[{"data":1,"prerenderedAt":272},["ShallowReactive",2],{"subject-ning-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2320,"ning-jing","宁静","宁静画高清赏析","精选中国历代宁静题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42536421d16089efc731a376cc411ad2.jpg",0,15,[14,42,64,88,102,122,137,152,169,184,198,211,226,249,261],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":11,"mainColor":41},216999,"cao-tang-yi-shi-tu-huang-gong-wang-216999","草堂遗世图","元","黄公望","私人收藏","《草堂遗世图》是一幅著名的山水画。这幅画以浓烈的写意气息和精细的画工著称。黄公望在这幅画中描绘了一座废弃的草堂，静静地躺在草地上，被一片茂密的松林环绕。山川景色非常优美，清新宁静。画中还有一些杂草和枯萎的花朵，表现出草堂的荒凉和凋零。这幅画被认为是黄公望的代表作之一，因其精美的画工和深刻的哲理而广受赞誉。",[23,24,25,26,27,28,29,30,31,32,33,34,7],"名画","国画","水墨","山水画","写意","草堂","松林","山川","小桥","孤石","杂草","荒凉","纸本,设色","","山水画精选",[37],944,4,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":20,"description":48,"tags":49,"thumbUrl":57,"material":58,"size":59,"collection":37,"collections":60,"showCount":61,"zanCount":62,"manualWeight":11,"mainColor":63},217869,"qiu-lin-die-zhang-tu-jiang-can-217869","秋林叠嶂图","宋","江参","秋林叠嶂图描绘的是一片秋天的山林，这片山林位于海拔较高的地方，因此能看到远处的秋天的山林。这幅画的画面非常宁静，令人感到非常舒适。画中有许多树木，其中有许多松树，还有一些枫树。这些树木都长得非常茂盛，充满了生机。画中还有许多山峰，山峰之间相互倚靠，形成了一道道叠嶂。画中还有几只鸟儿，它们在枫树的枝头上唱着歌。\n\n总的来说，这幅秋林叠嶂图是一幅非常优秀的山水画作品，江参的画风独特，山水画作品非常出名。这幅画的描绘的秋天的山林非常真实，令人感觉非常自然，是一幅非常美丽的画作。",[24,26,50,51,52,53,54,55,56,7],"秋林","叠嶂","松树","枫树","飞鸟","流水","楼阁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1988e2d8ba1187067f488aa5793dcca.jpg","绢本,设色","168.7x96.3cm",[37],98,2,"795548",{"id":65,"slug":66,"title":67,"dynasty":46,"author":68,"museum":69,"description":70,"tags":71,"thumbUrl":83,"material":84,"size":85,"collection":36,"collections":86,"showCount":87,"zanCount":62,"manualWeight":11,"mainColor":63},289131,"hu-pan-you-ju-tu-xia-gui-289131","湖畔幽居图","夏圭","藏地不详","夏圭（生卒年不详），字禹玉，临安（今浙江杭州）人，南宋绘画大师。“南宋四家”之一，早年画人物，后来以山水著称。他与马远同时，号称“马夏”。宁宗时任画院待诏，受到皇帝赐金带的荣誉。他的山水画师法李唐，又吸取范宽、米芾、米友仁的长处而形成自己的个人风格。虽然与马远同属水墨苍劲一派，但却喜用秃笔，下笔较重，因而更加老苍雄放。用墨善于调节水分，而取得更为淋漓滋润的效果。在山石的皴法上， 常先用水笔淡墨扫染，然后趁湿用浓墨皴，造成水墨浑融的特殊效果，被称作泥里拔钉皴。传世作品有《溪山清远图》《西湖柳艇图》《雪堂客话图》等。",[72,24,23,73,25,74,31,55,75,76,77,78,79,80,81,82,7],"扇面","山水","皴法","亭","树木","竹林","远山","湖畔","幽居","人物","清幽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49c2afeea3f577fe63a183d96a3c4ef6.jpg","未知","Xcm*Xcm",[],85,{"id":89,"slug":90,"title":91,"dynasty":46,"author":68,"museum":69,"description":92,"tags":93,"thumbUrl":98,"material":84,"size":85,"collection":36,"collections":99,"showCount":100,"zanCount":101,"manualWeight":11,"mainColor":63},288245,"yan-xiu-lin-ju-tu-xia-gui-288245","烟岫林居图","此图以近、远景的安排构成整幅之大势。