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主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[79,191,209,7,70,25,68],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3c9ad44a15bcacaf066338f7d7c24bd.jpg",[],{"id":264,"slug":265,"title":266,"dynasty":18,"author":19,"museum":20,"description":133,"tags":267,"thumbUrl":269,"material":32,"size":33,"collection":34,"collections":270,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},273193,"tong-du-jin-qian-song-shi-niu-jiao-bing-qiao-dao-yi-ming-273193","铜镀金嵌松石牛角柄鞘刀",[79,191,70,148,7,218,25,268],"嵌宝工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33eee8adcfd74f8a76da12db09b067a2.jpg",[],{"id":272,"slug":273,"title":274,"dynasty":18,"author":19,"museum":20,"description":133,"tags":275,"thumbUrl":277,"material":32,"size":33,"collection":34,"collections":278,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},273192,"niu-jiao-xiang-tong-du-jin-qiao-dao-yi-ming-273192","牛角镶铜镀金鞘刀",[79,191,7,139,276],"实用器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb39c0e53dc6bf9b4938adc2fa8f36c49.jpg",[],{"id":280,"slug":281,"title":282,"dynasty":18,"author":19,"museum":20,"description":133,"tags":283,"thumbUrl":284,"material":32,"size":33,"collection":34,"collections":285,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},273191,"niu-jiao-xiang-tong-qiao-dao-yi-ming-273191","牛角镶铜鞘刀",[79,191,7,70,147,68],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe406379c1d555c47883e444c757c2e8d.jpg",[],{"id":287,"slug":288,"title":289,"dynasty":18,"author":19,"museum":20,"description":133,"tags":290,"thumbUrl":293,"material":32,"size":33,"collection":34,"collections":294,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},273187,"ying-mu-bao-tong-du-jin-niu-jiao-bing-qiao-dao-yi-ming-273187","硬木包铜镀金牛角柄鞘刀",[79,69,291,139,7,192,147,25,135,292],"硬木","筷子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0fac2da2cd338a8870a0c988ef5cb07d.jpg",[],{"id":296,"slug":297,"title":298,"dynasty":18,"author":19,"museum":20,"description":299,"tags":300,"thumbUrl":302,"material":32,"size":33,"collection":34,"collections":303,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},273185,"mu-diao-yun-long-niu-jiao-bing-qiao-dao-yi-ming-273185","木雕云龙牛角柄鞘刀","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[79,25,27,24,7,148,147,301],"木雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdea52a25cbe7ba9fd7a0da0324f1940b.jpg",[],{"id":305,"slug":306,"title":307,"dynasty":18,"author":19,"museum":20,"description":308,"tags":309,"thumbUrl":313,"material":32,"size":33,"collection":34,"collections":314,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},272617,"xiang-ya-guan-niu-jiao-dou-lang-hao-ti-bi-yi-ming-272617","象牙管牛角斗狼毫提笔","莹洁修长的象牙笔管质地温润细腻，自带清润雅致的质感。牛角笔斗错饰金彩卷草纹，缠枝回转、繁丽灵动，将素净与华贵精妙相融，尽显錾刻工艺的不俗匠心。饱满挺括的狼毫笔锋锋颖锐利，兼顾书写实用性与陈设观赏性。\n\n整器形制沉稳舒展，清式工艺的内敛精致尽数体现，将材质禀赋与工艺巧思融会贯通，静静承载着旧时文房案头的风雅意趣，是文房雅器里的上乘佳构。",[310,192,311,7,312],"笔","狼毫","文房器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbfa39c9d21cb5208e3815cc1f44bf817.jpg",[],{"id":316,"slug":317,"title":318,"dynasty":18,"author":19,"museum":20,"description":133,"tags":319,"thumbUrl":322,"material":32,"size":33,"collection":34,"collections":323,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},269621,"xi-jiao-diao-yun-long-wen-qian-song-shi-shan-hu-qiao-niu-jiao-bing-xiao-dao-yi-ming-269621","犀角雕云龙纹嵌松石珊瑚鞘牛角柄小刀",[68,79,25,27,320,136,7,321],"云龙纹","嵌宝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2003f83b7df8a51f73589dc4359b2957.jpg",[],{"id":325,"slug":326,"title":327,"dynasty":18,"author":19,"museum":20,"description":328,"tags":329,"thumbUrl":331,"material":32,"size":33,"collection":34,"collections":332,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},268651,"niu-ji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