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Print","佚名","这是一幅精巧的役者绘，借戏中戏的构思定格舞台妙趣。画中伶人怀拥道具，手中折扇铺展出另一角的俊朗扮相，以扇面构建出虚实相映的别致巧思。简练淡柔的墨线勾勒和服层叠褶皱，素雅留白衬出人物舒展仪态，题字暗藏剧目角色细节，将江户歌舞伎的市井意趣藏于方寸。浅淡色调克制雅致，凝住舞台上诙谐灵动的瞬间，尽显浮世绘独有的町人审美，带着江户演剧鲜活的烟火气，让观者轻触旧时剧场的鲜活声色。",[205,206,207,208,209,7],"浮世绘","人物画","白描","折扇","和服","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65903f95691411f77b4d1b5230c0dba4.jpg",[],5,{"id":214,"slug":215,"title":216,"dynasty":18,"author":202,"museum":20,"description":217,"tags":218,"thumbUrl":221,"material":40,"size":41,"collection":69,"collections":222,"showCount":223,"zanCount":11,"manualWeight":11,"mainColor":73},288556,"after-wenceslaus-hollar-four-heads-yi-ming-288556","After Wenceslaus Hollar--Four Heads","四幅肖像各成一帧，利落的钢刻线条精准勾勒出四位老者的迥异神采。\n左上老者头巾缠头，皱纹如刀凿刻就，眉眼垂落，沉郁神色藏着饱经世事的缄默。右上男子束巾覆额，下颌紧绷，目光锐利带着审视的锋芒。左下老者肩颈袒露，眉眼扬起，似正高声言说，神态鲜活外放。右下角侧颜线条硬朗冷冽，眉骨凸起，神色疏离又带着沉凝。\n\n全作以排线铺陈明暗，无多余笔墨，粗粝刻痕带着质朴的力量感，寥寥数笔便将每个形象的性格全然定格，粗朴生动间尽显肖像刻画的独到功力，将市井老者的鲜活情态凝于纸面，让人仿佛能窥见每张面孔背后的人生片段。",[206,33,207,7,219,24,220],"素描","人物头像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57603755ff0311f455f9412200a2888e.jpg",[],2,{"id":225,"slug":226,"title":227,"dynasty":18,"author":228,"museum":20,"description":229,"tags":230,"thumbUrl":232,"material":40,"size":41,"collection":69,"collections":233,"showCount":223,"zanCount":11,"manualWeight":11,"mainColor":73},232475,"he-er-bai-yin-134-he-er-bai-yin-232475","荷尔拜因134","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[100,219,24,25,185,7,26,231,32,31],"线条细腻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a0dd71d5c5b87e31e62d39d6a25bc67.jpg",[],{"id":235,"slug":236,"title":237,"dynasty":18,"author":228,"museum":20,"description":229,"tags":238,"thumbUrl":245,"material":40,"size":41,"collection":69,"collections":246,"showCount":223,"zanCount":11,"manualWeight":11,"mainColor":92},232464,"he-er-bai-yin-123-he-er-bai-yin-232464","荷尔拜因123",[23,24,26,25,7,185,31,239,240,241,242,243,29,244],"饰品","项链","戒指","细节刻画","织物纹理","浮雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64b8f715b4e25ffb90af77e3a1218fb3.jpg",[],{"id":248,"slug":249,"title":250,"dynasty":18,"author":228,"museum":20,"description":229,"tags":251,"thumbUrl":254,"material":40,"size":41,"collection":69,"collections":255,"showCount":223,"zanCount":11,"manualWeight":11,"mainColor":92},232450,"he-er-bai-yin-109-he-er-bai-yin-232450","荷尔拜因109",[100,23,33,206,252,253,7],"写实风格","人文主义","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0516aca2c4fbeb4dad8a3f57964ff0fb.jpg",[],{"id":257,"slug":258,"title":259,"dynasty":18,"author":260,"museum":20,"description":261,"tags":262,"thumbUrl":267,"material":40,"size":41,"collection":69,"collections":268,"showCount":223,"zanCount":11,"manualWeight":11,"mainColor":73},231184,"su-miao-438-xi-fang-231184","素描438","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[219,263,264,25,7,265,266],"速写","线描","西方人物","文字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc767779fc231f01170d1bc52b98252a5.jpg",[],{"id":270,"slug":271,"title":272,"dynasty":18,"author":202,"museum":20,"description":273,"tags":274,"thumbUrl":277,"material":40,"size":41,"collection":69,"collections":278,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},289538,"attributed-to-sempronio-subissati-portrait-of-francesco-albani-yi-ming-289538","Attributed to Sempronio Subissati--Portrait of Francesco Albani","淡红粉笔晕染开柔和暖意，细腻笔触精准勾勒出画中人沉稳儒雅的神态，鬓侧的耳钉又添了几分不羁雅致。层叠褶皱的衣领衣袍细节写实，还原巴洛克早期的着装风尚。椭圆形画框以缠枝花环围合，底部绶带题字烘托出纪念性氛围。画作以明暗过渡柔化面部轮廓，用舒缓线条晕染毛发衣物质感，将写实性与装饰性融为一体，既精准还原出画中人的沉静气质，也尽显17世纪欧洲肖像创作的古典审美意趣，庄重雅致又不失生动鲜活。",[33,206,219,275,7,276],"西洋画","古典肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d5b892ba86fecae4d4b64b552635bec.jpg",[],{"id":280,"slug":281,"title":282,"dynasty":18,"author":202,"museum":20,"description":283,"tags":284,"thumbUrl":286,"material":40,"size":41,"collection":69,"collections":287,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},289508,"bartolome-esteba-n-murillo-standing-male-figure-study-for-a-portrait-yi-ming-289508","Bartolomé Estebán Murillo--Standing Male Figure Study for a Portrait","这幅速写以奔放随性的线条，精准捕捉了男子的松弛站姿。寥寥数笔便交代出衣物褶皱的虚实变化，挺括与垂坠感暗藏其间，暗合人物沉静松弛的绅士气度。\n\n人物重心偏倚，一手搭在身侧台架，眉眼凝练传神，无需繁复细节，便将对象的沉稳气韵牢牢定格。纸面带着岁月留下的斑驳墨点与折痕，晕开旧时光的质感，即兴创作的鲜活感扑面而来。\n\n画师以极简的线条语言直追神韵，舍弃精细描摹，用粗粝却灵动的笔触记录下转瞬即逝的人物状态，质朴间满是表现力，让人仿佛能窥见那个被匆忙定格的沉静瞬间。",[219,263,206,7,264,285],"室内场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccb729c45cf161d15812d44e935d452c.jpg",[],{"id":289,"slug":290,"title":291,"dynasty":18,"author":202,"museum":20,"description":292,"tags":293,"thumbUrl":297,"material":40,"size":41,"collection":69,"collections":298,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},289504,"battista-franco-the-penitent-thief-on-the-cross-yi-ming-289504","Battista Franco--The Penitent Thief on the Cross","这幅素描以精准的明暗排线，将受刑者躯体的张力尽数铺展。卷曲的发丝下，绷紧的肩胛与虬结的肌肉顺着躯干扭转走势交错，每一道线条都追随着皮肉的起伏，将受刑的痛苦与残存的不屈刻画得入木三分。\n\n绳索勒入腕部的凹陷、脚趾抠紧木梁的细节，放大了肉体受折磨的真实质感。侧转的面庞带着不甘的恸色，让苦难不再只是冰冷的视觉符号。作者以纯粹的素描语言，让明暗成为情绪的注脚，粗粝线条如受刑者压抑的喘息，将忏悔的沉郁与肉体的煎熬揉为一体，在素朴纸面之上，定格下悲剧性的生命张力。",[294,206,7,295,296,219],"宗教画","十字架","忏悔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b869f4df661f56cbb5377b766edf4e6.jpg",[],{"id":300,"slug":301,"title":302,"dynasty":18,"author":202,"museum":20,"description":303,"tags":304,"thumbUrl":305,"material":40,"size":41,"collection":69,"collections":306,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},289501,"benedetto-luti-portrait-of-a-man-yi-ming-289501","Benedetto Luti--Portrait of a Man","以红粉笔铺陈晕染，蓬松卷曲的假发通过虚实错落的排线，层层铺展出柔软蓬松的体积感，发丝起伏舒展，还原出华丽复古的巴洛克发式细节。