[{"data":1,"prerenderedAt":163},["ShallowReactive",2],{"subject-mo-se-bian-hua":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},273,"mo-se-bian-hua","墨色变化","墨色变化画高清赏析","精选中国历代墨色变化题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26a192ba482a4845e0276f2544d2b653.jpg",0,7,[14,54,80,98,119,133,151],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":46,"material":47,"size":48,"collection":49,"collections":50,"showCount":51,"zanCount":52,"manualWeight":11,"mainColor":53},233375,"shui-mo-pu-tao-tu-zhou-xu-wei-233375","水墨葡萄图轴","明","徐渭","北京故宫博物院","此图曾经清代李佐贤、陈希濂等收藏。\n图中画一架葡萄，叶片茂盛，藤蔓缠绕，果实累累。作者以草书笔法作画，行笔豪迈而不肆野，叶、果用淡墨加胶矾挥洒，墨气淋漓酣畅，产生了极佳的晕散效果。\n画中所题诗见于《徐文长集三》卷十一，是徐渭作画时常书写的诗作之一，抒发了作者一生不遇的坎坷痛苦的心境。画中题字受米芾行书风格影响，结体紧凑，运笔舒缓大气，竖笔、捺笔流畅雄健，收锋沉稳，体现了其身为晚明大书家的深厚的艺术功力。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36,37,38,39,40,41,42,43,44,45],"国画","书画","立轴","水墨","写意","葡萄","藤蔓","叶子","果实","花卉","蔬果","大写意","藤蔓缠绕","果实垂挂","枝叶舒展","水墨淋漓","文人画风格","植物","水墨植物","墨叶","墨果","藤蔓线条","写意花鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ac2949f65bdc9dc171950992c953d5d.jpg","纸本，墨笔","纵 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去“抖擞俗气”，形成了逆势涩行之法，而在结体上的辐射式开张也不再怒张、突兀，可以说是实现了他个人的书法审美主张：绝俗和重韵。\n卷末有元代书家龚璛题跋。龚璛（1266-1331），一作肃，字子敬，号谷阳生，江苏高邮人，后徙居平江（今江苏吴县）。少为徐琬辟幕下，后充和靖、学道两书院山长。以浙江儒学副提举致仕。与戴表元、仇远等人交善。工诗文，擅书法，有晋唐人法度。有《存悔斋集》一卷，补遗一卷。小传详见《苏州府志》。传世书迹有《教授帖》、《静春堂诗序》、《宣城诗并识卷》等。\n释文：我见黄河水，凡经几度清。水流如激箭，人世若浮萍。癡属根本业，爱为煩恼阬。轮迴几許劫，不解了旡明。寒山出此语，举世狂癡半。有事对面說，所以足人怨。心真语亦直，直语无背面。君看渡奈河，谁是喽罗汉。寄语諸仁者，仁以何为怀。归源知自性，自性即知來。任运堂試张通笔为法聳上座书寒山子庞居士诗兩卷。涪翁題。",[63,65,66,68,125,126,7,127,90,69,128,93],"中锋行笔","笔画劲健","章法布局","笔力雄健","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e5948567560da19a69ec363536ed45a.jpg","29.1x213.8cm",[],21,{"id":134,"slug":135,"title":136,"dynasty":137,"author":138,"museum":139,"description":140,"tags":141,"thumbUrl":146,"material":49,"size":49,"collection":147,"collections":148,"showCount":149,"zanCount":11,"manualWeight":11,"mainColor":150},201818,"mo-cai-tu-zhou-zhe-zhang-201818","墨菜图轴","清","禇章","上海博物馆","水墨绘就的白菜叶片舒展自如，墨色浓淡相济，笔触间枯湿交错。深墨点染叶边褶皱，淡墨晕开叶面丰腴，留白处衬出菜叶鲜嫩质感。寻常蔬菜在写意笔法下褪去尘俗之气，透出清逸朴拙的意趣，暗含文人对清白品格的寄寓。左侧题跋与朱印相映，笔墨与物象浑然一体，更添雅致。整幅作品以简胜繁，将日常之物写得生机盎然，尽显水墨花鸟的灵动与文人画的情韵。",[23,26,27,142,143,90,144,7,145,63],"花鸟","白菜","文人画","笔触挥洒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd97423b58fbb096f786340edc406c533.jpg","花鸟画精选",[147],4,"b6a490",{"id":152,"slug":153,"title":154,"dynasty":137,"author":155,"museum":139,"description":156,"tags":157,"thumbUrl":10,"material":49,"size":49,"collection":49,"collections":161,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":162},203094,"shi-gao-ce-wang-duo-203094","诗稿册","王铎","墨色如晕染的烟霞，枯笔似皴裂的古木，涨墨若积雨的云团，笔势如奔马脱缰，纵横捭阖间尽显雄健气象。线条粗细交错，结体欹侧开合，字行顾盼生姿，疏密有致中藏着章法妙趣。诗稿的笔痕浸透着文人的胸臆，每一笔都是心迹的流露，朱红印章点缀其间，添几分古朴雅韵。笔墨与心性交融，尽显书家风骨与才情。",[66,158,7,128,159,90,65,160,63],"草书","册页","枯润对比",[],"ae9b80",1777535742261]