[{"data":1,"prerenderedAt":124},["ShallowReactive",2],{"subject-mu-zhi-di-ban":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4717,"mu-zhi-di-ban","木质地板","木质地板画高清赏析","精选中国历代木质地板题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96bc03aaa213bf32b13fe67187e18d41.jpg",0,5,[14,43,68,87,107],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":38,"collections":39,"showCount":40,"zanCount":41,"manualWeight":11,"mainColor":42},225637,"rembrandt-harmensz-van-rijn-047-lun-bo-lang-225637","Rembrandt Harmensz.van Rijn - 047","不详","伦勃朗","藏地不详","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,24,25,26,27,28,29,30,31,32,7,33,34],"油画","写实","光影","宗教","人物","天使","摇篮","书籍","室内场景","织物","篮子","翅膀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ce04536eb31562eabbd5f9378930f7c.jpg","未知","Xcm*Xcm","油画精选",[38],28,1,"37474F",{"id":44,"slug":45,"title":46,"dynasty":18,"author":47,"museum":20,"description":48,"tags":49,"thumbUrl":63,"material":36,"size":37,"collection":64,"collections":65,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":67},232532,"mi-lai-si-76-yue-han-ai-fu-li-te-mi-lai-si-232532","米莱斯76","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[23,24,50,27,31,51,52,53,54,30,55,56,57,33,58,59,60,7,61,62,32],"设色","老人","女子","椅子","桌子","花卉","窗户","旗帜","画框","玻璃杯","柠檬","窗帘","靠垫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35965a9e92a1fbfaa6a3fa09fb6fb5fc.jpg","",[],2,"795548",{"id":69,"slug":70,"title":71,"dynasty":18,"author":72,"museum":20,"description":73,"tags":74,"thumbUrl":85,"material":36,"size":37,"collection":64,"collections":86,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":67},232293,"a-er-ma-20-lao-lun-si-a-er-ma-ta-de-ma-232293","阿尔玛20","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[23,24,50,75,25,76,31,77,55,78,7,79,80,81,82,83,84],"细腻","美人","花瓶","拱形门窗","长椅","老虎皮","装饰画","圆形桌","水域","船只","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F795068ca8c135a4797c99b6c59089871.jpg",[],{"id":88,"slug":89,"title":90,"dynasty":18,"author":91,"museum":20,"description":92,"tags":93,"thumbUrl":10,"material":64,"size":64,"collection":64,"collections":106,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":67},231967,"the-dance-class-corcoran-gallery-of-art-usa-de-jia-231967","The Dance Class - - Corcoran Gallery of Art (USA)","德加","德加避开了芭蕾舞台的高光时刻，将镜头对准排练教室的松弛日常。暖黄的光晕漫过磨损的木地板，把陈旧教室的慵懒氛围铺陈开来。少女们或扶把舒展肢体，或侧身整理舞鞋，褪去舞台滤镜的倦怠与松弛毫无修饰地流露。\n\n晕染的油彩揉开纱裙的蓬松柔润，将肌肉线条的张力与裙摆的轻软相融，镜中虚晃的倒影晕开朦胧层次，把排练间隙的细碎日常定格下来。没有刻意雕琢的完美，唯有舞者日常的鲜活侧影，将芭蕾的轻盈与幕后的倦怠奇妙交织，把转瞬即逝的松弛瞬间凝为永恒。",[94,23,95,27,96,97,98,99,100,101,7,53,31,102,103,104,105],"印象派","光影表现","女性","芭蕾舞演员","舞蹈教室","芭蕾舞裙","舞鞋","镜子","动态姿势","练习场景","织物纹理","光线运用",[],{"id":108,"slug":109,"title":110,"dynasty":18,"author":72,"museum":20,"description":73,"tags":111,"thumbUrl":122,"material":36,"size":37,"collection":64,"collections":123,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":42},232299,"a-er-ma-26-lao-lun-si-a-er-ma-ta-de-ma-232299","阿尔玛26",[23,24,50,27,31,112,32,113,114,7,115,116,117,118,53,119,120,121],"家具","日常用品","衣物细节","光影处理","针线活","蕾丝","花纹布料","床","柜子","针线盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfbb4709da8199cc2c2afb0572720142.jpg",[],1777535753117]