砚-仿唐澄泥八棱砚",[176,655,178,938,45,7,387],"八棱形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ebfbceed0801c4633b814438773925c.jpg",[],{"id":942,"slug":943,"title":936,"dynasty":287,"author":19,"museum":41,"description":347,"tags":944,"thumbUrl":945,"material":67,"size":68,"collection":32,"collections":946,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},270867,"yu-ming-cheng-ni-yan-fang-tang-cheng-ni-ba-leng-yan-yi-ming-270867",[176,655,770,584,26,7,178],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cfeba67903cf7b5403d1513e932dad7.jpg",[],{"id":948,"slug":949,"title":950,"dynasty":287,"author":19,"museum":41,"description":951,"tags":952,"thumbUrl":954,"material":67,"size":68,"collection":32,"collections":955,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},270855,"yu-ming-duan-shi-yan-ju-hua-shi-ru-yi-wen-bian-chang-fang-yan-yi-ming-270855","御铭端石砚-菊花诗如意纹边长方砚","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[176,300,45,953,7,178],"如意纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdafbf83372a43d1aa058b3c7d9cf7832.jpg",[],{"id":957,"slug":958,"title":959,"dynasty":287,"author":19,"museum":41,"description":347,"tags":960,"thumbUrl":963,"material":67,"size":68,"collection":32,"collections":964,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},270851,"yu-ming-duan-shi-yan-bai-hua-shi-wu-fu-chi-tuo-yuan-yan-yi-ming-270851","御铭端石砚-百花诗五福池椭圆砚",[176,300,178,387,45,961,962,7],"椭圆","五福池","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3b43f162ee07b7229956b721e780ba8.jpg",[],{"id":966,"slug":967,"title":968,"dynasty":137,"author":19,"museum":41,"description":969,"tags":970,"thumbUrl":971,"material":67,"size":68,"collection":32,"collections":972,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},270849,"yu-ming-duan-shi-wu-lao-fei-xing-yan-yi-ming-270849","御铭端石五老蜚星砚","此砚以端石作抄手形制，匠者巧借石质天然肌理与石眼，将石眼琢为错落星芒，顺势塑出五老垂立池侧，仿若隐于林泉之间，暗合题名意趣。砚身四面满镌铭文，笔力苍劲朴拙，题咏记事兼具，文思与石质相融无间。\n\n历经时光浸润，石色愈发沉厚温润，包浆凝腻，将旧时文人雅趣与制砚匠心糅合为一，是因形施艺、诗砚同辉的制砚佳例，尽显案头清玩的风雅意致。",[176,178,300,45,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4efa268469e3bc2d08ddc938f9047aa0.jpg",[],{"id":974,"slug":975,"title":976,"dynasty":287,"author":19,"museum":41,"description":347,"tags":977,"thumbUrl":978,"material":67,"size":68,"collection":32,"collections":979,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},270848,"nan-cun-gao-shi-ming-duan-shi-yan-yi-ming-270848","南村高氏铭端石砚",[176,300,178,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F083f3ac17891a6445edbf2dcc65e3d8a.jpg",[],{"id":981,"slug":982,"title":983,"dynasty":287,"author":19,"museum":41,"description":89,"tags":984,"thumbUrl":985,"material":67,"size":68,"collection":32,"collections":986,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},270829,"yu-ming-duan-shi-fang-song-yu-tu-chao-yuan-yan-yi-ming-270829","御铭端石仿宋玉兔朝元砚",[176,300,26,7,178,386,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae87cbdd63e53489b08e2ff7291efd6c.jpg",[],{"id":988,"slug":989,"title":990,"dynasty":287,"author":19,"museum":41,"description":89,"tags":991,"thumbUrl":993,"material":67,"size":68,"collection":32,"collections":994,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},270806,"yu-ming-she-shi-yan-fang-song-yu-tu-chao-yuan-yan-yi-ming-270806","御铭歙石砚-仿宋玉兔朝元砚",[176,386,45,600,178,7,992],"仿作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4205f88ee5983401a3be3144ca73ffb5.jpg",[],{"id":996,"slug":997,"title":998,"dynasty":287,"author":19,"museum":41,"description":999,"tags":1000,"thumbUrl":1002,"material":67,"size":68,"collection":32,"collections":1003,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},270804,"yu-ming-she-shi-yan-fang-han-shi-qu-ge-wa-yan-yi-ming-270804","御铭歙石砚-仿汉石渠阁瓦砚","古代殿瓦又名“瓦砚”。