[{"data":1,"prerenderedAt":78},["ShallowReactive",2],{"subject-mo-se-nong-dan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},101,"mo-se-nong-dan","墨色浓淡","墨色浓淡画高清赏析","精选中国历代墨色浓淡题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3239976293f1b257df23a9430f4ea0d1.jpg",0,3,[14,37,60],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":32,"size":33,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},220537,"xing-shu-xu-bei-hong-220537","行书","民国","徐悲鸿","中央美术学院美术馆","此作融碑帖意趣于笔端，笔墨苍劲朴拙，线条收放自如，兼具雄健风骨与雅致文心。书录怀古诗作，将家国愁绪寄寓字间，撇捺起落裹挟沉郁忧思。章法疏密错落，行气贯通无间，提按转折藏露互见，尽显融通南北书风的造诣。以画入书，让笔墨自带画面张力，把时代赋予的厚重情怀凝于笔锋，观之如闻低回慨叹，不拘一格的气度尽显于点画之间，文字亦承载起动人的情绪重量。",[17,23,24,25,7,26,27,28,29,30,31],"民国书法风格","笔墨流畅","运笔遒劲","夕阳","柳","秋风","江上","孤帆","青山","纸本墨笔","",[],22,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":41,"author":42,"museum":43,"description":44,"tags":45,"thumbUrl":55,"material":33,"size":33,"collection":56,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":59},202815,"xi-he-gu-wu-tu-zhou-qi-bai-shi-202815","西河古屋图轴","近代","齐白石","上海博物馆","水墨晕染间，古屋错落于苍树浓荫下，简劲笔触勾勒出树木的挺拔，墨色浓淡相济，层次分明。远山以淡墨晕染，云雾轻笼，添几分悠远静谧。齐白石以质朴笔意捕捉乡土意趣，线条简练却含生机，浓墨点染的林木与疏淡的屋宇相映，似藏着对故园的温软回忆。画面虽简，却于水墨交融中透出自然真趣与生活烟火气，尽显其独特山水笔墨风格。",[46,47,48,49,50,51,52,7,53,54],"国画","水墨","山水","树木","云雾","古屋","简劲笔触","乡土意趣","高清","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F970befdd1cc62011f57ce8fa4a9885a9.jpg","山水画精选",[56],13,"cec7b7",{"id":61,"slug":62,"title":63,"dynasty":64,"author":65,"museum":66,"description":67,"tags":68,"thumbUrl":75,"material":33,"size":33,"collection":33,"collections":76,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":36},232796,"shu-fa-ce-ye-wu-chang-shuo-232796","书法册页","清","吴昌硕","藏地不详","吴昌硕（1844 —1927）原名俊，字昌硕，别号缶庐、苦铁等，浙江安吉人。我国近、现代书画艺术发展过渡时期的关键人物，诗、书、画、印四绝的一代宗师，晚清民国时期著名国画家、书法家、篆刻家，与任伯年、赵之谦、虚谷齐名为清末海派四大家。吴昌硕的艺术别辟蹊径、贵于创造，最擅长写意花卉，他以书法入画，把书法、篆刻的行笔、运刀、章法融入绘画，形成富有金石味的独特画风。他以篆笔写梅兰，狂草作葡萄，所作花卉木石，笔力敦厚老辣、纵横恣肆、气势雄强，构图也近书印的章法布白，虚实相生、主体突出，画面用色对比强烈。",[69,70,17,47,71,72,73,7,74],"书法","册","金石气","篆隶笔意","笔力雄健","线条苍劲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbf1f5359a1b1bda2e1890ee62746457.jpg",[],12,1777535770114]