远景轻淡，一片空漾，在云雾掩映间现出突兀的山峰；山峰偏左，让出画面右边的空间，使人有云天苍茫、辽阔无际之感。中景平湖河道若隐若现，似有似无。近景则笔健墨浓，是画家着意描绘的对象。临河斜岸树木茂盛，木桥接岸，一人弓背持杖漫步于林间小路，岸左又有长满树木山石的一角。画中树干用双钩，浓墨攒笔随意点染树叶，用笔虽简，却意趣横生。远山及坡石很少用笔皴擦，主以浓淡墨晕染，把山石的立体质感和烟云变幻莫测的动态表现得恰到好处。\n在此扇面上，远处一片空旷、开阔，烟雾飘渺，在云雾笼罩下，左边露出峭秀的山峰，突兀的山峰耸立在群山之巅。山峰偏左，让出右边的空间。使人有云天苍茫，辽阔无际之感，显得轻浅。远景小河流水隐约可见，这是虚；中景平湖河道若隐若现，似有似无，渐渐伸向远处而消失在山谷树丛之中。近景则实，以浓墨笔健画出树丛j组，错落于山石、土坡上，是画家着意描绘的对象，以“树为君，山为辅”的方式构图，主从分清，疏密有致，中问一组起着支撑作用，树高干粗叶茂，两边各一组为辅，只取陪衬作用。处理得自然合乎情理。近景石坡树丛间，小桥曲径隐现，林间幽居的房舍，可见人物行踪。一人转过山石，过小桥，沿着弯曲的小路向坡下的茅屋走去，可见这是一幅诱人的静谧境界。\n整个画面虚实相映，以虚代实，虚实结合。善于利用空白来体现大自然的辽阔、深远。整个画面上疏下密，左实右虚，起到虚实相间，疏密有致，且显示了黑白对比的强烈。全画构图简赅而意蕴深远，前后层次分明，笔墨苍润，水墨淋漓。它不是江南景色的写生，而是以少胜多，以简就繁，以精致的笔墨表达无尽的诗意。而笔法简劲、墨气潮润。作者善用水笔涂抹画面，再用墨笔破之，以此拖泥带水皴法，水墨淋漓之气来表现江南烟雨迷漾之韵致。画近景坡石以秀笔作斧劈皴，充满质感及力度。此画树法以点线为主，树枝干用草率而劲健；山石土坡以线条勾勒轮廓，做到勾皴结合，线面互用，皴中有染，染中有皴，带水斧劈，一气呵成，呈现出水墨淋漓的效果，因此，夏圭山水艺术灵活多样，纵横奔放，精致秀润兼而有之。款署“夏圭”二字，此幅有项元汴、高士奇等藏印共五方。",[94,24,72,25,73,95,52,96,31,97,7,74],"高清","山峦","云雾","山居","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29dd1c63e1b60626ee479c62c6069bd4.jpg",[],72,1,{"id":103,"slug":104,"title":105,"dynasty":18,"author":106,"museum":107,"description":108,"tags":109,"thumbUrl":118,"material":58,"size":119,"collection":37,"collections":120,"showCount":121,"zanCount":101,"manualWeight":11,"mainColor":63},218223,"xue-xi-wan-du-tu-yi-ming-218223","雪溪晚渡图","佚名","南京博物院","此幅作品描绘了冬日雪景，高峰竖立，萧然平静。峡谷瀑布，层层寒流。柴门屋舍，截然生机。一位渔翁打着小舟，悄然归来，是为屋内两位高士送酒来了。画家的用墨富有变化，笔力老练，对自然理解渗透，作品意境之浓，感触深刻。",[24,23,26,25,110,111,112,55,113,114,115,116,117,7],"雪景","高峰","瀑布","屋舍","孤舟","渔翁","高士","饮酒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F365e719109c9e31dc9233143ca682fb9.jpg","105x60.3cm",[37],48,{"id":123,"slug":124,"title":125,"dynasty":46,"author":126,"museum":69,"description":127,"tags":128,"thumbUrl":134,"material":84,"size":85,"collection":36,"collections":135,"showCount":136,"zanCount":11,"manualWeight":11,"mainColor":63},288545,"jiang-cun-qiu-xiao-tu-zhao-ling-rang-288545","江村秋晓图","赵令穰","赵令穰（生卒年不详），字大年，北宋汴京（今河南开封）人，画家。宋太祖赵匡胤五世孙。官至光州防御使﹑崇信军观察留后，卒赠“开府仪同三司”，追封“荣国公”。其孙赵伯驹为宋代著名画家，官至浙东兵马钤辖。赵令穰工画山水、花果、翎毛，笔致秀丽，尤长金碧山水。远师李思训父子。