\n画家将重心落于人物神态塑造，沉稳的眼窝衬出锐利沉静的目光，抿起的唇角带着冷峻自持的气场，面部光影柔和平滑，精准刻画出骨骼起伏与细腻的皮肤肌理。松弛敞开的衣领线条简练自然，暗合人物松弛却不失庄重的绅士气韵。整体笔触松弛克制，在写实精准间晕开古典肖像的雅致氛围感，将人物的内敛风骨凝于笔端。",[219,33,7,159,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d2006c8458a11a01e6ce0788a905524.jpg",[],{"id":308,"slug":309,"title":310,"dynasty":18,"author":202,"museum":20,"description":311,"tags":312,"thumbUrl":314,"material":40,"size":41,"collection":69,"collections":315,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},289467,"rembrandt-nathan-admonishing-david-yi-ming-289467","Rembrandt--Nathan Admonishing David","这幅速写以粗粝不羁的炭笔线条铺陈画面，左侧长者垂眼沉声，语重心长的恳切藏在紧绷的肩线之中；右侧男子以手撑脸，垂首默听，愧色暗涌在潦草勾勒的轮廓里。\n\n急促交错的排线晕出昏暗的背景，挤出束束微光落在二人身上，把训诫的沉郁氛围揉进笔痕之中。作者并未雕琢细节，衣物褶皱以随性笔触带过，却精准抓住了对话的情绪张力，潦草却鲜活的笔调定格下这肃穆的瞬间，让观者能即刻沉入这场带着沉重情绪的对话，寥寥数笔就将叙事感拉满，粗朴的画迹间藏着饱满的戏剧张力。",[219,263,206,294,7,313,285],"宗教故事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c57cdbf14f507f44d9abbf1c302370d.jpg",[],{"id":317,"slug":318,"title":319,"dynasty":18,"author":202,"museum":20,"description":320,"tags":321,"thumbUrl":324,"material":40,"size":41,"collection":69,"collections":325,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},289140,"marco-marcola-gaius-mucius-scaevola-thrusting-his-right-hand-yi-ming-289140","Marco Marcola--Gaius Mucius Scaevola Thrusting His Right Hand","粗粝灵动的炭笔线条，将这一瞬的戏剧张力牢牢锁在纸面。男子身躯紧绷，带着孤绝的果决将手探向烈焰，肌肉的起伏在迅疾的排线里喷薄出雄浑力量。身侧女子姿态后仰，肢体舒展里满是惊骇与痛惜，衣袂线条随同情绪一同震颤。右侧潦草勾勒的建筑框架，悄然锚定了这场古典悲剧的舞台。\n\n未经修饰的草稿笔触反而让情绪更具冲击力，没有繁复渲染，却将英雄的悍勇与旁观者的动容精准传递，潦草却精准的线条中，生命的烈度与古典精神的重量尽显无遗。",[206,219,207,7,322,323],"历史画","古典题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67e7824428b5c8c084a6c53fc2b5a26c.jpg",[],{"id":327,"slug":328,"title":329,"dynasty":18,"author":202,"museum":20,"description":330,"tags":331,"thumbUrl":335,"material":40,"size":41,"collection":69,"collections":336,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},288911,"giovanni-battista-piazzetta-david-with-the-head-of-goliath-yi-ming-288911","Giovanni Battista Piazzetta--David With the Head of Goliath","这幅素描以极具张力的构图，定格下俯身握持首级的瞬间，粗犷却精准的排线铺陈明暗，利落勾勒出躯体紧绷的肌肉轮廓，体积感呼之欲出。创作者摒弃史诗叙事的激昂，转而捕捉沉郁肃穆的情绪，褪去斩敌的狂喜，只剩战后的疲惫与沉重。画面虚实相生，淡逸的线条晕开衣褶的松弛，浓深的排线收紧肩臂的力道，于潦草的速写感中，将英雄暗藏的复杂心绪倾泻而出，用克制的笔墨烘托出强烈的戏剧氛围，把宏大叙事揉进细腻的情绪描摹里。",[219,206,332,7,333,334],"神话题材","大卫","歌利亚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2bf5aceaf0dcd715e3c22795e8eedbe.jpg",[],{"id":338,"slug":339,"title":340,"dynasty":18,"author":202,"museum":20,"description":341,"tags":342,"thumbUrl":343,"material":40,"size":41,"collection":69,"collections":344,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":45},288815,"perino-del-vaga-two-standing-male-figures-yi-ming-288815","Perino del Vaga--Two Standing Male Figures","这幅习作以虚实相衬的线条，定格了两组截然不同的男性身姿。