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。梧桐以其肥硕的枝干稳住了这二小段的重心，这是全图的第一个高潮。以下菊花、扁豆、紫薇等只是逸笔草草，随意点染。就章法而言，疏密是相对而存在的，这一小段貌似不经意之笔，在全图的节奏处理上却起着关键的作用。紫藤如蛇的老干泼辣粗放，“一扫槎枒三丈绢”的气势，形成了全图的最高潮。紫藤的花叶更是水墨淋漓，走笔如飞而不乱，意犹跃出纸外。芭蕉是滋润而含蓄的，它与紫藤形成了动与静的强烈对比，貌与质的相依共存。接下来梅枝横斜傲骨铮铮，幽兰、纤竹寥寥数笔，是为尾声。艺术是相通的，我们从这卷《杂花图》中可以领略到诗的起、承、转、合，也像欣赏一部交响曲，从引子到尾声，节奏和韵味正是它们共同的内涵。我们更能通过此图触摸到青藤老人胸中激情的横流。",[49,23,50,51,24,52,28,53,54,55,56,57,7,58,59,60,61],"高清","书画","长卷","大写意","牡丹","石榴","荷花","梧桐","菊花","扁豆","紫薇","葡萄","竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2ccaec0a74bfab54d306d36724d1bcb.jpg","纸本","1053.5X30厘米","山水画精选",[65,67],"水墨画精选",448,"795548",{"id":71,"slug":72,"title":73,"dynasty":74,"author":75,"museum":76,"description":77,"tags":78,"thumbUrl":93,"material":94,"size":95,"collection":35,"collections":96,"showCount":97,"zanCount":38,"manualWeight":11,"mainColor":39},218756,"xie-sheng-hua-niao-tu-mu-xi-218756","写生花鸟图","宋","牧溪","台北故宫博物院","这是一幅水墨画，画的是各种花卉、果蔬、飞禽走兽，并绘有草、坡、竹、石。用墨精到，造型准确。与北京故宫收藏的宋代百花长卷相比，水墨画更显从容，为元代王瑞雪和明代林良的水墨画打开了大门。",[49,23,50,51,24,79,26,80,81,82,61,83,53,84,85,86,87,7,88,89,90,91,92],"写生","花鸟","花卉","蔬果","荷","鱼","鸟","白菜","萝卜","莲蓬","葱","芙蓉","桃花","水仙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F319f1d586ad6d8f701799388a3a2ded1.jpg","纸本,水墨","44.5x1017.1cm",[35],302,{"id":99,"slug":100,"title":101,"dynasty":102,"author":103,"museum":104,"description":105,"tags":106,"thumbUrl":111,"material":112,"size":112,"collection":112,"collections":113,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":39},234227,"hua-guo-juan-zhu-da-234227","花果卷","清","朱耷","藏地不详","清代初期的中国画坛活跃着弘仁、髡残、朱耷、石涛四位僧人画家，画史上合称“四僧”。他们的绘画在继承传统的基础上，大胆创新，主张师法自然造化，与当时画坛正统风格相距甚远，具有鲜明的艺术风格。在这四人当中尤以朱耷的人生与艺术最具传奇色彩。\n朱耷（1626—1705），江西南昌人，为明江西宁献王朱权的九世孙。明亡后出家为僧，法名传綮，曾经使用的号有很多，最为著名的则是在他弃僧还俗后使用的“八大山人”。",[49,23,50,51,24,26,107,7,86,108,54,109,80,82,110,29],"行书","佛手","梅花","题字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd794f3dd4ca89c61b435218135cfad42.jpg","",[],68,{"id":116,"slug":117,"title":118,"dynasty":102,"author":119,"museum":104,"description":120,"tags":121,"thumbUrl":122,"material":112,"size":112,"collection":112,"collections":123,"showCount":124,"zanCount":11,"manualWeight":11,"mainColor":39},235242,"shu-guo-ping-zhou-wu-chang-shuo-235242","蔬果屏轴","吴昌硕","此作用篆籀之趣写就寻常蔬果，泼墨如椽，墨色浓淡铺陈出菜叶的舒展野逸，枯湿变化尽显苍劲老辣的笔力。朱红晕染南瓜，暖润厚重，萝卜鲜活水灵，将乡野烟火的朴拙意趣，揉入文人笔墨之中。\n题长款行书诗文，笔势跌宕烂漫，与画面相映成趣，诗画合璧间，把案头清赏与田园之思融为一体，寻常果蔬不再只是吃食，化为充满生命力的雅逸景致，烟火气裹挟书卷意，落笔皆见真性情。",[23,50,27,25,24,29,7,87,86,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1fe66098bf656c8cdfdc8cafbd20a46.jpg",[],56,{"id":126,"slug":127,"title":128,"dynasty":129,"author":130,"museum":104,"description":131,"tags":132,"thumbUrl":141,"material":142,"size":143,"collection":112,"collections":144,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":146},230648,"bao-nan-gua-de-shao-nv-fu-shi-tuo-zuo-na-luo-230648","抱南瓜的少女","不详","浮士托·佐那罗","浮士托·佐那罗fausto 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