[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"subject-ni-ren-14098":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},14098,"ni-ren-14098","拟人","拟人画高清赏析","精选中国历代拟人题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd77fc83f88288773f4ce7b6538ce0b1c.jpg",0,2,[14,40],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},290255,"mo-xi-tu-wang-zhen-peng-290255","墨戏图","元","王振鹏","藏地不详","王振鹏（生卒年不详），字朋梅，浙江温州人。元代著名的画家，擅长人物画和宫廷界画，被元仁宗赐号为“孤云处士”，并官至漕运千户。传世作品有：《伯牙鼓琴图》《江山胜览图卷》《阿房宫图》《金明池图》。",[23,24,25,26,7,27,28,29,30,31,32],"国画","长卷","水墨","猴","戏曲","兵器","乐器","书法","印章","墨戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33c01e581f00409d36e7ec6c153197dc.jpg","未知","Xcm*Xcm","",[],11,"BDBDBD",{"id":41,"slug":42,"title":43,"dynasty":44,"author":45,"museum":20,"description":46,"tags":47,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":52,"showCount":53,"zanCount":11,"manualWeight":11,"mainColor":39},289175,"goya-masquerading-asses-yi-ming-289175","Goya--Masquerading Asses","不详","佚名","水墨晕染开朦胧底色，执鞭人扬臂作威，对面的驴子却扮作绅士气派，昂首抬手摆出倨傲姿态。\n作者以戏谑荒诞的手笔将牲畜拟人化，借这场怪诞假面闹剧，辛辣嘲弄上流社会装腔作势的虚伪做派，道破所谓体面不过是徒有其表的衣冠戏码。粗率灵动的线条勾勒戏谑怪诞的氛围，浓淡墨色制造强烈反差，将故作姿态的虚浮本质狠狠戳破，让闹剧之下的讽刺锋芒直抵观者心底。",[48,25,49,50,7,51],"素描","人物","兽","讽刺画",[],1,1777535790527]