左侧人物裹曳厚重袍服，顿挫凝练的线条顺着布料垂坠起伏，将身形藏于衣褶之下，内敛沉静中带着古典仪式感的庄重。右侧男子则裸露紧实躯体，奔放舒展的笔触顺着肌肉轮廓游走，肩胛、腰腿的起伏在明暗铺陈下呼之欲出，原始力量感喷薄而来。\n\n创作者巧用底色与提亮色塑造层次，衣袍褶皱的高光与肌肉的明暗交界线相互呼应，让沉稳织物的厚重质感与鲜活躯体的张力形成强烈碰撞，寥寥数笔便将两种气质精妙融合，尽显素描语言的动人表现力。",[219,206,7,263],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe117080c1ecdad116e275eafee385f2f.jpg",[],{"id":346,"slug":347,"title":348,"dynasty":18,"author":202,"museum":20,"description":349,"tags":350,"thumbUrl":352,"material":40,"size":41,"collection":69,"collections":353,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},288797,"pier-leone-ghezzi-abbe-jean-antoine-nollet-yi-ming-288797","Pier Leone Ghezzi--Abbé Jean-Antoine Nollet","这幅棕褐调速写以利落线条勾勒出侧身伫立的全身人像，精准刻画出长袍垂坠褶皱的柔和韵律，寥寥数笔便捕捉到人物悠然转头的瞬间。卷发、软帽的细节简约传神，尽显十八世纪学者温文儒雅的气度。\n\n地面排线清晰利落，晕染的阴影为画面铺陈出真实的空间实感，让人物仿佛正缓步穿行其中。画作摒弃繁复修饰，以极简的写实笔触定格人物沉稳从容的神态，将实验物理学家的知性雅致融于速写的灵动之中，尽显古典肖像速写的传神功力。",[206,33,219,7,62,351],"淡墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6cf7e520a50f1c5fb97cf900fab4d7df.jpg",[],{"id":355,"slug":356,"title":357,"dynasty":18,"author":202,"museum":20,"description":358,"tags":359,"thumbUrl":362,"material":40,"size":41,"collection":69,"collections":363,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},288771,"romulo-cincinnato-three-standing-male-figures-yi-ming-288771","Romulo Cincinnato--Three Standing Male Figures","以奔放的铁线勾勒人物动态，顿挫的墨痕晕开衣褶厚重的垂坠感。三个人物错落排布，主侧分明，中间长者须发蓬松扭转，交握的双手沉敛肃穆，仿佛正凝神聆听；两侧同伴姿态恭谨，简括的面部轮廓将神态尽显，褶皱衣袍随肢体走势自然铺展，潦草却精准锚定了人物的身份张力。\n\n纸面晕开的淡墨晕染出朦胧氛围，寥寥数笔便让静止画面涌动着叙事感，仿佛定格一场古老议事的瞬间。粗粝笔意带着即兴灵气，将古典人物的庄重沉凝融在随性挥洒的笔触之中，质朴却尽显写意的力量，落笔无多却意蕴饱满。",[25,7,207,360,219,361,275],"水墨","历史人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc65d4ea80dd315695234fe33f01b3712.jpg",[],{"id":365,"slug":366,"title":367,"dynasty":18,"author":202,"museum":20,"description":368,"tags":369,"thumbUrl":373,"material":40,"size":41,"collection":69,"collections":374,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},288575,"attributed-to-francesco-allegrini-two-standing-male-figures-in-antique-military-costume-yi-ming-288575","attributed to Francesco Allegrini--Two Standing Male Figures in Antique Military Costume","淡墨勾连起雄健轮廓，浅淡水色晕开朦胧底色，寥寥几笔便将两名古战士的身姿定格。左侧武士按胯伫立，兜帽投下的阴影勾勒出冷硬侧脸，沉凝神态似在思索战局。右侧同伴昂首抬手，垂落的披风化作厚重褶皱，铠甲的硬朗肌理在简笔中隐现，肢体舒展间自带昂扬气场。\n\n松弛的线条暗藏精准的动态捕捉，二人仿佛正于战前低语，沉默的张力满溢纸面。没有繁复雕琢，却以拙朴笔触勾勒出古风军旅的沉郁气场，简而不单，将武士的肃穆气魄尽数铺陈在方寸画纸之上。",[206,219,370,7,371,372],"淡彩","古代军事服饰","武士","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa817f44becf65828b00566f9256f78d2.jpg",[],{"id":376,"slug":377,"title":378,"dynasty":18,"author":202,"museum":20,"description":379,"tags":380,"thumbUrl":383,"material":40,"size":41,"collection":69,"collections":384,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},288558,"francesco-guardi-figure-studies-recto-figures-along-a-canal-and-yi-ming-288558","‬Francesco Guardi--Figure Studies (recto); Figures Along a Canal and","这是一组极具生命力的人物速写，灵动的线条如行云流水，将四位绅士的动态与神情悉数定格。