汉魏未央官铜雀台等诸殿瓦，瓦身如半个，面至背厚一寸弱，背平可研墨，唐宋以来，去其身以为砚，俗呼“瓦头砚”。砚，也作“研”。唐贯休《禅月集·砚瓦诗》：“应念研磨苦，无为瓦砾看。”参阅宋苏易简《文房四谱·砚谱》、《百宝总珍集·瓦砚》、明曹昭《格古要论·汉末未央宫瓦砚记》。有地名称砚瓦。有地质名词砚瓦山组。",[176,178,600,26,7,1001],"瓦砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0f9d3f4fd4ec5af518d8cade832fbb6.jpg",[],{"id":1005,"slug":1006,"title":990,"dynasty":287,"author":19,"museum":41,"description":89,"tags":1007,"thumbUrl":1008,"material":67,"size":68,"collection":32,"collections":1009,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},270795,"yu-ming-she-shi-yan-fang-song-yu-tu-chao-yuan-yan-yi-ming-270795",[176,178,386,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ce0e860e513b8a6c2f8d964c9f5792d.jpg",[],{"id":1011,"slug":1012,"title":1013,"dynasty":287,"author":19,"museum":41,"description":394,"tags":1014,"thumbUrl":1016,"material":67,"size":68,"collection":32,"collections":1017,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},270739,"qian-long-kuan-yu-ming-yun-gu-zhu-mo-yi-ming-270739","乾隆款寓名蕴古朱墨",[396,1015,178,45,264,7],"朱墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10be7f26b35ade62792f9d27ddb06e22.jpg",[],{"id":1019,"slug":1020,"title":1021,"dynasty":287,"author":19,"museum":41,"description":394,"tags":1022,"thumbUrl":1023,"material":67,"size":68,"collection":32,"collections":1024,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},270731,"qian-long-kuan-yu-ming-yun-gu-mo-yi-ming-270731","乾隆款寓名蕴古墨",[396,730,24,7,26,117],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2f3069d51f408154d36da06ec6c1529.jpg",[],{"id":1026,"slug":1027,"title":1028,"dynasty":259,"author":19,"museum":41,"description":1029,"tags":1030,"thumbUrl":1033,"material":67,"size":68,"collection":1034,"collections":1035,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},262057,"qiong-yao-qing-huang-you-xu-jia-chen-ming-pan-yi-ming-262057","邛窑青黄釉“徐家沉”铭盘","邛窑,中国最古老的民窑之一，是中国彩绘瓷的发源地。其价值堪比三星堆、金沙遗址，被列入国家大遗址重点保护。它始创于东晋，成熟于南朝，盛于唐，是跨越八个多世纪的中国古代陶瓷名窑。\n邛窑分布在我国的四川省境内，以青釉、青釉褐斑、青釉褐绿斑和彩绘瓷为主，始烧于南北朝衰于宋朝，时间踌度约800年的中国古代陶瓷名窑。邛窑是我国著名民间瓷窑之一。器物有各种盘、碗、罐等日用器皿，其中以丰富的小瓷俑最为生动形象，以创造了陶瓷省油灯而闻名全国。\n善于将雕塑艺术的手法运用到瓷器的造型上。纵观邛窑瓷器，雕塑艺术品特别多，例如各类大小动物，胡商俑、武士俑、劳作俑、侍女俑、役仆俑等形象都用雕塑手法作出，就是一些实用生活用具、文房用具、储盛用具等雕塑艺术的作法也处处可见。另一个巨型三彩釉陶砚台，塑成一个伸颈昂首，瞪眼张嘴的大龟，四腿塑成兽蹄形，盖用雕塑手法塑成隆起的龟背，再刻划出背纹和裙边，既实用又具有很高的艺术性。有的执壶，口部以上塑一鼻孔上翻，鼓目张嘴的人头，整齐的牙齿外露，似乎正在歌唱。有的器盖塑成一个天真的儿童，光头，昂首，两眼上视，双臂伸开，两退上翻，脚交织在一起，天真活泼，很像现在的杂技表演。瓷枕也塑造成虎形，下为一个椭圆形底板，上塑的虎，咧嘴露齿，翻鼻鼓睛；作伏卧状，背上的枕面四角圆润，前部较小，后面较大，中间略微低下，虎的前额、眉眼、皮毛和枕面以褐绿彩点画成彩斑装饰。第二，彩绘装饰十分普遍，邛窑陶瓷有单色釉、如青釉、棕黄色釉、褐黑色釉，灰白色釉。由于泥料较粗，普遍含有细沙粒，胎面普遍施化妆土，用当地原料配出浅黄、深黄、棕黄、老绿、翠绿、孔雀蓝、藏蓝、紫黄、黑色等彩在瓷器上作画，大多数是釉下彩。由于邛窑瓷器釉层稀薄，釉下彩或釉上彩不易分辨，但大多数是釉下彩。以大片圆形彩斑、联珠、多层菱形、圆圈构成的图案，有些和刻花、划花、粘贴、捏塑、模印等共同组成装饰面。最突出的是彩画。这些釉下彩绘，由于工匠有深厚的文化根底和书画艺术的功力，以没骨画的技法，率然落笔，粗悍展开，画出的花纹潇洒豪放，韵味无穷。 贴近生活的创造，四川自古以来崇尚读书，学子们多贫寒清苦，邛窑创造出省油灯，陆游说“书灯勿用铜盏，惟瓷盏最省油。蜀有夹瓷盏，注水于盏唇窍中，可省油之半。”受到士大夫文人和广大庶民百姓欢迎。