代表作品《风云期会图》《春山图》《阿阁图》《后赤壁图 》《文会图》《鸟雀图》等。留传到现在的有《汉宫图》《阿阁图》《万松金阙图》等。",[24,129,25,73,130,54,55,76,131,132,133,7],"长卷","村落","山石","芦苇","秋晓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e4bf7eee613995343f6bb7227076da9.jpg",[],34,{"id":138,"slug":139,"title":140,"dynasty":18,"author":106,"museum":141,"description":142,"tags":143,"thumbUrl":148,"material":58,"size":149,"collection":37,"collections":150,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":63},218216,"bi-wu-ting-xie-tu-yi-ming-218216","碧梧亭榭图","上海博物馆","这幅画描绘的是一座美丽的亭子和榭廊，位于一片茂密的森林之中。亭子呈方形，由木构建筑搭建而成，四周环绕着一圈小山丘。亭子上方是一座榭廊，榭廊的栏杆由许多小木棍组成，看上去十分精致。\n\n在亭子的中心有一个圆形的池塘，池塘周围种满了许多花草，荷花、菊花、牡丹等各种鲜艳的花朵相互辉映，颜色鲜艳夺目。在池塘中央有一只小鸟儿正在游泳，一群小鸭子在岸边嬉戏。\n\n整幅画非常美丽，构图巧妙，色彩鲜艳，是一幅非常优秀的画作。它所描绘的这座亭子和榭廊，是人们在繁忙的城市生活中的一片净土，是人们放松身心的好去处。它也是一幅富有意境的画作，让人感受到自然的和谐与宁静。",[23,24,144,145,75,56,146,76,147,7],"界画","设色","池塘","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b4393613c35a03edb85252ef3c1dbd1.jpg","26x22cm",[37],27,{"id":153,"slug":154,"title":155,"dynasty":156,"author":157,"museum":158,"description":159,"tags":160,"thumbUrl":166,"material":84,"size":85,"collection":36,"collections":167,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":63},290869,"tong-yin-zhou-jing-tu-zhou-chou-ying-290869","桐阴昼静图轴","明","仇英","台北故宫博物院","仇英（约1498年—约1552年）， 字实父，号十洲，原籍江苏太仓，后移居吴县（今苏州），明代绘画大师。\n仇英出身寒门，幼年失学，曾习漆工，后拜师周臣，成为画家。\n仇英博取众长，集前人之大成，形成自己独特的艺术风格。他山水、花卉、界画、人物、仕女无所不能，既工设色，又善水墨、白描，能运用多种笔法表现不同的对象。 时人把他与周臣、唐寅誉称为院派三大家；后人又把他与沈周、文徵明、唐寅并称为“明四家”。",[23,24,161,162,145,163,73,164,55,112,75,95,165,147,7],"立轴","青绿","工笔","桐树","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8163886d5a7378a788f41f5a260d606.jpg",[],21,{"id":170,"slug":171,"title":172,"dynasty":173,"author":174,"museum":69,"description":175,"tags":176,"thumbUrl":181,"material":84,"size":85,"collection":36,"collections":182,"showCount":183,"zanCount":11,"manualWeight":11,"mainColor":41},290475,"za-hua-ce-luo-pin-290475","杂画册","清","罗聘","罗聘（1733-1799），清代画家，“扬州八怪”之一。字遯夫，号两峰，又号衣云、花之寺僧、金牛山人、师莲老人等。祖籍安徽歙县，其先辈迁居扬州。为金农入室弟子，布衣，好游历。\n人物、佛像、山水、花果、梅、兰、竹等，无所不工，笔调奇创，超逸不群，别具一格。善画《鬼趣图》，画鬼态无不极尽其妙，借以讽世。亦善刻印。金农死后，他搜罗遗稿，出资刻版，使金农的著作得以传于后世。其妻方婉仪，字白莲，亦擅画梅兰竹石，并工于诗。子允绍、允缵，均善画梅，人称“罗家梅派”。