从垂头沉思、缓步独行，到侧身抬首、昂然伫立，姿态次第转变，情绪层次分明。利落的笔线勾勒出燕尾长衣与三角帽的服饰细节，精准还原了时代风貌。浅淡晕开的背景墙面，朦胧托出街巷的松弛氛围，不加过多修饰却自带临场感。画家以松弛随性的笔触捕捉住街头偶遇的片刻日常，让静穆纸面流淌着鲜活的市井烟火，尽显速写捕捉瞬时气韵的独特魅力。",[219,206,263,207,381,7,382],"西洋绘画","古典服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53a2415afb3ceb684b522f6fae6de06a.jpg",[],{"id":386,"slug":387,"title":388,"dynasty":18,"author":228,"museum":20,"description":229,"tags":389,"thumbUrl":398,"material":40,"size":41,"collection":69,"collections":399,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":45},232453,"he-er-bai-yin-112-he-er-bai-yin-232453","荷尔拜因112",[100,23,24,26,25,7,390,391,392,393,382,252,394,395,396,397],"红色帽子","黑色衣物","白色内衬","建筑装饰","服饰细节","建筑背景","衣物质感表现","雕花建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3cdd007f102804c32bc3981ddd41950b.jpg",[],{"id":401,"slug":402,"title":403,"dynasty":18,"author":228,"museum":20,"description":229,"tags":404,"thumbUrl":406,"material":40,"size":41,"collection":69,"collections":407,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":92},232452,"he-er-bai-yin-111-he-er-bai-yin-232452","荷尔拜因111",[100,23,33,7,405,24,253],"科学仪器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ceb7aa4cf3b236f54d524ac412bf9ef.jpg",[],{"id":409,"slug":410,"title":411,"dynasty":18,"author":228,"museum":20,"description":229,"tags":412,"thumbUrl":418,"material":40,"size":41,"collection":69,"collections":419,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":92},232399,"he-er-bai-yin-58-he-er-bai-yin-232399","荷尔拜因58",[23,24,127,25,7,26,413,414,61,415,36,416,417],"毛皮","金项链","手套","深色服饰","白色袖口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd6a75e9308c30c797ce55a4071bd417.jpg",[],{"id":421,"slug":422,"title":423,"dynasty":18,"author":424,"museum":20,"description":425,"tags":426,"thumbUrl":441,"material":40,"size":41,"collection":69,"collections":442,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":45},232342,"a-er-ma-69-lao-lun-si-a-er-ma-ta-de-ma-232342","阿尔玛69","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[23,127,427,25,428,7,429,430,431,58,432,59,433,434,435,436,437,438,439,440],"新古典主义","美人","古希腊服饰","大理石建筑","石碑","海洋","海岸线","远山","弦乐器","花环","石桌","石凳","木质椅子","石质地面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2dc9763ef4974b1212acdaae4eab6e6.jpg",[],{"id":444,"slug":445,"title":446,"dynasty":18,"author":424,"museum":20,"description":425,"tags":447,"thumbUrl":450,"material":40,"size":41,"collection":69,"collections":451,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":92},