这种创造为文化教育的普及提供了条件。",[248,1031,559,80,1032,7],"盘","青黄釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3ac4b38374c7d7407c3d4df63171b46.jpg","瓷器精选",[1034],{"id":1037,"slug":1038,"title":1039,"dynasty":137,"author":19,"museum":41,"description":1040,"tags":1041,"thumbUrl":1044,"material":67,"size":68,"collection":32,"collections":1045,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},261685,"wan-li-shen-shi-kuan-qing-hua-shuang-long-wen-wan-yi-ming-261685","万历沈氏款青花双龙纹碗","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[248,1042,117,1043,7],"青花","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8af80eaf0f2244a66481d01bbc74925e.jpg",[],{"id":1047,"slug":1048,"title":1049,"dynasty":529,"author":19,"museum":41,"description":246,"tags":1050,"thumbUrl":1053,"material":67,"size":68,"collection":32,"collections":1054,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},261567,"bai-di-hei-cai-shu-tian-xia-tai-ping-ming-si-xi-ping-yi-ming-261567","白地黑彩书“天下太平”铭四系瓶",[248,1051,1052,26,7,559,251],"四系瓶","白地黑彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ddfb7ebe9eecc5ba9f369933a5c3731.jpg",[],{"id":1056,"slug":1057,"title":1058,"dynasty":529,"author":19,"museum":41,"description":1059,"tags":1060,"thumbUrl":1064,"material":67,"size":68,"collection":32,"collections":1065,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},261491,"bai-di-hei-hua-zhi-zheng-shi-yi-nian-ming-guan-yi-ming-261491","白地黑花“至正十一年”铭罐","元釉里红是元代中国传统瓷器烧造中最具有代表性的一个品种。元釉里红是陶瓷装饰历史上重要发明之一。元代八方龙纹釉里红拔白梅瓶它为釉下铜红彩绘、拔白、打板、接胎而成，烧成难度大，氛围特殊性强，应该说元釉里红瓷器是陶瓷史上的一次伟大创新。流传的元代釉里红瓷器也很少，可见它的历史性、艺术性、珍贵性，堪称华夏文明的瑰宝。",[248,1061,1062,7,26,323,1063],"白地黑花","花卉","罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f58e8cd7e92a907ca0e6ac77fbbee47.jpg",[],{"id":1067,"slug":1068,"title":1069,"dynasty":287,"author":19,"museum":41,"description":1070,"tags":1071,"thumbUrl":1074,"material":67,"size":68,"collection":1034,"collections":1075,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},260530,"long-quan-yao-qing-you-san-zu-lu-yi-ming-260530","龙泉窑青釉三足炉","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[248,1072,1073,584,7,251],"青釉","三足炉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b60911373637553994b93775856b6d0.jpg",[1034],{"id":1077,"slug":1078,"title":1079,"dynasty":287,"author":19,"museum":41,"description":1080,"tags":1081,"thumbUrl":1083,"material":67,"size":68,"collection":32,"collections":1084,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},245972,"jin-bian-zhong-bei-ying-zhong-yi-ming-245972","金编钟-倍应钟","最早的钟原本是指古代汉族 传统的打击乐器，形状扁圆而中空，盛于春秋战国直至秦汉，多为青铜制，又叫“编钟”，自佛教传入中国后，逐渐变为一种宗教法器的代称，又叫“梵钟”或“半钟”原本叫“犍稚”又叫“信鼓”是寺院为报时、集众而敲击之用。",[290,1082,45,264,46,7],"金器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a4e570741b048dbc9095457c58308c3.jpg",[],{"id":1086,"slug":1087,"title":1088,"dynasty":287,"author":19,"museum":41,"description":1089,"tags":1090,"thumbUrl":1091,"material":67,"size":68,"collection":32,"collections":1092,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},245965,"jin-bian-zhong-wu-she-yi-ming-245965","金编钟-无射","此器通体鎏金，莹润华贵。盖顶双兽钮张牙舞爪，威严雄浑，器身高浮雕双龙翻腾于云海之间，龙姿矫健灵动，须发鳞爪分毫毕现，祥云缠枝错落铺陈，满溢祥瑞之气。腹间款识镌刻规整隽秀，底部乳钉纹饰古朴厚重，将礼制庄重与金作匠心完美相融，尽显雍容气度，是金细作工艺登峰造极的典范之作。",[290,1082,45,46,264,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7cf900d809116b383c1c408fe3d4bb96.jpg",[],{"id":1094,"slug":1095,"title":1096,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1097,"thumbUrl":1098,"material":67,"size":68,"collection":32,"collections":1099,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},245241,"tian-xia-da-ming-jing-yi-ming-245241","天下大明镜",[103,44,45,24,7,48,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e14beeb692345cf76536ae3764e5091.jpg",[],{"id":1101,"slug":1102,"title":1103,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1104,"thumbUrl":1106,"material":67,"size":68,"collection":32,"collections":1107,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},245236,"niao-shou-wen-jing-yi-ming-245236","鸟兽纹镜",[103,27,44,45,1105,7,91,48],"鸟