\n《清史稿》称罗聘“画无不工”。",[24,177,25,73,178,179,180,7],"册","船只","岸堤","塔楼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ce5e3fdebc1112a48f4c4011f611388.jpg",[],16,{"id":185,"slug":186,"title":187,"dynasty":46,"author":106,"museum":69,"description":188,"tags":189,"thumbUrl":195,"material":84,"size":85,"collection":36,"collections":196,"showCount":197,"zanCount":11,"manualWeight":11,"mainColor":41},289452,"cheng-jiang-bi-xiu-tu-yi-ming-289452","澄江碧岫图","此作为边角取景的山水小品，左实右虚，将江南烟水意蕴纳于尺幅间。峭拔山石以青绿晕染，石色清润雅致，与赭色底色相融，古松苍劲虬曲，栖于岩岸，茅庐隐于林下，野趣悠然。空阔江面之上，数艘扁舟缓行，破开一江澄澈。远景远山以淡墨晕散，隐没于烟霭之中，虚实相映间，江天浩渺的静穆清旷扑面而来。画作简淡清远，以小见大，尽得清隽温润之韵，将寄情山水的幽远意趣藏在每一处晕染勾勒中，尽显江南水色的空灵闲雅。",[72,24,23,162,145,26,190,191,192,193,194,78,54,7],"青山","江水","行舟","林木","茅舍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7decbafa7e5bee3ec097a1a143c123e2.jpg",[],9,{"id":199,"slug":200,"title":201,"dynasty":46,"author":106,"museum":69,"description":202,"tags":203,"thumbUrl":208,"material":84,"size":85,"collection":36,"collections":209,"showCount":210,"zanCount":11,"manualWeight":11,"mainColor":63},290248,"yun-feng-yuan-tiao-tu-yi-ming-290248","云峰远眺图","画面寥寥数笔，勾画出高峰、古树，及奇石、人物等元素，构图及树石写法皆属马远、夏圭一派，中国古代书画鉴定组定为宋人画，且偏于夏圭作品。",[94,24,23,26,25,74,95,204,96,205,206,56,81,207,7],"云峰","古松","枯木","远眺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24d27eb9949fe301128687d27de049b0.jpg",[],5,{"id":212,"slug":213,"title":214,"dynasty":173,"author":106,"museum":69,"description":215,"tags":216,"thumbUrl":224,"material":84,"size":85,"collection":36,"collections":225,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},272875,"zi-tan-mu-bian-xiu-shan-shui-ren-wu-tu-gua-ping-yi-ming-272875","紫檀木边绣山水人物图挂屏","此件绣屏以米黄素绫为地，构图疏朗清寂。左侧奇石叠翠，苍树繁叶以细密针脚绣就，晕染出深浅绿意。凭栏雅士衣袂翩然，静静远眺烟水汀洲，水鹤轻掠平湖，尽绘幽居林下的淡远闲情。\n绣法精妙写实，山石以渐变蓝调施针皴染出层叠肌理，人物衣褶灵动自然。右上绣题诗文，与画意呼应，点明隐逸林下的雅趣。木框錾刻回纹吉饰，烘托古雅沉静氛围。将文人山水的清冷意韵，以丝绒针线晕染勾勒，尽显清代绣画融诗入景的雅致格调，把幽居闲情藏进一针一线之中。",[217,218,219,145,73,81,76,131,54,220,221,222,223,165,7],"挂屏","刺绣","书画","水面","围栏","木质","布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48537f1ffe69a9839d89a88c0e05966e.jpg",[],{"id":227,"slug":228,"title":229,"dynasty":230,"author":106,"museum":69,"description":231,"tags":232,"thumbUrl":246,"material":84,"size":85,"collection":36,"collections":247,"showCount":248,"zanCount":11,"manualWeight":11,"mainColor":41},288708,"william-blake-the-rest-on-the-flight-into-egypt-yi-ming-288708","William Blake--The Rest on the Flight into 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