232325,"a-er-ma-52-lao-lun-si-a-er-ma-ta-de-ma-232325","阿尔玛52",[23,33,7,252,285,448,449],"西式服饰","沉稳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9df4ccaab96b1791f33574f2f3e4f9e.jpg",[],{"id":453,"slug":454,"title":455,"dynasty":18,"author":424,"museum":20,"description":425,"tags":456,"thumbUrl":461,"material":40,"size":41,"collection":69,"collections":462,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},232311,"a-er-ma-38-lao-lun-si-a-er-ma-ta-de-ma-232311","阿尔玛38",[23,24,7,106,457,458,459,460],"手部","白色织物","黑色服装","金色雕花画框","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98a76b1b0fdd1a3c58bbeeef3cd4d109.jpg",[],{"id":464,"slug":465,"title":466,"dynasty":18,"author":467,"museum":20,"description":468,"tags":469,"thumbUrl":480,"material":40,"size":41,"collection":69,"collections":481,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":482},232246,"criminal-physiognomies-1881-private-collection-pastel-de-jia-232246","Criminal Physiognomies - 1881- Private collection - pastel","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[470,25,26,471,472,473,7,474,475,104,476,477,478,479],"粉彩","侧影","暖色调","栏杆","侧面描绘","粉画","坐姿人物","暖背景","人物侧像","红色前景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1d1dcf7e772e3cdd1bce78a80eb379d.jpg",[],"F48FB1",{"id":484,"slug":485,"title":486,"dynasty":18,"author":467,"museum":20,"description":468,"tags":487,"thumbUrl":493,"material":40,"size":41,"collection":69,"collections":494,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":73},232169,"edouard-manet-standing-circa-musee-d-orsay-france-de-jia-232169","Edouard Manet Standing - circa - - Musee d'Orsay (France)",[100,360,263,25,488,7,489,490,491,492],"印象派","站立姿态","动态捕捉","黑白灰调","简洁线条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbde597a66c328f04f2d2e2a6ee40ffb.jpg",[],{"id":496,"slug":497,"title":498,"dynasty":18,"author":467,"museum":20,"description":468,"tags":499,"thumbUrl":500,"material":40,"size":41,"collection":69,"collections":501,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":45},232136,"jeantaud-linet-and-laine-1871-musee-d-orsay-de-jia-232136","Jeantaud, Linet and Laine - 1871 - Musee d'Orsay",[23,488,206,7,285,448],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cf839fe89be9cec2c4e67c79850c266.jpg",[],{"id":503,"slug":504,"title":505,"dynasty":18,"author":467,"museum":20,"description":468,"tags":506,"thumbUrl":508,"material":40,"size":41,"collection":69,"collections":509,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":482},231994,"six-friends-of-the-artist-rhode-island-school-of-design-museum-of-art-usa-de-jia-231994","Six Friends of the Artist - - Rhode Island School of Design Museum of Art 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