兽纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72911d581cb1c7fce39a3ec7641b3b6d.jpg",[],{"id":1109,"slug":1110,"title":486,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1111,"thumbUrl":1112,"material":67,"size":68,"collection":32,"collections":1113,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},245104,"ming-wen-jing-yi-ming-245104",[100,27,44,45,24,7,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F871de7639e01f97ef08ae7e01c21d25d.jpg",[],{"id":1115,"slug":1116,"title":486,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1117,"thumbUrl":1118,"material":67,"size":68,"collection":32,"collections":1119,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244964,"ming-wen-jing-yi-ming-244964",[44,45,7,103,48,91],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9edbfaead9645028acccf6a98d6017f2.jpg",[],{"id":1121,"slug":1122,"title":1123,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1124,"thumbUrl":1126,"material":67,"size":68,"collection":32,"collections":1127,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244961,"da-le-gui-fu-ming-pan-chi-wen-jing-yi-ming-244961","大乐贵富铭蟠螭纹镜",[100,27,44,45,1125,7,435],"蟠螭纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77c1fd55063d2601975103abf3596c6e.jpg",[],{"id":1129,"slug":1130,"title":486,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1131,"thumbUrl":1132,"material":67,"size":68,"collection":32,"collections":1133,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},244958,"ming-wen-jing-yi-ming-244958",[103,44,27,7,45,48],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fda34edb14cf58e0dfb56d296c31b46.jpg",[],{"id":1135,"slug":1136,"title":320,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1137,"thumbUrl":1138,"material":67,"size":68,"collection":32,"collections":1139,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244909,"zhang-wu-xiang-wang-jing-yi-ming-244909",[27,44,45,7,48,91],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e73c1bdd59b3a34347ea5e74529fd6d.jpg",[],{"id":1141,"slug":1142,"title":1143,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1144,"thumbUrl":1145,"material":67,"size":68,"collection":32,"collections":1146,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244906,"zhang-yi-gao-guan-jing-yi-ming-244906","长宜高官镜",[103,44,45,48,220,229,91,443,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5251bb31f3a21aefd3e7e0bc662d7446.jpg",[],{"id":1148,"slug":1149,"title":1150,"dynasty":356,"author":19,"museum":41,"description":114,"tags":1151,"thumbUrl":1154,"material":67,"size":68,"collection":32,"collections":1155,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},244829,"hu-zhou-fu-shen-jing-yi-ming-244829","湖州符慎镜",[1152,27,44,7,1153,45,251],"宋代","花口形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F316750fbf356d6e30a78cde280c31c55.jpg",[],{"id":1157,"slug":1158,"title":486,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1159,"thumbUrl":1160,"material":67,"size":68,"collection":32,"collections":1161,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},244824,"ming-wen-jing-yi-ming-244824",[27,44,103,7,45,48],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff309bd7bcd73c55ee4326d089938a96c.jpg",[],{"id":1163,"slug":1164,"title":1165,"dynasty":18,"author":19,"museum":41,"description":58,"tags":1166,"thumbUrl":1167,"material":67,"size":68,"collection":32,"collections":1168,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244670,"ming-wen-ge-yi-ming-244670","铭文戈",[27,44,239,7,24,26,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff91c22eacb36cf3fd6e7c671d884885.jpg",[],{"id":1170,"slug":1171,"title":1172,"dynasty":137,"author":19,"museum":41,"description":1173,"tags":1174,"thumbUrl":1176,"material":67,"size":68,"collection":32,"collections":1177,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244663,"chong-zhen-dou-yi-ming-244663","崇祯豆","敞口浅盘素净雅致，盘沿鼓钉点缀出质朴意趣，高挑器柱承托平盘，圈足敦实沉稳。