[{"data":1,"prerenderedAt":167},["ShallowReactive",2],{"subject-mu-qiao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},795,"mu-qiao","木桥","木桥画高清赏析","精选中国历代木桥题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9bea0c0a583f76bd95717b30004c6e2a.jpg",0,8,[14,53,74,93,109,126,139,154],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":45,"material":46,"size":47,"collection":48,"collections":49,"showCount":50,"zanCount":51,"manualWeight":11,"mainColor":52},231383,"qing-jiang-chun-xiao-tu-wu-zhen-231383","清江春晓图","元","吴镇","台北故宫博物院","图画清江两岸的美丽风光。江之左岸，高山耸立．巍峨壮观，笔直的山峰直插云天。远山采用水墨渲染，用淡墨勾勒出山之轮廓，隐约可见连绵起伏之势。主景画平缓的山坡，坡上的苍松翠梧只是用笔尖画出一些小点点，但山泉和因落差形成的瀑布倒挂于两山之间，却清晰可见。主景的高山，巨峰陡然耸立，占据了画面的二分之一强。山峰采用渴笔擦皴法，山峰壁削，山坡平缓都画得非常形象逼真。山巅之上，花草树木也是采用写意的画法，用笔尖墨点来表现。只有山角下、河岸边的松林方可见其真面目，树干、树叶等，一一画出。幽寂的山谷间，有亭台楼阁，有的画其全貌，有的只画楼之一角。山脚坳中有平房数间，掩映在松树林中。从左至右，平房所处的山石之间，有三座木桥相连。清江右岸江心岛上，也有平房数间，由坡岸到江心岛，由两座木桥相连。可谓小桥流水人家，一派世外桃源的平和景象。江中心一叶扁舟，顺流而下。船上四人，或高谈阔论，或尽情欣赏清江两岸的大好风光。这些舟桥，既以其小巧与大山相映成趣；又起到了将画面各处景物连贯为一个有机整体的作用，在构图上很见匠心。 ‘\n此图描绘清江两岸的美丽风光。此画可以分为远景、中景、近景三段式。远景即江之左岸，山峦叠嶂，山峰林立，山巅主峰耸立，直插云天，整体山势巍峨壮观，山坡左侧的山泉和落差形成的瀑布倒挂于两山之间，奔腾直泻，如一匹银白帛布在风中吹拂似的。山坳或山坡平坦处筑有庙宇亭台楼阁，有的仅露出一角，有的半露半隐，屋宇楼阁，用笔工整细致，近似界画。山脚下河岸旁，树木成林，排列齐整，在丛林荫下座落几间房舍，溪水两岸有一座板桥相连接。中景为宽阔的河水，河面平静如镜，无一丝波纹，唯有小扁舟在河面中心荡漾，小舟上坐有四五人，十分悠闲自然，或论经说道，或尽情地观赏清江两岸的山山水水。人物用笔极简练，寥寥数笔一挥而就，但各人的神情、姿态各异，生动逼真，可见作者有着极强的写实能力。近处即为此画的主景，在崎岖不平的丘陵上，山势较为平缓，平坡上长有苍松翠柏，江心岛上也有房舍数间，各江心岛皆架有木桥，用来接连坡岸。可谓小桥流水人家，一派世外桃源的平和景象。这些舟桥，虽比例较小，不曾起眼，但它们却以其小巧与大山相映成趣，又将整个画面各处景物连贯在一起，有机地组成一个和谐的整体，在构图上别具匠心。此画远山采用水墨渲染，用淡墨勾勒出山之轮廓，然后加以皴擦，坡上的苍松翠柏只是用笔尖勾画出一些小点点，以介字点树叶，山峰采用渴笔皴法，山巅上的花草树木采用写意的画法，用笔尖墨点来表现。",[23,24,25,26,27,28,29,30,31,32,33,34,35,7,36,37,38,39,40,41,42,43,44],"国画","山水画","水墨","渴笔皴法","写意","界画","皴法","高山","远山","瀑布","山泉","亭台楼阁","房舍","清江","扁舟","松树","丛林","山谷","江心岛","人物","世外桃源","平和","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78c6ab37569f3f8b0024781bd1f59370.jpg","墨笔画","纵114．7厘米，横100．6厘米","山水画精选",[48],57,1,"795548",{"id":54,"slug":55,"title":56,"dynasty":18,"author":57,"museum":58,"description":59,"tags":60,"thumbUrl":68,"material":69,"size":70,"collection":71,"collections":72,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":52},287548,"xue-xi-xing-lv-tu-zhu-qian-287548","雪溪行旅图","朱迁","藏地不详","鲁端王，朱观，朱健杙、嫡一子，在位时间：1528年—1549年嘉靖七年袭封。二十八年薨。",[23,25,24,61,62,63,7,64,65,66,67,29],"雪景","枯树","山石","行旅车","溪流","萧瑟","清冷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7df3005f4a3bf0d11afbba4c6813039.jpg","未知","Xcm*Xcm","",[],24,{"id":75,"slug":76,"title":77,"dynasty":78,"author":79,"museum":58,"description":80,"tags":81,"thumbUrl":89,"material":69,"size":70,"collection":71,"collections":90,"showCount":91,"zanCount":11,"manualWeight":11,"mainColor":92},289913,"shan-shui-shi-hua-tu-ce-gu-he-qing-289913","山水诗画图册","清","顾鹤庆","顾鹤庆（1766－？），字子馀，号弢庵，江苏镇江府丹徒县（今江苏镇江）人。乾隆三十一年生，卒年不详。诸生。性潇洒，工诗文，善行草，好饮。入都，馆庄亲王府。",[23,82,83,25,84,85,86,87,7,88],"书画","册","设色","山水","梅","飞鸟","闲适","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c71a558eb09f676ef753c68dca4b674.jpg",[],6,"BDBDBD",{"id":94,"slug":95,"title":96,"dynasty":97,"author":98,"museum":58,"description":99,"tags":100,"thumbUrl":106,"material":69,"size":70,"collection":71,"collections":107,"showCount":108,"zanCount":11,"manualWeight":11,"mainColor":52},231583,"shi-ting-shi-dai-zhu-mai-chen-tu-ping-feng-shou-ye-yuan-xin-231583","室町时代-朱买臣图-屏风","不详","狩野元信","狩野元信（1477～1559）同父亲正信一样，是足利幕府的御用画师，也为细川高国、大内义隆等幕府权贵所用，经常出入宫廷、幕府官邸画障屏画。