暗哑铜色晕开厚重包浆，带着时光浸润的沉静质感。器身铭文工整排布，笔意端正谨严，藏着晚明典章细节。褪去上古青铜的狞厉威重，转而带着明代器物内敛的文气与制式礼制，将晚明冶铸的匠心凝缩其中，静立间晕开百年沉静余韵。",[1175,27,44,45,7,47],"明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a7b042b6d7ffc34c07535cedf49d878.jpg",[],{"id":1179,"slug":1180,"title":1181,"dynasty":100,"author":19,"museum":41,"description":1182,"tags":1183,"thumbUrl":1187,"material":67,"size":68,"collection":32,"collections":1188,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},244583,"shang-lin-gong-xing-deng-yi-ming-244583","上林宫行灯","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[27,44,1184,1185,1186,7,45],"灯","日用器具","照明器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1224b066e5fe4b6503e3683ac15f8017.jpg",[],{"id":1190,"slug":1191,"title":1192,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1193,"thumbUrl":1195,"material":67,"size":68,"collection":32,"collections":1196,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244466,"zuo-jia-jing-yi-ming-244466","作佳镜",[103,44,45,48,220,91,7,1194],"兽纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06cf00ebbd2fb0b956cc2c61ac527ceb.jpg",[],{"id":1198,"slug":1199,"title":210,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1200,"thumbUrl":1202,"material":67,"size":68,"collection":32,"collections":1203,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244454,"jia-chang-fu-gui-jing-yi-ming-244454",[103,27,44,45,24,221,91,7,1201],"纹饰繁复","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55733d6f29fabe29493a2b65e38de039.jpg",[],{"id":1205,"slug":1206,"title":1207,"dynasty":137,"author":19,"museum":41,"description":114,"tags":1208,"thumbUrl":1211,"material":67,"size":68,"collection":32,"collections":1212,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":333},244207,"qi-yan-shi-jing-yi-ming-244207","七言诗镜",[27,44,229,1209,7,26,1210],"葵花形","七言诗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56d36c67a7a7cc14fad02a517499aa5c.jpg",[],{"id":1214,"slug":1215,"title":1216,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1217,"thumbUrl":1218,"material":67,"size":68,"collection":32,"collections":1219,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244170,"lian-ye-qian-hua-jing-yi-ming-244170","炼冶铅华镜",[103,27,44,45,7,91,48,220],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b81b91332e6e42caae15915c8247568.jpg",[],{"id":1221,"slug":1222,"title":1223,"dynasty":356,"author":19,"museum":41,"description":1080,"tags":1224,"thumbUrl":1228,"material":67,"size":68,"collection":32,"collections":1229,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244145,"da-cheng-zhong-yi-ming-244145","大晟钟",[27,44,45,46,117,7,49,1225,1201,1226,1227],"宋代风格","古铜色","钟形器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ed0ccbe056cf85780bad3be23c7a84a.jpg",[],{"id":1231,"slug":1232,"title":227,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1233,"thumbUrl":1234,"material":67,"size":68,"collection":32,"collections":1235,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244122,"zhang-yi-zi-sun-jing-yi-ming-244122",[100,44,45,202,264,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F342cffd1837fcd92da3ebb7830ceb29a.jpg",[],{"id":1237,"slug":1238,"title":1239,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1240,"thumbUrl":1242,"material":67,"size":68,"collection":32,"collections":1243,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244088,"yi-jia-ren-jing-yi-ming-244088","宜佳人镜",[103,27,44,45,24,7,435,1241,48],"环形纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facaea68e86eaa6ade7bfcbfb939fdea6.jpg",[],{"id":1245,"slug":1246,"title":1247,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1248,"thumbUrl":1250,"material":67,"size":68,"collection":32,"collections":1251,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244083,"qing-gai-jing-yi-ming-244083","青盖镜",[103,27,44,79,45,1249,7],"神兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bcf93641275130bc4f736d9ef918b55.jpg",[],{"id":1253,"slug":1254,"title":449,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1255,"thumbUrl":1258,"material":67,"size":68,"collection":32,"collections":1259,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244070,"zhao-ming-jing-yi-ming-244070",[100,44,27,45,7,48,91,220,1256,1257,322],"金属器","古物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5b4ede329d0777ec6dfbf493ea7de1a.jpg",[],{"id":1261,"slug":1262,"title":227,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1263,"thumbUrl":1264,"material":67,"size":68,"collection":32,"collections":1265,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244060,"zhang-yi-zi-sun-jing-yi-ming-244060",[103,27,44,79,45,7,221,323,91],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59601005baf834f792d9d4d551dc7501.jpg",[],{"id":1267,"slug":1268,"title":227,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1269,"thumbUrl":1271,"material":67,"size":68,"collection":32,"collections":1272,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},244054,"zhang-yi-zi-sun-jing-yi-ming-244054",[103,27,44,45,230,7,91,443,1270],"对称布局","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e949076d9eb29048697ccf66cba08c5.jpg",[],{"id":1274,"slug":1275,"title":486,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1276,"thumbUrl":1277,"material":67,"size":68,"collection":32,"collections":1278,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},243996,"ming-wen-jing-yi-ming-243996",[100,44,45,7,48,91,220],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2351a846c2cdf180533e46a9bc179bf3.jpg",[],{"id":1280,"slug":1281,"title":1282,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1283,"thumbUrl":1285,"material":67,"size":68,"collection":32,"collections":1286,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},243965,"shang-fang-niao-shou-wen-jing-yi-ming-243965","尚方鸟兽纹镜",[100,27,44,45,263,1284,7],"鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e18d518c5d861809b457d8c9f957d18.jpg",[],{"id":1288,"slug":1289,"title":1290,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1291,"thumbUrl":1293,"material":67,"size":68,"collection":32,"collections":1294,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},243929,"zhang-yi-zi-sun-niao-wen-jing-yi-ming-243929","长宜子孙鸟纹镜",[27,44,45,1292,103,48,7],"鸟纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7b32a224a15c6b4f41e52efa1c1e1d3.jpg",[],{"id":1296,"slug":1297,"title":486,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1298,"thumbUrl":1299,"material":67,"size":68,"collection":32,"collections":1300,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},243810,"ming-wen-jing-yi-ming-243810",[103,27,44,45,7,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac65198b7830b1aa976165edc9d7792a.jpg",[],{"id":1302,"slug":1303,"title":1304,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1305,"thumbUrl":1307,"material":67,"size":68,"collection":32,"collections":1308,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},243621,"zhao-ming-guang-hui-jing-yi-ming-243621","照明光辉镜",[27,44,559,1306,7,48],"镜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a856783d46fba22ef39f1e47f064dba.jpg",[],{"id":1310,"slug":1311,"title":1312,"dynasty":18,"author":19,"museum":41,"description":58,"tags":1313,"thumbUrl":1314,"material":67,"size":68,"collection":32,"collections":1315,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},243372,"qing-yi-ming-243372","磬",[27,44,45,7,46,150],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a3285dc4523c35dbb514d7214b07b35.jpg",[],{"id":1317,"slug":1318,"title":218,"dynasty":100,"author":19,"museum":41,"description":101,"tags":1319,"thumbUrl":1320,"material":67,"size":68,"collection":32,"collections":1321,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},243368,"jian-ri-zhi-guang-jing-yi-ming-243368",[103,27,44,45,7,91,48,79],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb0adf7694b9c4f74bcc54d5ba59af70.jpg",[],{"id":1323,"slug":1324,"title":1325,"dynasty":287,"author":19,"museum":41,"description":114,"tags":1326,"thumbUrl":1328,"material":67,"size":68,"collection":32,"collections":1329,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},243265,"qian-long-kuan-wan-chun-fu-rong-jing-yi-ming-243265","乾隆款万春芙蓉镜",[290,27,45,1327,48,7,24,220],"芙蓉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F039162ac33d2cc8bb6edabcffe742c16.jpg",[],{"id":1331,"slug":1332,"title":1333,"dynasty":287,"author":1334,"museum":41,"description":1335,"tags":1336,"thumbUrl":1339,"material":67,"size":68,"collection":32,"collections":1340,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},240625,"lin-ding-ming-zhou-zhu-wei-bi-240625","临鼎铭轴","朱为弼","朱为弼（1771年－1840年），初名振鹭，字右甫，号椒堂，又号菽堂、颐斋，浙江平湖县（今属嘉兴市）人。清朝政治人物、学者。嘉庆进士，道光年间官至漕运总督。",[26,24,1337,1338,166,7,27],"临摹","立轴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F344e7bd33f2be6d1fd5b147ab645a4a1.jpg",[],{"id":1342,"slug":1343,"title":1344,"dynasty":529,"author":19,"museum":41,"description":530,"tags":1345,"thumbUrl":1347,"material":67,"size":68,"collection":32,"collections":1348,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},228116,"qing-ci-kui-kou-pan-wen-zi-ming-yi-ming-228116","青瓷葵口盘（「文」字铭）",[248,532,534,1346,7,251],"葵口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5d2d7d9b4968981fc5ddbf944b2987f.jpg",[],{"id":1350,"slug":1351,"title":1352,"dynasty":529,"author":19,"museum":41,"description":530,"tags":1353,"thumbUrl":1355,"material":67,"size":68,"collection":32,"collections":1356,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},228114,"qing-ci-hua-kou-pan-bao-yong-ming-yi-ming-228114","青瓷花口盘（「宝用」铭）",[529,248,532,1354,534,7,251],"花口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb586ffba6aa5ae71e811e50a617d9c18.jpg",[],{"id":1358,"slug":1359,"title":1360,"dynasty":529,"author":19,"museum":41,"description":530,"tags":1361,"thumbUrl":1362,"material":67,"size":68,"collection":32,"collections":1363,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":333},228104,"yue-bai-qing-ci-kui-kou-pan-wen-zi-ming-yi-ming-228104","月白青瓷葵口盘(「文」字铭)",[248,251,532,533,1346,534,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb93c4e7ee9ba761c397609a404b0b551.jpg",[],1777535702375]