他承袭了足利家所喜好的中国水墨画风格，但同时他又是提倡“大和画”的土佐派始祖土佐光信的义子。",[101,102,25,29,85,38,103,7,104,105],"高清","屏风","岩石","流水","传统绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5725e6322531d4c8eda84b8d3a07c34.jpg",[],4,{"id":110,"slug":111,"title":112,"dynasty":97,"author":113,"museum":58,"description":114,"tags":115,"thumbUrl":124,"material":71,"size":71,"collection":71,"collections":125,"showCount":108,"zanCount":11,"manualWeight":11,"mainColor":92},225321,"fu-shi-hui-64-yi-ming-225321","浮世绘64","佚名","这幅绘作以旅人过桥铺展开市井行旅图景。前景木桥上，脚夫负货、骑手牵马，行旅匆匆，蓝衣纹章、竹笠货箱细节饱满，鲜活勾勒出江户出行的烟火日常。远景沙岸缓丘晕染出柔和的浅黄与黛色，屋舍松林错落河畔，水色清浅铺陈开开阔的水乡暮色。\n\n构图以桥身为视觉动线，将人间烟火与郊野闲淡揉合一处，明快平涂的色块带着典型的装饰意趣，把行旅奔波的日常晕染出悠然的江户风情，动静相映间，俗常光景里藏着旧时东瀛的鲜活气韵。",[116,84,117,118,104,119,42,120,121,122,7,123],"浮世绘","木刻","小桥","马","树木","房屋","山峦","驮运","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F254508edf3ec840f83465301da8ef94f.jpg",[],{"id":127,"slug":128,"title":129,"dynasty":97,"author":113,"museum":58,"description":130,"tags":131,"thumbUrl":136,"material":71,"size":71,"collection":71,"collections":137,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":52},225324,"fu-shi-hui-70-yi-ming-225324","浮世绘70","画面以水上栈道串联起赶路的旅人，苍松斜生于前景，打破木构的规整僵直。行旅之人各带行囊，或躬身前行或侧首眺望，神态动作鲜活各异，还原出出行的日常图景。\n澄澈的湖水层次渐变，从浅蓝晕染至深靛，衬出暖黄栈道与砂岸。远景孤山暖调晕开，和天际的淡粉暮色相融，柔化了行旅的匆忙。整体用色明快雅致，将市井烟火的行旅日常，晕染成兼具生活质感与诗意闲情的和风景致，藏着日式版画独有的悠然余韵。",[116,117,84,42,7,120,132,31,133,134,135],"水域","沙洲","伞","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc681a64aad8e9aaa0f93e9818363876a.jpg",[],2,{"id":140,"slug":141,"title":142,"dynasty":97,"author":113,"museum":58,"description":143,"tags":144,"thumbUrl":152,"material":69,"size":70,"collection":71,"collections":153,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":92},289271,"pieter-stevens-huntsmen-and-company-observing-dogs-retrieving-ducks-yi-ming-289271","Pieter Stevens--Huntsmen and Company Observing Dogs Retrieving Ducks","虬曲古槐横亘画面，垂枝掩映出郊野猎归的松弛午后。猎手们斜靠木桥栏，目光追着水面叼回水禽的猎犬。石墙旁有人调笑着打理猎具，白犬亲昵蹭着主人裤腿。水面上群犬划破涟漪，扎入水中争抢猎物，对岸堤岸挤满围观村人，远处河湖交错，坡间小镇在淡彩晕染里朦胧柔和。\n\n细密素描勾出鲜活细节，淡彩晕开水汽与树荫的暖调，将郊野狩猎后的闲散日常揉进暮色里，不见猎杀的紧绷，只剩同侪打趣的松弛、乡邻围观的热闹，把质朴鲜活的乡野烟火气凝于纸面。",[145,146,84,42,7,147,104,148,149,150,151],"西洋画","素描","老树","猎犬","野鸭","河畔","狩猎场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F127f9839eb0b47413a4107bfda047cd6.jpg",[],{"id":155,"slug":156,"title":157,"dynasty":97,"author":113,"museum":58,"description":158,"tags":159,"thumbUrl":165,"material":69,"size":70,"collection":71,"collections":166,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":92},288877,"giovanni-battista-tiepolo-illustration-for-a-book-surrender-of-the-keys-of-a-city-to-an-emperor-yi-ming-288877","Giovanni Battista Tiepolo--Illustration for a Book Surrender of the Keys of a City to an Emperor","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[146,160,42,119,161,7,162,163,164],"历史画","城墙","献城","军事","建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29cd05bbffee687c21d00b7f53af1735.jpg",[],1777535739012]